Hazbin Hotel - Vaggie Finale Thoughts

Hazbin Hotel - Vaggie Finale Thoughts

My thoughts on Vaggie are… complicated. I think the last two episodes of season 1 do a really good job with her and I love the beats her character hits, but the rest of the season didn’t build up to some of these beats the way they should have to make all of them hit as hard as they could.

I’m just going to jump right in to explain what I mean.

Vaggie’s role in episode 7 where she has to go convince Carmilla to help them face the angels is at its core fantastic and the song that they get together is a banger, but the basis for this song– that Vaggie is being driven by vengeance and has to fight for love instead– rings hollow. 

Everything Vaggie has done this season has been for love. She’s been nothing but supportive of Charlie, putting all her effort into the hotel and Charlie’s mission. Her song and arc in episode 3 surround Vaggie’s belief and love for Charlie. Vaggie fighting for love has never been the central issue of her character because she’s been doing it all along.

I like the idea of Vaggie being driven by vengeance, considering how brutally Lute mutilated her and how she was cast out of heaven for the “horrible” offense of hesitating to kill a child this would make sense for her character, but this wasn’t shown at any point prior to this song. 

Where was this thirst for vengeance when she came face to face with Adam and Lute in the hotel room? Where was Vaggie’s anger at heaven when Charlie was calling out their hypocrisy? At what point in this season did Vaggie choose vengeance over her love and support for Charlie?

If vengeance was what was really driving her character then Vaggie would be pushing Charlie to call out heaven. She would take some impulsive actions to strike back that put Charlie’s goals in danger. She wouldn’t be the one telling Charlie to keep a cool head or singing about supporting Charlie no matter what.

This is the issue that’s been plaguing Vaggie this entire season. So much of her character has been tell rather than show. We were told by Husk that Vaggie hates herself. We were told by Carmilla that Vaggie was driven by vengeance. When Vaggie is faced with the decision to support Charlie against heaven or side with heaven to keep her secret the narrative lets Vaggie just not make a choice.

She doesn’t get to show her character and flaws through her actions. At least not the ones the show says she has.

I think this problem is a bit more obvious because when the show does build up something with her character it is really good.

Vaggie being the one to reach out to and convince Carmilla to help their cause is a great beat. We see early on that Vaggie isn’t a people person. She has trouble trusting and/or inspiring others, but here we get to see her reach out to and connect with someone else, and it's through this understanding the two have that she is able to get Carmilla to help her (by training her to fight angels) and the hotel (by providing weapons).

This exact struggle is also reflected in the moments with the hotel residents. Throughout the season Vaggie has always come across as being on their level. Charlie is well-meaning, but because of her privileged upbringing she has a very black and white view of redemption and struggles to deal with the more serious mental health issues that the hotel residents face. Whereas Vaggie is more jaded and has made massive mistakes in the past.

The other hotel residents can understand her struggle to do the right thing and redeem herself, which is why it was impactful to have Vaggie be the one to let them know that they can leave and that she’s the first one to see that they stayed. It emphasized the connection between them.

Vaggie’s fight with Lute was also amazing. Lute was the angel that cast her out, ripping out her eye and cutting off her wings. There’s a personal connection there that makes this battle investing. The way their battle ends really emphasizes the conflict between Charlie and heaven in episode 6 by showing that Vaggie, someone cast out of heaven, is more worthy of heaven and angel wings than Lute, Adam’s right-hand woman, through her decision to choose love over hate and spare Lute’s life.

It’s these moments that show the full potential that Vaggie has as a character and put the moments that they fumbled in stark contrast.

I really like this show, but I do think it has flaws. Vaggie’s character is a prime example of how the pacing of this season made certain character arcs suffer. 

I'm hopeful that the show can improve on some of these issues now that it officially has a season 2 and that it was the biggest animated release on Amazon Prime (which is impressive because The Legend of Vox Machina had the massive already established fanbase of critical role watching it). I really enjoyed watching this season week to week and can’t wait for what they have in store for us next.

Side note: The moment where Vaggie spared Lute is where she should have gotten her angel wings and specifically she should have gotten Lute’s angel wings. This would just heighten the thematic importance of this moment and show through Vaggie’s mercy– the very thing that got her kicked out of the exorcists– she has shown that she is more worthy of being an angel than Lute. I can’t take credit for this. I heard it from Sarcastic Chorus.

Amphibia Season 3 Thoughts/Review

Season 3 of Amphibia is easily the most divisive season among the fanbase. There are a lot of different reasons for this but I think it primarily comes down to tone and pacing.

