Jjk 236 - Tumblr Posts

i read the chapter, im sobbingf rn

FUCK YOU AKUTAMI HOW COULD YOU TWICE IN THE SPAN OF 24 HOURS HOW COULD YOU DO THIS TO ME HE WAS A GIFT

I can't believe Gojo came back on my birthday thanks Gege I love the gift 🥹🥹

For those who say that Satoru Gojo lost unfairly against Sukuna, they forget that we are talking about an ancient sorcerer from the Heian era in the golden age of sorcery and he was not just any sorcerer but the strongest of that time. Sukuna had a huge amount of experience as well as being quite smart because Sukuna wanted to see what Mahoraga was capable of and saw his fight against Satoru as the perfect opportunity to use the shikigami and to do so he made Gojo think that he could beat him if he used his domain extension and although he looked as bad as Satoru by letting himself be attacked by it, actually every time Satoru used the Infinite Void he was only strengthening Mahoraga.

Sukuna conditioned the fight so that he would win with the shikigami, but if Sukuna had wanted, he could have ended the fight much earlier by using Domain Amplification (the improved version of Simple Domain) in each domain extension clash he had with Satoru, avoiding suffering damage from the latter, and when Satoru couldn't use his domain extension and his Limitless Technique to protect himself due to the wear and tear on his brain, Sukuna would eliminate him using the Malevolent Shrine. If it were not for Sukuna's whim of wanting to use Mahoraga, he would have beaten Satoru and it is even implied that Sukuna allowed himself to be hit so that Mahoraga would adapt to Satoru's infinity.

Even in their activation of domains Gojo had to destroy and regenerate his brain five times while Sukuna didn't have this problem, this is because Sukuna didn't lose his domain as many times as Satoru because we must not forget that Sukuna's domain doesn't need barrier like Gojo's so it was easier to destroy Satoru's domain than Sukuna's.

For those who say that Satoru Gojo lost unfairly against Sukuna, they forget that we are talking about an ancient sorcerer from the Heian era in the golden age of sorcery and he was not just any sorcerer but the strongest of that time. Sukuna had a huge amount of experience as well as being quite smart because Sukuna wanted to see what Mahoraga was capable of and saw his fight against Satoru as the perfect opportunity to use the shikigami and to do so he made Gojo think that he could beat him if he used his domain extension and although he looked as bad as Satoru by letting himself be attacked by it, actually every time Satoru used the Infinite Void he was only strengthening Mahoraga.

Sukuna conditioned the fight so that he would win with the shikigami, but if Sukuna had wanted, he could have ended the fight much earlier by using Domain Amplification (the improved version of Simple Domain) in each domain extension clash he had with Satoru, avoiding suffering damage from the latter, and when Satoru couldn't use his domain extension and his Limitless Technique to protect himself due to the wear and tear on his brain, Sukuna would eliminate him using the Malevolent Shrine. If it were not for Sukuna's whim of wanting to use Mahoraga, he would have beaten Satoru and it is even implied that Sukuna allowed himself to be hit so that Mahoraga would adapt to Satoru's infinity.

Even in their activation of domains Gojo had to destroy and regenerate his brain five times while Sukuna didn't have this problem, this is because Sukuna didn't lose his domain as many times as Satoru because we must not forget that Sukuna's domain doesn't need barrier like Gojo's so it was easier to destroy Satoru's domain than Sukuna's.

So... I keep reading about JJK236 spoilers and I am NOT READY TO READ THE CHAPTER.

But, I can't wait to see what end holds, and really hope yutta isn't next, though I think maybe it would be maki, or even shoko, or someone that we may least expect to die next.

Though, I wonder if gojo will come back or in the next chapter maybe it'll show gojo slowly... reconnecting?

Literally no one talk to me

*SPOILER FOR JJK. IF YOU ARE AN ANIME ONLY, RUUNNNN!!!!*

This is tragic and eerie💀💀 the fact that Gojo was lonely this whole time since Geto's betrayal and death justified why he fought Sukuna on this day. He of course wanted to win, but if he did die (which he did in chapter 236, then it was to reunite with Geto, the person that wasn't just his best friend, but his strongest rival, partner in crime, and the person he loved dearly whether it was platonic love or not. But when you really think about it, those acts of immaturity, arrogance, comedy and obnoxiousness was a façade to hide his pain and loneliness, as well as give hope to those around him since until chapter 236, he was the strongest sorcerer.

Gojo and Geto are such tragic characters😔

geto and gojo went on that mission together and saved miminana then they graduate and become teachers, toji is working through his gambling addiction and trying to raise megumi and tsumiki with shiu’s help, haibara barely missed a fatal blow on that mission and he and nanami brought the souvenir sweets back, riko and kuroi live in okinawa and are safe, and NOTHING BAD HAS EVER HAPPENED TO THEM.

Are You Satisfied?

As you might have heard chapter 236 of Jujutsu Kaisen ends with the death of Gojo Satoru. The fandom is making a pretty big deal about it. As someone who predicted from the beginning that Gojo was going to lose against Sukuna, the reaction is fascinating to me. This is perhaps the most controversial chapter of Jujutsu Kaisen I've ever seen. So I've decided to throw my hat into the ring.

