Twisted Wonderland Analysis - Tumblr Posts
the elitism in magic education


HELLO 𤥠I have come to you today with an analysis of Fellow Honest's motives and what they imply about the mages and non-mages in the world of Twisted Wonderland, as well as the state of magic education as it relates to one's social status. It's a doozy, so let's get right into it! ***WARNING: Spoilers for Stage in Playful Land!!***
Fellow's resentment of the elite harkens back to something I've always suspected but also something that Twisted Wonderland has seldom gone out of its way to shine a harsh spotlight on. That "something" is the discrepancy between the "haves" and the "have-nots" in terms of magic. With the main setting of TWST being a private magic school, of course the perspective through which we view many events will be from this perspective as well... and that limits what we see and hear. Most of the NPCs we encounter (even the annoying ones, such as the Magicam Monsters from the first Halloween event) endlessly praise the NRC students just for attending a famous magic school. If we look closely though, weâll start to see cracks in the shiny rose-colored lenses (which, coincidentally, is how Fellowâs UM name is written).
To begin with, we are told that only 10% of the human population (for the sake of argument, let's assume that most other races also have low magic rates) is even capable of magic to begin with. Of this 10%, the majority of people with the aptitude for magic only have enough to barely be able to lift a cup. In order to qualify for a prestigious magic school like Night Raven College or Royal Sword Academy, you'd literally have to be the cream of the crop and get lucky in terms of genetics. Magic cannot be learned by someone that was not born with the innate ability for it, and not everyone who is the child of a mage will be capable of magic themselves. This itself is already one HUGE barrier for entry. We now have more to consider.
Night Raven College is notably a private boarding school. This potentially means that students may need to pay a tuition fee for classes, room, and board. Perhaps this tuition doesn't exist, since NRC doesn't take applications but rather hand-selects its students. Additionally, NRC is based on a British school, and most European schools cost little to nothing to attend. However, it's hard to believe a school as fancy as NRC is a private institution that runs solely on the charity and goodwill of donors (though we do see Crowley happily accepting donations as well, specifically from the local town and from Kalimâs family). Realistically speaking, Stuff Costs Money, and if you Want Stuff, you also Need Money. NRC is not raising these mages of the future out of the goodness of their hearts, NRC is raising these mages because there is profit and prestige to be gained from the endeavor. What if there are students who are picked to go but end up having to leave because they canât afford it?? This point is just speculative though; I wonât count it as actual evidence since there is no in-game lore which confirms tuition. We do know, however, that students do at least have to pay for their dorm uniforms, as Ruggie has mentioned he could not afford oneâhence why he wears a hand/me-down from Leona. We also know students are on their own when it comes to paying for their food, as both Ruggie and Deuce mention being low on cash in reference to buying meals/snacks. Buuuuut even if we discount that money is a factor that gatekeeps some selected students from attending or having the cash to just get by on a daily basis, what we cannot ignore is that money inherently puts some people ahead of others before magic schools even recruit them.
Because the majority of those in Twisted Wonderland are incapable of using magic, magic is not typically included in general education. This means that if your kid manifests magic and you want them to be "ahead of the curve", you'd need to seek out resources for magic training and education. Now, this could mean reading materials, private tutoring, or reaching out to mages you know of. The problem with all of these things is that they tend to require money and/or connections, which are things not everyone has access to. (Note: research has shown that money opens up and expands one's connections, which still puts the rich in an advantageous position compared to the less fortunate. There are also studies that show impoverished people who happen to have rich friends have a better chance of raising their own social standing just because of the doors and connections that rich friend can open for them.) Look at who in the main cast remarks on having formal magic training: literal royalty like Leona and the upper middle class like Riddle. Again, one could say that because schools like NRC appear to hand-pick students regardless of how much formal magic training they had prior to enrollment. However, the fact remains that it simply looks better to potential recruiters (using this blanket term because we don't know how magic schools besides NRC gets its students) and better prepares the child for magic school curriculum to get an early start on it.
Looking back at the 22 boys that make up the main cast, close to three-quarters or ~75% of them come from at least upper middle-class backgrounds and quite a few could classify as wealthy:
Riddle's parents are both doctors, with Riddle's mom in particular being well-known and well-regarded in their home community.
Cater's dad is a banker; his position is high enough up that he needs to relocate every so often (presumably to service their largest or most important firms).
Leona is a literal prince. Even if he isn't destined to be king, he still has access to the resources and wealth avaliable to a royal.
Azul's mom owns the most popular restaurant in the entire Coral Sea (have you seen how large the Coral Sea is on the world map???), and his stepdad is a lawyer.