The reason why the issues with tone and pacing are so prominent is because of how it followed up True Colors. True Colors came in and seemed to promise that things would never be the same. It created a scenario for Anne and the Plantars that was very desperate. Sasha was left in Amphibia, Marcy had been stabbed (and for all they knew was dead), Amphibia was in imminent danger, and earth was going to be invaded next.

All of this should have created a massive sense of urgency and worry, but this doesn’t carry over very well into many of the episodes. The tonal whiplash that occurs when you watch True Colors and The New Normal back to back is massive. It goes from that gut punch of an ending to Anne being excited that she has wifi for the first time in months so quickly that it’s almost as if the characters forgot what happened.

When the show does address the sense of urgency the characters should have it is always on Anne’s end. Anne is the one staying up researching how to get back, Anne is the one trying to drop everything for new leads, Anne is the one losing sleep over the situation. The most the Plantars show on their end is homesickness. 

They are frequently the ones telling Anne to be careful or calm down which seems odd because they should have very pressing and important reasons for wanting to get back beyond missing their home.

In season 2 the heroes’ lack of urgency made sense. They didn’t know about Andrias’ plans, the core, or Sasha’s toad rebellion. The episodes where they explored Newtopia or visited towns on their travels fit much better because of their gap in knowledge and like I said previously those episodes usually found a way to keep the story moving forward or have important character moments so that they rarely distracted from the plot.

In season 3 there’s too much hanging over the characters’ heads that they know about for it to feel organic watching the episodes back to back. 

This isn’t to say that what happens on the earth half of the season is bad. The content is actually very enjoyable. Watching the role reversal between Anne and the Plantars is fun and we get to see even more of Anne’s culture and home life which is always a welcome addition.

The exploration of Anne’s family and culture is one of the best things about the first half of the season. The Thai Temple episode (Temple Frogs) in particular is one of my favorites. 

It has Anne displaying the urgency that some episodes were missing while also addressing how Anne’s parents struggled during her time away and how their community kept them afloat. This strikes a balance that makes almost everything that happens feel important on an emotional level without losing sight of what this half of the season is building towards.

This is also the case with the Christmas episode.

This half of the season doesn’t all take place on earth either. The perspective shifts back to Amphibia for a few episodes as well and they are two of the best episodes to come out of this half of the season. 

Turning Point and Olivia & Yunan serve as much needed glimpses into what is happening in Amphibia and handle the fallout of True Colors more directly.

In Turning Point Sasha takes responsibility for her actions throughout the series and decides to work towards being a better person with every action moving forward. She uses her strengths for good to fight against Andrias and protect the people and starts her redemption.

In Olivia & Yunan we see the crushing guilt Marcy is dealing with in the wake of True Colors and how she’s not doing so hot after being STABBED THROUGH THE CHEST. She is then possessed by the core in an honestly horrifying scene and loses all autonomy. 

In both of these episodes the course of the show is irrevocably changed and so are Sasha and Marcy. These episodes set up their arcs and roles heading into the endgame of Amphibia. 

This makes these episodes stand in stark contrast to many of the episodes surrounding them. They are darker in tone and have a sharp focus on what they are trying to do. These episodes are more in line with what I believe people thought this season would be heading into it. This helps make these what I believe to be the best episodes of this half of the season.

These episodes also break up the earth portions of the season and help the pacing immensely on re-watch. 

The first half of the season ends on the Christmas episode Froggy Little Christmas which, while a fun episodes that refocuses on the conflict with Andrias, shouldn’t have been the midseason finale. Escape to Amphibia should have been. It is the actual end of the earth portion of the series and feels like the beginning of the end in a way that the Christmas episode couldn’t capture (understandably).

So much about the episode is a bookend to this chapter of Amphibia and it has a lot of parallels that harken back to formative aspects of Anne’s character and the show as a whole. My favorite ones are this one 

and this one 

The first parallel is very reminiscent of Sasha during the third temple and I think that is intentional. Sasha’s redesign has her incorporate blue into her armor along with the red which symbolizes how Anne has changed Sasha and how she is incorporating the lessons she has learned throughout Amphibia and Anne into herself. This shows that the effect on each other is mutual. Sasha was not a good friend to Anne before this point but her good traits (when not taken to the extreme) have rubbed off on Anne and in some ways inspired her like she said in “The Third Temple”.

And the second parallel is very effective because it is put into stark contrast with the first time Anne and the Plantars come over the hill and see the rest of the valley for the first time. It takes the wonder and awe that was present the first time and twists it into shock and horror. It really hits home just how long Anne has been away and just how much True Colors effected Amphibia.

I want to take a second to mention how great Anne’s parents are. They really were the MVPs of the earth portion of the season and this episode.

