Fraya. - Tumblr Posts

3 years ago

“The moral of the story is I will gut you if I need to. I will carve my way out using only my teeth.”

— Brenna Twohy, Little Red Riding Hood Addresses the Next Wolf


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3 years ago

“I am not sure / of what I guard. / It feels molten.”

— — Molly Brodak, from “Ark,” published in The Volta (via lifeinpoetry)


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3 years ago
Jean-Paul Sartre, From No Exit And Three Other Plays; No Exit

Jean-Paul Sartre, from No Exit and Three Other Plays; “No Exit”

Text ID: Human feeling. That's beyond my range. I'm rotten to the core.


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3 years ago

i love characters who can be killed but won't stay dead. my poor little cockroach <3


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3 years ago
Carol Rama, Contessa [Countess] (1963), Animal Claws And Oil On Linen, 17 3/8 X 13 Inches ( Archivio

Carol Rama, “Contessa [Countess]” (1963), animal claws and oil on linen, 17 3/8 x 13 ¾ inches (© Archivio Carol Rama, Turin. Photo by Pino dell’Aquila)


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3 years ago

“Horror should have buried me. It didn’t.”

— Mark Z. Danielewski, from House of Leaves


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3 years ago

if there is a light then i am going to swallow it. if there is a god then i’m going to make him cry.

s. osborn, from “blasphemies at the 5th street station,” published in The Rising Phoenix Review (via lifeinpoetry)


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3 years ago

“All your dust turns holy. What’s rotten in you burns / and burns”

— Susannah Nevison, from ‘Prisoner’s Cinema with Saints Catherine and Lucy’, published in Guernica (x)


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3 years ago
Helen Oyeyemi, From White Is For Witching

Helen Oyeyemi, from “White Is for Witching”  


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3 years ago
Scythian Gold Torque In The Form Of Dragons, Dated To The 2nd Century BC To The 1st Century AD. Private

Scythian gold torque in the form of dragons, dated to the 2nd century BC to the 1st century AD. Private Collection (?) via Gemma-Antiqua.


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2 years ago
Helen Oyeyemi, From White Is For Witching

Helen Oyeyemi, from “White Is for Witching”  


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2 years ago
Alejandra Pizarnik, Tr. By Yvette Siegert, From [...] Of The Silence, Extracting The Stone Of Madness:

Alejandra Pizarnik, tr. by Yvette Siegert, from “[...] of The Silence”, Extracting the Stone of Madness: Poems 1962 - 1972


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2 years ago
Jonny Bolduc, Ending

Jonny Bolduc, Ending


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2 years ago
 Frank Bidart, From Half-light: Collected Poems 1965-2016; In The Ruin."

— Frank Bidart, from “Half-light: Collected Poems 1965-2016; ‘In The Ruin."


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2 years ago
Ocean Vuong, From Woodworking At The End Of The World,Time Is A Mother

Ocean Vuong, from “Woodworking at the End of the World”, Time Is a Mother


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2 years ago
Fumi Nakamura, The Noise Must Become Music

Fumi Nakamura, “The Noise Must Become Music”


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2 years ago
[ID: My blood has never been / & will never be / kind.]

Blud, Rachel McKibbens


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2 years ago
[ID: I didn’t know there are so many kinds of hunger.]

Suspend, Nancy Kuhl


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2 years ago
Silence had entered me. It was like the night, and my memories — they were like stars.

Louise Glück, from “Midnight.” [ID in alt text]


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2 years ago
Unlike feelings, blood gets realer when you feel it. I’m trying to be real but it costs too much.

Ocean Vuong, from “Not Even.” [ID in alt text]


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