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Mei-Ling Design Notes and Inspiration 1/2
Unlike her younger twin, Mei-Ling actually went through a large degree of changes compared to both versions of her design in the main timeline. Honestly, went through a large degree of some research and thought to get to the current design that I now have for Mei-Ling. I hope you find some of these notes interesting and fun to read.
I say two designs, but technically Mei-Ling has like 3 designs: Vampire Hunter, the Darkstalkers OVA, and Vampire Savior. Really sad the only full body look of her VHunter design is literally her sprite. The illustration of her Hunter design from one of the covers of a Street Fighter vs. Darkstalkers comic by Udon is quite the beautiful pin up shot, but makes the mistake of giving her the bracelets she has as part of VSAV design. Oops.
Her design is honestly not that different in the OVA compared to her VHunter design. Only big differences are the color of her clothes under her robes, her pants being a different color, the main color of her robe being a defined orange color, and how her hat is both taller and is both orange and yellow. Actually, sounds like a lot really, but design of the clothes themselves are not that different.
Her VSAV design is a general overhaul of the Hunter design. I can only imagine the reason that was done is because they had to animate her for the 'Detached Souls' Dark Force and it might have been a major pain in the ass to animate her robe and sleeves. It isn't bad, but I hate the hat and prefer her robe being open rather than closed. It is genuinely surprising that despite being a non-playable character, the team gave her a different design. A nice consolation.
OH RIGHT, I need to talk about what my thought process was. Sorry, just needed to note all the interesting design things regarding her different designs. So, I generally have stuck with the design she had in VHunter as I just prefer it more compared to her VSAV design. I might have given a jab to the artist who made that pin up of her for that Udon comic. Let me retract that cause I did basically the same thing when I first started drawing her back in 2020. Tweaked the colors here and there to my liking and made her sleeves not as large, but generally the same idea.
Later on, added a little detail on her clothes that I saw an artist by the name of Murai do with her interpretation. This won't be the last I will bring up this artist, hoo boi.
At one point, I changed the sash around Mei-Ling's waste to be an Obi Sash as to make things easier for me.
Around mid 2021, when I was getting more serious about my Cryas Darkstalkers mythos and even further with my love and obsession with the Shao sisters, I went about the process of giving them a makeover, truly trying to give them distinct enough designs. While Hsien-Ko was not too different as her core design was basically near perfect, there was a lot of room for change for Mei-Ling. I mean hell, she had different official designs anyway, what is stopping me from going ham. I mean hecc, look at this concept sketch when they were considering her design change from VHunter to VSAV. Quite a bit of thought. However, I wanted to go further.
Since I wanted to flesh out the sisters, I went about thinking about their potential heritage, the time period they were alive in during the Qing Dynasty, women's fashion at the time for the potential social status they could have been in at the time, the occupation they were training for, and the fact that…well they are Chinese. Since Mei-Ling gives the vibe of being very into her culture and wanting to maintain it, I wanted her clothing to both show off her heritage and her role as a Xianshushi Mystic. Hsien-Ko is said to be more 'modern' in her mannerisms compared to her older twin, so why not have Mei-Ling be more traditional. The first thing to get us on track is to start at the beginning. Mei-Ling and Hsien-Ko were born in 1730 in China during the Qing Dynasty period. In my research and with corroboration with a friend of mine, I decided that the Shao sisters would be a mix of Han and Manchu, two ethnic groups that were the most prevalent at the time period. Their mother was Manchu while their father was Han. However, since their father was killed before they were born, they were more influenced in the ways of the Manchu people as they grew up. The Shao family in themselves are not among the imperial courts or the elite. However, because they have provided a great service over the centuries, they are given more leniency and not treated like the common folk. Plus, with eventually being trained to become Xiānshù warriors as their mother saw great potential in them, that helped to influence them as well.
To start with, let us begin with the robe. So, to my understanding in the main timeline Mei-Ling was generally based on the idea of Daoist priest attire. Doing some searches, jiangshi films did feature such priest like characters with that general idea, even with the color. However, I wanted to do a bit more looking. In my search, the open robe design that her VHunter and my design go with is something referred to a beizi (褙子).
Some parts of Daoism do have their priest having an open robe design, but also the beizi in general was a form of wear that the Chinese people did wear.
It was around during the time of the Qing Dynasty and according to Wikipedia, it was something that was dominant among the Han women of the time. A nice way to acknowledge her Han roots. Yellow doesn't seem to be really a thing with actual Daoist priests' attire, but it just fits Mei-Ling so well, I stuck with that color. While the beizi is prominent with having long sleeves, I decided to trim it down enough to where it ends past her elbow, kinda like her VSAV robe's sleeve length. Ey, giving some credit to that design. As for the trimming, this card I came across showed it in a neat way where it is actually not just flat but has some dimension to it. I liked that and went with it, along with the idea of the trimming being orange.
The hat is loosely based on a hat known as a guānjīn, shown on the far left of this image.