It’s refreshing to see Anne and the Plantars back in Amphibia and this marks the start of the second half of the season which is the hardest to talk about in regards to the series as a whole in my opinion.

The second half of the season is complicated because it’s probably the most inconsistent part of the series. It contains some of the best content of the entire show and of any animated series airing at the time but it also has lows that mess up the pacing and ultimately end up feeling directionless at times.

The second half of the season starts out strong with Escape to Amphibia and Commander Anne but doesn’t maintain that momentum. The episodes primarily focus on the rebellion gaining forces to take on King Andrias but this doesn’t culminate in a satisfying way. 

The only episode we get to see the army fight is The Beginning of the End, but then they quickly become irrelevant after Sasha and Anne’s plan fails and the invasion of earth begins. This makes the majority of episodes in season 3B ultimately feel like they weren’t building towards anything. 

At least in 3A a lot of the people Anne and the Plantars impacted on their earth adventures come together to help them take on the government and get back to Amphibia. It makes it feel like there is some semblance of an end goal.

But with 3B the important players aren’t any of the amphibians they get to join their cause and it is entirely focused on the calamity trio, Andrias, the Plantars, and Grime. The army doesn’t play a part in stopping Andrias’ invasion when they get to earth or taking down the core.

It’s odd because these episodes bring back so many characters and plot points from the first season and makes it seem like it’s all coming full circle. That everything that happened in the beginning is going to come around in a big way and be the reason they will win in the end.

It built a certain expectation that it didn’t fulfill which hurts the episodes a lot on re-watch. 

These episodes do manage to flow better than the episodes in the first half of the season (at least to me) though because the setting and characters are ones I’m familiar with and invested in which always makes them at the very least enjoyable to watch. 

Episodes like Grime’s Pupil and Sasha’s Angels have all the issues I mentioned above but because they feature new relationships between characters I know and love and are centered around the conflict I am more emotionally invested in they always manage to hold my attention more than certain episodes in the first half and remain fun. 

There are episodes that didn’t do this nearly as well like Mother of Olms, which promised so much more than it actually ended up delivering on that it left a bit of a sour taste in my mouth when I first watched it. It’s better on re-watch, but it’s episodes like this coupled with the overarching narrative problems that leads to an uneven stretch of episodes.

There are some very good episodes sprinkled into this run with the clear standout being The Core and The King. 

The Core and The King is a fascinating look into Andrias’ past and why he is the way he is. It adds so much nuance to his character and actions in True Colors. It is held back a bit by the fact it isn’t a half hour special episode and thus can’t spend the time necessary to attach the audience to the characters of Leif and Barrel, but it still believably portrays the actions and relationships that it focuses on. The best relationship exploration of the episode is easily that of Andrias and his father, which recontextualizes his allegiance to the core and dedication to his mission.

This episode adds a level of tragedy to Andrias and his relationship to Marcy that retroactively elevates their relationship in season 2 and the betrayal in True Colors. There’s a level of regret and genuine care that feels like it’s simmering just below the surface that plants the seeds for the flashbacks in All In and makes their entire journey together really bittersweet.

This leads us to the finale three episodes (essentially one big finale), but before I talk about those I want to address how this season handles the calamity trio.

I’d say this is a mixed bag and it’s understandable why people have such conflicting opinions on this particular part of the season. This is where the trio are at their most important. The emotional climaxes of almost all 3 parts of the finale depend on them.

They are the ones the final battles come down to. There is so much riding on their growth and the audience’s emotional connection to them that they needed focus this season.

Sasha and Marcy have had limited screen time coming into this season but it was handled well in regards to the story and themes the show was trying to cover. In the third season they both still have limited screen time but the way that screen time is handled is vastly different between the two.

Sasha is the one that comes out far better in regards to this. She completes her arc and gets her redemption. Her perspective and change is put on full display.

There’s even a subplot that has Anne and Sasha go through an awkward transitionary period in their friendship that has Anne’s doubts and frustrations with the past surface. These moments are used to show Sasha’s change and work in regards to their overarching relationship. It feels earned that their friendship comes back together stronger because of who they are now as people and all the trials they’ve gone through. 

Sasha’s arc is one of the best handled in the series. A few things could have been tightened up, such as her gaining the trust of the Wartwood citizens, but overall it had a strong core that it never lost sight of.

It also culminates in a powerful way within All In.

But that isn’t the case with Marcy. Marcy is benched for a lot of this final season due to her possession. The idea behind Darcy is very intriguing and they could have been one of the best Disney villains to come out of a cartoon in recent years, but they were underutilized so the emotional impact of them was limited to mainly The Beginning of the End (which was fantastic).