The central theme of Jujutsu Kaisen is death, so the death of one of the main characters isn't too surprising, but what does Gojo's death mean for the story? What does it say about his character?

As I said above I am a little bit shocked by the extreme controversy over Gojo's death. Gojo was never going to win the fight in the first place, because Jujutsu Kaisen is a story and the story would be over if he defeated Sukuna. He'd easily be able to take care of Kenjaku afterwards and the main conflcit would be resolved. Would it really be an interesting story if Gojo one shotted the villains while the kids just wathced on Television?

The story is also not about Gojo, it's about the students. Gojo may think he's the protagonist of reality but he's not the protagonist of the story.

Once again, Jujutsu Kaisen is a story and stories have themes. We may grow personally attached to characters, but characters are just narrative tools to convey the themes of a story, no different from prose, dialogue, and art. Characters are a tool to be used well or used poorly, and sometimes yes that means killing them. Whether Gojo's death was naratively satisfying though isn't the purpose of this post though we're only asking what does it mean?

Finally, Jujutsu Kaisen is not only a fictional story, it's specifically a tragedy. Full disclosure, it's a manga about death.

The Protagonist of a Tragedy

So, number one shout out to me for making this post 4 months ago where I called the way Gojo would end the fight.

Excuse me while I fist pump for calling it!

The question on everyone's minds is why does one of the most powerful characters in the manga die offscreen in a pretty humiliating way, cut in half and helpless on the ground just like Kaneki. The reason Gojo didn't get a more heroic (or cooler) death is because we're not reading My Hero Academia, this is not a story about heroes or even a typical Shonen manga it is a tragedy.

In poetics Aristotle defines tragedy as:

"an imitation of an action that is serious, complete, and of a certain magnitude; in language embellished with each kind of artistic ornament, the several kinds being found in separate parts of the play; in the form of action, not of narrative; through pity and fear effecting the proper purgation of these emotions" (51).

To paraphrase a tragedy is about human action, actions characters make in a tragedy often have dire consequences. One of the most common consequences if the reversal of a hero's fortune, a hero of a tragedy usually starts out on top and ends up on the bottom because of the bad choices they make. If in normal shonen manga characters overcome their flaws through effort and persistence, in Jujutsu Kaisen we see characters more often than not lose to their flaws.

The reason I posted that Kaneki panel specifically is because it was a brilliant moment of narrative punishment for Kaneki's central character flaw. Kaneki the hero's main flaw is that he always fights alone, and he constantly makes that same choice over and over again to fight alone. One of the characters helpfully explains it as well.

Stories are primarily about change. If a character doesn't change they're not serving the plot, unless that specifically is the point. People have pointed out how abrupt it is for Gojo to get sealed in Shibuya, get let out, and then immediately die afterwards but that's kind of the point. Gojo made more or less the exact same choice (he asked for Utahime's help for a buff but otherwise fought the entire battle himself). The definition of insanity and what not, why would doing the same thing over and over again net him a different result?

Not only did Gojo choose to fight alone, but as I've been hammering on and on about in previous meta the entire fight Gojo cared more about fighting a strong opponent then he did saving Megumi, the child he was responsible for.

Jujutsu Kaisen is not a typical shonen manga where everything is resolved by beating a strong villain in a fight. That's specifically why I used the Tokyo Ghoul reference, because the reason Kaneki is defeated offscreen like that is because he thought the world worked like a shonen manga. He has a fantasy sequence where he's fighting Juzo in a shonen battle tournament like this is Yu Yu Hakusho right before it snaps back to reality and he's limbless on the ground.

Gojo is a major character in the manga Jujutsu Kaisen, literally "Sorcery Fight" and he is the best sorcerer in the whole world. His entire identity revolves around being a sorcerer. Since he is so good and beloved at what he does, he thinks that everything is resolved by exorcising a curse or defeating a strong opponent. He has basically no identity outside of that. Which is why when he's fighting the possessed body of his student, a person he's been mentoring since childhood his priority is not to save Megumi but to beat a strong opponent. Gojo is a sorcerer, before a human being. That's who he is, that's who he always has been since day one.

I think part of the negative fan reaction comes from fans being really attached to this scene in the manga and deciding Gojo's entire character revolves around being a good mentor figure to children.

Which is just incorrect, Gojo's entire character revolves around being the strongest. On top of that though, Gojo can care about children and also care about being the strongest he can care about multiple things at once and have those things contradict each other because humans are complicated. I'd point out even in this panel where he's stating motivation he's not trying to raise these kids up into being healthy adults, he wants them to be strong Jujutsu Sorcerers. Even when he's raising kids, his intention is to turn them into Jujutsu Sorcerers because everything in Gojo's mind revolves around Jujutsu Sorcery. Gojo does not exist outside of the world of sorcerers. Gojo may be the chosen one but he'd never be able to hold down a job at Mcdonalds.