The twins' family is said to be well-off; they are able to afford luxuries like fancy clothes and Mr. Leech stresses the importance of manners and presentation. He is implied to have business associates who are also well-off and would like to get in his good graces. (Popular fan speculation is that the Leeches are a crime family.)
Kalim is the heir to a massive family fortune and trading business.
Jamil, as Kalim's attendant, is also from a reasonably well-off family; they are compensated handsomely for handling the Asims.
Vil's father is an A-list celebrity, and Vil is also one himself.
We don't know the specifics of what Rook's family does, but it must be well-paying, as we learn in book 5 that the Hunts have villas all over Twisted Wonderland, as well as permissions for international travel via warp pads.
Idia and Ortho's family run a secret organization that researches blot. S.T.Y.X. is so secretive that basically only those in super high positions like Crowley and Leona would know about them. Let's also not forget that the Shrouds have ties to the Jupiter Conglomerate and the Olympus Corp, which is a tech giant in the world of TWST.
Malleus is prince AND the heir to his kingdomâs throne. He is also one of the top 5 most powerful mages in the entire WORLD.
Lilia is a renown war general and a close friend of royalty. He raised a young Malleus as well.
Silver is Lilia's adopted son and is actually a prince himself.
Sebek's parents are dentists. They make mad money. His grandfather is also a respected knight that served alongside Lilia.
Notice how all the dorm leaders are upper middle class or higher; the vice dorm leaders have ONE normal person (Trey); in Playful Land, Trey confesses to living a comfortable life so we know he must be at least middle class.
We can try to argue all we like that NRC doesn't discriminate based on social status for their selections, but if that's the case then why are so few of the main cast from impoverished or low-income families? Only Ace, Trey, and Jack count as squarely middle class. Ruggie is the only example we have of someone from a very low socioeconomic status rising up to be among "elites". The other example is Deuce, who comes from a single parent household and has implied they don't have a lot of money (for example: how the VDC/SDC earnings will help out his family). (Epel is kind of a ??? case because depending on where in the story you are, his family could be in financial trouble or not; in book 5, they imply his entire village is having difficulties selling product until Vil promotes Harveston apples on his Magicam.) Maybe it's unfair to say that 22 students out of 800ish is representative of the makeup of the entire NRC student population (or represents the composition of all magic schools), but the single digit representation of low-income students is also true of real-life elite schools. They are private schools for a reason; it naturally gatekeeps who is and isn't "allowed" to attend, leading to the majority of its students being members of the elite.
Another thing to consider is legacy students. This term refers to the increased likelihood of people being accepted into a school if they had a relative that also attended that school. We know of two instances of this happening: Ace's brother and Sebek's brother also went to and graduated from Night Raven College. Ace even makes a remark during his sorting ceremony that he ended up in the same dorm as his older brother "as expected". If magic aptitude is genetic, then perhaps it makes sense to recruit from the same families--but again, this is inherently restrictive, as you would continuously be culling from the same pools generation after generation.
Back on the topic of bloodlines and family, what about Kalim, who has many other siblings? There will be no shortage of Asim mages going to NRC just because of legacy. And speaking of Kalim, consider instances where rich families are able to bribe faculty (lookin' at YOU, Crowley) or donate a large sum to get their kid ahead or to be given priority over others that may be more qualified than them (RIP Jamil). To continue off that point, NRC itself is structured as a "dog eat dog" world. Those with inherently more magical ability have the right to trump over others. You can duel and lose your dorm seat to a more powerful mage, even if you trump them in terms of merit or leadership qualities. Students feel a sense of duty to obey those who have bested them in battle (ie Epel's servitude to Vil). Everyone fears Malleus. Your magical power is respected above all else.
Attitudes surrounding magic have notably shifted from fear of it several hundreds of years ago (around the human-fae war, back when âwitchâ and âwizardâ were used in a derogatory sense) to recognizing it for its strengths and actively seeking it or granting some favoritism to those who have it. There is, in fact, now class discrimination in based on whether or not you can use magic. We got an early instance of this as early as book 1 of the main story, when Riddle insults Yuu for their upbringing and their inability to use magic. Itâs something that clearly rubs Ace, who has a magicless father, the wrong way, and he stands up for Yuu. There are other subtle hints about this divide sprinkled throughout the lore. For example, Ruggie has a voice line which he indicates that the slums where he comes from doesnât produce many magic users. Again, recall that magic runs in bloodlines. This could potentially allude to a past where those without magic were forced into lower income neighborhoods, which results in pockets like Ruggieâs hometown with a high population of magicless individuals living in poverty. This doesnât appear to be a large scale issue (perhaps its only an isolated case?), but this is worth paying attention to.
