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Z-O-M-B-I-E-S - TheHappySpaceman Reviews
Disney Channel tries to tackle supernatural romance and serious issues. It flops hard.
Moviefan12’s review
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i’m back so let’s talk a little bit about something ive never seen anyone else mention: red’s nose piercing. :3


when i first noticed that red had her nose pierced, i assumed that it was just something that was already on kylie’s face. but as i got a little more into the making of rise of red, i realised that kylie actually doesn’t have her nose pierced. i’ll be honest, it kinda pissed me off because it told me that red’s nose piercing was a deliberate choice on the part of the character/costume designers and i hated that it was just…so boring. it just made me wonder why they didn’t do something way cooler with the jewelry. from that perspective, her gold hoop doesn’t really go with her colour palette and, frankly, it’s just kinda boring.
and then i thought about it from the context in which red as a character exists. her mom, the queen of hearts, is insanely controlling, to the point where red is unable to eat what she wants. because of this, she takes every chance she gets to show defiance. it makes sense to assume that each and every part of her design, in some way, reflects her rebellious nature- even down to her nose being pierced. in that case, i’m impressed with the fact that a design element so small can generate so many questions about the character and their environment.
like…when did red get her nose pierced? how did the queen of hearts react? who did it? did anybody else know? why the gold hoop? there are so many questions i have that will probably never be answered but are very, very fun to speculate about.
now, let’s talk about the gold hoop itself. my biggest complaint, from an aesthetic standpoint, is that the gold hoop just…doesn’t really fit red or her aesthetic. she wears exclusively black jewelry and the only other hint of gold in her design is her belt buckle. i think the biggest possibility is that the gold hoop is subtle. well, as subtle as a nose piercing could be. it blends in well enough that her mom doesn’t bother to make a fuss about it. if red had anything else, anything that stood out more than that gold hoop, she’d risk bearing the brunt of her mother’s punishment.
the act of red piercing her nose in and of itself was a physical manifestation of her disloyalty to her mother’s tyranny. intentional or not, in the queen’s future vision via the looking glass, red is notably missing that gold hoop she’s never seen without.

what that says about the looking glass, in my opinion, is that it’s not an objective tool. rather, it’s more of a gadget that shows the viewer the future they have in mind- but that’s not really the point i’m trying to make here.
my point is that red’s nose piercing is a physical representation of her rebellious nature and her closeness in ideology to her mother. she’s never seen onscreen without it unless it’s in the future scenario where she’s become a dictator alongside her. honestly, whether intentional or not, it’s a beautiful piece of character design- one that i bet you probably wouldn’t expect from a disney channel movie of all things.
hello descendants tumblr . today i bring you my favourite chloe headcanon :3
- after chloe met red and they time travelled together, chloe begged her parents to let her get her nose pierced so that she’d match red and could surprise her with it the next time they’d see each other!
- she has a big fear of needles- it’s, like, one of her only fears. because of that, this was a really big thing for her. she wanted to show red that she wasn’t alone.
her new look! :3



