I Just Love This So Much - Tumblr Posts

The Hangster Nightmare Comic!

[Click for better quality, reblogs and tags are HIGHLY appreciated as this took a very long time <3]

Full comic below the cut!

let Moon be a dramatic lil demon but also soft and Sun suffer them both

I FINISHED THE VIDEO!!!

I’ll never understand why anthropomorphic animal cartoons like Robin Hood and Zootopia will go to the trouble of creating character designs that are meant to be understood as “attractive” or even “sexy” to the human audience but explicitly avoid showing interspecies romances between anthropomorphic animals. Why is THAT weird but, like, trying to make rabbits recognizably sexy-coded to humans isn’t?

Older Brother!Slider with Baby Brother!Ice

Okay, so another contribution rant to the Top Gun Fandom:

Big Brother Slider, but ONLY, ONLY to Ice. And not the generic sibling relationship, no, but Ice is his Baby Brother.

For any who don't have that 'Baby' Sibling, as an eldest child, let me explain: A sibling is a younger, less better, version of yourself because your parents were a bit delusional and now there is Another™.

HOWEVER, a Baby Sibling, a BABY Sibling? No, they are essentially your own child, typically the youngest, they are your pride and joy, and when I tell you that with a Baby Sibling you become so protective over them you would commit horrible crimes for them- literally becoming an attack dog on a leash held by said Baby Sibling, that is a true Baby Sibling/Older Sibling relationship. The minute they are born they're just, your child, like so what the birth certificate says that their parents are my parents, that's obviously a lie. They legitimately become your child in more ways than one, whose only role in life is to be happy and loved. And this is SO the relationship between Slider and Ice.

Ice is the Baby Sibling™, with Slider as the protective older brother. Slider makes sure that Ice is happy, and cared for/loved, protected, everything for the Baby™. I cannot explain enough how much I love this head-cannon, and all the proof I'll ever need to explain it is this one GIF;

Look at Slider, the protective arm around the shoulder, the glare, the judgement in his very being, the way his jaw tenses-, compared to Ice, who is just sitting there, not even noticing, focusing on something else all happy like (Or as happy as Ice can get while in Ice-man mode (Or as happy as one can get when translating languages, if you saw my other post about Russian!Ice ;D)).

Slider nearly getting kicked out of the Top Gun program due to beating a fellow pilot unconscious because he DARED shit talk Ice

So they never gave Slider a DOB/specified age in Top Gun, but his actor, Rick Rossovich is 2 years older than Val Kilmer, so that only furthers the point of Slider's Older Brother Agenda

One time Goose was showing Ice how to cartwheel after Ice was interested in how he did it on the deck of the ship they were stationed on and Slider refused to allow Ice to do it because "What if he falls and cracks his skull open on the tarmac Goose!"

When reassured that Ice cracking his skull open isn't going to happen, and Goose was only going to demonstrate, Slider still wont budge on it. Ice never learned how to do a cartwheel to this day

Ice's foot getting caught in the track and wheels of a stationary, not turned on/working tank on accident and one singular, quiet, whispered "ow" after pulling it out of said track/wheel, was all it took to have Slider screaming his head off carrying Ice into medical absolutely positive that Ice just "Broke his own god-damn ankle, GET A MEDIC-"

Someone shoving past Ice on their way to the mess hall in a rush, causing Ice to stumble back literally 2 steps, and Slider getting in their face, slamming them into a wall with a "I swear you put your hands on Ice one more time, your not gonna have hands AT ALL"

He then slings his arm around Ice's shoulder and directs him to the mess hall, glaring at any poor soul who dared look in Ice's direction

They were at the bar and a woman started to approach Ice, who, of course was not noticing (he only has eyes for a 5'7" gremlin named Mav), and Slider shuts that down REAL QUICK. Like, no, not today Lilith, pick a different naval guy-

Give Mav The Talk when he notices Mav giving eyes to Ice, and Goose because Slider can never be too sure, and everyone observing this is sitting there like 'what the actual fuck' after Slider threatens to, and I quote, "French braid your fuckin' nervous system you shitty dwarf" towards Maverick amongst other colorful threats

It gets to the point where Slider is so protective over Ice, people don't ask Ice anything without looking to Slider for some kind of acceptance or denial, like;

Hollywood: Hey Ice do you wanna- Slider, the coldest look ever seen, actively dropping the temperature in the room while promising a slow and tortuous death: Hollywood: -help me figure out this trajectory angle equation for this [classified] mission? Ice, absolutely oblivious to the entire situation: Sure? I guess?