I think in general readers put more investment in the things characters say out loud, rather than their actions. You can say one thing and do another. I can say "I should never eat sweets again I'm going to improve my diet", and then go and eat ice cream five hours later. Gojo can state out loud his intention to foster children and protect their youths, but then fail to properly do that in the story. Characters are not always what they say they are, that's why they're interesting to interpret. This isn't me calling the readers stupid, just pointing out that Gojo is made up of contradictions. He wants to get rid of the old guard and replace them with something new, but Gojo IS THE OLD GUARD.

If the culling games arc has shown us one thing, it's that ancient sorcerers brought to the modern age do not care that much about human life on an individual level, they are all of them egoists. There's a reason Gojo resembles someone like Sukuna more than he does any other character in the manga. I'm not saying Gojo is exactly like Sukuna, he's far more altruistic and uses his genuinely noble ideals but at the same time Sukuna is a shadow archetype to Gojo he represents Gojo's flaws. The flaws that Gojo succumbs to in tragic fashion.

Which if you believe that Gojo genuinely does love his students, and the ideal he's fighting for is to raise up a better generation and allow them to live out their youths, then Gojo throughout the entire Sukuna fight is acting against those ideals. He cares far more about fighting Sukuna then he does saving Megumi, it's shown over and over again in the battle, Megumi is an afterthought to him. If Gojo care moredefeating the big bad and saving the world is more important than helping a child that Gojo is responsible for then Gojo is acting against his stated principles. Why should Gojo win the fight when he's fighting for all the wrong reasons?

Tragedies are like visual novels, if you make the wrong choice the novel will give you a red flag. If you ignore the red flag then you get locked into the route with the bad ending. Gojo always fights alone. Gojo only ever fights for himself, even if he's using that selfishness in support of a more noble ideal like creating a better generation of sorcerers. If Gojo consecutively makes the same changes then in a tragedy he's not going to be rewarded for it.

Gojo wants the old generation out and the new generation in, but Gojo resembles the old generation too much. Old sorcerers like Hajime and Sukuna respect him, Hajime argues that Gojo being able to fight for his pride is far more important than him living to the end of the battle when Yuta wanted to interfere and help him.

Gojo's death isn't a surprise curve ball that Gege is throwing us for shock value, it's a result of his choices throughout the manga. A manga about change, and the change between generations is not going to punish a character for remaining roughly the same. Of course you might find it disappointing that Gege didn't give Gojo the chance to grow and change and experience a character arc like Megumi or Yuji, but Jujutsu Kaisen is a tragedy, and the way Gojo's arc ended is consistent with what Gege wrote.

Jujutsu Kaisen is not just a tragedy though, it's a manga about death. The manga begins with Yuji's grandfather warning him not to die alone the way that he did. His grandfather's dying words are what motivate Yuji throughout the beginning of the manga as he's searching for a "proper" death.

One of the major themes of Yuji's character is a contemplation of death. He accepts that death is inevitable, so he wants to save them from the gruesome deaths they'd experience if they became victims to curses and allow them to have a more satisfying death. Yuji's grandpa died an unsatisfying death because he died alone in a hospital room. Yuji even tries to make his own death a satisfying one because he believes by dying to seal away Sukuna he'll reduce the total number of casualties to curses.

Jujutsu Kaisen keeps investigating the theme of death and what exactly would make for a satisfying death. At one point it's all but stated that death is the mirror that makes humans analyze their lives.

When Yuji fails to save Junpei from the "unnatural death" it calls into question whether or not his goal of saving people from unsatisfying deaths and the gruesome deaths caused by curses is even feasible. Nanami even says that Yuji might not be able to accomplish his goal and warns him away from the path.

We see repeated unsatifying deaths in the manga, each time someone reflecting on their deaths that they weren't able to get what they wanted out of life. This list comes via @kaibutsushidousha by the way I'm quoting them.

Nanami's a character who chose to work as a sorcerer because he didn't want to evade the responsibility of doing all you can to help people, he wanted to believe he's somewhere where he's needed. He never runs away from responsibility like Mei Mei does so he quite literally works himself to death, living and dying as a sorcerer. Nanami or Gojo's dying hallucination of Nanami even says as much, his death is the result of him choosing to go south and returning to be a sorcerer.

Maki chose revenge against the Zen'in over her sister, and as a result Mai is dead. Maki has all the power in the world now, her revenge complete but she's left with a sense of "now what?" She's as strong as Toji now but she failed to protect her sister, and it's the result of the choices she made. Maki's reflection isn't triumph, it's "I should have chosen to die with her."

Even Yuji himself is robbed of his narrative purpose. The manga began with Yuji saying he wants to choose how he's going to die and he'll die taking out Sukuna with him so he can reduce the number of people killed by curses in the world. Both of those things are thrown in Sukuna's face. Number one the amount of people Yuji can save by permanently killing Sukuna is now a moot point because he let Sukuna rampage in Shibuya.

Number two, Sukuna isn't even in Yuji anymore. To build on what Comun said though, this repeated tragedy has a purpose to it and understanding requires understanding that Jujutsu Kaisen is an existentialist manga. Existentialism is basically a school of philosophy centered around the question of "Why do I exist?"

There's nothing about the invetability of death to make you question why you're alive in the first place. In the myth of Sispyhus, Albert Camus boils down all of philosophy to one question.