This could all translate into the professional world too. Some jobs are entirely locked behind magic (ie you just cannot do them or pursue them if you don't have the magical ability for it). Some jobs DO require magic (ie medical mages like Riddle's parents, magic police force officers, technomantic inventors, etc) and probably additional training that goes with it. As a result, I'd imagine that these magic-intensive jobs pay quite a bit more. There may also be overall more job opportunities for those capable of magic, since magic is so much more efficient than doing things by hand. It means more retention of wealth and/or more upward mobility for the few impoverished that are able to enter magic schools. (This is, of course, not including the few and far between cases of regular people who get rich in select industries, such as Kalimâs father.) Recall too that NRC requires its students to take internships during their 4th years, many placements being with very prestigious groups and organizations such as pro-sports teams, labs, tech giants, etc. Being able to attend a prestigious school with connections grants those elite students even more opportunities than the average person.
Then think about what this means for people who fall short of these standards that these magic schools set. We actually have examples of them in book 5 of the main story: when Deuce and Epel are reconciling on the beach, a bunch of delinquents from another school come along and start checking out Deuceâs borrowed magical wheel. Through the NPCsâ exchange, we learn that one of them has enough magic to power a magical wheel, but not enough to so much else. This NPC also couldnât keep up in class and dropped out of a magic school. He then becomes insulted when Deuce implies he is âa beginnerâ, so this is obviously a very sore spot for him. Additionally, consider how magic can be used to oppress and lord power over others. Deuce himself is guilty for summoning cauldrons to crush rival delinquents in fights back in Clock Townâeven if those delinquents lacked magic themselves. Similarly, Epel is implied to use magic to gain an upper hand against those that bullied him back home. This all implies a social divide between those with magic and those without, and begs bigger questions.
What happens to the ones that donât make it? The ones that get left behind? The ones without the magic to make it âbigâ? This is the root of Fellowâs anger; heâs mad at a system that cast people like him (someone with very little magic) and Gidel (a non-mage) aside. They donât get the opportunity to make better futures for themselves. Theyâre looked down on by high-up institutions that basically tell them theyâre not good enough.
Knowing all of this, the deck appears to be stacked against the poor and non-mages. Itâs no wonder why Fellow is so mad.
THIS ACTUALLY HARKENS BACK TO WHAT ROLLO SAID IN 5-2 OF GLORIOUS MASQUERADE⌠"When you have too little [magic], you're resentful. And when you have plenty [of magic], you're arrogant. You can never content yourselves." The NRC boys are arrogant (this is the side of the story weâve always known due to seeing the world mainly from their perspective). They are the âhavesâ. But everyone else??? Theyâre scrounging for the scraps. Fellow falls into that former category; he IS the guy thatâs resentful because of his lack of magic and how something he cannot control has already determined where he and Gidel will stand in life no matter how hard they work. They can never hope to rise out of poverty, and thereâs nothing they can do about it. That must be soul-crushing.
When Fellow praises the NRC boys in that overly exaggerated way, heâs obviously being shady and facetiousâhowever, there is also a kernel of truth behind this behavior. Most other NPCs weâve met have spoken about the NRC boys favorably just because of their affiliation with a prestigious school. Itâs the same way people might be impressed if you walked around in an Ivy League branded hoodie or something. People automatically associate you with the schoolâs shiny and exclusive reputation, and thus assume you are also intelligent, talented, etc. Then, in the same way being constantly put on a pedestal like this might result in the students getting swelled heads, this only further feeds into the NRC kidsâ egos. They so privileged they donât even recognize it. And that makes Fellow fucking FUME.
Look back at Fellow's dialogue. He is constantly mentioning the prestige of the school the boys go to, or adding on extra compliments about their status and skills. He's ass-kissing to his boss, who is also wealthy or part of the upper class, then insults the boss once he hangs up. Fellow is always in a position where he HAS to be subservient to the upper class in order to make his money and get by, and he finds that entirely unfair. Imagine having to simper and placate people you absolutely despise and blame for your problems every day, people who are gorging themselves on luxuries, coasting by in life, taking everything they have for granted while you get by on penniesâthat has to get frustrating.
I want to briefly mention here that, in addition to praising the NRC students to high heaven, Fellow also talks down his own skills. He cheerfully calls himself a loser and says that no matter how much he trains, he could never reach their caliber of magic. Yes, Fellow is exaggerating to get the kids to think theyâve won, but I also have to wonder if heâs parroting the same phrases he was told long ago, from people who doubted him and never thought heâd make it. If thatâs the case, then I get the sense that Fellow is in a way âreclaimingâ his autonomy and power by adopting those same cruel words and using them as a strength. He admits to being âweakâ but is also proud of the fact that he can utilize his magic along with his natural charisma to get a leg up over others. It further fuels his new belief that going to an elite school doesnât matter, itâs practical skills that will serve you well.