Its single-handedly the funniest and most terrifying thing to ever happen in Top Gun history, aside from whoever decided to put Maverick Mitchell in a plane

And the cherry on top is that Ice DOESN'T HAVE A CLUE at the entire situation

When someone tries saying how terrifying Slider is to Ice he just brushes it off, like, "Oh Slider? No he's very nice, he even walks with me wherever I have to go in the day. He's all bark and no bite"

And everyone in the immediate vicinity just looking at Ice either with pity or like he's stupid because he doesn't know

He never figures it out either

(This overprotectiveness doubles, if not triples when he meets baby Bradley Bradshaw, and Slider just cant compute because now there is another person who has my undying love and protection-)

(Goose once lost Bradley on a very important, very large Naval destroyer and the entirety of the Top Gun Class of '86 is frantically searching the entire ship before Viper finds out and one of them just stumbling into Slider sitting on a couch with Ice and Bradley just absolutely passed out, sleeping like a brick, essentially using him as human furniture, and the look Slider gives them promises a 100 years of death if they wake either of them up-)

(After Goose's death when baby Bradley lives with IceMav, he just clings onto Slider whenever he's over because "I feel safest with Pops, but Pops feels safest with Uncle Sli', so I'm safest-est with Uncle Sli'")

(Mav doesn't know whether to cry because that is so cute- or be annoyed that Slider is preferred over himself)

(After Bradley reconciles with Mav, he's caught sleeping(read absolutely dead to the world) on Slider's chest like when he was as a child and no one knowing what to do because "Rooster that is a 2-STAR ADMIRAL OF THE US NAVY-" Slider is just like "I'm safest-est", and Bradley sleepily chiming in with a "safest-est" and deciding to just go back to sleep like nothing happened)

district 7 and noah kahan my two favorite things

and since i know exactly zero people asked, here's an entire post on how stick season belongs to my district 7 kids and my district 7 kids alone.

starting off strong with joanna mason who frankly could have been noah kahan's sole muse in writing this shit. who will never not be the first person i think of when listenting to "orange juice," if not soley for the lyric "it made you a stranger/ it filled you with anger." the song, to its credit is largely about sobriety, but also so much so about the manner in which a person is changed by the consequences of their own actions, which here is the car crash. still, i can't help but think of the way it mirrors her situation entirely, having contributed to the deaths of anyone she held dear through speaking out and refusing the captiol's wishes. on top of that, we are left with this character who has likely grown to resent the place from which she came for what it has come to represent.

i truly feel that i probably don't even need to connect the dots between joanna and "northern attitude," but for shits and giggles, "if i get too close/ and i'm not how you hoped/ forgive my northern attitude/ oh, i was raised out in the cold." nothing, in my mind, truly captures the division we feel between katniss and joanna in catching fire like these lyrics here. and sure, joanna was never the biggest fan of the other girl, but we do eventually see a friendship of sorts, both clouded and grounded in the two womens' mutual respect for one anothers' detatched aspects, far less warm than say peeta, or finnick.

finally, "the view between villages," which, as one of the only victors we see from 7, is such a gut-wrenching song when thought of with joanna in mind. "a minute from home, but i feel so far from it." this for the woman taken from her family to play in the games, only to return, likely traumatized, with her perspective on her district ultimatley changed and forever altered by the death of cede family at the hands of the capitol. "it's all washin' over me, i'm angry again/ the things that i lost here, the people i knew." again, this sentiment of frustration at returning home and the memories it brings about. and then of course, the obvious allusion made by the literal view between villages, a perfect means of capturing joanna's new life as a victor, pulled between the capitol and her home that no longer feels like it once did.