"There is but one truly serious philosophical problem, and that is suicide. Judging whether life is or is not worth living amounts to answering the fundamental question of philosophy. "

All of philosophy is should I shoot myself in the head or should I keep living? Everything comes after that question, which is why in Jujutsu Kaisen a lot of the characters motivations revolve around them contemplating death. Sorcerers exist in a world where they can die any moment, and as Gojo says most of them die alone. It might be the nature of sorcery itself that causes so many people to die, not only are they dying because they are trapped in an uncaring system, but the characters themselves aren't really attempting to live outside of it. They live and die as sorcerers, replaceable cogs in the machine.

All of these unsatisfying deaths may just be the result of all these characters making one choice, to live as sorcerers rather than people. Because to exist means to live in the world.

Even in Mechamaru's case, his goal is deeply existentialist by what I defined, all he wants to do is live in the world with everyone else rather than be stuck in his hospital room but his actions contradict that goal. Instead of letting his friends come and visit he's obsessed with the idea of getting a normal body because he feels that's the only way he can exist with everyone else, he makes a deal with the devil, he lies and goes behind their backs. He wasn't living with everyone else in the world and he could have chosen to, he chose wrong and his death is the result of that choice.

Jujutsu Sorcerers aren't living in the world. They're living in a little snowglobe far removed from the world with its own rules, most of them regressive and disconnected from the rest of society. If you define existentialism as just "living in the world' then a lot of these characters aren't, because they only exist in the world of sorcery.

INVISIBLE BUFFY: What are you talking ab- SPIKE: The only reason you're here, is that you're not here. (drinking) INVISIBLE BUFFY: Right. Of course, as usual there's something wrong with Buffy. She came back all wrong. (moving around on the bed) You know, I didn't ask for this to happen to me. SPIKE: Not too put off by it though, are you? (drinking) INVISIBLE BUFFY: No! Maybe because for the first time since ... I'm free. She tosses the sheet aside. Spike looks around, trying to figure out where she's going. INVISIBLE BUFFY: Free of rules and reports ... free of this life. SPIKE: Free of life? Got another name for that. Dead.

Not living in the world with everyone else is the same as being dead.

A lot of these characters either make the choice to act alone, or be a jujutsu sorcerer rather than a person and because of that they die as sorcerers, b/c sorcerers die that's what they do. Mai didn't want to keep living as a hindrance to Maki so she kills herself. Maki didn't want to be anything other than a sorcerer, so her little sister dies and she's not a big sister anymore. Nanami chose to leave his job behind and become a sorcerer again, he dies as one.

Of course I don't think the manga is punishing characters for being too egotistical, but rather too unbalanced. If anything Mai is too selfless and that is why she died, she didn't want to live for herself and chooses self sacrifice for her sister. An unbalance between selfishness or selflessness results in an underdeveloped ego. Jujutsu Kaisen doesn't punish individualism per se, moreso if you're not a fully developed individual you won't last long. Because it's also a manga about growing up in the world, and a person who doesn't have a healthy, mature, well-balanced sense of self is not a grown up.

This twitter user det_critics points out that Gojo (and also Yuki + Yuji's) failures in the manga can be attributed to the fact they don't have real senses of self.

Gojo has an identity crisis as outlined by Geto, "are you Satoru Gojo because you're the strongest, or are you the strongest because you're Satoru Gojo?"

It's a challenge for him to find some reason to live outside of being the strongest, and in tragic fashion Gojo just doesn't find it in time. Gojo lived for fighting others, and proving to himself that he's the strongest, and that's how he dies.

There's something I like to say about narrative punishment in stories. There are two ways to punish a character, you either don't give them what they want, or you give them exactly what they want. This is the latter, Gojo wanted to find someone stronger than him because deep down he believed that nobody could understand him unless they were on his level. He wanted to be surpassed, and that's why he focused on creating stronger young sorcerers, but he never shook himself of the belief that only someone as strong or even stronger than he was could ever be emotionally attached to him so he made a deliberate choice to draw a line between himself and others.

Gojo's essentially gotten what he wanted from that choice in the worst way possible. The student he picked to succeed him Megumi, has his body stolen and kills him. Gojo is surpassed, but it's not by one of his own students it's by an enemy that's not only trying to kill Gojo but is going to massacre his students afterwards.

Gojo's spent his entire life believing that because he's more powerful that makes him inherently different and above others, and being lonely because he himself believed he couldn't relate to ordinary people and he dies like an ordinary person, an unsatisfying death where he wasn't able to bring out Sukuna's best, where he gets unceremoniously cut in half offscreen but yay he's no longer the strongest. He's gotten exactly what he wanted. Megumi is still not saved, Sukuna's probably going to kill more people because Gojo failed to stop him here, but hey at least he stopped to compliment Gojo.

It's empty, but it's empty because of the choices Gojo made in life to just not bother connecting to people or develop any kind of identity besides being a sorcerer. Gojo lives and dies as a sorcerer, and his dying dream is returning to a teenager being surrounded by everyone he was with during his school days, because that's the happiest time in his life. Ironically he was happier before he became the strongest, because that was the only time in his life that he allowed himself to connect to people.