Okay, back to talking about his shitty work situation! Fellowâs employer clearly doesnât treat him with decency. They berate him, make unreasonable demands, act impatient, etc. They are a typical depiction of a toxic workplace and boss. This can also be read as shorthand for the relation between the rich and the poor, and how that may have shaped (or worsened) Fellowâs views on others of the privileged class. He makes many assumptions about the NRC students without really getting to know them, calling them entitled brats. Why? Because these descriptors likely apply to the higher-ups Fellow has always slaved away for. This, in combination with his own experiences in being rejected from magic academia, has created a person who feels trodden on by society and by the upper echelons who run it and benefit off the system.
Fellow himself is the perfect example of someone who was failed by said system. He has dialogue stating that he was never given the chance to learn because his magic was not considered strong enough. Still, he tried to make an effort to earn that chance among to elites and to study among them. Fellow was rejected, ridiculed, and told he had âforgotten his placeâ, what he had been born into. There were expectations he couldnât meet, and so Fellow was thrown away like a broken toy. He has failed not because he didnât try, but because he was denied the opportunity to begin with. This is where is rage stems from. Fellow despises the students of those same kinds of institutions who kicked him down, students who donât realize how fortunate they are for their educations and will likely continue to perpetuate the system.
What, then, does that means for his signature spell, which is closely tied to oneâs identity? Letâs take a magnifying glass to it. As previously mentioned, the name for Fellowâs spell is written as âRose-Tinted Dreamâ, but it is said out loud as âLife is Funâ. The chant for it is, âCome on to the theaterâ (notably said in English rather than in Japanese). And⌠well, the whole UM in of itself is one big cruel joke given his circumstances now.
I think this spell is representative of a young Fellow still full of hopes and dreams, looking forward to studying at a magic school. But then those dreams are shattered and he has to commit terrible crimes to survive day-to-day, and he seems to have given up on his dreams. He even goes so far as to protect Gidel from having the same hopes he once did, telling Yuu to not put silly ideas in his head when Gidel expressed curiosity about school. At the same time, he delights in crushing the hopes of those he deems his enemies (stating that he wanted to betray Kalim to âteach him a lessonâ about how cruel the world is). Fellow knows the truth: that life isnât fun, that it will disappoint you and will put you down. His actions are very cowardly as wellâhe uses tricks and deception, he runs away from his problems instead of properly addressing them, the NRC students remark on his lack of pride. Fellow has had to throw away so much to scrape by. Yet his UM symbolizes someone brimming with hopeâso perhaps itâs a UM he manifested when Fellow still thought he had a chance?? And then people made fun of him for it being so weak?? Alternatively, maybe he didnât get his UM until after his dreams were crushed so heâs looking back on those nostalgic days of blissful ignorance with rose-colored lenses (which is, again, maybe why his UM magic name is written as âRose Tinted Dreamâ). A UM that is a reflection of oneâs true self, yet that same identity is one that has been forced to be discarded. Thatâs the reason why, despite all the swindling and scamming, I donât think Fellowâs enthusiasm for fun is a lie. Thatâs the one ârealâ part of him, but even thatâs been repurposed to help him live on scraps, something innocent twisted đ and thatâs really sad to think aboutâŚ
But also??? You could argue that Fellow still has a little bit of that lost inner child and hope left in him. He tries to defend Gidelâs understanding of the world and has goals of starting his own school despite how poorly he originally spoke about these institutions. (So Fellow does appear to care about children and their futures.) He also has a childish streak despite being an adult, demonstrated by his use of cowardly tactics, taunting kids, and abruptly quitting his job to then destroy his workplace. Fellow himself states that he âjust tries to live a free and fun lifeâ, this his pursuit of money and pleasure. This could all play into being what defines Fellow and thus his UM. It embodies a spirit of playfulness event when he has been crushed under the weight of an unglamorous life.