moving on to treech (or at least the version we see in the movie) who i think is probably best represented by "halloween." i find that i can often etch out meaning in every lyric of this song when it comes to him and specifically his relationship with lamina and the way it seems to haunt him after her death and even before. early in the song we get the lyric "i worry for you, you worry for me," which i feel really digs into their initial and even lingering dynamic: the way treech moves to protect her when shots are fired at the zoo and the obvious attachment she feels for him in return. then we have "the wreckage of you i no longer reside in/ the bridges have long since been burnt." here i have to imagine the wreckage as a sort of symbolic stand in for the state lamina is in throughout the lead up to the games, with the burned bridges obviously being when he turns his back on her. "it's not halloween, but the ghost you dressed up as/ sure knows how to haunt." i have to imagine treech spends the remainder of the games, and his life sort of haunted by what took place the day coral and mizzen killed lamina, we can see it on his face, this sort of all consuming guilt, but then that lyric is followed with "it's an ode to the hole that i/ found myself stuck in/ a song for the grave that i dug," and this is really the nail in the coffin for me, as suddenly this feels like the perfect song to capture the sort of complex grief he may have felt, mourning her loss, regretting the betrayal, and ultimately laying some of the blame on himself.

now this one i feel hinges a bit more on my own personal headcannons, but i see so much of "paul revere" in treech as well. we have this kid here who does his best to sort of distance himself from the one thing tying him to his home, likely for better odds of survival, but it still feels a bit like a betrayal of his district. i think symbolically, the home represented by the song here has to be taken as representing lamina, because i cannot imagine treech would fight so hard to win the games, even leaving his own district partner if it wasn't out of sheer desperation to return. still, a lot of the imagery here certainly conjures the 7 i see when i picture the district, sort of rural and cold, with mentions of the mountains we know 7 would have (being around the washington area). but in this case i'm looking specifically at the lyrics "and when they ask me who i am/ i'll say, "i'm not from around here"," which for me conjures the moment treech abandons lamina during the arena tour and the way it represents a sort of abandonment of his previous identity in favor of survival. there's also "it's typical, i fear/ folks just disappear," which i think can be read both as the way people would likely disappear from 7 over the years due to the games, but also the way that even if they returned, it was changed.

finally, my beautiful girl, lamina, who, more than any other song on the album, captures the essence of "come over". this connection also moves a bit into my own personal headcannons for lamina and specifically her relationship with treech, but even outside of that, the song's very first lyrics resonant so deeply with her situation: "i'm in the business of losing your interest/ and i turn a profit each time that we speak," mirroring the way treech pulls away, leaving her before the games have even begun. also, we have the lyric "so when they mention the sad/ kid in the sad house on balch street/ you won't have to guess who they're speaking about," which for this girl who i think we can assume has always been a sort of gentle force makes so much sense. now we kind of get into opinions of mine, but i've always imagined treech and lamina as maybe childhood friends or cousins, with lamina being a bit better off, and therefore treech spending a good deal of time at her house when they were young (in my mind it also sort of contributes to the way the betrayal went down with lamina, who lead a somewhat easier life growing up having a lower inclination towards survival and treech having a bit of stored up resentment for the conditions he was raised in in contrast with hers). that's why for me the idea of this song is so strongly tied to lamina, beckoning him to come over, to stay the night, to take comfort in the safety of her home (tbh i might write a oneshot about this). also, the lyrics "i know that it ain't much/ i know that it ain't cool/ oh, you don't have to tell/ the other kids at school." i can totally see treech as a kid being a bit embarrased of this companion who can barely stand her own ground and lamina who knows this giving him what she can anyways because that is the kind of person she is.

also, last one i promise, but "you're gonna go far," which for me also conjures pre-games treech and lamina and the way that he likely had this idea that she would make something of her life before everything went to hell. and even outside of that, lamina to me, will always represent the lyric "you're the greatest thing we've lost," with her unabashed kindness and bravery and the way district 7 probably mourned for the quiet girl with the red hair who always had the power to do more.

district 7 and noah kahan my two favorite things

and since i know exactly zero people asked, here's an entire post on how stick season belongs to my district 7 kids and my district 7 kids alone.