This choice made it so Marcy was put into stasis and couldn’t realize her own development that started in True Colors. It makes for an emotional reunion in The Beginning of the End and All In but it makes it so Marcy’s arc feels shortchanged in comparison to her friends.

There’s also the fact that due to the crews strained relationship with Disney and S&P after the True Colors fiasco they weren’t allowed to address Marcy getting stabbed. This was a major moment that should have had massive repercussions moving forward but due to this handicap it fizzled out into an afterthought that hurt Marcy’s character arc and diminished how well her importance to Sasha and Anne could be displayed.

Even with the show struggling to juggle the calamity trio and their baggage (particularly Marcy) with the lighter tone they were encouraged to have and some of the directions they chose to go in the final three episodes hit almost all of the beats they needed to for the conclusion to their arcs and the journey of the show to be satisfying.

The final three episodes of the show are great and have some of the most emotional moments of the series. They were allowed to be darker and address the more difficult topics and themes the show had set up. It’s a shame that many of these very fascinating issues and conflicts were pushed back to the final few episodes, but the way they are dealt with here are for the most part fantastic.

I’ve talked in depth about each part of the finale on here already but to sum it up they manage to make the themes and character arcs set up in the story and pay them all off. There are a few issues I have with each of them here and there but for the most part they are a fitting send off and provide one of the best conclusions to a series I’ve seen in quite some time. 

The Beginning of the End expands on the pre-amphibia trio dynamic in regards to Marcy in a poignant portrayal of her isolation that elevates the tragic reunion between the friends at the end and is easily the episode that best utilizes Darcy.

All In puts the changes each of the trio have gone through during their journey in Amphibia on full display, allowing them to have a quiet reconciliation that touches on the care and impact each have had on one another.

The Hardest Thing manages to be a heartfelt goodbye to the series and world of Amphibia as a whole and keeps a sharp focus on the main themes of the story. This is the episode I have the most issues with of the three but it still manages to close out the series on a bittersweet note that makes sure the impact of these adventures can be felt on the characters even ten years later.

These episodes aren’t perfect (I go into greater depth on the episodes in the linked posts) but they are still some of my favorite of the series and remind me why I love this show so much in the first place. 

I feel like this came off rather harsh. I wanted to take a more objective look at the series season by season and address some of the legitimate issues while explaining its strengths and expressing what I personally loved about it. I don’t know if I got the balance right but I want to express that I really do love this show.

Amphibia is such a great and fun series. It wasn’t perfect but nothing is. It’s been almost a year since the show ended but I still miss it. I really came to love the characters and world this series created. I hope others got the enjoyment that I did out of it.

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Extra Thoughts

I really love where the trio end the series. In a way it hits harder considering where I am in my life. It’s pretty obvious that none of the trio really loved themselves prior to their journey in Amphibia but you see how each have grown into their own and are happy with where they are. They’ve found callings that help them express themselves and what they learned and it hits you that they’re okay. That things changed and they lost things and people but they kept those memories and eventually reconnected. I really like that. 

The jobs each of the girls end up with after the time skip are so perfect for each of them. 

I realized I never said this in any of my previous re-watch thoughts/reviews but Anne is a great protagonist that goes through so much development and growth. Her arc of learning self love and worth is amazing. I just felt that needed to be said.

I’m mixed on the decision to keep the reveal of the new Sasha a secret until Commander Anne. One the one hand it does succeed in what it was attempting to do. It does shock the audience with how much Sasha has changed just like it does Anne. But on the other hand I wish we had gotten to see that change in greater depth. It felt like a bit of a missed opportunity. It wouldn’t have needed a ton of screen time, in fact I think having at least a single episode showing Sasha growing into the role of commander of Wartwood while working on being a better person could have helped the awkward pacing of the first part of the season and establish the dynamics of the resistance.

One issue I didn’t touch upon above is how the show struggles to keep the Plantars relevant in the second half of the season. Many episodes just have the Plantars be present but don’t give them much to do, if they give them anything at all. In fact, Polly gets no focus or development in the second half of the season. 

There is one part in Escape to Amphibia that doesn’t really sit right with me and that’s the scene where Sprig tells Anne it couldn’t hurt for them to wait a bit longer before returning to Amphibia if she isn’t ready. I understand what the writer was going for with Anne not being ready to say goodbye to her parents again and face a war that may have already claimed her friends, but it once again undercuts the desperation of the situation. Almost as if the characters and show believe the conflict in Amphibia is put into stasis because Anne and the Plantars aren’t there which hurts the storytelling and tension of the season. Once again not taking the consequences of True Colors as seriously as they should.