However in the eyes of others, he is someone who has it all. That's why he is always alone. There was no one who could hold the same sentiments and mutually understand him. Geto was the only one who could understand what he was trying to say, and the only one who could communicate well with him.

It's no coincidence Gojo and Geto die exactly a year apart on the same day, if anything I'd say the reasons they die are similiar to at least thematically. They both die because they don't want to live in the world. Geto thinks the world is too corrupt and GOjo doesn't want to be anything other than a sorcerer, both of them fail to adapt.

「 'It's just. . .' It's just that it was what Geto had to do. [...] To someone like him, the reality that the world of sorcerers presented to him was just too cruel. '. . .that in a world like this, I couldn't truly be happy from the bottom of my heart.'」

They can't be happy in a world like this from the bottom of their hearts, so narratively they both die. The things they chose to live for at the end of their life they fail to accomplish, Gojo is no longer the stronget, Geto fails to wipe out mankind or make major changes to the world and they die as normal people unsatisfied because they weren't trying to live in the world and make connections to others. They die almost karmically a year apart because their main connection for both of them, the thing which made them feel connected to the world and other people was each other.

Which is why this panel breaks my heart and is so narratively satisfying because of how unsatisfying it is...

"If you were among those patting my back... then I might've been satisfied."

Gojo reflects that he's not satisfied dying against Sukuna, not because he failed to give him a good enough challenge but because Geto wasn't there to pat him on the back. The one thing that would have satisfied him he couldn't have, because he didn't live to connect to people he lived to be the strongest and he died alone as the strongest. There's just something deeply upsetting about Gojo's dying dream fantasy just him being there talking with all of his dead friends who he never appreciated or connected to properly when he was alive. Knowing that if something had just gone a little differently, that even if he had to die no matter what he could have died happier if Geto was among the people saying goodbye to him because that connection with Geto is what gave his life meaning.

Dazai Osamu: "A life with someone you can say good-bye to is a good life, especially when it hurts so much to say it to them. Am I wrong?" -Bungou Stray Dogs Beast

The Incongruence of his Life and Death - How the 6-Eyes will Die and Gojo Satoru will Live

Chapter 236 seems perfectly crafted for a farewell to an important character. But while reading it for the first, second and third time, I couldn't help but feel that something was not only missing but purposefully left out: Gojo's care for his students and the goals he had set for himself as an adult.

In the departure for the afterlife, where the souls of his dead friends have gathered at an airport, Gojo is back to being a teenager with everyone else also being their younger self, or in the case of Haibara and Toji, their selves when they died.

Gojo talks about his fight with Sukuna, how unbelievably strong he was and how much he had trained to best him but still he lost and he had no true regrets on that. The fight had been fun even if it was a shame that he couldn't bring Sukuna to go all out on him.

Later he tells Yaga, calling him principal, that he thought that all sorcerers died with regret, implying that he doesn't feel any regret right now after having lost to Sukuna. When Sukuna tells Gojo that he won't forget him as long as he lives because of how well he fought, we see Gojo smiling at that while lying bisected on the ground.

This entire scene, especially at the airport and the reverence about the fight is completely at odds with Gojo's character growth and the life he lived as an adult.

It's no coincidence that everyone is more than 10 years younger here because only teenage Gojo would go out without any regrets after a good fight he lost. This Gojo we see at the airport could've very well been the Gojo that lost his first fight against Toji.

But it isn't teenage Gojo, someone who only had a perverse self-satisfaction about Jujutsu and did it for the kick of it instead of protecting others with it, who died.

It's adult Gojo, who dedicated his life to protect others and his students and who fostered them to become as strong as him and did everything so they could grow unhindered and enjoy life especially their youth, who is lying cut in two on the ground.

This love for fighting alone only entered Gojo's mind past the middle of the Shinjuku Showdown when he realized that he might lose this fight and after he was reminded of fucking Toji again. Gojo was brought back to the time of his teenage self when he lost against an opponent who was stronger than him.

But what about the actual Gojo? Teacher Gojo? Would he die without any regrets? Absolutely not. His regrets would actually be too much to count.

He left his students and the world with a murderer stronger than him, ensuring widespread destruction and immense death, first and foremost of everyone he left behind that meant something to him.

Gojo let it happen that Megumi, the person he went into this fight to save, who was the child that started his evolution into a teacher, the son of the man who made him to what he is today; Gojo let it happen that Megumi became his executioner.

(And is Geto without regrets? Is Gojo without any regrets that Kenjaku is desecrating his friend's body to destroy Japan? Isn't there any fear that Kenjaku might take Gojo's dead body as his next vessel? Where is the regret in that?)

When we strip the airport scene from its serenity and the good feelings of a happy ending it evokes, we're left with nothing but pure arrogance the dead have over the suffering of the living. So they get to enjoy peace while everyone else is devastated and about to get slaughtered?

Is that justifiable because everyone will be dead anyway and then they can all enjoy the afterlife together? Except Megumi of course, who'll be Sukuna's vessel for centuries if not millennia and who'll suffer in hell for that long after having killed not only his sister but his teacher and his friends in the future, too.