starting off strong with joanna mason who frankly could have been noah kahan's sole muse in writing this shit. who will never not be the first person i think of when listenting to "orange juice," if not soley for the lyric "it made you a stranger/ it filled you with anger." the song, to its credit is largely about sobriety, but also so much so about the manner in which a person is changed by the consequences of their own actions, which here is the car crash. still, i can't help but think of the way it mirrors her situation entirely, having contributed to the deaths of anyone she held dear through speaking out and refusing the captiol's wishes. on top of that, we are left with this character who has likely grown to resent the place from which she came for what it has come to represent.

i truly feel that i probably don't even need to connect the dots between joanna and "northern attitude," but for shits and giggles, "if i get too close/ and i'm not how you hoped/ forgive my northern attitude/ oh, i was raised out in the cold." nothing, in my mind, truly captures the division we feel between katniss and joanna in catching fire like these lyrics here. and sure, joanna was never the biggest fan of the other girl, but we do eventually see a friendship of sorts, both clouded and grounded in the two womens' mutual respect for one anothers' detatched aspects, far less warm than say peeta, or finnick.

finally, "the view between villages," which, as one of the only victors we see from 7, is such a gut-wrenching song when thought of with joanna in mind. "a minute from home, but i feel so far from it." this for the woman taken from her family to play in the games, only to return, likely traumatized, with her perspective on her district ultimatley changed and forever altered by the death of cede family at the hands of the capitol. "it's all washin' over me, i'm angry again/ the things that i lost here, the people i knew." again, this sentiment of frustration at returning home and the memories it brings about. and then of course, the obvious allusion made by the literal view between villages, a perfect means of capturing joanna's new life as a victor, pulled between the capitol and her home that no longer feels like it once did.

moving on to treech (or at least the version we see in the movie) who i think is probably best represented by "halloween." i find that i can often etch out meaning in every lyric of this song when it comes to him and specifically his relationship with lamina and the way it seems to haunt him after her death and even before. early in the song we get the lyric "i worry for you, you worry for me," which i feel really digs into their initial and even lingering dynamic: the way treech moves to protect her when shots are fired at the zoo and the obvious attachment she feels for him in return. then we have "the wreckage of you i no longer reside in/ the bridges have long since been burnt." here i have to imagine the wreckage as a sort of symbolic stand in for the state lamina is in throughout the lead up to the games, with the burned bridges obviously being when he turns his back on her. "it's not halloween, but the ghost you dressed up as/ sure knows how to haunt." i have to imagine treech spends the remainder of the games, and his life sort of haunted by what took place the day coral and mizzen killed lamina, we can see it on his face, this sort of all consuming guilt, but then that lyric is followed with "it's an ode to the hole that i/ found myself stuck in/ a song for the grave that i dug," and this is really the nail in the coffin for me, as suddenly this feels like the perfect song to capture the sort of complex grief he may have felt, mourning her loss, regretting the betrayal, and ultimately laying some of the blame on himself.

now this one i feel hinges a bit more on my own personal headcannons, but i see so much of "paul revere" in treech as well. we have this kid here who does his best to sort of distance himself from the one thing tying him to his home, likely for better odds of survival, but it still feels a bit like a betrayal of his district. i think symbolically, the home represented by the song here has to be taken as representing lamina, because i cannot imagine treech would fight so hard to win the games, even leaving his own district partner if it wasn't out of sheer desperation to return. still, a lot of the imagery here certainly conjures the 7 i see when i picture the district, sort of rural and cold, with mentions of the mountains we know 7 would have (being around the washington area). but in this case i'm looking specifically at the lyrics "and when they ask me who i am/ i'll say, "i'm not from around here"," which for me conjures the moment treech abandons lamina during the arena tour and the way it represents a sort of abandonment of his previous identity in favor of survival. there's also "it's typical, i fear/ folks just disappear," which i think can be read both as the way people would likely disappear from 7 over the years due to the games, but also the way that even if they returned, it was changed.