Marcy and Sasha’s parents should have been seen at least once in the series. I could go into a hundred reasons why this would have been the better move but plenty of people have talked about it before and in greater depth than I could. It was definitely wasted potential and felt weird to tease them twice (Froggy Little Christmas and All In) only to never see them in the show.

This season is what I believe to be the musical peak of the series with fantastic and emotionally charged tracks that I listen to. I love the entirety of the score for All In but my personal favorite one of this season has to be the sad rendition of Marcy’s theme that plays over the credits of The Beginning of the End. That track is a gut punch. (TJ Hill has released most of the tracks on his youtube channel)

I do really enjoy the development that Polly gets in the first half of the season. She was the only Plantar that felt like they had tangible development which is once again disappointing because I do genuinely like the Plantars.

Cyberpunk: Edgerunners - What We Leave Behind

“You don't make a name as a cyberpunk by how you live. You're remembered by how you die.”

And yet after David’s death when Lucy is on the moon she remembers him for his life. She remembers who he was when she first met him and why she was drawn to him in the first place. She remembers how happy and passionate he was when she showed him her dream. It was that part of him that pushed her forward and made her fall in love.

She remembers David Martinez, not the edgerunner, but the human.

So much of Cyberpunk Edgerunners focuses on just how little we really leave behind once we’re gone. Many of the characters die suddenly without warning and there is nothing tangible to remember them by. The only characters that leave something physical behind are Maine and Gloria. Their keepsakes are carried on David and are later destroyed during David’s final mission.

Even David’s death has nothing tangible to show for it. He didn’t get the chance to leave a keepsake or a physical part of himself. Even how he died is covered up by the Arasaka corporation so it isn’t replayed on those chips we saw at the beginning.

But people aren’t just measured by what they physically leave behind but by how they impact the people around them and how their memory is carried forward. That’s what that final scene is about. 

The show ultimately places the emphasis on the connections you make when alive and the impact you had on the people around you. 

Lucy’s dream was to go to the moon but after his promise to take her there it shifted to going to the moon with David. He can’t be there in the physical sense but she carries him with her on the moon through her memories.

The final few shots even mirror episode 2 when Lucy showed David her simulation of the moon and Lucy even takes David’s place in a few of the shot recreations to emphasize the point.

This show is tragic with so many layers but this was what hit me the hardest when watching the finale. 

Best of Animation 2021 - The Last Lullaby (Centaurworld)

Centaurworld is a deceptively deep show*. From the marketing it received the show felt jarring and disjointed almost as if two incompatible worlds had been thrown together haphazardly but the moment you boot it up and start watching it is obvious this is far from the case. 

Centaurworld is about grief, loss, depression, and learning to heal. It uses its vastly different tones and visual styles to elevate these aspects of the story. 

It’s a fantastic and fun ride and I believe its finale “The Last Lullaby” is the best example of how it uses all these seemingly contradictory parts to get all these themes across, especially with the music.

Centaurworld is a musical that has a lot of songs that I have fun with but I would say it is usually “all bops and no bangers” (credit where credit is due. I heard this from Sarcastic Chorus). 

The one place I really love their music and think it makes itself stand out is in its reprises. The way it brings songs from earlier on back and completely changes the meaning through the context of the scene. 

This episode does the same thing with Rider’s Lullaby and The Nowhere King’s lullaby. These songs are closely associated with the protagonist and antagonist of the show respectively and the way they are brought back in this finale really brings their arcs full circle. 

I especially love how the Nowhere King’s lullaby is brought back because it really accentuates the tragedy of his character and his relationship with the purple haired woman. I wish this relationship was explored in greater depth throughout this season but what we did see of these two characters was hauntingly beautiful in a way that you wouldn’t expect from what is essentially a single episode exploring their relationship. 

The Nowhere King’s death didn’t feel triumphant or glorious like you would have expected after his introduction in the two part finale of season 1. It’s quiet and personal. He returns to his original form one final time before the woman he loves ends his life once and for all.

The purple haired woman hesitated to go through with this before this point but she’s resigned herself to the fact that she must be the one to bring this nightmare to an end. Despite the love between the two their story doesn’t have a happy ending. It’s very tragic and the last lullaby the purple haired woman sings gets across the emotions of the scene between the two characters accentuates this.

The backstory of the elktaur chronicles the slow self-destruction and mutilation of someone who feels trapped on the outside looking in due to his internalized self-hatred. It becomes a tragedy about someone who felt undeserving of love to the point where their internal war with themselves became external. 

“They’re the same being locked in this everlasting fight with himself.”

