Horror Literature - Tumblr Posts

H.P. Lovecraft quotes out of context which tear my body open and viciously rend my heart or stomach into shattered pieces at the amount of emotional weight charged behind them (also you should seriously read them in context too)

Off my chest but I hate that Cthulhu is the flagship lovecraftian figure I hate that all eldritch horror icons get to be compared to Cthulhu in our timeline now that it’s all called the “Cthulhu Mythos” and what for???

I got into HP for the short stories, but I did eventually get around to the bulkier, connected stuff, and honestly? “Call of Cthulhu” is one of the weakest and underwhelming examples of the guy’s work that I’ve gotten through. THIS is the monster that in huge part made Lovecraft a pop culture name? THIS story?

Like sorry not sorry but Cthulhu is a little bitch boy stuck in timeout. Yes yes, I admit he’s pretty cool in a vacuum and I guess the “that is not dead which can eternal lie” quote does go pretty damn hard. But put into context it’s just…. Eh… like, I’m not going to even touch the overflowing can of worms that is the racist overtones since it’s already-taken low hanging fruit at this point. I honestly just found CoC boring and anticlimactic because I made the mistake of chomping through so many of huge other monster stories first. Once you’ve inoculated yourself into the stakes of At the Mountains of Madness or gotten in the know on Innsmouth or Yog-Sothoth, you feel like squidboi doesn’t really throw much punch even for the amount of suspense that he does build up to. He’s the first and only otherworldly deity so far I’ve even read to be defeated and shooed back by mere mortal men- mortal men, ones that didn’t even know wtf they were doing or facing, mind you.

I have less than nothing against people who enjoy the story and Cthulhu, but I just want to know… why? More specifically why this one got so famous and influential for a whole genre of horror. Cthulhu is just not really even scary to me. Ephraim Waite is scary. Shoggoths are fucking terrifying. The lore of Elder Things are everything I never knew I wanted in eldritch horror, and their story was genuinely compelling. The Deep Ones I thought I got their gist and wasn’t so interested in before reading, and they actually pulled me in past expectation. Cthulhu’s like…. A “safe” to “euclid” class scp at worst. The Innsmouth plot is the real setting for the theme of serious danger that is plotting and bubbling just beneath the uncanny surface.

I’m not telling anyone to not read Call of Cthulhu, but if you already have and you didn’t really get the appeal and hype for Lovecraft, Don’t be afraid to try explore down a different branch of the Mythos. You might be surprised. If you did read and enjoy CoC, make sure you check out the other stories because in my opinion it’s pretty uphill from there.

I so adore this one. Not my favorite from Lovecraft but absolutely within the top 5. Wayne June never misses, and this is no exception

What the what? Geez, I know it’s dark, but come on, YouTube. well, thanks for letting me know because I literally wouldn’t have noticed otherwise. While that’s a bit of a bummer (I LOVE the accompanying visual novel and sountrack format of that vid), I was still able to find another link to Wayne June’s narration of the text! Hopefully this one won’t give you such trouble since I didn’t see any age restriction on it.

 https://youtu.be/HM40Yw-3vH4?si=S5Lou8NjVLAq4ri3

I so adore this one. Not my favorite from Lovecraft but absolutely within the top 5. Wayne June never misses, and this is no exception

I just finished a Hell of an audiobook lately

Its name is The Troop, written by Nick Cutter, narrated by Corey Brill,

And it has proved one of the most intensive experiences with literary media in my entire life.

Listen… listen here as I try to contextualize that. I’m a person who enjoys doing chores while Wayne June’s voice serenades me with the writings of Lovecraft, Poe, and Red Hook Studios. I grew up on a Little Shop to John Carpenter’s The Thing horror pipeline. I’ve played I Have No Mouth and I Must Scream at least three times to myself by now.

There were points where I laughed my ass off. Points where I yelled either in cheer or anger. A point or two where I almost cried. Many points where I gagged, physically gagged several times while driving down the road because of Cutter’s linguistic assault. I took needed breaks off and on and yet I still kept coming back for more. It’s… where do I actually start? With that Stephen King review where he mentions that The Troop scared the hell out of him?? With this?