Those who are already dead like Nanami, they can't do anything about this conundrum anymore but Gojo was still smiling on the ground. So, after the thematic argument for why Gojo has to survive, here comes the practical part: How?

I've already covered parts of this in my chapter 236 Thoughts. Step by step:

Gojo is bisected along his abdomen, not his head

Gojo was still conscious enough to smile at Sukuna, like how Yuki was still able to make her last attack

Gojo can activate his RCT and he can make a Binding Vow as long as he isn't completely dead

We've not seen Shoko's reaction to his defeat, so we have neither a confirmation of his death nor her determination to save him

Utahime and Gramps can strengthen any healing

Angel might have abilities to aid them and Takaba has reality bending powers as long as he's funny

Why the 6-Eyes will still die.

Because it's already over for him. The 6-Eyes is not the strongest sorcerer on earth. His ultimate defense has found its match in Sukuna evolving his own technique; an evolution that Gojo is not going to catch up to.

"Are you Gojo Satoru because you're the Strongest or are you the Strongest because you're Gojo Satoru?"

Irrelevant. Sukuna is the Strongest. That title and that burden has been lifted off Gojo's shoulders. Gojo makes peace with it at the airport.

A Binding Vow with yourself always comes with a balance the universe imposes on you. What would the trade-off be for Gojo's upper and lower body to be connected again? His Eyes seems like a good bargain here.

So there you have it, my theory. The 6-Eyes lost this fight but Gojo sensei can still lead and foster his students to new heights he won't ever personally reach again. He can't just forget about them because he had a good fight, Gojo isn't a self-centred teenager anymore.

You know who was missing at the airport? Outside of Nobara, Yuki and Mai? Tsumiki. What is Gojo going to say to her? That he tried but well? Gojo isn't at the airport for his departure to the afterlife, he isn't going North, he's going South.

All of this is of course my personal feelings and interpretation. Gege might go in another direction like permanent death and flashbacks. But I'm so sure that Gege has written the airport intentionally like this. That Shoko will go to Gojo and pull him out of his death bed because he can't go out like this.

Chapter 236 is written with a sense of finality and farewell, but Gege is also really fond of misdirections and false sense of security (dread?) as we've seen just last chapter.

So, hope dies last.

F YOU GEGE

Guys is Gojover

GOJO WON'T DIE ㅡ JJK Chapter 236 Analysis

!SPOILERS AHEAD!

hi guys. it's your favourite overthinker again. after a few hours of hardcore coping, i calmed down amd re-read the chapter.

i am not saying this is certain but gege's writing is never unintentional so... let's get started!

first of all, from the get-go we are met with the symbolism of lotus flowers.

lotuses rise from the mud without stains. they represent purity, strength and rebirth.

after the (soul wrenching, tear jerker, mentally draining) conversation he had with suguru, nanami and haibara, he bids them farewell, taking a different path.

ㅡ"move north, if you are looking for a new side of yourself or move south if you want to stay who you are." (nanami speaking about death)

gojo has always been the strongest; a bit of a thrill seeker, taking things for granted, fooling around with his enemies etc. without being the strongest he wasn't... anything, that's how the world shaped him. geto pointed the same issue out when asking —'are you the strongest because you're gojo satoru? or are you gojo satoru because you're the strongest?'

it's time gojo will finally figure this out.

you might say: "but plague, that's just metaphors, give me some SOLID evidence, NOW!"

RCT comes from the brain.

gojo went from this expression

to this smile when sukuna was praising him.

yuta and shoko can do RCT on others, gojo can maintain himself (barely) alive. kashimo jumping sukuna will be a good enough distraction for them to finally set foot on the battle ground and help him.

also, the editor's note at the end says: "run, quickly, to death's pace." so. pfft. what else should i add, really?

kashimo, i may have hated you a bit for being overhyped yet you are fulfilling your role magnificently.

i can confidently say this is not a cope. so have some faith.

I just know that fanfic writers will give Satoru the life he deserved but he couldn't have. You do you boo, I will support you

In the summer-like colors running down my cheeks

The words that curse you are stuck in the back of my throat

"Will we meet again?"

(I don’t like putting watermarks so, PLEASE, if you want to post these gifs somewhere GIVE CREDITS! Also, don’t use them in edits/videos. Thanks~)

I CRIED ?!

i can walk you home and practice method acting ; satoru gojo.

pairing satoru gojo x f!reader   word count 1.3k   synopsis saying goodbye. content contains hurt/probably no comfort, bittersweet ending, allusion to character death, jjk 236 leak inspired author’s notes gege needs to sleep with both eyes open, no sweet dreams 4 him >:(

“You know, some people consider coffee dates as not real dates,” you point out. “Very cheap—”

“—your coffee was eight dollars, don’t start with me—” 

“—low-effort—”

“—you don’t even wanna know what I just went through before meeting you here—”

“—shows no interest—”

“—I’ve been interested in you since before I even knew you.” 

You pause your half-hearted attempt at teasing him. The truth is, there is nothing cheap, low-effort, or uninteresting about Satoru Gojo. No one has ever held your attention and your affections for as long or as strongly as he does. The world is reduced to nothing more than the cafe the two of you spent a lot of time frequenting beforehand. It’s why everything is in such startling, vivid detail. Some of your best memories are here, and it shows from the warm scent of coffee wafting in the air, and how you got his complicated frozen coffee order just right.

“Smooth. You use that line on all the girls you buy coffee for?” 

“Oh, other girls exist?” Satoru’s bright, cerulean eyes widen in mock surprise. If there’s one thing that your fiance is good at, it’s committing to the bit. No one gets into character as well as he does. 

No one ever will.

Trying to keep your darker thoughts at bay, you try to think of a retort but fall short, settling for, “How can you even be interested in someone before you even know they exist?” 

“Because everyone was boring to me ‘til I met you. All my interest was reserved specifically for you.” He hums. He doesn’t tell you the really sappy stuff he holds inside his heart, like how he thinks his soul knew that it belonged to you and that’s why he could never connect with anyone else. He figures, foolishly, that he still has time to bring it up later.

Later, when he’s not choking on his own blood and lost in the illusion you have shrouded the both of you in.

My beautiful, delusional girl. 

He says it to tease you, but the fondness with which he laces the words in only further proves how completely, utterly whipped he is for you. Somewhere deep inside of him, he’s well aware that he’s in your domain. That he is not sitting inside the cafe he nervously took you to the first time he got the nerve to ask you to hang out. He knows that this is nothing more than a cleverly crafted illusion used to make saying goodbye a lot easier for the two of you. 

Everything is just so vivid. The colors, the scent, you. He knows it’s selfish to want to drag out this process even longer. It must be tiring for you, to have to mentally strain to maintain this realistic illusion while also tricking his mind into ignoring the pain he’s actually in. He can see it in your eyes; the ones that never seem to want to leave his face, almost like you’re scared you’re going to forget him the moment you blink. 

He stretches, fakes a yawn. “It’s getting kinda late, don’t ya think? I should probably head home.” 

“I’ll walk you there.” You say, getting up from your chair. 

“You think a man like me can’t defend himself?” You want to remember Satoru like this: messy hair, eyes brimming with mischief and life, cocky grin. Maybe it’s your heart acting on its own accord, altering reality for your own benefit, but Satoru looks younger in this lighting. Happier. At peace.

“I think you’re the type of man people need to be defended from. It’s my civic duty to make sure you’re not wreaking havoc.” 

You know that time is limited. You know that neither of you really want to acknowledge what’s truly happening. Satoru has to go, and all that he’ll be leaving you behind with is the aftermath. If you try hard enough, you can manipulate your minds into thinking that these seconds are much longer than they actually are, but—

—he deserves to rest. 

That’s why walking him to his front door is an ordeal that lasts a total of two seconds. One blink, and the cafe has vanished. Now, he’s standing in front of his apartment door, still smiling, still bright, still alive. 

“So, you going to invite me in?” You tease him, keeping your tone lighthearted, as if he doesn’t know you well enough to know how you’re truly feeling.

“After just the first date?” He pretends to look offended. “I don’t know what kind of man you take me for, but I don’t let just anyone spend the night, especially only after a coffee non-date.” 

“Fine.” You pretend to contemplate, the smile on your face perhaps the only real thing here. “Will you let me hit on the second date, at least?”

“I’ll think about it.” And then, Satoru cocks his head to the side. “I’ll see you the same time next week?”

You don’t want to think about the real world. In this world, it’s just the two of you, and that’s all that matters.

You swallow back any sadness; Satoru swallows back any blood. 

“Text me where, and I’ll be there.” You say this, knowing that you would gladly follow Satoru right through the door that beckons for him. He’s smiling, like he knows what you’re thinking about.

“I’ll pick you up when it’s time. But, uh, if I don’t text you back soon, sorry in advance.” He gives you that boyish look of his, the face he always makes when he’s about to make an incredibly stupid joke. “I have a bad habit of ghosting people.” 

A kind of guttural sound leaves your throat; a choked up laugh and a barely concealed sob. Ghosting, really, Satoru?

“It’s okay. I have a bad habit of liking guys that are bad for my health.” 

“If you don’t hear from me, just know that it’s me and not you.” 

“I love being fed cliche lines like this. Tell me some more.” Tell me everything, you want to beg him. Let’s just stand here forever, and you’ll drag out the time, and he can talk for as long as he wants to about anything and everything. 

“Feeling a bit sleepy. The cliche lines will have to wait until next time.” He clears his throat. “Hey, I know we just had our first date—”

“—coffee doesn’t count, you still owe me a real first date.” 

He sticks out his tongue, childishly, at your interruption. “Is it too soon for me to tell you that I love you? I don’t normally move this fast, but I really do love you. Hope this doesn’t scare you away.” 

He could never scare you away.

You should tell him that, but something in his eyes and in his smile let’s you know that he’s already aware.

“Is it too soon for me to tell you that I love you, too?”

“Yeah, it’s kinda crazy. Lucky for you, I like crazy girls.”

“Please don’t go to sleep yet, Satoru. You haven’t even walked through the door yet, and I already miss you.” In the illusion you’ve created, you can take away that door from him. It won’t change the truth, but it can certainly prolong the pain that comes with it. You don’t, though. Even if his hand wasn’t already reaching for the doorknob, you would never take the choice away from him.

“Yeah, I have a lasting effect on women, what can I say?” He laughs, but there’s none of his trademark humor woven in it. The world goes quiet. “I’m feeling really tired, [Name]. I’m gonna head to bed now.”

“Goodnight, then. Sweet dreams, Satoru.” 

He looks at you. Really looks at you, like he’s trying to embed the memory of your visage on his pupils, to have it so permanently etched in his mind that he’ll still be able to remember you every time he closes his eyes.

“As long as you’re in every single one of them, they will be.” 

He opens the door.

a/n: reader's cursed technique is the ability to use cursed energy to "manipulate" reality; in all actuality, you create illusions, able to trick others into seeing whatever you're crafting. it helps in trapping curses, and letting gojo say goodbye to you without making you look at him choke on his blood

JJK 236 SPOILERS BELOW THE CUT

Gojo x reader angst. Not proofred, I’m in shambles, refuse to believe this. I’m so sorry my sunshine.

It was a cold night when you both laid in the balcony of your shared apartment. It was in the suburbs, so the night sky was visible. Little by little, darkness swallowed all the rays of golden sunshine and what seemed to be millions of stars lit up his handsome face. You turned to him softly, a hand reaching out for him, yet stopping.

Satoru always had his infinity off when he was with you, yet there was still hesitation. The white-haired man turned to you, ocean blue eyes managing to fit so many emotions in just a single fleeting glance. He reached out first, carefully touching your cold hand.

"What’s on your mind?” he asked softly.

When he was with you, in the comfort of your shared home, he didn’t need to pretend. No jokes, no tricks, no faked cheery personality. He didn’t need to be the strongest when he was with you. You simply needed him. Satoru was enough, flaws and hurts, pain and suffering and all the mangled, torn up bits of him that would push away anyone else. You stayed. You always stayed. Satoru wasn’t perfect, but he was yours and that was enough.

The wind blew through his hair, the strands flying into his perfect face as he smiled gently, still awaiting your answer.

“Can you promise me something, Satoru?”

He didn’t even draw a breath before you got your answer.

“Anything.”

You stayed quiet for a moment. Was what you’re about to say too much? Would someone, up there above in the night sky, mock you and laugh? A mere mortal asking for a promise from a man akin to god. You hoped they wouldn’t, granting you salvation, if even only for tonight.

“Please promise you’ll always come back to me.”

This time, Satoru hesitated. His eyes once again focused on yours and he wrapped you up in a comforting embrace. His breaths were soft and warm on your skin as you closed your eyes. Did the gods already laugh? A flash of lightning came down from the sky, illuminating Gojo’s concerned face.

Perhaps it was their warning, a sign to stop asking for so much. But was it really too much?

Satoru softly kissed you, his lips feeling like heaven on yours. It took a moment for him to pull away, a smile on his pale face, as if concern shown before was nothing but a trick of your mind.

“You know I always come back to you.”

After a while, you slipped into numb, dreamless sleep in your embrace. Gojo carried you back to your shared bed, pulling you closer to him, as if afraid that you’d disappear.

What you weren’t aware of, is that he was praying to the same gods. A life with you, nothing more would be enough for him. The sun came up slowly, and Gojo knew that his prayers would not be answered.

***

You clutched your lover’s body to yours, deep sobs wretching their way out of your throat.

The world seemed silent as your whispers of promises to fix him up, to make everything okay again, trailed off into the night.

Nobody would answer you now. For the first time ever, his body was cold to touch.

You screamed and screeched at everyone, trying to get close.

“He has his infinity off! Do-don’t! Don’t fucking touch him!”

Nothing was ever going to be fine again. No… ‘Fine’ was not the right word to use. You were never going to be whole. Tonight, the gods and monsters ripped away a part of your soul, the one that has crawled inside you and taken up so much more space than your own.

You looked up to the inky black sky, as if to say one last prayer. To make Satoru un-break his promise. To make him come back safe and sound, like he was always meant to.

There were twice as many stars as usual.

JJK236 SPOILERS!

I'm going to talk about dead people that Gojo sees in his "final" dream. We can see Geto, Nanami, Haibara, Yaga, Riko and Kuroi. Even Toji is here! But Nobara is nowhere to be seen...

So, does it mean that she is alive?

*not my pic

What is this beautiful monstrosity?? I love it.

Akutami Gege Devouring His Son

Damn.....this is making me sad, really really sad ahhh.. Gojo reached the peak of his power, in hopes that it would "reach" Sukuna...and feeling sad how Sukuna was unable to go all out..and....Nanami, Haibara, Getou, all of them are back in their highschool forms...are they consoling Gojo at the time of his death? I'M SAD, LIKE, HOLY SHIT, I WASN'T EXPECTING THIS TO HAPPEN SO..SO FAST...

Can someone explain to me why I, a sukuna fan from day 1, want to cry over Gojo's death. Feels like i'm going through a withdrawal of sorts, :') I just know that once the series is over and everyone's dead (Sukuna included), the fix-it fics are gonna hit soo good ..