This is an interesting exploration of morality that accepts that people are steeped in shades of gray. It’s like what the Nowhere King says to horse “we all have good and bad”. 

This episode shines brightest when it takes a microscope to all these characters and forces us to look at them for all they are. 

The Nowhere King is a horrible monster that has caused so much suffering but he is also a victim. 

The general is a monster wearing the mask of a hero that perpetuates a conflict he will never end because he ultimately holds his own self interest and preservation of utmost importance. 

The purple haired woman was blinded by her love and awe of the elktaur and centaurworld and it is ultimately her love that prevented her from ending this conflict when she had the chance. (She isn’t evil. I’m not blaming her. She understandably struggled to end the life of someone she loved.)

That being said I do have a few issues.

My issues with this episode don’t stem from the content within the episode itself but rather the lack of screen time and build up to certain important aspects of this finale. 

I think there should have been more of the general before this moment because the twist that he’s part of the nowhere king is meant to completely flip the kindly, righteous leader visage on his head but since we didn’t spend enough time with him it doesn’t hit as hard as it could have. The general’s betrayal of Rider would have been even more of an emotional gut punch if we trusted him like Rider did, which could only be built up if there was more time allotted to him. 

I think the purple haired woman should have had more screen time because it’s the tragedy of her life and love of the nowhere king that is a driving factor in the entire story. In fact it’s her ending with the nowhere king that is what I would argue to be the emotional climax of the episode and by extension the series so I wish more time was given to them.

Everything that happened in the episode was great and it hit all the beats it was aiming for but like I said above I feel like some of them could have been strengthened if the series had given the characters involved more focus.

For example Rider being stabbed by the general is comparable to Marcy being stabbed by Andrias and yet I would argue that Marcy being stabbed is much more of a gut punch due to the amount of time their relationship was afforded within the show. We see how much Marcy trusts Andrias and we know why. Even if we knew he was up to no good we got to see how well Marcy and Andrias clicked and how much they had in common. 

Marcy is also given more screen time herself which allows us to grow attached to her in a way we couldn’t with Rider. So when the moment of truth happens and Andrias makes the decision to stab Marcy in the back it is a complete gut punch. We care about Marcy, we know how this relationship made her feel seen, we understand the full depth of the betrayal. 

I’m not saying this to hold one show up on a pedestal above the other, I’m using it as an example to explain why I think this certain plot point would have benefitted from extra attention earlier in the series.

That being said, I believe the way the general’s betrayal played out was very effective coming from Rider’s perspective (just not as much when it comes to the general and their relationship). The show has done a good job up to this point portraying Rider’s unwavering belief in the general. She is a child soldier that has dedicated her life to this cause that the general leads and yet he never meant to actually end the war or his people’s suffering. 

It also leads into a very touching reprise of Rider’s Lullaby. 

This was the first song we heard in the series and it was the defining song of Rider and Horse’s relationship. Having the song come back around with Horse being the one to sing it to comfort Rider in an inverse from the pilot would have been a fantastic bookend to their relationship.

This is why I’m mixed on how they chose to have this scene play out.

I’ve never been a big fan of fake out deaths and this one still has me conflicted. This is purely a personal preference thing. I’ve just never been big on these types of scenes. 

This leads me to the episode’s ending.

Centaurworld is a story of two wildly different worlds and tones that come together to elevate each other rather than detract. On the one hand the show can cover the bleak reality or war, loneliness, and loss and on the other it triumphs family, love, and connections. This episode is a nice blend of the two with the finale showing the clash of the tragedy of the past (the elktaur and the purple haired woman’s story) and the hope of the future (the ending with horse and her herd).

This decision holds true to the series to this point.

This episode was a fantastic ride from start to finish. There were some aspects of the episode I was mixed on but I ultimately love the end result and find myself revisiting the tale in my thoughts and on rewatch. 

I am interested to see what Megan Nicole Dong does next!

*The marketing for this show wasn’t great. I know many people that were turned off from the show because of the trailers they had seen which is disappointing. But I’ve seen a lot of fairly big youtubers cover the show and help give it the attention it deserves.

Extra Thoughts

I thought almost all of the comedy hit, especially all the gags with Stabby. “I have unquantifiable corpses on my conscience.” is one of the funniest lines in the entire show. I really wasn’t a fan of the fart joke with horse in the elktaur’s mind and thought it really fell flat.

Blue Eye Samurai Thoughts

These thoughts are sort of scattered and don’t cover everything I think makes this show great but I wanted to get something out about this amazing show.

Every once in a while an animated project comes around that makes me sit back in awe that something this phenomenal was allowed to be made. That something this rife with creativity, care, and emotion was given the freedom necessary for the people behind the scenes to make an authentic experience that really pushes the boundaries of what animation can do. And Blue Eye Samurai did just that. 