TL/DR: This shit makes “Lord of the Flies” look like an episode of Rugrats.

I picked up this story working on no more knowledge than what I suggest anyone else interested in the roller coaster experience also start from: This is a story about a handful of Boy Scouts encountering a very hungry, very sick guy in the woods while on a camping trip.

I was hoping for something like World War Z, which is a phenomenally written work by Max Brooks. This was not much like WWZ in content, but in terms of the quality, pacing, and amount of thought put into the writing itself, I can’t think of a better comparison. Every scene is tapestried with descriptions and immersive detail to make sure you understand the full pov of its characters. You will know exactly what they hear, what they smell, what they taste, in ways elating and in ways that will make you lose your appetite.

The themes themselves share more spiritually with… Kitty Horrorshow, if anything. I can’t elaborate much on that without spoilers, and I honestly don’t encourage a jump into this text any less blind than this.

All that said, this is a true disturbing work in the sense that it is sure as hell not going to be for everyone. I don’t think it’s really even for most people in its entirety. There are several scenes dedicated to the quite graphic portrayal of childhood bullying, body horror, parasites, violent harm done to animals domestic and not (extreme emphasis on this one), and the general etc. that comes with the territory of this being a horror novel with primarily 14 year olds as main characters. Be merry and be discretionary with this knowledge. I’m going to hope the nightmares about eating wallpaper and worms settle down as the days pass, as I still thank this book for adding them to my garden.

Curioss Jorj

Finished The End of Alice. Picked it up after finishing Lolita because I would see them grouped together most of the time. I heard from a lot of people that it was a lot more vulgar content wise and yeah, I definitely see it. I wasn’t a big fan of a lot of the more depraved scenes, since at some point it just felt like they were trying too hard to be edgy and it reminded me what a lot of those “extreme horror” books sound like. For what it’s worth, I did think the prison rape scenes were actually surprisingly well-handled.

The best part of the book to me was the more grounded scenes: The protagonist’s childhood memories and his conversations with his “Lolita”, a girl named Alice. I’ve always been a slice of life fan, so just getting to see the characters talk was good enough for me.

As someone who’s a fan of villainous protagonists, I was obviously drawn to the story when I heard the premise. The appeal to me here is getting to see such a horrific person as, well, still a person, and the author does a great job of showing us the mind of a monster. It’s weird to say I know, but I genuinely found myself getting invested in the relationship between them.

I do have a few complaints with the way that the female protagonist, who goes unnamed was handled. First of all, the fact that her segments are narrated by a third-person perspective is disappointing as I would’ve liked to get inside her head too. Secondly, I wish she and the male protagonist (I know he technically has a name but I’m not using it) would’ve been equally important, but it still feels like he’s the main one.

Ultimately, I quite enjoyed End of Alice, mainly due to the psychological thriller aspects and the characters themselves. If you could handle the dark themes I’d recommend checking it out too.

One of the first fanfics I uploaded, back in 2016 (on FFN; I didn't start posting on AO3 until a year later), was a Fire Emblem Fates oneshot, a non-con, yandere gorefest about Jakob killing my Corrin stand-in, Nerr (you might recognize her as "the green-haired girl in all my Fates art and also my pfp"). I wrote that fic before the game was even fully localized (hence Niles being referred to as "Zero" and Beruka as "Belka") and it was... devisive, but I loved it enough to start writing a sequel. Said sequel somehow ended up even darker, and got real messed up before I moved onto other things and eventually forgot how I wanted to end it. But in the spirit of the spooky season, I thought I share an excerpt from the first chapter.

(The OG fic if you've got a hankering for some unhinged Jakob, or Gunter emotional torture, content)

Nohr never was, and never would be, a country known for its sunny days. The sun only managed to cross the border of the Infinite Chasm every few decades. Even so, it was clear that despite the perpetual darkness that lay over the land like a blanket, it was as beautiful a day as one could hope for in the desolate west. Though the sky was a dark bluish shade of gray, birds twittered unseen in the trees, the leaves painted in brilliant hues of red and gold as winter began creeping upon them. This was picnic worthy weather in Nohr, but it was downright gloomy to Azura. A small part of her was grateful for that. It would have seemed horribly inappropriate for the weather to be nice today of all days. The songstress surreptitiously tugged at the lacing on her bodice. She had long forgotten how much she despised Nohrian clothes, with their heavy skirts and pinching shapers, but she had no choice but to wear them today. After all, the flowing white gowns she preferred had no place at a funeral. 

Breathing deeply, she closed her eyes, trying to keep from wringing her hands. She had never been to a funeral before. Her father had died before she was old enough to remember him from anything but portraits. Her mother... There had been no body then, the curse that took her breaking down and gelatinizing her body until it had sloshed across the bed she'd lain in, soaking into the covers and mattress... 

Azura swallowed hard, opening her eyes. At least there was a body this time, however incomplete it might have been. As she headed towards the great hall of the castle, the buzz of dozens of people all whispering at once sent a chill down her spine. Nobles and courtiers had assembled as though they were in attendance of a gala rather than there to pay their respects. Most of them weren't, she knew that. The number of Nohrians who would grieve the loss of a Hoshidan was negligible. No, they were only there to see and be seen, and to talk. The songstress tried her hardest to ignore the hiss of voices as she walked past them, but it was impossible to block everything out. Bits and pieces still reached her. 

    “--the Hoshidans--” 

    “--filthy savages--” 

    “--legs wide open--” 

    “--tried to cover it up--” 

    “--blood everywhere--” 

    “--secret lover--” 

Her hands balled into tight fists at those last words, and it took every ounce of self control she had not to storm over to the bloated prick who had said them. There were two particularly strong rumors being circulated around Krakenburg. The first was that Hoshidan assassins had infiltrated the castle and murdered their own princess as gruesomely as possible to send a message to King Garon. That was the accepted rumor that the king himself encouraged. The second, spread mostly by the servants, was that Princess Nerr was a whore of the highest order and all her sleeping around had come back to bite her in the ass when one of her many jealous lovers decided he didn't like being made a cuckold any more. 

It hurt Azura to the depths of her core to see her friends' name dragged through the mud in such a way. The nerve of those people, blaming someone for their own murder, daring to say they deserved it; did they have no shame? She paused for a moment, reaching up to brush away the tears gathering on her lashes. It had been a horrid few days, with far too many emotions and not nearly enough sleep. So many times when she closed her eyes, she found herself standing at the Infinite Chasm, only for emaciated, rotting arms to reach up and twist around her ankles, dragging her towards them. The woman jumped, gasping loudly as a hand brushed against her shoulder. She nearly struck its owner in her haste to rid herself of it.

    “Oh. Xander... I thought-- you startled me.” 

    “Azura! Calm yourself, sister, it is only I.” Forcing her breathing to slow, she looked back to see Xander standing behind her, his brows more tightly furrowed than usual as he regarded her with concern. Azura sighed deeply, the tension leaving her body at once. 

    “I can see that. I saw you just standing here and began to worry if everything was alright.” 

    “Yes, it's-- I'm fine.” The crown prince remained silent for a long time. If she looked at him long enough, the singer got the feeling that he had aged years in only a few days. His once noble demeanor was now sullen and withdrawn. Gone was his confidence and pride, leaving only misery in its wake. For once, it seemed it wasn't the weight of the crown on his brow that was crushing him. 

    “...we are not fine, Azura. None of us are.” He said quietly. Her heart went out to her older brother, and she rested her hand on his shoulder the way he so often did with her. She had only seen a glimpse of the room, smelled the faintest whiff of blood, before it had been too much for her. Xander had been in there for so long... For a moment, he covered her hand with his own, squeezing it slightly, before removing it from his shoulder. “Come, Azura. Our siblings are waiting for us.” They both walked in silence to the hall. There were even more people amassed there. In the furthest corner of the massive room, a small group of people huddled closely together. Elise had been sobbing into Camilla's dress all the while before, but the moment Azura drew closer, she detached from one sister to run over and bury her tear streaked face in the other's stomach. Azura could do nothing but lightly stroke her head, the long blonde hair tucked under a black cap as was customary in Nohr. 

Now that her arms were free, Camilla pulled a lacy black kerchief from her sleeve, dabbing at the corners of her eyes. Leo did not even look at her when she approached, instead keeping his gaze glued to the floor. Rather than greet his family as he usually did, Xander looked around the great hall, his ever present frown deepening. Azura followed his gaze, frowning as well. She too found it odd that Gunther would not be there with them, especially considering that even Flora and Felicia stood there, albeit a bit further away from the royals, though still close enough to be considered part of the group. It was no secret that there was... friction between him and the eldest prince and princess (to put it kindly), but one would think they could at least set their differences aside on today of all days. 

    “I would've thought Father would be here by now...” 

    “What?” Father? King Garon, that was who he was looking for? Xander nodded grimly, abandoning his futile search for the errant king. 

    “I assumed he would already be here, condemning the Hoshidans for their cowardly actions...” Elise stopped sniveling long enough to look up at her eldest brother, her eyes bloodshot. 

    “But it wasn't the Hoshidans; it was--” 

    “Quiet!” Leo hissed at her, his jaw tight. “We know that, and so does Father, but he clearly wants to stir up fervor amidst the nobility. I can tell you that while none of them might give a damn what happened to--” His voice broke, and he cut himself off for a moment, trying to regain his composure. “...they might not care what happened here, but you'd best believe they won't be sleeping soundly now that they know the Hoshidans can sneak past any security measure. They'll be far more willing to dig into their stingy pockets and donate funds to our war chest if they think it's Hoshidans going around murdering people, rather than lunatic butlers...” 

A veritable chill filled the air at his bitter words, aided by the cold surrounding the Freesian twins. It seemed to be an unspoken rule that they were not to mention Jakob anymore, even in passing. A sinking feeling turned her stomach as she recalled speaking to the butler on more than one occasion. He had seemed perfectly affable, charming even. Her heart had bled for him as he told her of his cold parents, and she had even felt a twinge of jealousy at his devotion towards Nerr. Now, though... 

    'I desperately wanted to stay and earn a place by her side...' 

The memory of his words made her sick. Azura glanced at the long black box at the head of the room, surrounded by flowers and incense. Although it looked very lovely, the only purpose they actually served was to conceal the stench of decaying flesh. Even keeping the princess' body in the cool, dark cellars while nobles had gathered had not been enough to stave off the rot. Azura shuddered suddenly, though she couldn't put her finger on why. It wasn't from the cold, the whispers, or even the horrid knowledge that the first true friend she'd made was slowly liquefying in a box. For a brief moment, something had just felt too wrong for her to ignore. 

Even as the remaining nobles piled into the room, even as King Garon himself made his way inside, standing with Iago and Hans rather than his children as the priest led them in prayer, she could not shake the feeling of wrongness. Every few minutes, her eyes would dart around the room, searching for another head of lilac hair. On the one hand, she could almost understand Gunther's absence. It made sense that he would want to mourn in peace, somewhere far away from the stares and sneers that always seemed directed at him as of late, but on the other... didn't he want to spend a few more moments in his wife's presence? It was the last chance he would have, after all... 

Dwelling on such a line of thoughts was too depressing, even for a funeral, so Azura turned her attention back to the priest, pretending to care about the words he spoke. When she was little, her mother had told her that when people died, they became stars so that they could always look upon those they'd left behind. She had believed that as a child, believed that when she looked up at night, her father was up there somewhere, but as she grew older, she found it harder and harder to find comfort in that particular fairytale. People didn't turn into stars. They turned into soil or, if they were very unlucky, a rushing river's foam, and left you all alone. 

As the prayers ended and silence descended on the hall once more, a group of pallbearers approached the coffin, intending to take it out where the carriage was waiting to transfer Nerr's earthly remains to the graveyard the Nohrian royal family had been interred in for generations. Azura was sincerely surprised Garon would allow someone everyone now knew was truly a Hoshidan to lay amongst his ancestors. She had a sneaking suspicion this was Xander and Camilla's doing more than his. Rather than proceed, it seemed the bearers were talking to one another with increasing frustration. The way they jostled the coffin made it seem as though it was going to hit the ground at any moment. Camilla's hands balled into fist, her lips twisting into an enraged snarl as she stormed up to them, knocking aside any who were in her way. She did not bother controlling her voice, the acoustics of the massive chamber carrying her anger even further. 

