Probably, The First, The Man Who Engendered The Conditions For This Phrase (or Warning To Evers) To Be

Probably, the first, the man who engendered the conditions for this phrase (or warning to Evers) to be born: Fall Rhian, with the Pirate Captain, Hephaestus, and the Kingdom Council -> "Only the best Evil can disguise as Good."

I mean, when else have we seen the "appearance versus reality" theme predate the moment Rhian started stringing people along and mucking up Rafal's already filthy reputation via word of mouth (as early as Fall, not even the main series with Rafal's face)? "Rabid Bear Rex" and other tales from the prequel time didn't seem to involve the same level of trickery or disguise, I'm assuming?

And we don't know if "Finola the Fairy-Eater" (one of Lady Lesso's favorites, I think) came along later, during another generation, so the trickery and disguise there could've been inspired by Rhian (not that anyone knew the true outcome of the Great War, but the general notion may've been passed down, about Evil being subtle above all else).

EDIT: I misremembered/made a mistake. Some instances of Evil in disguise did predate Rhian and "Finola the Fairy-Eater" was mentioned in Rise. However, Rhian and the Great War did (of course) have had the most impact and most enduring consequences, compared to those smaller tales with lesser billing, which still leaves the possibility open that the Great War and the uncertain end result of who the victor was might've been the event to coin the phrase (if anyone shared August Sader's theory that the Evil brother won, contrary to popular belief).

Also, does anyone remember who first said that line on disguise? Was it Arthur's advice to first-year Tedros? And another question that remains was whether it was told to Arthur by someone else.

Ooo, this is all so PRETTY! Could we see a close-up of the keychain? Also, was the black fur a design choice? It reminds me of the Stymphs' fur/plumage!!

✨️Bottled souls of the twin School Masters✨️

I have no idea how to fix the camera quality, they never focus on the right thing 😭

On that note, some other things of the same topic

Bottled Wish Fish eggs

👇I dunno 😂

I wonder what other potions in SGE could be cool to make?

This reblog is fairly late. Sorry. It's been rotting in my drafts for so long.

Someday, I have got to finish my long Adela Sader analysis post (which is more predicated in canon than this AU), but for now, I will say: it may not have entirely been her fault, how things went askew ever since Rafal obtained knowledge of the prophecy, because Rafal's own genre-savviness betrayed him when it came to his "true" identity.

Evelyn, here, could be a goddess of something like duplicity and hypocrisy in the men below, and of course, Rafal has a low tolerance for anything short of "the" (read: his) Truth, meaning he'd viscerally hate what Evelyn stands for, even if he's easily all in favor of duality and complexity himself.

In the context of this AU, I think, at the time, I just felt like Adela wouldn't know Evelyn too well personally, (and there's their clash of the hearing the present ability with seeing the future) so of course, Adela would pick Rafal, the more sensible option in the petty "war" and maybe, the rationale backing Rafal held up better too. Who knows? No one can know her mind. (I probably didn't have that much reasoning to begin with since I was going for symmetry and a vague sense of familiarity in who sided with who.)

Haha, I'm glad that end satisfied you.

I wouldn't be at all surprised if he never proved that trope wrong. I mean, he does sacrifice himself for Rhian in canon during one life-or-death scenario while all along he struggle to display the slightest bit of high regard for Rhian during their everyday lives. So—I don't know what to tell you. Rafal's supremely awkward like that, by my interpretation too.

I am sharing the funniest dnd character idea I’ve ever had bc I know I’ll never get to play them and I refuse to keep a joke to myself

What Rafal's Physical and Immaterial Coolness Could Represent

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As a forewarning, this post is more... observational and has less of a singular, hard-hitting point to it. (Also, see Conan Gray's "Fight or Flight" song for reference, as, most of this post occurred to me in relation to that very song, if you interpret parts of it as representing Rafal's internal monologue on the subject of Rhian's substitutes during Rise.)

Also, this is a long post, so it's going under a cut.

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Why is Rafal's immediate response to personal hurt avoidance of all things? Isn't that kind of a heightened, overly instinctive, clearly "uncool" reaction to have?

And yet, strangely, we still classify it as in character for him. His leaving was, arguably, the most iconic and true-to-self thing he did across both prequels. So, I want to ask: why is that?

That he just up and left seems apathetic and could be construed as part of his cold, cool nature, of course, but still—when we look at what his reaction truly is: he chose flight.

(Flight as opposed to the alternative fight, freeze, or fawn responses.)

FLIGHT! Like, can you believe it? This man, who's so headstrong and willing to stare down anything, chose flight. Let that revelation sink in. (Maybe this is more obvious than I think, but I can't believe I hadn't thought of this weird discrepancy before. Flight!)

Anyway, to explain Rafal's reaction to (potentially) having been emotionally hurt by his argument and corresponding bet with Rhian at the start, I'm going to reference a theory from an old post, as it has suddenly become relevant once again.

In short, the idea is about how Rhian's expressions of authority are personal while Rafal's are nearly always impersonal. Rhian is a master of social dynamics, considering how deftly he lies in Fall to gain favor from others and influence their views of him. And, this makes sense because he once cared so much about how he was perceived, as we take into account his original self-consciousness and his high-minded, conscionable tendencies from Rise. He is the one who wields interpersonal power as Rafal, correspondingly, wields impersonal (often more tangible and brutish) power.

If anyone would like more elaboration, here's an excerpt from that old post:

The strange thing is, in Fall, Rafal admits to having conceded a lot of the time to Rhian in the past, in the face of smaller, pettier arguments, a trend which also represents his yielding to Rhian's (supposedly nonexistent) authority in the early days. That tendency seems self-contradictory of Rafal, but perhaps, even Rafal's authority is situational. He's capable of exercising it over everything and world, but not over his own brother. He can't rein Rhian, the inevitable force, the "fatal" (to invoke both death and "fate") tides of change, the Prime Mover, in. Meanwhile, Rhian is the inverse of that. Rhian cannot exercise authority over everything and the world, but he can do so over his own brother. Besides, Rafal, often by sorcery or by outright manhandling, manipulates and exerts his physicality over others and his environment while Rhian rarely does. And yet, Rafal (from what I remember) never so much as lays a hand on Rhian during Rise (in Fall, everything changes and escalates). I don't yet know why this is, but I think this observation is true most of the time. At least, I haven't thought of any exceptions yet. The working hypothesis I have is that Rhian (being the brother who chose to stay in the comfort and limited confines of the home, according to the Bettelheim text's ideas) only initially felt comfortable to do anything there. To act, and exercise his authority in an intimate, narrow, personal way. By contrast, Rafal (the more worldly, well-traveled, and inconstant brother) wants to gain independence from their stifling "home" life, under the Storian, and, as a result, upon his return, could've felt like a stranger in his own home and with Rhian (who's also changed in his brother's absence regardless). Thus, while Rafal can certainly exercise his authority impersonally, he doesn't feel at ease exercising authority over the familiar because it could be too close for comfort, too unsettling, unsettlingly different and the same, like he can't shed the disbelonging that drove him out of the fairy-tale construct of the "home" as a safe, childhood refuge in the first place—when Rhian first questioned his very core purpose and Evil's existence.

Thus, again, Rafal's ability to wield power is, without exception (I think), always impersonal.

The closest he comes to Rhian's brand of power, which involves acting on a smaller scale or more on an individual, one-to-one level and being intimate, are his interactions with Hook and Midas. And, despite those seductive instances, Rhian is still the master of all the smaller scale exploits, like with Hephaestus and the Pirate Captain rescuing him from the Doom Room where he'd been "abandoned," whenever these acts are in fact intentional.

Yes, Rafal possibly unwittingly, by being more open with his victims, has broader appeal, but that side of him isn't all pure strategy, done with intentionality. Part of it is just how he is. Rhian, unlike his brother, strikes at something inside people that doesn't just rely on scare tactics and classic, one-dimensional intimidation. In Fall, he gains a creepiness factor and the ability to lie convincingly, importantly, without blushing.

Also, I want to commentate a little on Rafal's novel instance of blushing during Fall, which was quite unlike his usual self.

First, here's some context about physical coolness, the socially-perceived "cool factor," and how blushing can only ever be sincere and is valuable because it is involuntary from Quiet by Susan Cain:

I suspect Fall aimed to establish Rafal as more "trustworthy," and as more subject to having humility thrust upon him, than he had been in Rise, when he had previously been insurmountable.

Yet then, after that "invulnerable," unaffected precedent he set about himself, he started blushing, signaling that he suddenly began to care, and that the opposite was true of Rhian as Rhian changed throughout Fall and became more immune to his old, constant feelings of shame that originally must've formed his moral compass.

Also, Rafal gets more points towards being an actual sociopath! He just partially lost his former, low-reactive temperament when he turned "Good."

One other thought of note:

Has anyone ever headcanoned Rafal as having an avoidant attachment style? To complement that, Rhian would probably have an anxious attachment style.

Essentially, the traits of these attachment styles are Rafal and Rhian personified.

Rafal:

Rhian:

HAH! I love this! Also, the coattails on Rafal's ghost—I love their poses at the end! And what's the last panel of? Agatha and some object?

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this audio reminded me of them if rafal was like a ghost and randomly appeared during tlea lol

also the proportions are like NOT the best but i think it's too late to fix😔

Does anyone you know irl know that you have this Tumblr account??

Yes, a few people know.