The last time I felt that way about an animated show was Arcane.

Blue Eye Samurai follows Mizu, a child of mixed race that was deemed a monster due to her parentage, and her journey to kill the man who sired her. It’s a dark, tragic tale that blends 2D and 3D animation to create a story that centers themes of prejudice, class, identity, found family, revenge, and loss.

It’s one of the most gorgeous shows to come out in the last few years. With pretty much the entire show having the ability to leave you breathless. The action scenes in particular are standouts (shocking I know).

In these action scenes the show really embraces the freedom its rating gives it without falling into the usual trappings shows with a mature rating tend to. Blue Eye Samurai has an abundance of bloody gore filled violence that never becomes gratuitous. It all feels purposeful and poignant within the story itself and how it explores its themes. It gives the consequences of Mizu’s revenge depth. Not just in how it effects the people around her and the collateral, but also in how the violence Mizu perpetrates effects her.

This is best explored in episode 5 (The Tale of the Ronin and the Bride), which is probably the best episode in the season, where we get to see a glimpse into Mizu’s past and how her path towards revenge is solidified.

The hopefulness of the past is directly juxtaposed with the bloody carnage of the present, while the story of the bride and the ronin is told over the course of the episode. There’s a foreboding that is layered over top of every scene in the past, the knowledge that in some way this goes wrong and leads Mizu to this point. To become this force of nature capable of cutting down men without hesitation.

It shows those parts of Mizu she’s lost through the hardships her life threw at her and those parts she’s been forced to discard herself to accomplish her goals.

The loss brought on by the hardships her life threw at her is shown in the past with her mother and husband and their betrayal and death. And the parts of herself she’s had to discard is shown in the present when she initially spares the boy that turns her in and almost gets the women in the brothel and herself killed that she ultimately kills in the end when faced with the same choice.

This is all just scratching the surface of this exploration, but I think it gets across the point that this show does a good job of exploring the nuances of revenge and what led Mizu to this point.

It’s the show’s meticulous exploration of aspects of Mizu’s character that makes her such a complicated character and an amazing protagonist. I don’t know if anything I write would really do her justice, but the complexity and nuance of her character alone make this show worth watching.

The second most interesting character to me was Akemi. 

Akemi’s arc is incredibly compelling. She goes from feeling trapped and trying desperately to escape to learning how to use her cunning to try and become great. But because this arc is occurring in Blue Eye Samurai it isn’t as straightforward as that description makes it seem on the surface. That arc is flipped on its head and to show what I mean I want to look at the scene on the bridge.

That scene on the bridge after Seki dies was one of the most intriguing of the final episode. That moment you can see the shift in Akemi’s desires from that of freedom to that of greatness. In many ways this isn’t the victory that it should be.

The wording seems like that of someone taking control of their own destiny and deciding to pull themselves up to a position higher than anyone thought possible, but the framing with the city in flames behind her, the shogunate’s enemies burning alive, and Seki dead on the ground put it in a more tragic/sinister light.

And those words she speaks that are on the surface sound triumphant echo sentiments that her father has said to her (telling him he’s only alive because of her and the belief that she can control the shogun, etc). Her desire for greatness even reflects his own. 

This isn’t really freedom and considering the almost naive quest for that freedom she went through during the season and was even hopeful she could obtain just moments before, living out her days with Seki on his family farm, make this feel less a victory and more like she’s becoming what she has to. That she’s hardened. That she’s starting down a path that mirrors Mizu’s in some ways.

And this mirror between Mizu and Akemi is clearly intentional. The show itself visually mirrors the two within this same episode in the exact scene I was just talking about.

And throughout the season she is the most direct foil to Mizu. Both found different ways to try and work around the inherent restrictions being a woman in 1600s Japan would entail, to gain any semblance of freedom from those restrictions, but were ultimately hurt by those expectations/restrictions in a way that forced them to change.

They took how they handled it in two completely opposite directions (Mizu presenting as a man and Akemi using her sexuality and forced marriage to her advantage. In broad, over-simplified terms: rejecting femininity vs embracing it to achieve their goals) which is what makes them such interesting foils for one another.

This parallel/contrast to Mizu makes her the most interesting of the supporting cast and her end point puts her into what might be the most compelling spot out of all the main characters heading into next season.

(Plus she’s voiced by Brenda Song aka Anne Boonchuy and London Tipton)

Honestly all of the characters are given nuance that makes them at the very least entertaining.

