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THE COLOSSUS OF NEW YORK (Dir: Eugène Lourié, 1958).
Low budget sci fi shocker of the ‘good scientist gone bad’ variety, from Paramount Pictures.
With story aspects and visuals borrowed liberally from the likes of Der Golem (Paul Wegener & Carl Boese, 1920) and Frankenstein (James Whale, 1931) The Colossus of New York tells of acclaimed scientist Dr Jerry Spensser (Ross Martin); cut down in his prime on the eve of collecting an International Peace Prize. After relieving the dead body of its brain, his surgeon father (Otto Kruger) and automation expert brother (John Baragrey) promptly insert the cranium into that of a 8 foot metal man and, with some incredible shortsightedness, inexplicably fit the robot with death ray laser eyes! Lamenting the lack of a soul and understandably upset at his brother's romancing of his widow (Mala Powers), Dr Jerry breaks free of the laboratory that binds him, and heads cityward, all eyes blazing! But not before a weirdly touching reunion with his fatherless young son Billy (Charles Herbert).
Full review available to read on my blog JINGLE BONES MOVIE TIME! Link below.