finally, my beautiful girl, lamina, who, more than any other song on the album, captures the essence of "come over". this connection also moves a bit into my own personal headcannons for lamina and specifically her relationship with treech, but even outside of that, the song's very first lyrics resonant so deeply with her situation: "i'm in the business of losing your interest/ and i turn a profit each time that we speak," mirroring the way treech pulls away, leaving her before the games have even begun. also, we have the lyric "so when they mention the sad/ kid in the sad house on balch street/ you won't have to guess who they're speaking about," which for this girl who i think we can assume has always been a sort of gentle force makes so much sense. now we kind of get into opinions of mine, but i've always imagined treech and lamina as maybe childhood friends or cousins, with lamina being a bit better off, and therefore treech spending a good deal of time at her house when they were young (in my mind it also sort of contributes to the way the betrayal went down with lamina, who lead a somewhat easier life growing up having a lower inclination towards survival and treech having a bit of stored up resentment for the conditions he was raised in in contrast with hers). that's why for me the idea of this song is so strongly tied to lamina, beckoning him to come over, to stay the night, to take comfort in the safety of her home (tbh i might write a oneshot about this). also, the lyrics "i know that it ain't much/ i know that it ain't cool/ oh, you don't have to tell/ the other kids at school." i can totally see treech as a kid being a bit embarrased of this companion who can barely stand her own ground and lamina who knows this giving him what she can anyways because that is the kind of person she is.

also, last one i promise, but "you're gonna go far," which for me also conjures pre-games treech and lamina and the way that he likely had this idea that she would make something of her life before everything went to hell. and even outside of that, lamina to me, will always represent the lyric "you're the greatest thing we've lost," with her unabashed kindness and bravery and the way district 7 probably mourned for the quiet girl with the red hair who always had the power to do more.

district 7 and noah kahan my two favorite things

and since i know exactly zero people asked, here's an entire post on how stick season belongs to my district 7 kids and my district 7 kids alone.

starting off strong with joanna mason who frankly could have been noah kahan's sole muse in writing this shit. who will never not be the first person i think of when listenting to "orange juice," if not soley for the lyric "it made you a stranger/ it filled you with anger." the song, to its credit is largely about sobriety, but also so much so about the manner in which a person is changed by the consequences of their own actions, which here is the car crash. still, i can't help but think of the way it mirrors her situation entirely, having contributed to the deaths of anyone she held dear through speaking out and refusing the captiol's wishes. on top of that, we are left with this character who has likely grown to resent the place from which she came for what it has come to represent.

i truly feel that i probably don't even need to connect the dots between joanna and "northern attitude," but for shits and giggles, "if i get too close/ and i'm not how you hoped/ forgive my northern attitude/ oh, i was raised out in the cold." nothing, in my mind, truly captures the division we feel between katniss and joanna in catching fire like these lyrics here. and sure, joanna was never the biggest fan of the other girl, but we do eventually see a friendship of sorts, both clouded and grounded in the two womens' mutual respect for one anothers' detatched aspects, far less warm than say peeta, or finnick.

finally, "the view between villages," which, as one of the only victors we see from 7, is such a gut-wrenching song when thought of with joanna in mind. "a minute from home, but i feel so far from it." this for the woman taken from her family to play in the games, only to return, likely traumatized, with her perspective on her district ultimatley changed and forever altered by the death of cede family at the hands of the capitol. "it's all washin' over me, i'm angry again/ the things that i lost here, the people i knew." again, this sentiment of frustration at returning home and the memories it brings about. and then of course, the obvious allusion made by the literal view between villages, a perfect means of capturing joanna's new life as a victor, pulled between the capitol and her home that no longer feels like it once did.

moving on to treech (or at least the version we see in the movie) who i think is probably best represented by "halloween." i find that i can often etch out meaning in every lyric of this song when it comes to him and specifically his relationship with lamina and the way it seems to haunt him after her death and even before. early in the song we get the lyric "i worry for you, you worry for me," which i feel really digs into their initial and even lingering dynamic: the way treech moves to protect her when shots are fired at the zoo and the obvious attachment she feels for him in return. then we have "the wreckage of you i no longer reside in/ the bridges have long since been burnt." here i have to imagine the wreckage as a sort of symbolic stand in for the state lamina is in throughout the lead up to the games, with the burned bridges obviously being when he turns his back on her. "it's not halloween, but the ghost you dressed up as/ sure knows how to haunt." i have to imagine treech spends the remainder of the games, and his life sort of haunted by what took place the day coral and mizzen killed lamina, we can see it on his face, this sort of all consuming guilt, but then that lyric is followed with "it's an ode to the hole that i/ found myself stuck in/ a song for the grave that i dug," and this is really the nail in the coffin for me, as suddenly this feels like the perfect song to capture the sort of complex grief he may have felt, mourning her loss, regretting the betrayal, and ultimately laying some of the blame on himself.