The show even manages to make a character that could have just been comedic relief an interesting character and an avenue to expand on its exploration of themes with (season MVP) Ringo.

This is best shown through Ringo’s views of greatness. They at first seem shallow and naive. Not really looking deeper than the surface at what this idea entails and he floats from one thing to the next so easily that it can initially seem unfocused, but I think that’s the point. Ringo doesn’t really know what greatness is so his view of it is constantly changing and what he believes he can be great at is constantly changing too. 

Just like the audience he is awed by Mizu’s strength and ability in battle, but as the brutality and reality of what that skill brings comes to light the idea that this skill and determination is greatness slowly dims. It never entirely dies out because this isn’t meant to destroy his idea of greatness, but instead change it from a black and white binary to something that is more blurred. He still sees greatness/potential for greatness within Mizu, but he doesn’t see her as the pinnacle anymore. The end all be all.

And what he can do to be great constantly changes because he’s suddenly had so many opportunities he never could have dreamed about, due to his disability and being stuck at his father’s noodle shop, opened to him that he needs the time to explore what he wants. He’s still trying to find his calling and by the end of the series he might have found the start of it in the same place that Mizu did– With Swordfather. 

The one thing about Blue Eye Samurai that didn’t quite work for me is the use of music. The show’s score is beautiful and used to great effect, but the music it chose to put over scenes would pull me out of the moment almost every time because it used highly recognizable songs that I’d heard in so many pieces of media it felt inauthentic and jarring.

This is a small complaint because there are only 2 scenes where the music choice did this, but I felt I should mention it because of how important these scenes were supposed to be. The rest of the show easily makes up for this small gripe.

I could probably ramble about this show all day but I’ll cut this off here and say this: Blue Eye Samurai easily lives up to the hype that everyone has been giving it. It’s a visually stunning show with compelling characters that explores its themes in such depth that I can’t wait to see where it goes from here. 

Random thoughts

I love the shot of Mizu in The Great Fire of 1657 where she’s staring Fowler down, flames behind her and eyes a piercing blue, because of the perspective of this shot. This is shown through the eyes of Fowler, the man who just brought an army to the shogunate’s doorstep with the plan to take over Japan, and yet he’s afraid of Mizu and the lengths she will go to achieve her goals. It’s such a chilling shot that absolutely shook me to my core. (Man Blue Eye Samurai is amazing at these types of shots)

Taigen is a character that I had a lot of fun with, but didn’t make as much of an impression on me as the rest of the characters. He isn’t as complicated and compelling as Mizu and Akemi or as thematically interesting as (season MVP) Ringo. I wish I had more to say about him, but I don’t. I do think his dynamic with Mizu is interesting though.

Fowler is a really fun villain and I can’t wait to see how he plays off of Mizu now that he is going to be her guide in London. I can’t wait to explore those bombshells he dropped in the finale about Mizu’s origins.

The fights in episode 6 were the most visually stunning to me in the season. The way it played around with lighting and perspective was incredible. 

I didn’t talk about it much above but I thought the way Blue Eye Samurai explored Mizu’s relationship to her gender to be very compelling and nuanced. The way it’s handled lends itself to a fascinating exploration of identity and gender that I think is important.

Swordfather has such a great relationship with Mizu. He knew she didn't leave his house the night before and just decides to adopt her and teach her everything he knows, giving her a stable relationship that doesn't reinforce her shame. He doesn't recognize her mixed heritage as a point of shame instead embracing her for who she is and letting her know that her mixed heritage doesn't make her impure, standing up for her when the bandit threatens to hit her and insults her origins. This genuine care is something Mizu desperately needed as a child and it was amazing to watch.

I think I want to go into greater depth at some point on my points on Mizu and Akemi being mirrors to one another and how The Ronin and the Bride explores violence and loss and how they're intertwined in Mizu's life at some point.

It’s shows like this that make me even more frustrated at Netflix. They were on such a role in animation and were (and sort of still are) a driving factor in changing the landscape of adult animation that they were frequently the platform that I was most excited to see new animated projects on, but then they absolutely gutted their animation division and showed little to no respect to the work of those that made the animated properties and I lost a lot of respect for them as a result. I really hope projects like Blue Eye Samurai keep being made and that platforms start respecting animation like it deserves.

I kind of feel like adding a few adult animated recommendations on netflix to this so here goes: Arcane (duh. It’s a masterpiece), Pluto, Cyberpunk Edgerunners, Castlevania, Carol and the End of the World, Skull Island, Inside Job, and Tear Along the Dotted Line.

I felt like adding to this list just to make fun of how consistent the characters I project onto is.

Me: There is definitely not a pattern to the characters I project onto.

The characters I project onto: