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She-ra Season 5 Re-watch Thoughts

This season the animation and art design is easily at its most beautiful. The actions are more fluid, the use of color is phenomenal, and the character’s faces and bodies are at their most expressive yet. I really loved the She-ra redesign and prefer it over the original design they had by quite a lot. I loved the scenes where softer colors were used. This is especially prevalent in the final episode after Adora defeats Horde Prime. The colors were breathtaking and it’s clear the time and effort that went into making the final shots be ingrained in your memory. I know it will be ingrained in mine. I thought the animation bumps between seasons 2 and 3 and seasons 3 and 4 were impressive but this is on a different level. It’s like everything was taken up to 11.

She-ra never lost sight of its characters and always managed to keep the focus on them and their struggles despite the larger than life stakes that were happening around them. This season paid off the character arcs of Adora, Catra, and Entrapta really well. My favorite episodes were the ones that were intensely character focused (corridors, save the cat, failsafe, heart). The show knows what its strength is and holds to it.

I came into this series not sure what to expect. I wasn’t familiar with she-ra (I had seen he-man) or the characters and hadn’t read Noelle’s work. So when I watched the first season and saw how nuanced and complicated the characters and their relationships were I was enthralled. I woke up every night that a new season dropped at 2 or 3 in the morning (based on which time zone I was in) to binge the season. I was so impressed with the character work of the show. There aren’t many shows that manage to blow me away with its characters. A large part of that is the fact that I could connect with a lot of the characters and understand them. This show managed to help me in ways I didn’t know I needed at the time and helped me distance myself from a toxic family situation. My thoughts on the show are biased because of this but that’s the case with everyone when it comes to media. There are going to be certain things that connect more with some people than others.

There’s a good and bad way of a show knowing what it is. This show takes knowing what it is in a good direction. It knows it’s a character drama that has the relationships and individual character arcs front and center and it uses the war setting as a vehicle for these things. Not everyone will like this because this makes it so the show focuses on consequences for personal actions more frequently than for war related actions. It isn't a war story. This worked for me, but won't for everyone.

In this season it uses Horde Prime and his “cult” as a metaphor for organized religion which is used to complete Catra, Adora, and Hordak’s arcs of self actualization and coming to terms with what you want and that you have a choice. This I think is done well because of how it matches with it's themes of working through programming and unlearning toxic behavior ingrained by your upbringing. I can easily say that She-ra has produced some of my favorite characters and I loved the conclusions to their arcs.

My one real issue with this season is that I think the tonal issues were jarring. To break it down it went from the premiere “Horde Prime” which was pretty dark showing the hopeless position of the rebellion and Adora’s struggle with her identity now that she-ra is gone and her suicidal drive to push herself to be useful to “Launch” which has a lot of things that are played for laughs and just felt like an odd shift especially considering that it is followed by “Corridors” which is an intense character study of Catra and her pain and loneliness and deals with her coming to terms with the fact that a lot of her anger and pain was misdirected at Adora all these years and that Adora has truly cared about her.

Then “Corridors” is followed by “Stranded” which is much more lighthearted and while it does deal with Adora coming to the decision to go back for Catra and her conflict over doing what she wants over what would be best for Etheria while Glimmer and Bow reconcile (or start to) a lot of the episode is used for levity. Catra is in a life threatening situation so while the reasoning for the main characters making this stop make sense the shift and lack of urgency at times doesn't work well in the context of the season.

Then that episode is followed by “Save the Cat” which is one of the most emotionally charged episodes of the show which has Adora refusing to make the same mistake she made in the pilot and refuses to leave horde prime’s ship without Catra even if it is the death of her. Adora places Catra above everything else. This episode is heartbreaking and calls back to all their misunderstandings, pain, history, and disconnects. This episode is followed by “Taking Control” which I think does a much better job of keeping the tone of “Save the Cat” and moving the plot and character arcs along. But then it’s followed by “Perils of Peekablue” which, while it’s a fun episode, it is very jarring to be pulled out of the very dramatic and dark episodes that came previously. Scorpia's sacrifice at the end worked really well as a precursor to what is waiting for our heroes when they get back to Etheria though so this episode had a better transition to the next than the ones that came before.

I am usually pretty good at being able to switch tones with a show and I think the balance between dark and light has been done very well in this show before in “Princess Prom”, “Roll with It”, “Mer-Mysteries”, “Pulse”, and “Princess Scorpia” to name a few. These episodes however didn’t mesh as well for me. I still enjoy watching them, but I think watching season 5 as a whole makes it clear that these episodes break up the tension too much. I will admit I am a bigger fan of drama than I am of comedy so I gravitated towards the much more serious episodes within the show like "Hero", "Promise", "Remember", "Failsafe", "Light Spinner", etc. I understand why there’s comedy, but I think that instead of having entire episodes dedicated to comedy they should have mixed it in like they do with the ones I named above. I’ve gone on a bit of a tangent because, while She-ra does almost everything else I want from a show, I think this is easily its biggest problem.

I think this season is my favorite season. (It’s a very close race between this season, season 4, and season 3) This season managed to pay off just about everything that was set up in the previous seasons and that is a near insurmountable task for any show. I haven’t felt this satisfied by a series finale in a very long time. The final episode tandem heart parts 1 and 2 left me speechless and I immediately started re-watching the series. I don’t know exactly what it was and how to put it into words, but that finale really hit me. It really felt like what the show was always building towards.

The fact that this big grand war ended not with a big battle, but with Adora and Catra finally coming to an understanding of both themselves and each other felt true to the show. Catra and Adora’s love-hate relationship has been the heart of the show since the beginning and it was their falling out due to their disconnect that kicked the show off in “The Sword” so it’s fitting that it’s them fully reconnecting and understanding each other that ends the series. The emphasis and climax of the show isn’t the big epic battle above, but the love confession happening below. The fact that the show manages to stay so personal and focused despite the stakes being the fate of the universe is a testament to how well written this season is in my opinion. The show comes full circle and I couldn’t have been happier with the result.

Well, I’m even more excited for this episode than I was before (which was a really high bar). This looks like it’s going to give each girl the attention they deserve and I really like the choices the crew made story-wise that we get to see in this promo.

I actually really like the decision to have Sasha and Darcy have a confrontation without Anne (I’m sure Anne will be a part of it at some point but they need this one to happen first in my opinion. Anne will probably start the fight with them but they will be forced to split up because of all that is happening). Sasha is the one who has more to make up for between the two of them and they clearly set that up with Darcy’s line "Dear friend? Don't be silly, you're not friends. Not anymore. In examining Marcy's memories, it's...doubtful you ever were." which was clearly directed at Sasha.

Also since Grime is here I am pretty sure we are going to see him sacrifice himself for Sasha. Grime and Sasha are my favorite duo in the series so this will be devastating if it happens. I just really want Sasha and Marcy friendship development because they are the dynamic in the trio that has the least development.

I also love that we are going to get a separate storyline for Marcy trapped inside the Core. I said it in my “The Beginning of the End” Thoughts that I was initially nervous about how they will cover completing Marcy’s arc and that this episode assuaged that fear but seeing that they won’t be cutting any corners is really nice. 

I’m sure that Marcy’s portion of the episode will focus on her having to let go of all the escapism and fantastical things within the core and break free due to her own choice. She will choose to leave the room the core has her stuck in and stop running from her problems, facing them head on.