now this one i feel hinges a bit more on my own personal headcannons, but i see so much of "paul revere" in treech as well. we have this kid here who does his best to sort of distance himself from the one thing tying him to his home, likely for better odds of survival, but it still feels a bit like a betrayal of his district. i think symbolically, the home represented by the song here has to be taken as representing lamina, because i cannot imagine treech would fight so hard to win the games, even leaving his own district partner if it wasn't out of sheer desperation to return. still, a lot of the imagery here certainly conjures the 7 i see when i picture the district, sort of rural and cold, with mentions of the mountains we know 7 would have (being around the washington area). but in this case i'm looking specifically at the lyrics "and when they ask me who i am/ i'll say, "i'm not from around here"," which for me conjures the moment treech abandons lamina during the arena tour and the way it represents a sort of abandonment of his previous identity in favor of survival. there's also "it's typical, i fear/ folks just disappear," which i think can be read both as the way people would likely disappear from 7 over the years due to the games, but also the way that even if they returned, it was changed.

finally, my beautiful girl, lamina, who, more than any other song on the album, captures the essence of "come over". this connection also moves a bit into my own personal headcannons for lamina and specifically her relationship with treech, but even outside of that, the song's very first lyrics resonant so deeply with her situation: "i'm in the business of losing your interest/ and i turn a profit each time that we speak," mirroring the way treech pulls away, leaving her before the games have even begun. also, we have the lyric "so when they mention the sad/ kid in the sad house on balch street/ you won't have to guess who they're speaking about," which for this girl who i think we can assume has always been a sort of gentle force makes so much sense. now we kind of get into opinions of mine, but i've always imagined treech and lamina as maybe childhood friends or cousins, with lamina being a bit better off, and therefore treech spending a good deal of time at her house when they were young (in my mind it also sort of contributes to the way the betrayal went down with lamina, who lead a somewhat easier life growing up having a lower inclination towards survival and treech having a bit of stored up resentment for the conditions he was raised in in contrast with hers). that's why for me the idea of this song is so strongly tied to lamina, beckoning him to come over, to stay the night, to take comfort in the safety of her home (tbh i might write a oneshot about this). also, the lyrics "i know that it ain't much/ i know that it ain't cool/ oh, you don't have to tell/ the other kids at school." i can totally see treech as a kid being a bit embarrased of this companion who can barely stand her own ground and lamina who knows this giving him what she can anyways because that is the kind of person she is.

also, last one i promise, but "you're gonna go far," which for me also conjures pre-games treech and lamina and the way that he likely had this idea that she would make something of her life before everything went to hell. and even outside of that, lamina to me, will always represent the lyric "you're the greatest thing we've lost," with her unabashed kindness and bravery and the way district 7 probably mourned for the quiet girl with the red hair who always had the power to do more.

💞

[replace ‘daughter’ with ‘son’] THE MOST PROTECTIVE OF THE LITTLE BIG CHILD.

he just loves u so much ok

Reblogging so I never forget this piece of art

our hearts only // you and inumaki have come up with a secret language.

inumaki gently tugs at your sleeve as the train doors begin to close. his index finger carefully traces a shape on the back of your palm, and though you don’t have to face him to know what he wants to say, you turn to watch him anyway.

your secret language does not consist of words or sounds.

on your skin, he outlines a distinct diamond with a circle drawn inside of it. are you tired?

as soon as he finishes, he looks up at you, glimmering silver strands falling over his eyes as the setting sun races with the train. it’s been something of a long day.

Keep reading

❤️

He was a punk. She did ballet.

Opposite sometimes.

Bards from our current DnD campaign.