BLACK ARROW (Dir: John Hough, 1985).
Made for The Disney Channel, Black Arrow is a swashbuckling adventure based upon the novel by Robert Louis Stevenson.
Set during the War of the Roses, corrupt Yorkist landowner Sir Daniel (Oliver Reed) is robbed by black clad vigilante Black Arrow (Stephan Chase). Seeking revenge, he sends his young nephew Richard (Benedict Taylor) on his trail. Sir Daniel is set to acquire more land with his marriage to the reluctant Lancastrian Lady Joanna (Georgia Slowe). Joanna does a runner, forms an alliance with Richard and together they determine to avenge Sir Daniel's wrongdoings.
Disney's third adaptation of a Stevenson novel, following Treasure Island (Byron Haskin, 1950) and Kidnapped (Robert Stevenson, 1960), Black Arrow was what would now be labelled a Disney Channel Original Movie. Back in 1985, The Disney Channel had a remit to provide family entertainment, not just sitcoms for tweenagers. Its new content, like that of the Disney Studio’s past was designed to appeal to a broader demographic than that of the Channel today. While Black Arrow would seem out of place on today’s Disney Channel, it is exactly the kind of movie of which company founder Walt Disney would have approved.
Having previously worked for Disney on the excellent Escape to Witch Mountain (1975), the talented John Hough was engaged to direct. To Black Arrow, Hough brings a somewhat more cinematic vision than one would usually expect from a TV Movie. The quality production only belying its TV origins through the prevalent use of close ups and mid shots.
The impressive cast of acting heavyweights Oliver Reed, Fernando Rey and Donald Pleasence also lend the film an air of prestige.
The film is not entirely flawless. Admittedly, there are a few unlikely plot contrivances and one of two moments which stretch credibility. While Benedict Taylor cuts far too modern a figure; strolling around the 15th Century like the 5th member of EuroVision popsters Bucks Fizz!
Overall though, Black Arrow is pretty solid entertainment. Old fashioned it may be but it does make me yearn for a time when The Disney Channel catered to more than just tweenage audiences.
Check out my blog jinglebonesmovietime.blogspot.com for more reviews of vintage Disney classics!

FREAKY FRIDAY (Dir: Steve Carr, 2018)
Disney have certainly gotten their money’s worth out of Freaky Friday. This Disney Channel Original Movie is the studio’s fourth adaptation of Mary Rodgers’ novel and is itself based upon Disney Theatrical Productions 2016 stage musical, with music and lyrics by Tom Kitt and Brian Yorkey and book by Bridget Carpenter.
The now familiar tale of the mother and daughter at loggerheads who switch bodies for a day is tweaked and refreshed for a new generation of tweens. Here Cozi Zuehlsdorff is a teenager still grieving the death of her father five years earlier and Heidi Blickenstaff her stressed mother on the eve of remarrying. This time a magical hourglass is the catalyst for the swap. A scavenger hunt is shoehorned in, recalling another earlier Disney Production, the cult favourite Midnight Madness (David Wechter & Michael Nankin, 1980).
I have been a fan of the original Freaky Friday (Gary Nelson, 1976) and the 1972 Mary Rodgers novel upon which it is based almost all of my life. This most recent version deviates significantly from both movie and source. While the original is undoubtedly the best, this new Freaky Friday is a lot of fun. Kitt and Yorkey’s High School Musical-style soft rock is easy on the ear, although the vocals suffer from the same apparent ‘tweaking’ effect which Disney Channel musicals always seem to do. Steve Carr's direction doesn’t belie the movies TV roots, while Blickenstaff and Zuehlsdorff step into the legendary shoes of Barbara Harris and Jodie Foster with an appealing enthusiasm which is hard to resist. Come the inevitable climactic big song and dance number this tween movie had worked its warm-hearted magic of this middle age movie critic.
I must confess to having a soft spot for Disney Channel movies. No one would argue that they are cinematic masterpieces, but most offer 90 minutes of lightweight fun. If you are a fan you will know what to expect, if you’re not this won’t be the movie to change your mind. Freaky Friday won’t change the world but it should bring a smile to the faces of those looking for goodnatured, undemanding entertainment.
100+ movie reviews, including the original classic FREAKY FRIDAY, now available on my blog JINGLE BONES MOVIE TIME! Link below.


‘TWAS THE NIGHT (Dir: Nick Castle, 2001).
The following review and 100+ more reviews are available on my blog JINGLE BONES MOVIE TIME! Link below.
Made for TV Christmas movies have become inexplicably popular in the last two decades. Seemingly hundreds of them litter the television schedules from September to January every year. This entry in the genre, a Disney Channel Original Movie, has become something of a festival staple on the Disney Channel and can usually be found in their December lineup.
On Christmas Eve, heavily in debt conman Nick Wrigley (Bryan Cranston) escapes his gangland creditors by hiding out in the home of his brother. After mistaking Santa for an intruder he knocks the fat man out cold, ties him up and steals his high-tech sleigh. Taking advantage of his close relationship with nephew Danny (Josh Zuckerman), the pair go on a burglary spree. Unbeknownst to Danny who believes the pair are helping the concussed Santa by delivering Christmas gifts.
There is a certain amount of cynicism mixed in with the inevitable sentiment in ‘Twas the Night, lending the movie a somewhat uneven tone. Its self-centered wise guy characters are a little hard to warm to. Their redemption, when it comes (as is always certain), is neither empathetic or particularly heartwarming, suggesting that the ending is there merely to placate viewers expectations of family Christmas movies.
The visual effects are above the usual TV movie standard, although it never quite overcomes the feel of an extended Disney Channel sitcom. The screenplay by Jim Lincoln, Dan Studley and Jenny Trip has its funny moments, but little in the movie really rings true. It has all the glitz one would expect of a Christmas movie but is oddly lacking in heart.
Bryan Cranston is the standout among the cast. His amiable performance here is the best reason to watch this passably entertaining but unexceptional movie.
While ‘Twas the Night is not exactly unmissable festive fare, it should appeal to tweens and younger teens who feel they are above sentimental Christmas movies. Younger children, meanwhile, may be a little upset seeing Santa hit over the head with a shovel! Not a Christmas classic but you may find its worth a watch if you come across it while flicking through cable.


ZOMBIES (Dir: Paul Hoen, 2018)
Girl meets zombie in this musical romcom for the tween set.
Afraid of the undead? Fret thee not! As a Disney Channel Original Movie, the zombies in Zombies are only likely to induce fear in those terrified by the prospect of perky teens singing and dancing.
Read the full review on my blog JINGLE BONES MOVIE TIME at the link below.


ZOMBIES 2 (Dir: Paul Hoen, 2020).
The Zombies of Seabrook High return in the imaginatively titled Zombies 2. Now with extra added werewolves.
When werewolves pose a threat to the newly integrated communities of Seabrook and Zombie Town, monster lockdown is back on. Much to the chagrin of Zombie Zed (Milo Manheim) and his human gal pal Addison (Meg Donnelly). In an attempt to force change Zed runs for school president. Meanwhile Addison is courted by a band of werewolves banished from Seabrook since olden times!
Read the full review on my blog JINGLE BONES MOVIE TIME! Link below.


FREAKY FRIDAY (Dir: Mark Waters, 2003).
Walt Disney Pictures’ Freaky Friday is, to date, the studios’ third of four screen adaptations of Mary Rodgers’ popular 1972 comic novel.
Here a trip to a Chinese restaurant and a mysterious fortune cookie is the catalyst for switching the mind and bodies of overbearing middle age mother Dr Tess Goldman (Jamie Lee Curtis) and her rebellious, rock chick teenage daughter Anna (Lindsay Lohan). Unfortunately the switch coincides with Tess' marriage rehearsal and Anna's band Pink Slip's chance to audition for a performance slot at House of Blues.
Read the full review on my blog JINGLE BONES MOVIE TIME! Link below.


Griffelkin posting 😋
Seriously was up till 4:30 AM with H E Double Hockey Sticks brain anyway I was trying to think of matching sticker concepts for the boys.. what do we think and would anyone be interested in actual stickers or do we just think they’re cute to look at (I will of COURSE color and shade and make them extra pretty but you wonderful people get the behind the scenes)


Yah Griffelkin Posting
Okay so I'm assuming you people enjoy the Griffelkin sticker idea,, here's him colored, I'm gonna wait on Dave cause I have a feeling our H E Double Hockey Sticks fandom's a little too niche for me to go all out, but here's Griff!! If y'all actually would buy a sticker I will gladly order some and set it up on my Etsy!!

He won't have my watermark on the actual sticker lolol