Iâve heard people saying that while Rollo is Idiaâs dark mirror and Fellow is Ruggieâs. They have similar backstories but ultimately their fates are different and left the former two down far more sinister paths. Just as Rollo is an Idia that turned his anger outward instead of inward, Fellow is Ruggie had he not been given a chance to receive an education to elevate his social status and job prospects. Fellow and Ruggie both cling to rich, powerful benefactors/bosses and do their dirty work to get on byâa big difference is that Leona, while he does also work Ruggie to the bone, also has some conscience. Something else to consider is that while Ruggie prioritizes making a life for himself by studying and securing a stable, well-paying job, Fellow is focused moreso on the accumulation of wealth itself (as he suggests to Kalim heâll take a bribe to let him go free and quits when there is no longer money to be gained from his boss). Both donât really care how they get their money (even if it is by dirty means), but ultimately Ruggieâs way of making cash is more sustainable in the long run. Yet Fellow ultimately realizes the importance of school deep down despite constantly denying it when the NRC students tell him of it. Fellow is in denial because thatâs the only way he can cope and justify his lifestyle. Heâs confused when finally confronted with students who are his ideal of âhappy and freeâ, even when theyâre in an educational system that he views as shackling people into strict roles. The way he laments about not being able to go to school is also very reminiscent of an adult mourning a lost or unfulfilling childhood, which is quite a depressing scenarioâŚ
Fellow is the one that got the short end of the stick in life. Ruggie met Leona, and Leona technically uplifted him in his endeavors, tutored him into getting decent grades and giving him hand-me-downs and money in exchange for his services. Fellow never had that kind of support system, he was just insulted and bullied into giving up and had to find an alternative way to keep himself going đ
Personally, I think Fellow could also be a dark mirror to Kalim, no?? They exist on opposite ends of a social spectrum. Kalim has everything and Fellow had nothing. Whatâs more, Kalim is still wide-eyed and trusting. He is the only one willing to try words instead of fighting him and instantly labeling him as the enemy. Meanwhile, Fellow has become bitter because of how the world has betrayed him. He wants to take that trust Kalim has and show him how cruel everything truly is. Why is he fixated on that? Why even offer in the first place if he never intended on going through with it? Why does he want to rub it in Kalimâs face in particular? Maybe itâs because Kalim seems rich and dumb, as Fellow claims, but maybe itâs because there is envy there. Sure, Fellow is upset about Kalim being a sheltered brat that faces no challenges in life, but I also feel like heâs jealous that Kalim can still afford to think this way. That he can still afford to be cheerful, that he can still be a dreamer. Fellow was alluded to be like that onceâbut he canât be like that anymore, not when he has to look out for himself and Gidel.
Side note, another comparison! Recall that Kalimâs Oasis Maker is also a UM that uses a little bit of magic. However, Kalim does not know of many creative ways to use his spell, as there is no real reason to since his home country has lots of canals and irrigation. He therefore deems his UM as pretty useless. Fellow meanwhile has what most consider a weak UM but he fully utilizes it to his advantage and pairs it well with his natural charm to maximize its effects. He had to develop these skills because he was in pressing circumstances in which they would benefit him. This contributes to the âmirrorâ theme between the two.
Thinking about it, itâs ultimately Kalimâs words that convince Fellow to turn on his employer. (The other bots certainly wore Fellow down and planted the seeds of doubt, but itâs Kalim that I believe fully resonates with Fellow.) He can so happily talk about why he loves school, even though he doesnât do well at it (something I presume is also true of Fellow, since he is lacking in tons of magic). Itâs not said in a particularly articulate manner, but itâs so candid in its presentation. Kalim is relating to him based on similar skillset (or lack thereof) and sharing fond memories of his time at school, reviving the hopeful âlost childâ in Fellow. Kalim is probably the first wealthy person in a long time that was friendly, kind, and supportive to him. And here he is, reassuring Fellow his dreams are still possible, to not give up. Thatâs the final nail that allows Fellow to be âhonestâ with himself and his inner child. Itâs what leads to that slew of irresponsible actions at the end of the event (letting people free, blasting the amusement park, driving a sinking ship, etc.).
At the end of Stage in Playful Land, we see that Fellow never really let that childlike side of him fully die. (It seems to have been concealed under a desire for money and appeasing his boss.) He shares his dream of creating his own great school to give educational opportunities to non-mages and mages with low magical reserves like Gidel and himself, a school that teaches practical life lessons. He wants to promote his own ideals and to change the system he hates from the inside out. This was never communicated to us before most likely because Fellow had renounced those ideas in favor of blind hatred and a lack of faith in the world and those that dominate it.
Fellow also acknowledges that life may be even more difficult for him and Gidel going forward, as now they lack the money for even food and no longer have jobs. Furthermore, they need to worry about their ex-employers coming after them for what theyâve done. Even so, Fellow faces it all with a smile and reassures everyone that they can transfer or visit to play⌠âon this shining stage called lifeâ. He and Gidel are able to walk away with their whimsy preserved, and can still be that which theyâve always wanted to be: dreamers.
All of this is to say that Rollo was right all along about magic, he never missesâ