The main timeline version was certainly not one to one about it. But honestly, I like the stylized, simpler idea, so I used that as a base. I took a lot of observations and notes from the way the OVA hat is drawn. However, I just prefer the hat to be one color, so I stuck with yellow. I liked the yin-yang symbol as well, so kept that too.
Another minor detail about Mei-Ling's beizi are these almost padded looking pieces of cloth that follow her trapezius to around the middle of her shoulder. Honestly, I just made them up. These concept sketches I made show me coming up with the idea as I was thinking of her design. It just looks cool and neat.
On to the garment underneath.
With the Shao sisters also being Manchu, this is where some of the influence kicks in. The Manchu wore a set of clothing known as 旗裝 (qízhuāng). The specific kind that the sisters wear falls under something known as Bianfu (便服). Mei-Ling's bianfu is stylized to be a robe that is the length of a magua.
The sleeves are loose and long enough to reach her wrists. The main part of the robe is rich red color while having trimmings and a collar of a lavender color. Contrasts nicely against her beizi.
You may be curious what is going on with the cloth around her waist. Honestly, it was only put there mostly to help solve an issue I had with Mei-Ling's design: the bagua mirror. So, in this shot from the OVA, it is held up by a set of straps.
Ok, fair enough. But the issue is that nothing from the front suggest that those straps even exist. The mirror may as well just be magnetically attached to her a la video game style. In my concept phase, I was wondering what to do. One thing I did notice that was really cool was from the story 'Monsters and the Secret of Immortality'.
Granted, the design of Mei-Ling in that story is wildly different from any incarnation of Mei-Ling, but it presented a neat idea: her mirror was holstered at her waist. Not only that, but it did also look a lot more like a bagua mirror in its design. The mirror's design in this story set the base for how I design the mirror, though I only have two rows rather than the typical three. However, she is wearing attire that doesn't really fit with either her Han or Manchu roots, so I needed to come up with something more fitting to her culture. In my research, I did stumble on something that fascinated me.
What you see is not the original image that inspired me, but still illustrates the idea. Cloth at the waist held in place by a ribbon. I honestly don't know if that idea of garment has a name, but it struck a chord: Have the mirror hang around her waist.
Unlike any official design of Mei-Ling and to differentiate herself from Hsien-Ko, I decided to switch from the baggy trousers to a more straight cut pair. Looks nice and smooth and still goes along with the kind of trousers they wore in that time era. The color I chose just honestly meshed well with her bianfu, plus is warm compared the cool colors of the trim of her bianfu.
While the wristbands she has for her VSAV design are cool looking, something about them just doesn't mesh well with what Mei-Ling is supposed to be. While yes, she is a weapon master (and likely taught Hsien-Ko all she knew about weapons), she is presented more as the mystic of the duo. They look rough and tough. Honestly, would look better on Hsien-Ko in all honestly since she is in the thick of battle. However, I still wanted her to have something at her wrist. I chose to go with a simple orange jewel bead wristband. Simple and elegant for her.
So, if the mirror was moved to hanging around her waist, is there nothing at her back? For a while, there wasn't anything. But eventually, the idea of putting some kind of design back there did come to mind. Eventually, I landed on this design.
Her ref sheet goes into to detail about it, but to put it simply dragons have a big thing with their family considering their mother upon using the Art of Unusual Transformation turned into one. According to what I found via searching Japanese sources, primarily the Japanese Wikipedia entry for Hsien-Ko, there is mention of their mother transforming into a golden dragon. That is very cool since the OVA and a few anthology stories show this.
Mei-Ling's official hairstyle is best described as a bob cut. I went with the OVA as a general base, but slowly overtime adjusted it.
On both sides of her hair and near her hairline, there are these basically fangs. Despite her being more human in appearance, I thought it was still a nice idea to subtlety add some mildly wild elements to her since she is non-human. A bit crazier are these two pincer locks of hair. Honestly, I just took what was already part of her official design and exaggerated it into something cool. For some asymmetry, one is larger than the other. As for the general shape of her hair, I did fan it out more for volume as to make her hair different from her human form.
Mei-Ling's general body shape. Honestly, besides making her distinct from Hsien-Ko as they are both fraternal twins, I just wanted to really make her unbelievably beautiful. In a way, considering hardly anyone gives her the time of day because she is non playable, I just like the idea that she is actually very voluptuous and gorgeous. So that is why she has the general proportions she has. I wouldn't say she is skinny or the typical anime proportions: She is just fit, well endowed, and curvy. Among the Cryas DS cast, the only character that is around her breast and butt size is Felicia. As for why she also has tone to some parts of her body, the fact is she was conceptualized with that as you can see with this concept sketch of her official design. Mei-Ling has just about everything going for her in terms of looks.
Whenever she has appeared in games or media, Mei-Ling has had a multitude of different eye colors. I personally just stuck with green, like the OVA did. Green just looks nice on her, really makes her face mesmerizing. Specifically, I wanted the shades of her eyes to be more of like jade.
For now, will need to end things here for the first part of this design blog as I have used the permitted 30 images for a blog and the last bits require more images to explain things. So be sure to head to part 2, the final part right here:
