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hamber 🔨
![Three drawings of Encyclopedia from Disco Elysium. He is a muted blue humanoid figure with a misty open book on top of his head, black eyes and ink stained limbs, lacking a body below the hips. In the first drawing, he rests on top of a pillar as he raises an index finger. His eyes are closed as he explains something. The second drawing is them floating with their arms crossed, saying, "ENCYCLOPEDIA - What? Oh, yes, I hover and the pillar reappears from the floor when I land. | ENCYCLOPEDIA [Impossible: Failure] - What do you mean, my design used to have legs? They call me Pillar Bookhead for a reason, you know. I'm sure I would remember if I had legs."
The third drawing shows him excitedly flapping his hands, with flecks of ink flying from his stimming. He says, "ENCYCLOPEDIA [Easy: Success] - Oh, I have the *perfect* fun fact for this occasion! Now, did you know-"
At the bottom is his name "ENCYCLOPEDIA" with two filled in skill points, equating 4 points.](https://64.media.tumblr.com/51bdbdd948a0013e88fb49cc707865f9/99ef4d94616eaa98-4d/s500x750/1c9e997baaa0d038243fce136a0f8ba2178e9b9e.png)
DAY 2: ENCYCLOPEDIA - AFTER LIFE -- DEATH; AFTER DEATH -- LIFE AGAIN. AFTER THE WORLD -- THE PALE; AFTER THE PALE -- THE WORLD AGAIN. This is the great leitmotiv of humanism, a summary of the effect of the discovery of this isola -- the Insulindian -- on human thinking. A tremendous sea change akin to finding life after death...
#96 Ladies And Gentlemen We Are Floating In Space
I Am In Possession Of The Five Nights At Freddy’s “Character Encyclopedia” Should I Share It With You?
Share Meaning;
Taking Pictures Of The Pages,
Little Suspicious Lines Of Text,
Just Posting About It In General.
Portrait of Denis Diderot (1767) by Louis-Michel van Loo. Musée du Louvre.
This is an excerpt of a dutch encyclopdia from 1955 (translated so a bit of beauty is lost), that strangely sounded poetic in a so called objective book. And it spoke to me, because I also have an interest in architecture (thank you Annabeth Chase, strange how the world works and can influence you)
" Moreover, the past has its own meaning for every person, without falling into imitations, it is quite possible to make tradition resonate in the home. Every building: cinema or church, factory or electric power station, ministry or garage, has its own requirements for efficiency, but can also express its material and immaterial inner nature through its appearance. It is up to the architect to find the balance and shape the material and spiritual functions expected of a particular building. It will be the architect's personal vision that makes him focus more on one or the other. It is the old, but never consciously waged, battle between spirit and matter that makes the picture of modern buildings so complicated. But the reflection to which this struggle forces the architect, cannot help but benefit the building."