Anne fighting with the others on earth fits since that’s what all of season 3A was building up to. I have already predicted what I think will happen with Anne’s arc but it can’t hurt to reiterate. I believe that she will be the one in the trio to get the sacrifice play. Season one was Sasha, season two was Marcy, and it would stand to reason that season 3 would be Anne’s turn. She’s also been growing into a leader and learning to fill her hero role so this could be the perfect end to those story threads.

I love Mr. and Mrs. Boonchuy and I can’t wait to see them next week. They are the best.

Promo for the 1-hour Amphibia special event "All In". Premieres Next Saturday, May 7 at 8 pm on Disney Channel.

I think series finales can be hard to talk about right after the fact. So many emotions, expectations, and hopes are built up going into it that it can cloud your perception of the finished product the first time you view it.

For some aspects of Amphibia this was partially the case for me. I can say that my thoughts on the finale have morphed since I first watched it. I want to say up front that overall I loved the finale and I love Amphibia and now that time has passed I think I can explain my revised thoughts on the earth epilogue.

I actually do agree with my write up here. But I want to set the record straight on a few things in my initial earth epilogue thoughts. There are some things I stand by. I don’t think the dialogue got across that the three girls stayed in contact after amphibia. Considering that the Beginning of the End and All In had a huge emphasis on the girls wanting to stay friends after all this and how much they wanted to make their friendship work despite the distance I felt this fumbled the ball in showing this. But I understand and will defend the choice to have them drift apart. 

This fits the themes of the show and it is a bittersweet and realistic moment. Amphibia is about change and it is also about the friendship of three girls that fell apart and they were forced to grow as individuals so that they could come together as true friends.

In a way that’s also what they did here (except their friendship naturally drifted apart instead of broke). They drifted apart and grew as individuals and went down different career paths and they were able to find each other again. And they still deeply care about each other. That ending reunion and the photo at the end show this.

The trio drifting apart doesn’t negate the feelings they share for one another. Their friendship still means so much to each of them and they still care deeply about each other. Nothing is permanent and that’s okay. It doesn’t make the memories or connections any less meaningful.

Do I wish the trio stayed close and never drifted apart? Yes. But that doesn’t mean I don’t like the themes and ideas that this portrayed.

The argument that Amphibia isn’t realistic and thus the realistic ending doesn’t fit the show doesn’t hold much water in my opinion. Amphibia is a larger than life epic that has magical anime powers, an amalgamation of multiple minds that have conquered death, 1000 year old newt tyrants, and much more but it manages to be full of real, heartfelt moments that capture the experience of life.

And it's those smaller moments that speak to real experiences that make this show work as well as it does.

For example, The Beginning of the End was a spectacle that held the long awaited first confrontation between Anne, Sasha, and Darcy and the beginning of the battle against Andrias and the Core but the moment that everyone was talking about and empathizing with was the flashback.

The flashback was a snapshot of what the calamity trio's friendship was like back home that showed Anne and Sasha's indifference to Marcy's interests and passions. This flashback portrayed an experience a lot of people who watch the show can relate to and it is what made their reunion in this episode even more of a gut punch than it would have been before (more of my thoughts on this moment are here).

This show wouldn't be as special as it is without these moments.

The show has always been grounded in the characters and in its life lessons about change, friendship, and growth/growing apart. And I think it managed to get that across perfectly with this ending now that I’ve had time to sit with it.

Sasha is a very complicated character to say the least. She’s heavily flawed and due to these flaws she’s hostile to the idea of change but that’s why her arc works so well in the grand scheme of Amphibia. 

Season two in particular has so much ground to cover in her arc and I want to dig into how much each of these episodes managed to get across about her character.

Sasha is fascinating in part because of her complex relationship to control and power and how it directly conflicts with her care for others. It’s made very clear at multiple points in the series that Sasha does genuinely care for other people.

She cares for Grime and won’t abandon him in Toadcatcher even when facing down Yunan, she cares for Anne and her decision to let go to prevent dragging Anne and the Plantars down with her in Reunion shows that, she cares about Percy and Braddock and shows conflict over losing them in Barrel’s Warhammer, she cares for Anne and Marcy in True Colors when she tries to hold off Andrias so that they could make it home. 

Sasha cares deeply about those close to her but it always comes into conflict with her fear/resistance to change and her flaws. In every situation/episode mentioned these two parts of her come into conflict in some way yet she views them as deeply intertwined.

The episodes focusing on Sasha are usually really good because of this complexity. Season 2 is where this conflict is put under a microscope.

When we first see Sasha again in Toadcatcher she is grappling with the fallout of Reunion and Grime points out that she is training to avoid the reality that her friendship with Anne has irrevocably changed, things can never go back to the way they were. She’s not upset that she lost the fight but that she lost a friend.

Sasha is struggling with this and can’t accept the change or Anne’s independence from her. She wants to regain control over her friendships and force things back to the way they were. She hasn’t learned that those lines of thinking are faulty, instead she doubles down on them.

She next appears in Barrel’s Warhammer where she and Grime go to get the rest of the toads onboard with their coup on Newtopia but to be the leaders of this coup they need to go on a suicide quest for Barrel’s Warhammer (it is literally stated in the show to be a suicide mission). Sasha is more determined than ever to get the warhammer and gain power once she hears that Anne and Marcy are working together to get home without her.

She sees that Percy and Braddock are afraid of this suicide mission and gives them a signal, an out, they can use to let her know they want to stop the mission and go home. She is being genuine in this moment. Her voice softens and she doesn’t use any of her usual tricks. But when the moment of truth comes and she sees them use the signal she puts the mission before them.

She puts her life and the lives of her comrades at risk to prove that she doesn’t need Anne and Marcy and continue her quest for power. In her own words “I am not gonna fail. Not while Anne and Marcy are getting by without me.” She is upset because she believes that Anne and Marcy are doing fine without her, that they don’t need her like she wanted to believe.

I think that this outlook on need is important. She wants them to need her. If they need her they can’t leave her and she’s afraid of this rejection, of this abandonment. And if they don’t need her then she can’t need them. Sasha can’t show this need. It’s vulnerable. It’s a weakness in her mind and she can’t show weakness. She has to be fine on her own.

She pushes her team too far in her mission to reassert control and loses Percy and Braddock because of this. She seems genuinely effected by it. She’s starting to realize her actions have consequences. That she can’t force her wants and desires onto other people and expect them not to push back or leave when it hurts them. Grime’s speech about some people not being willing to pay the necessary price for success rationalizes her actions and prevents her from fully coming to this realization. 

The true cracks in her resolve to follow through with her plans don’t start showing until the Third Temple. She has a moment of doubt about betraying Anne and Marcy after all the faith they showed in her. She starts to question if power is what she really wants if it comes at the cost of her friendship with the two like it did with Percy and Braddock.

There’s the implication that Sasha isn’t faking as much as she would like to believe she is during this reunion and it continues on for the next handful of episodes leading up to True Colors.

Sasha can be a tricky character to pin down because it can be hard to tell when she is being genuine or not and even trickier to tell when she is lying to herself or truly believes what she is saying. Sasha is just as good, maybe even better, at lying to herself as she is at lying to others.

There's the idea that Sasha isn't as sure of herself as she would like others to believe. Doubt about her actions has started to creep in. The anger, spite, and fear that she has been running on for most of this season has started to dissolve.

Her spite towards Anne after Reunion was a major driving factor in her plans for the coup and after their heart to heart in the Third Temple that spite has dulled. She doesn't want to lose her friendship with Anne and Marcy. But she hasn't fully accepted that her actions have consequences and is trying to convince herself that she can have power and keep her friendships too. (This is most obvious in how she acts after her coup/betrayal. She puts her arms around Anne and Marcy and tells them they can help her rule and seems shocked and upset when Anne ends their friendship.)