    “What is wrong with you!? Have you no shame!? That is my sister you're about to drop, you worthless fools!!” The men cowed in the face of her fury. 

    “We beg your forgiveness, milady, b--but... something is wrong.” 

    “What can possibly be more wrong than it already is?!” 

    “...the coffin, princess... It feels loose. We're trying to be careful, so as to not drop it, but it feels like it might come apart at any moment...” 

    “What are you talking about?” Camilla panted as though she were running, and she grabbed one end of the lacquered box. “You're useless! Give me that!” She pushed the pallbearer away, the sudden shift in weight causing all the rest to stumble slightly. As the coffin shifted, the lid swung off, knocking one of the unfortunate men in the head. He dropped his corner, and the casket hit the ground, the loud crash silencing the room. Azura's hands flew to her mouth, horror and disbelief dueling inside her. She wanted to push her way to the front of the growing crowd, but at the same time, she didn't want to see a twisted body lying on the ground. 

    “It's empty!” 

    “What?” 

She could barely hear her own whisper as the nobles began chattering again, gossip spreading over the room like a flame. There was no body. The nails holding the lid in place had been pried up. The inside looked as if it had been torn apart. Iago's unctuous voice seemed to float to the top of the clamor like a scummy film as he intoned that the Hoshidans were more dastardly than they gave them credit for, to resort to something like this. Beside her, Xander shook with barely contained fury. 

    “...no... No, Father would not stoop to such pettiness as this... he would not desecrate our sister's body just to further stoke Nohr's fervor... He wouldn't!” Once again, that indescribable chill ran through Azura's veins, like a cold hand tightening around her chest. Hesitantly, she reached out to the older man, pausing for a moment before gently tugging on his sleeve. He could have ignored her, he could have rushed over at once and confronted their father. She was secretly hoping he would do just that, but instead, the crown prince shifted his focus to her. “What is it, Azura?” She opened her mouth, but remained silent. She wasn't even sure what she was hoping to gain by speaking up. It might have even been better to just stay silent, but she could not stop the words from spilling from her mouth. 

    “...I haven't seen Gunther all day...” For a long moment, Xander just stared at her, nonplussed, but slowly, the meaning of her words dawned on him. He reached up, burying his face in his hands and looking more broken than Azura thought a man could look. 

    “Why...? Why are these deviants hellbent on taking my little princess from me...?” She had no answer for him. She regretted opening her mouth. It was easier to lay the blame for this at Garon's feet.

This is a compiled list of some of my favorite pieces of short horror fiction, ranging from classics to modern-day horror, and includes links to where the full story can be read for free. Please be aware that any of these stories may contain subject matter you find disturbing, offensive, or otherwise distressing. Exercise caution when reading. Image art is from Scarecrow: Year One.

PSYCHOLOGICAL: tense, dread-inducing horror that preys upon the human psyche and aims to frighten on a mental or emotional level. 

“The Frolic” by Thomas Ligotti, 1989

“Button, Button” by Richard Matheson, 1970

“89.1 FM” by Jimmy Juliano, 2015

“The Yellow Wallpaper” by Charlotte Perkins Gilman, 1892

“Death at 421 Stockholm Street“ by C.K. Walker, 2016

“The Ones Who Walk Away from Omelas” by Ursula K. Le Guin, 1973

“An Empty Prison” by Matt Dymerski, 2018

“A Suspicious Gift” by Algernon Blackwood, 1906

CURSED: stories concerning characters afflicted with a curse, either by procuring a plagued object or as punishment for their own nefarious actions.