Interestingly enough Battle of the Bands sums up her complicated relationship with control and how it relates to her friendships really well. She wants Marcy and Anne to succeed and with her in control she thinks she could ensure that would happen. She thinks she knows what’s best for them and tries to force it onto them but Anne has learned to stand her ground and push back when needed.

When Anne won’t let her be in control she decides to take her own path where she has all the power over what happens. She gets into a situation where she has all the control only to learn how empty that is without those she cares about and that having someone who will do everything you say without question isn’t all it’s cracked up to be.

She later comes to learn through Toadie that sometimes supporting her friends in their own endeavors can be just as meaningful even if they don’t come out on top. We see her give up that control she so desperately clings to and support her friends.

This is the lesson that Sasha needs to learn. In a way this was showing her what she could have if she could let go of having total control, compromise, and accept change. It makes what happens in True Colors and the consequences of her actions hit her all the harder.

In her mission to force things back to the way they were and resist change she loses everything she could have gained. She gets what she thinks she wants at the cost of everything that actually matters and she is hit with the realization of how empty it is.

She is finally forced to confront her own terrible choices and their consequences when Anne finally severs their friendship. To make matters worse she comes to the realization that her coup was unintentionally a good thing when it’s revealed what Andrias plans to do with the music box.

When she tries to warn Anne she is understandably ignored. Everything bad that happens in True Colors is in part her own fault. She is forced to confront the lies she keeps telling herself and finally realize the lasting consequences of her actions.

I really liked how the culmination of her arc this season is her promising to have Anne’s back in the fight against Andrias and hold him off so Anne can get back home. She finally gives up control to someone else by deciding to have their back and tries to take responsibility for her actions and set things right. (it only took until it was almost too late)

And it’s this moment where we last see Sasha this season, trying to hold Andrias off so Anne, the Plantars, and Marcy can escape, that brings me to a major aspect of Sasha’s character that I haven’t talked about yet because it is best covered as a whole and that is how self-destructive Sasha is. Yes, this can be seen as Sasha’s protectiveness and deep care for her friends shining through, and that is part of what these actions represent, but when her actions are considered across the series there is a clear pattern that can (and is likely meant to) be read as passive suicidal tendencies.

Sasha doesn’t actively try to kill herself but she constantly puts herself in dangerous situations where she knows that she could end up dying. Or she ends up in situations where she accepts death. The biggest examples of this are Reunion, Barrel’s Warhammer, True Colors, Turning Point, and All In.

In Reunion she notices that the tower is collapsing and that she is dragging Anne and the Plantars down and she makes the decision to let go of Anne’s hand. This would have ended in her falling to her death if Grime didn’t catch her and she wasn’t expecting Grime to do that when she let go. She had no way of knowing that would happen.

In Barrel’s Warhammer she is told by Beatrix that going after Barrel’s warhammer is a suicide mission and she doesn’t hesitate to accept. She is told multiple times by Percy, Braddock, and even Grime that she should abort the mission or they will all die but that doesn’t phase her. She’s made the decision in her mind that she will only accept two outcomes: she succeeds in getting Barrel’s Warhammer or she dies trying.

In True Colors Sasha decides to hold off King Andrias while Marcy and Anne go through the portal without her. She was willing to be left behind with a tyrant who just tried to kill Polly and Sprig, two children younger than her, that she knows won’t pull his punches and most likely wouldn’t hesitate to kill her (which is later confirmed in the worst way when he stabs Marcy). She once again tries to sacrifice her life for her friends.

In Turning Point she claims that she will fight until her last breath to defend Wartwood and do the right thing for once. She faces off against Andrias’ robot by herself and accepts that she won’t make it when she’s restrained. She is once again saved by Grime (he really is the only reason she made it through the series) and kept alive by the citizens banding together to help them fight off the robots.

In All In she dares Darcy to do her worst and finish her off after she is beaten on the floor. Darcy would have gone through with it too if it wasn’t for the fact they got distracted by Andrias, giving Sasha the time she needed to drag herself from the ground and make the decisive blow.

It’s these indications of passive suicidal tendencies coupled with the implications of a turbulent/dysfunctional family life, self-hatred and self-esteem issues, anger issues, struggles with showing emotions that can be seen as weak, fear of abandonment, etc. that make it obvious that Sasha struggles with mental health issues.

These struggles are inform a lot of her character and are integral to her arc of learning self-love and forgiveness in season 3. It also sets up the end point of her character in The Hardest Thing- becoming a child psychologist. She does this specifically to help kids work through their baggage so they don’t go down a destructive path like she did.

Sasha’s arc in season 2 is complex and layered. I stand by my opinion that Sasha should have had more episodes dedicated to her but the writers don’t waste a second of her screen time and manage to get all the conflict of her character across in the limited episodes they were given.

Thanks to Them Thoughts

The first special of The Owl House’s third season recently dropped and I can say with full certainty that it hasn’t lost what made the second season so special.

I don’t think I’m in the minority when I say I was disappointed that the third season got shortened to three specials but I wanted to come in hopeful for what these specials could bring. The Owl House proved to me in its second season just how phenomenal it could be within a limited time frame with episodes like Eda’s Requiem, Knock Knock Knockin’ on Hooty’s Door, and Hollow Mind. I know that the situation is different but it’s proof just how much this show knows how to tap into the emotional core of its characters, stories, and relationships in 22 minutes.

This episode does the same thing by digging into the core of Camila, Luz, and Hunter. 

Camila is a character that had the fandom split and in my opinion received way too much hate. She was a single mother doing her best with a specific set of struggles due to the point she was in her life and the circumstances surrounding the start of the series. This episode understands that Camila loves her daughter and wants to do right by her but parenting rarely has a perfect answer. 

Camila’s choices are given more context and shown in a different light. I was already in the camp that believed Camila was a loving parent that made some mistakes because she’s only human, but this episode solidified it.

The nightmare Camila has about halfway through the episode is a poignant way to explore the concept of generational trauma and trying to break that cycle.

Luz found a community that will accept her the way she is and a place where her strengths can flourish. Once Camila has had time to grapple with the reality that Luz went to the demon realm by her own choice and she gets to see just how good this place has been for her she embraces it.

She even wants to go to the demon realm with Luz so she can be a part of that aspect of Luz’s life as well (and look out for her daughter in a very dangerous situation). It’s just a really touching portrayal of motherhood.

That’s actually the part I’m the most upset we missed out on due to the shortened season. Seeing Camila be a supportive mother to Luz and give Amity and Hunter their first real experience with a caring parent is something I would have loved to see considering how much their abusive/complicated home lives we’ve gotten to explore over the show. (I specify Amity and Hunter because we know that Gus and Willow have loving home lives. I would still love to see Camila be a parental figure to them too)

We still have some more time. I’m hoping we’ll get to see more of surrogate mother Camila over the next two specials.

Hunter especially needs that care because he cannot catch a break.

Season 2 and now season 3 has been one long trauma conga line for Hunter with so much of that trauma being born from his twisted relationship with Belos. 

Hunter being possessed by Belos is a very fascinating turn of events that foreshadows so many possibilities with Belos but there is one area I think could have been handled better. 

I want to touch on the scene where Hunter stood up to Belos first. This has been a long time coming. Hunter has submitted to Belos’ ideas for his future for most of his life and even after leaving the emperor’s coven he didn’t get the chance to have a confrontation with Belos where he was given the time to address this area of growth.

Hunter finally has the chance to choose his destiny which is something he stated he was jealous Luz could do back in Hunting Palismen. Due to his journey in the human realm he has the self worth and the security to stand up to Belos for the first time in his life and it was a powerful scene because of the build up.

Hunter has gained so much that he has lacked all his life due to his time away from Belos and in the human realm. It makes this moment and his sacrifice hit all the harder because of how far this episode shows he’s come.

He has a family

He likes who he sees in the mirror 

He has friends who value him for who he is and not what he can do

He can take part in his hobbies and indulge his interests 

He no longer needs Belos like Belos tried to make him believe. He can finally be the person he was always meant to be. 

Hunter is brave, caring, and kind. No matter what Belos did or said to him he never lost those qualities. He is willing to stand up to Belos and possibly sacrifice himself to protect everything he has come to love. He has people that will extend that same care and compassion towards him.

This brings us to one of the saddest moments in the episode: Flapjack’s sacrifice.

Hunter has gone through so much and Flapjack’s sacrifice hits especially hard because Flapjack was one of the first people Hunter could rely on and probably even call a friend. 

Flapjack was important for Hunter’s development in more ways than one. He provided him with a confidant when he didn’t have anyone else and it helped him question and re-evaluate Belos’ actions in regards to palismen and wild magic. He also met him because of his first real encounter with Luz.

It all comes full circle. He initially protected Flapjack from Belos because he knew Belos would use him as fuel/a life source but now Flapjack is willingly being exactly that for Hunter. He is now a part of Hunter. It’s a very bittersweet ending to their relationship that shows the growth and care that they each had for each other.

That moment where Hunter stops in front of the portal and holds his hand over his heart was a short but very effective moment at conveying his grief. 

This sacrifice was very well executed in my opinion.

All of this works emotionally within Hunter’s character arc. 

However, the battle didn’t quite reach its full potential. It had incredibly fluid animation and was amazing to watch, but it wasn’t as emotional on Amity, Gus, and Willow’s end as it could have been in certain ways. 

You could feel the conflict and pain from Luz’s end. It was made clear that she was purposefully not trying because she didn’t want to hurt Hunter and even hugged him to try and get through to him. She doesn’t want to hurt him because of how much she has come to care for him and this turmoil could be seen in every action Luz took and could be felt in her voice acting performance. 

She’s the only one you could understand the full grasp of her conflict over the fight with Hunter though. There wasn’t any of that same hesitation or desperation on anyone else’s end. You know that all of them are close to Hunter and care about him but you don’t feel the full depth until after the fight.

These connections are really important to Hunter’s character because of how Belos isolated him prior to season 2 and I loved all the moments that showcased how important Hunter is to the group and vice versa. That’s why I decided to point out the lack of hesitation on everyone else’s part. It doesn’t break the episode (in fact the episode is great) but I thought it could have been executed a bit differently.

Hunter is one of the strongest characters in the show and the way this episode handled him was great.

This brings me to Luz.

King’s Tide had real consequences for Luz. She feels like she couldn’t protect Eda or King and she couldn’t stop Belos or the Collector. She doesn’t know the fate of the family she left behind and she believes that everything that happened is her fault.

She’s understandably not handling it well.

Luz this episode and in a few episodes last season is used to explore grief and loss. This is explored in more ways than one through the loss of her father and her newfound family in the Boiling Isles.

Luz’s father was noticeably absent in her life at the start of the series but what happened to him wasn’t revealed until “Reaching Out” (In a fantastic scene by the way). We get even more expansion on it through Luz’s video diary entries. 

Luz was much more aware of what was happening with her family and father than she let on to her mother despite their best efforts to shield her. The way you can see the decline in her emotional state through her entries as her father’s health declines makes the process feel real. This wasn’t a quick but a slow process/struggle for the family over time until he unfortunately passed. It’s something that Camila and Luz are still struggling with. 

The process of healing isn’t linear for any of the characters. 

It also reveals that Manny introduced Luz to the Good Witch Azura. This is really bittersweet and touches on something that this episode emphasized and that is how media and stories can help us process, heal, and feel seen in aspects of life that people struggle with.

Hunter finds connection and healing through the Cosmic Frontier character O’Bailey. Luz finds that same connection and escape through Azura. It helped her during a really hard time in her life by helping her find a connection to her father after he was gone.

It makes everything in regards to her Good Witch Azura book and hyperfixation very bittersweet and puts so much in a new light. It’s a brief but powerful moment in the episode.

The exploration of Luz’s grief in the present day is handled just as well as that short segment. It shows the repercussions on her mental health and how it trickles out in unexpected ways like her rant in class. 

But most importantly it shows how her support system understands that she’s struggling and they are there for her no matter what. They might not all know how to best handle what she is dealing with but they all give it their best and make sure they let her know that they don’t think of her as a burden.

One of my favorite moments showcasing this in the episode is when Amity lets Luz know that Belos meeting the collector because of her help isn’t a failing on her part. It doesn't make her a mistake or the harbinger of doom she believes she is. She assures Luz it’s a testament to her good heart instead.

Luz’s support system doesn’t automatically make her better either. The Owl House understands there is no quick fix to depression and other mental health issues. There is no list of requirements to check off to “cure” it. It’s something that is dealt with on a daily basis.

Dealing with mental health isn’t linear just like dealing with grief isn’t linear.

I am really intrigued to see how they handle Luz’s struggles moving forward and believe that they were handled with a lot of tact in this premiere.

This show has really come into its own. Season one was fun and had a great world and characters that drew you in but lacked a strong vision of where it wanted to go with wonky power scaling, an inconsistent level of control and influence from Belos that changed to suit the episode, and parts of the story that clashed with its core themes. I loved the season but thought there was missed potential. 

Season two came around and reached the heights I thought it was capable of and it seems like season 3 plans to do the exact same. I can’t wait for the final two episodes. If this is any indication of their quality I bet they will be amazing.

Extra thoughts

I love when Camila lets Luz sleep with her after she’s awoken from her nightmare. It’s just a really sweet mother-daughter moment.

I really liked Hunter’s cosplay and how his attachment to the character of O’Bailey speaks to the importance of representation and how it can help you heal and feel seen.

Gus definitely knows that Hunter is a Grimwalker. He purposefully introduced Hunter to a character that he could connect to and even tried to imply that he knew before Hunter covered his ears to avoid spoilers. I really appreciate their dynamic in the smaller moments of this episode.

I said it in my Hollow Mind thoughts but I’m going to say it again here: I think that Evelyn was a Calwthorne. There’s just too many clues in the show for her not to be and the Owl House has a pretty good track record of paying off obvious hints.

The best thing about this episode is how it carries over the consequences of King’s Tide. There are a few times where the tension the characters should feel to get back to the Boiling Isles gets a bit lost. The most notable example was how solving the clue they found to get them back to the isles was framed more as a way to cheer Luz up than a way to return to their families and know if they are okay. 

Yeah, the characters are sad to be away from their families but there isn’t the desperation to know about their fates that would be expected considering what happened with the day of unity and the collector. I like how this plot point was used in regards to Hunter and Luz but thought it was a bit lacking in execution and development when it comes to Amity, Willow, and Gus.

Amity, Willow, and Gus are unfortunately the ones that suffer from this section of the season being shortened. They are fun and engaging supporting characters but they noticeably don’t get the emotional focus or development that Luz, Hunter, and Camila get. I don’t dislike the choice, in fact, I think it was a smart choice to narrow the scope of the episode because it would likely become bloated and lack the strong focus and emotional core that it has.