“How Spoilers Bleed” by Clive Barker, 1991

“A Warning to the Curious” by M.R. James, 1925

“each thing i show you is a piece of my death” by Stephen J. Barringer and Gemma Files, 2010

“The Road Virus Heads North” by Stephen King, 1999

“Ring Once for Death” by Robert Arthur, 1954

“The Mary Hillenbrand Cassette“ by Jimmy Juliano, 2016

“The Monkey’s Paw” by W.W. Jacobs, 1902

MONSTERS: tales of ghouls, creeps, and everything in between.

“The Curse of Yig” by H.P. Lovecraft and Zealia Bishop, 1929 

“The Oddkids” by S.M. Piper, 2015

“Nightmare at 20,000 Feet” by Richard Matheson

“The Graveyard Rats” by Henry Kuttner, 1936

“Tall Man” by C.K. Walker, 2016 

“The Quest for Blank Claveringi“ by Patricia Highsmith, 1967

“The Showers” by Dylan Sindelar, 2012

CLASSICS: terrifying fiction written by innovators of literary horror. 

“The Tell-Tale Heart” by Edgar Allan Poe, 1843

“The Interlopers” by Saki, 1919 

“The Statement of Randolph Carter“ by H.P. Lovecraft, 1920

“The Damned Thing” by Ambrose Pierce, 1893

“The Legend of Sleepy Hollow” by Washington Irving, 1820 

“August Heat” by W.F. Harvey, 1910

“The Black Cat” by Edgar Allan Poe, 1843

SUPERNATURAL: stories varying from spooky to sober, featuring lurking specters, wandering souls, and those haunted by ghosts and grief. 

“Nora’s Visitor” by Russell R. James, 2011

“The Pale Man” by Julius Long, 1934

“A Collapse of Horses” by Brian Evenson, 2013

“The Jigsaw Puzzle” by J.B. Stamper, 1977 

“The Mayor Will Make A Brief Statement and then Take Questions” by David Nickle, 2013

“The Night Wire” by H.F. Arnold, 1926 

“Postcards from Natalie” by Carrie Laben, 2016

UNSETTLING: fiction that explores particularly disturbing topics, such as mutilation, violence, and body horror. Not recommended for readers who may be offended or upset by graphic content.  

“Survivor Type” by Stephen King, 1982

“I’m On My Deathbed So I’m Coming Clean…” by M.J. Pack, 2018

“In the Hills, the Cities” by Clive Barker, 1984

“The New Fish” by T.W. Grim, 2013

“The Screwfly Solution” by Racoona Sheldon, 1977

“In the Darkness of the Fields” by Ho_Jun, 2015 

“The October Game” by Ray Bradbury, 1948

“I Have No Mouth, and I Must Scream” by Harlan Ellison, 1967 

HAPPY READING, HORROR FANS!

‘‘𝘴𝘩𝘦 𝘸𝘢𝘴 𝘵𝘩𝘦 𝘴𝘯𝘢𝘬𝘦 𝘣𝘪𝘵𝘪𝘯𝘨 𝘪𝘵𝘴 𝘵𝘢𝘪𝘭. 𝘴𝘩𝘦 𝘸𝘢𝘴 𝘢 𝘥𝘳𝘦𝘢𝘮𝘦𝘳, 𝘦𝘵𝘦𝘳𝘯𝘢𝘭𝘭𝘺 𝘣𝘰𝘶𝘯𝘥 𝘵𝘰 𝘢 𝘯𝘪𝘨𝘩𝘵𝘮𝘢𝘳𝘦, 𝘦𝘺𝘦𝘴 𝘤𝘭𝘰𝘴𝘦𝘥 𝘦𝘷𝘦𝘯 𝘸𝘩𝘦𝘯 𝘩𝘦𝘳 𝘦𝘺𝘦𝘴 𝘩𝘢𝘥 𝘵𝘶𝘳𝘯𝘦𝘥 𝘵𝘰 𝘥𝘶𝘴𝘵’’ — 𝑠𝑖𝑙𝑣𝑖𝑎 𝑚𝑜𝑟𝑒𝑛𝑜-𝑔𝑎𝑟𝑐𝑖𝑎, 𝑚𝑒𝑥𝑖𝑐𝑎𝑛 𝑔𝑜𝑡ℎ𝑖𝑐