It’s just unfortunate because Willow and Gus are not as well explored as Amity, Luz, and Hunter. Gus at least has “Labyrinth Runners” as an episode focused on him and a few episode B plots but Willow doesn’t really have her own spotlight episode. Both of her episodes “Understanding Willow” and “Any Sport in a Storm” are actually Amity and Hunter episodes respectively.

I would just like to see a bit more of Willow explored.

This is the first time Hunter has really cried in the show. He’s teared up before but never allowed himself to fully cry. It’s telling that the moment that gets to him the most, that makes him drop those walls and breaks the dam, is when Luz calls him family. It’s not traumatic or violent. It’s quiet and tender. He’s never had a family (something he mentions in Hunting Palismen) and now he does. Earth really did allow Hunter to come into his own and gain so much that he lacked all his life. 

I absolutely adore all the end credits art. Most of it is just so wholesome with my favorites being Luz teaching Camila glyphs (Camila is really committed to learning from Luz) and Flapjack tucking in Hunter (this is just so bittersweet).

Amphibia Season 3 Thoughts/Review

Season 3 of Amphibia is easily the most divisive season among the fanbase. There are a lot of different reasons for this but I think it primarily comes down to tone and pacing.

The reason why the issues with tone and pacing are so prominent is because of how it followed up True Colors. True Colors came in and seemed to promise that things would never be the same. It created a scenario for Anne and the Plantars that was very desperate. Sasha was left in Amphibia, Marcy had been stabbed (and for all they knew was dead), Amphibia was in imminent danger, and earth was going to be invaded next.

All of this should have created a massive sense of urgency and worry, but this doesn’t carry over very well into many of the episodes. The tonal whiplash that occurs when you watch True Colors and The New Normal back to back is massive. It goes from that gut punch of an ending to Anne being excited that she has wifi for the first time in months so quickly that it’s almost as if the characters forgot what happened.

When the show does address the sense of urgency the characters should have it is always on Anne’s end. Anne is the one staying up researching how to get back, Anne is the one trying to drop everything for new leads, Anne is the one losing sleep over the situation. The most the Plantars show on their end is homesickness. 

They are frequently the ones telling Anne to be careful or calm down which seems odd because they should have very pressing and important reasons for wanting to get back beyond missing their home.

In season 2 the heroes’ lack of urgency made sense. They didn’t know about Andrias’ plans, the core, or Sasha’s toad rebellion. The episodes where they explored Newtopia or visited towns on their travels fit much better because of their gap in knowledge and like I said previously those episodes usually found a way to keep the story moving forward or have important character moments so that they rarely distracted from the plot.

In season 3 there’s too much hanging over the characters’ heads that they know about for it to feel organic watching the episodes back to back. 

This isn’t to say that what happens on the earth half of the season is bad. The content is actually very enjoyable. Watching the role reversal between Anne and the Plantars is fun and we get to see even more of Anne’s culture and home life which is always a welcome addition.

The exploration of Anne’s family and culture is one of the best things about the first half of the season. The Thai Temple episode (Temple Frogs) in particular is one of my favorites. 

It has Anne displaying the urgency that some episodes were missing while also addressing how Anne’s parents struggled during her time away and how their community kept them afloat. This strikes a balance that makes almost everything that happens feel important on an emotional level without losing sight of what this half of the season is building towards.

This is also the case with the Christmas episode.

This half of the season doesn’t all take place on earth either. The perspective shifts back to Amphibia for a few episodes as well and they are two of the best episodes to come out of this half of the season. 

Turning Point and Olivia & Yunan serve as much needed glimpses into what is happening in Amphibia and handle the fallout of True Colors more directly.

In Turning Point Sasha takes responsibility for her actions throughout the series and decides to work towards being a better person with every action moving forward. She uses her strengths for good to fight against Andrias and protect the people and starts her redemption.

In Olivia & Yunan we see the crushing guilt Marcy is dealing with in the wake of True Colors and how she’s not doing so hot after being STABBED THROUGH THE CHEST. She is then possessed by the core in an honestly horrifying scene and loses all autonomy. 

In both of these episodes the course of the show is irrevocably changed and so are Sasha and Marcy. These episodes set up their arcs and roles heading into the endgame of Amphibia. 

This makes these episodes stand in stark contrast to many of the episodes surrounding them. They are darker in tone and have a sharp focus on what they are trying to do. These episodes are more in line with what I believe people thought this season would be heading into it. This helps make these what I believe to be the best episodes of this half of the season.

These episodes also break up the earth portions of the season and help the pacing immensely on re-watch. 

The first half of the season ends on the Christmas episode Froggy Little Christmas which, while a fun episodes that refocuses on the conflict with Andrias, shouldn’t have been the midseason finale. Escape to Amphibia should have been. It is the actual end of the earth portion of the series and feels like the beginning of the end in a way that the Christmas episode couldn’t capture (understandably).

So much about the episode is a bookend to this chapter of Amphibia and it has a lot of parallels that harken back to formative aspects of Anne’s character and the show as a whole. My favorite ones are this one 

and this one 

The first parallel is very reminiscent of Sasha during the third temple and I think that is intentional. Sasha’s redesign has her incorporate blue into her armor along with the red which symbolizes how Anne has changed Sasha and how she is incorporating the lessons she has learned throughout Amphibia and Anne into herself. This shows that the effect on each other is mutual. Sasha was not a good friend to Anne before this point but her good traits (when not taken to the extreme) have rubbed off on Anne and in some ways inspired her like she said in “The Third Temple”.

And the second parallel is very effective because it is put into stark contrast with the first time Anne and the Plantars come over the hill and see the rest of the valley for the first time. It takes the wonder and awe that was present the first time and twists it into shock and horror. It really hits home just how long Anne has been away and just how much True Colors effected Amphibia.

I want to take a second to mention how great Anne’s parents are. They really were the MVPs of the earth portion of the season and this episode.

It’s refreshing to see Anne and the Plantars back in Amphibia and this marks the start of the second half of the season which is the hardest to talk about in regards to the series as a whole in my opinion.

The second half of the season is complicated because it’s probably the most inconsistent part of the series. It contains some of the best content of the entire show and of any animated series airing at the time but it also has lows that mess up the pacing and ultimately end up feeling directionless at times.

The second half of the season starts out strong with Escape to Amphibia and Commander Anne but doesn’t maintain that momentum. The episodes primarily focus on the rebellion gaining forces to take on King Andrias but this doesn’t culminate in a satisfying way. 

The only episode we get to see the army fight is The Beginning of the End, but then they quickly become irrelevant after Sasha and Anne’s plan fails and the invasion of earth begins. This makes the majority of episodes in season 3B ultimately feel like they weren’t building towards anything. 

At least in 3A a lot of the people Anne and the Plantars impacted on their earth adventures come together to help them take on the government and get back to Amphibia. It makes it feel like there is some semblance of an end goal.

But with 3B the important players aren’t any of the amphibians they get to join their cause and it is entirely focused on the calamity trio, Andrias, the Plantars, and Grime. The army doesn’t play a part in stopping Andrias’ invasion when they get to earth or taking down the core.

It’s odd because these episodes bring back so many characters and plot points from the first season and makes it seem like it’s all coming full circle. That everything that happened in the beginning is going to come around in a big way and be the reason they will win in the end.

It built a certain expectation that it didn’t fulfill which hurts the episodes a lot on re-watch. 

These episodes do manage to flow better than the episodes in the first half of the season (at least to me) though because the setting and characters are ones I’m familiar with and invested in which always makes them at the very least enjoyable to watch. 

Episodes like Grime’s Pupil and Sasha’s Angels have all the issues I mentioned above but because they feature new relationships between characters I know and love and are centered around the conflict I am more emotionally invested in they always manage to hold my attention more than certain episodes in the first half and remain fun. 

There are episodes that didn’t do this nearly as well like Mother of Olms, which promised so much more than it actually ended up delivering on that it left a bit of a sour taste in my mouth when I first watched it. It’s better on re-watch, but it’s episodes like this coupled with the overarching narrative problems that leads to an uneven stretch of episodes.

There are some very good episodes sprinkled into this run with the clear standout being The Core and The King. 

The Core and The King is a fascinating look into Andrias’ past and why he is the way he is. It adds so much nuance to his character and actions in True Colors. It is held back a bit by the fact it isn’t a half hour special episode and thus can’t spend the time necessary to attach the audience to the characters of Leif and Barrel, but it still believably portrays the actions and relationships that it focuses on. The best relationship exploration of the episode is easily that of Andrias and his father, which recontextualizes his allegiance to the core and dedication to his mission.

This episode adds a level of tragedy to Andrias and his relationship to Marcy that retroactively elevates their relationship in season 2 and the betrayal in True Colors. There’s a level of regret and genuine care that feels like it’s simmering just below the surface that plants the seeds for the flashbacks in All In and makes their entire journey together really bittersweet.

This leads us to the finale three episodes (essentially one big finale), but before I talk about those I want to address how this season handles the calamity trio.

I’d say this is a mixed bag and it’s understandable why people have such conflicting opinions on this particular part of the season. This is where the trio are at their most important. The emotional climaxes of almost all 3 parts of the finale depend on them.

They are the ones the final battles come down to. There is so much riding on their growth and the audience’s emotional connection to them that they needed focus this season.

Sasha and Marcy have had limited screen time coming into this season but it was handled well in regards to the story and themes the show was trying to cover. In the third season they both still have limited screen time but the way that screen time is handled is vastly different between the two.

Sasha is the one that comes out far better in regards to this. She completes her arc and gets her redemption. Her perspective and change is put on full display.

There’s even a subplot that has Anne and Sasha go through an awkward transitionary period in their friendship that has Anne’s doubts and frustrations with the past surface. These moments are used to show Sasha’s change and work in regards to their overarching relationship. It feels earned that their friendship comes back together stronger because of who they are now as people and all the trials they’ve gone through. 

Sasha’s arc is one of the best handled in the series. A few things could have been tightened up, such as her gaining the trust of the Wartwood citizens, but overall it had a strong core that it never lost sight of.

It also culminates in a powerful way within All In.

But that isn’t the case with Marcy. Marcy is benched for a lot of this final season due to her possession. The idea behind Darcy is very intriguing and they could have been one of the best Disney villains to come out of a cartoon in recent years, but they were underutilized so the emotional impact of them was limited to mainly The Beginning of the End (which was fantastic).

This choice made it so Marcy was put into stasis and couldn’t realize her own development that started in True Colors. It makes for an emotional reunion in The Beginning of the End and All In but it makes it so Marcy’s arc feels shortchanged in comparison to her friends.

There’s also the fact that due to the crews strained relationship with Disney and S&P after the True Colors fiasco they weren’t allowed to address Marcy getting stabbed. This was a major moment that should have had massive repercussions moving forward but due to this handicap it fizzled out into an afterthought that hurt Marcy’s character arc and diminished how well her importance to Sasha and Anne could be displayed.

Even with the show struggling to juggle the calamity trio and their baggage (particularly Marcy) with the lighter tone they were encouraged to have and some of the directions they chose to go in the final three episodes hit almost all of the beats they needed to for the conclusion to their arcs and the journey of the show to be satisfying.

The final three episodes of the show are great and have some of the most emotional moments of the series. They were allowed to be darker and address the more difficult topics and themes the show had set up. It’s a shame that many of these very fascinating issues and conflicts were pushed back to the final few episodes, but the way they are dealt with here are for the most part fantastic.

I’ve talked in depth about each part of the finale on here already but to sum it up they manage to make the themes and character arcs set up in the story and pay them all off. There are a few issues I have with each of them here and there but for the most part they are a fitting send off and provide one of the best conclusions to a series I’ve seen in quite some time. 

The Beginning of the End expands on the pre-amphibia trio dynamic in regards to Marcy in a poignant portrayal of her isolation that elevates the tragic reunion between the friends at the end and is easily the episode that best utilizes Darcy.

All In puts the changes each of the trio have gone through during their journey in Amphibia on full display, allowing them to have a quiet reconciliation that touches on the care and impact each have had on one another.

The Hardest Thing manages to be a heartfelt goodbye to the series and world of Amphibia as a whole and keeps a sharp focus on the main themes of the story. This is the episode I have the most issues with of the three but it still manages to close out the series on a bittersweet note that makes sure the impact of these adventures can be felt on the characters even ten years later.

These episodes aren’t perfect (I go into greater depth on the episodes in the linked posts) but they are still some of my favorite of the series and remind me why I love this show so much in the first place. 

I feel like this came off rather harsh. I wanted to take a more objective look at the series season by season and address some of the legitimate issues while explaining its strengths and expressing what I personally loved about it. I don’t know if I got the balance right but I want to express that I really do love this show.

Amphibia is such a great and fun series. It wasn’t perfect but nothing is. It’s been almost a year since the show ended but I still miss it. I really came to love the characters and world this series created. I hope others got the enjoyment that I did out of it.

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Extra Thoughts

I really love where the trio end the series. In a way it hits harder considering where I am in my life. It’s pretty obvious that none of the trio really loved themselves prior to their journey in Amphibia but you see how each have grown into their own and are happy with where they are. They’ve found callings that help them express themselves and what they learned and it hits you that they’re okay. That things changed and they lost things and people but they kept those memories and eventually reconnected. I really like that. 

The jobs each of the girls end up with after the time skip are so perfect for each of them. 

I realized I never said this in any of my previous re-watch thoughts/reviews but Anne is a great protagonist that goes through so much development and growth. Her arc of learning self love and worth is amazing. I just felt that needed to be said.

I’m mixed on the decision to keep the reveal of the new Sasha a secret until Commander Anne. One the one hand it does succeed in what it was attempting to do. It does shock the audience with how much Sasha has changed just like it does Anne. But on the other hand I wish we had gotten to see that change in greater depth. It felt like a bit of a missed opportunity. It wouldn’t have needed a ton of screen time, in fact I think having at least a single episode showing Sasha growing into the role of commander of Wartwood while working on being a better person could have helped the awkward pacing of the first part of the season and establish the dynamics of the resistance.

One issue I didn’t touch upon above is how the show struggles to keep the Plantars relevant in the second half of the season. Many episodes just have the Plantars be present but don’t give them much to do, if they give them anything at all. In fact, Polly gets no focus or development in the second half of the season. 

There is one part in Escape to Amphibia that doesn’t really sit right with me and that’s the scene where Sprig tells Anne it couldn’t hurt for them to wait a bit longer before returning to Amphibia if she isn’t ready. I understand what the writer was going for with Anne not being ready to say goodbye to her parents again and face a war that may have already claimed her friends, but it once again undercuts the desperation of the situation. Almost as if the characters and show believe the conflict in Amphibia is put into stasis because Anne and the Plantars aren’t there which hurts the storytelling and tension of the season. Once again not taking the consequences of True Colors as seriously as they should.

Marcy and Sasha’s parents should have been seen at least once in the series. I could go into a hundred reasons why this would have been the better move but plenty of people have talked about it before and in greater depth than I could. It was definitely wasted potential and felt weird to tease them twice (Froggy Little Christmas and All In) only to never see them in the show.

This season is what I believe to be the musical peak of the series with fantastic and emotionally charged tracks that I listen to. I love the entirety of the score for All In but my personal favorite one of this season has to be the sad rendition of Marcy’s theme that plays over the credits of The Beginning of the End. That track is a gut punch. (TJ Hill has released most of the tracks on his youtube channel)

I do really enjoy the development that Polly gets in the first half of the season. She was the only Plantar that felt like they had tangible development which is once again disappointing because I do genuinely like the Plantars.

Hazbin Hotel - Vaggie Finale Thoughts

My thoughts on Vaggie are… complicated. I think the last two episodes of season 1 do a really good job with her and I love the beats her character hits, but the rest of the season didn’t build up to some of these beats the way they should have to make all of them hit as hard as they could.

I’m just going to jump right in to explain what I mean.

Vaggie’s role in episode 7 where she has to go convince Carmilla to help them face the angels is at its core fantastic and the song that they get together is a banger, but the basis for this song– that Vaggie is being driven by vengeance and has to fight for love instead– rings hollow. 

Everything Vaggie has done this season has been for love. She’s been nothing but supportive of Charlie, putting all her effort into the hotel and Charlie’s mission. Her song and arc in episode 3 surround Vaggie’s belief and love for Charlie. Vaggie fighting for love has never been the central issue of her character because she’s been doing it all along.

I like the idea of Vaggie being driven by vengeance, considering how brutally Lute mutilated her and how she was cast out of heaven for the “horrible” offense of hesitating to kill a child this would make sense for her character, but this wasn’t shown at any point prior to this song. 

Where was this thirst for vengeance when she came face to face with Adam and Lute in the hotel room? Where was Vaggie’s anger at heaven when Charlie was calling out their hypocrisy? At what point in this season did Vaggie choose vengeance over her love and support for Charlie?

If vengeance was what was really driving her character then Vaggie would be pushing Charlie to call out heaven. She would take some impulsive actions to strike back that put Charlie’s goals in danger. She wouldn’t be the one telling Charlie to keep a cool head or singing about supporting Charlie no matter what.

This is the issue that’s been plaguing Vaggie this entire season. So much of her character has been tell rather than show. We were told by Husk that Vaggie hates herself. We were told by Carmilla that Vaggie was driven by vengeance. When Vaggie is faced with the decision to support Charlie against heaven or side with heaven to keep her secret the narrative lets Vaggie just not make a choice.

She doesn’t get to show her character and flaws through her actions. At least not the ones the show says she has.

I think this problem is a bit more obvious because when the show does build up something with her character it is really good.

Vaggie being the one to reach out to and convince Carmilla to help their cause is a great beat. We see early on that Vaggie isn’t a people person. She has trouble trusting and/or inspiring others, but here we get to see her reach out to and connect with someone else, and it's through this understanding the two have that she is able to get Carmilla to help her (by training her to fight angels) and the hotel (by providing weapons).

This exact struggle is also reflected in the moments with the hotel residents. Throughout the season Vaggie has always come across as being on their level. Charlie is well-meaning, but because of her privileged upbringing she has a very black and white view of redemption and struggles to deal with the more serious mental health issues that the hotel residents face. Whereas Vaggie is more jaded and has made massive mistakes in the past.

The other hotel residents can understand her struggle to do the right thing and redeem herself, which is why it was impactful to have Vaggie be the one to let them know that they can leave and that she’s the first one to see that they stayed. It emphasized the connection between them.

Vaggie’s fight with Lute was also amazing. Lute was the angel that cast her out, ripping out her eye and cutting off her wings. There’s a personal connection there that makes this battle investing. The way their battle ends really emphasizes the conflict between Charlie and heaven in episode 6 by showing that Vaggie, someone cast out of heaven, is more worthy of heaven and angel wings than Lute, Adam’s right-hand woman, through her decision to choose love over hate and spare Lute’s life.

It’s these moments that show the full potential that Vaggie has as a character and put the moments that they fumbled in stark contrast.

I really like this show, but I do think it has flaws. Vaggie’s character is a prime example of how the pacing of this season made certain character arcs suffer. 

I'm hopeful that the show can improve on some of these issues now that it officially has a season 2 and that it was the biggest animated release on Amazon Prime (which is impressive because The Legend of Vox Machina had the massive already established fanbase of critical role watching it). I really enjoyed watching this season week to week and can’t wait for what they have in store for us next.

Side note: The moment where Vaggie spared Lute is where she should have gotten her angel wings and specifically she should have gotten Lute’s angel wings. This would just heighten the thematic importance of this moment and show through Vaggie’s mercy– the very thing that got her kicked out of the exorcists– she has shown that she is more worthy of being an angel than Lute. I can’t take credit for this. I heard it from Sarcastic Chorus.

Since the season of Hazbin Hotel has ended I'm going to update my thoughts on who Alastor made a deal with because this is probably the aspect of the show where my opinion has shifted the most. I originally thought he was connected with Lilith (like a lot of other people) then I thought it could be Eve, but now I'm fairly sure it's not either of them.

I think it might be Roo.

Roo is a character that hasn't yet made an appearance in Hazbin Hotel or Helluva Boss, but has been a looming presence for years now if you've kept up with Vivziepop, references to them appearing in the background of both shows, and stated to be the root of all evil. Basically the endgame "villain" of this universe.

It was that last episode that really shifted my perspective on who Alastor has the deal with. The biggest thing was something I noticed in the finale, but then saw other people point out after the fact as well, and that's the fact that eyes follow Alastor around anywhere he goes. (This post in particular shows just how prevalent eyes following Alastor is through the show)

When Alastor is having his breakdown the eyes specifically look like this.

Look a bit familiar?

Whenever Alastor is questioned about his whereabouts for the last seven years he always gets shifty. Eyes darting around, face pointedly looking away from whoever he's talking to, making sure he defuses the question without giving any indication of the real answer.

I initially thought this was because some of these comments hit too close to home and his pride wouldn't allow him to show any weakness, but pair it with the eyes that follow him around and there's the possibility that he's instead being forced to keep quiet. These eyes are watching him, making sure he stays in line. Alastor has to walk on eggshells just in case whoever it is that owns his soul is watching.

It's this ability to make Alastor stay on guard coupled with the moment in the destroyed radio tower that all but confirmed that whoever it is Alastor is, at least on some level, afraid of them. Or at the very least it's someone Alastor shows much more restraint and pause around than anyone else he has come face to face with in the series. Someone who has him on high alert.

This is the same guy who immediately started a conflict with Lucifer because he felt his pride threatened. The literal king of hell who he has to know is more powerful than him. Yet at no point does Alastor ever feel like he's walking on eggshells around him like he does this invisible entity that owns his soul.

If this is the case then what if the person that Alastor made a deal with is even more powerful than Lucifer himself? Or at least close to Lucifer's power level, but much more willing to use it? Someone Alastor can't find leverage over like he can the king of hell.

That really limits the options for who it could be.

I still think that whatever happened 7 years ago Lilith was involved, but the more hints we get to the reality of Lilith and Alastor's situations the more convinced I am that she isn't the one he has a contract with.

Whatever happened 7 years ago it was enough to get her to make a deal with Adam to stay in heaven, hidden from everyone including her family, and it made Alastor go missing for that same period of time.

I've never been a theory person, but this story thread in Hazbin Hotel is incredibly enticing. I can't wait for next season to see where they take this.

Alastor Episodes 7 and 8 Thoughts

These two episodes really gave us a lot in regards to Alastor and I cannot wait to see where they go with him in season 2. What I find most fascinating about what they established with him in these episodes is how I think this perfectly sets up Alastor to directly challenge the show’s main themes of redemption.

Alastor is the only character in the main cast that I think could effectively challenge Charlie’s idea of redemption by making her face the question of “where the line for who can be redeemed and who is too far gone is?” 

Even Vaggie and her past as an exorcist couldn’t challenge Charlie’s ideals in the same way because Vaggie so clearly wants to be better and is trying to be better. She could only challenge Charlie’s idea of who could be redeemed. She couldn’t truly challenge the line of when someone is too far gone unlike Alastor. 

And to explain this I'll just jump right in.

It’s clear these two episodes were meant to show a shift in Alastor and Charlie’s relationship in some capacity. It’s a bit more of a subtle shift than with the other characters, but I think it’s setting up this future conflict well for the limited time the show has. 

At the start Charlie doesn’t think Alastor cares and calls him out on this. She directly states that she believes he enjoys the suffering. He refutes her idea of him by stating she doesn’t know what he feels. He purposefully hides his feelings behind a smile as a sign of control. (The first shift. It tells her there’s more beneath the surface)

Then Alastor helps Charlie enlist cannibal town and says he wants to mentor her in the song. This is more than the initial indifference and humor he got out of Charlie at the beginning. There’s an interest in seeing Charlie grow and being a part of it that wasn't there before. And, with Alastor helping Charlie here, trust is being built (at least on Charlie's end).

Then Alastor talks to Niffty (who he is clearly fond of) and admits he finds the group enjoyable to be around. He says he could grow accustomed to them after Niffty says she really likes them almost in agreement with her. He's very candid with Niffty and doesn't seem to feel the need to hide his emotions around her. They appear to be on the same wavelength.

And finally, Charlie is upset when she thinks that Alastor died against Adam and hugs him happily when he returns. In Charlie’s eyes Alastor has been helpful and risked himself and his power to protect the hotel. This is a true shift in their relationship on Charlie's end.

This bond is necessary because if (at the very least) Charlie doesn't care about Alastor then he won't be able to truly challenge her idea of redemption and the show implies it doesn't just go one way. It's just obscured.

To explain what I mean I want to look at Alastor's role in the final battle and that moment when he is alone after he escapes.

At the beginning of the battle he felt like the trump card he should have been. He makes the exorcists, before Adam destroys his shield, look like a joke. And he gives Adam a run for his money before he becomes overconfident and lets his guard down. He didn’t expect Adam to bounce back and have that much power left to show. He was caught completely off guard and paid the price. 

And instead of staying to face the end with the rest of the people in the hotel Alastor opts to save himself. He places himself first. When he leaves he seems almost smug, spouting off a one liner and smiling as he sinks into the shadows. It seems calculated and calm, but alone is a completely different story. This moment shakes Alastor and that moment alone puts his fight against Adam and decision to flee in a different light.

In this moment when he's alone he starts to lose it, saying there has to be a way out. This isn’t where things end. He will come out on top. 

He can feel his control over the situation slipping. His power and notoriety has been challenged left and right this season. First Vox, then Lucifer, then the loan sharks, now Adam. It’s one right after the other. And Adam almost killed him.

He’s struggling to grasp onto what little control he has left by forcing himself to keep on his smile and it calls back to the beginning of episode 7 when he says to Charlie that just because she sees a smile doesn't mean she knows how he really feels. His smile is a sign of control. And even in this moment you can see that last bit of control slipping. And it’s left him even more desperate for his freedom than before.

The Radio Demon was introduced almost as if he was an all powerful entity and now he is being brought back down to earth and he’s raging against it, barely keeping it just below the surface. 

But there’s even more to his breakdown than just his pride. The lines “Great Alastor, altruist, died for his friends. Sorry to disappoint that is not where this ends. I’m hungry for freedom like never before. The constraints of my deal surely have a backdoor.” strongly imply that he really does care for the residents of the hotel more than he wants to admit even to himself.

He is freaking out because he got too close to dying trying to protect and help people that he never thought he would care at all about and he’s doubling down on his plans from before. 

His immediate desperation to be free implies he is at the hotel because he is forced to be there, but he’s desperate to get out of the contract because he doesn’t like how it’s changing him. Alastor has always put himself first and here he is almost dying trying to protect this hotel and it's rattled him even more deeply than the blow to his pride.

I feel like they know exactly what Alastor can mean thematically and they want you to know he’s a villain while seeding hints there could be change under the surface (ones that Alastor himself is afraid of and wants to double down against). There’s a balancing act going on with him and it seems they really do want to challenge the idea of redemption with him. Not just Charlie’s, but his own as well.

Alastor is still in my opinion the best written character in the series. There’s just so much to unravel with him and he’s the most fun to try and dissect to me. I can’t wait to see what they have planned for him in season 2.

Omg! Omg! Omg! The end of Lucifer was fucking awesome!!!

full-body sobbing over these two. like hyperventilating and had to blow my nose crying. bill and frank you beautiful bastards.

The Last of Us (2023)

lol: laughing out loud

smh: shaking my head

btw: by the way

atm: at the moment

wkosqitsadweaigbaa: what kind of stupid question is that still a demon what else am i gonna be an aardvark

OK ITS BEEN 13 DAYS WHERE IS MY CAINE ANS BUBBLE PLUSH MY SUPER UPER MEGA CAINE FIGURE MY CAINE BODYPILLOW OR MY CAINE POSTER WITH JUST CAINE ON I CANT HANDLE IT WHERE IS IT RAAAAGGGHGHHHH

not sincerely

-@cainesrealwife

I’ve finished miracles ladybug and have had no one to talk to about this

I finally finished Good Omens!! Wowie! Season 2 was so happy!!! I have no regrets about my current life choices at all!!!

(Jokes aside I did really enjoy the show and love Crowley and Aziraphale <3 I just hope we get another season)

I know we all want aaravos to escape soon. but.. this show is going to have seven seasons total.. if it doesn't happen this season that leaves Viren a week to free aaravos. within a month of viren's revival we'd get 4, 5, and 6. but there are seven seasons. if not this season. the next probably will. But hey, he may not escape and he broke his mirror rendering him stupidly stuck.

Heartbreaking

Me, after finishing the second season of Dark: thinking that now I can re-watch the first season more thoughtfully, focusing on a concept of time and free will, staying absolutely calm.

Also me, a half an hour into the first episode of S1: crying my eyes out after hearing Mikkel say "Ultimate fist bump", having zero chill about any on-screen interaction between family members, realising that Bartosz was able to steal Martha away by telling her that Jonas hooked up with French chicks 24/7 for the last two months, heartbroken over any detail that make those rare beautiful smiles dissapear from Jonas' face, unable to get over Michael's suicide, ending up being depressed.

I see it as a win for the Dark internet community <3

The approach "I know that is sounds like it makes no sence, but hear me out" for recomending it to everyone we know has actually worked!

Dark is the most popular rated TV series on both Rotten Tomatoes and IMDb! 👏🏼