Chloe Grace Moretz - Tumblr Posts

Details I noticed in my third watch through of Nimona:

(I’m so normal about this movie)

Ballister’s sword originally had a G engraved on it which has been made into a makeshift B via scratchings.

My guess is that the sword either used to be Goldenloins or his families and Ambrosius gave it to Bal at some point as kids (given that Ambrosius is the only one I can think of with a G name)

Also about the sword: people have been pointing out the religious themes (like with the T in “true villain” looking like a crucifix) on that note the symbol on Bal’s sword in this shot looks a lot like the Christian fish

Ballister literally hopped the fence and broke into the knights practice to beat up a dummy as a kid before getting tackled by a bunch of knights

I just thought he was doing an obstacle course when I saw it before but nope! This makes everything about him becoming a knight so much funnier. Also the fact they have this footage? Amazing 100% Ambrosius has it saved to tease Bal with, no way he isn’t embarrassed about that

On a sad note; dang the institute really drilled in “do what I say, be a good kid and don’t break the rules” cause Bal as an adult didn’t even want to break the rules when his life was on the line vs as a kid breaking and entering into an ongoing knight practice while being chased

The director asks Ambrosius for a sword during the roof scene but Ambrosius looks at her and back at Ballister before telling her she needs to get to safety

He saw how angry she looked and knew she’d try to hurt Bal so he sent her away instead

Where Nimona as Ambrosius broke the wall on the miniature of the city being foreshadowing for the end of the movie

Bal batting Nimona off when she starts mocking him for caring about what Ambrosius thinks

So clearly a recurring conversation given Bal’s ‘whatever’ gesture here lmao

Ambrosius being really timid with this crowd of people and overly polite

He’s chasing down a criminal/the love of his life and barely even says excuse me 😭😭 and he half heartedly asks them to move before immediately folding and giving an autograph, we love a man whose great at public speaking but still has social anxiety

Ambrosius’ eye roll as soon as Todd shows up

(He’s so done with him)

Todd’s actual name being Thodeus

Idk why I just assumed this was a different guy the first watch through

Where Hugo, I Go...

Rewatched for the umpteenth time, the lovely film, Hugo (2011). If you haven't seen it, nor read the book by Brian Selznick upon which it is based, please consider a look and a read.

We rewatch films for a variety of reasons, just as we often do for books. Always something new and different to see, to hear, to learn, to experience.

But that wasn't why I put this film on the blog. With the WGA/SAG-AFTRA strikes, now more than ever, the Martin Scorsese directed piece seems relevant. Here we have the young orphan, Hugo Cabret, living in the train station and maintaining the clocks; the timepieces that make the trains, and presumably society, run on time. Those horological machines are human made and what time represents in the lives of humans is a constant tick tock, tick tock. With every beat of our heart, every breath taken, time passes.

Hugo senses this, as does his young friend, Isabelle. At one point in the film, Isabelle questions the future and what her purpose in life is to be. Hugo thinks for a moment and remarks:

"I'd imagine the whole world was one big machine. Machines never come with any extra parts, you know. They always come with the exact amount they need. So I figured, if the entire world was one big machine, I couldn't be an extra part. I had to be here for some reason. And that means you have to be here for some reason, too."

And during their conversation, Hugo also states:

"Maybe that's why a broken machine always makes me a little sad, because it isn't able to do what it was meant to do… Maybe it's the same with people. If you lose your purpose… it's like you're broken."

Turning that scene over in my mind and thinking about the plot (w/o spoiling too much, it is a wonderful homage to humans and art and film and history and human connections) and the ongoing strikes...but...

How is it that we humans have so readily turned the machines into the masters and the humans who created them into the extra parts?

This marvelous film would be nothing without the humans who dreamed and created and built and moved and loved it into being along with the original work upon which it was based. The humans aren't broken, the system is. The studios/corporations must recognize the labor that gives purpose to our lives and place the technology in the place wherein it serves the greater good before time runs out.

I could contemplate this film and its themes for a long time, it is a real gem to view and think about in the context of the past, the present, and the future. Hats off to all involved.

Capturing Dreams

If the studios persist with their endeavors to disregard humans in favor of machines and the pursuit of profit for the few and paucity for the rest, get used to *The Sound Of Silence, for the synergy will be lost and we'll be alone...with our machines.

An earlier post of mine talked about the lovely film, Hugo, directed by Martin Scorsese and its relevance in relation to the ongoing WGA & SAG-AFTRA strikes and continuing in that vein, here's an additional thought or two:

A scene from the film has Isabelle, (pictured above-played by the actress Chloe Grace Moretz) reading to lead Hugo Cabret (Asa Butterfield) an excerpt from a book, The Invention of Dreams.

"The filmmaker Georges Méliès was one of the first to realize that - films had the power - to capture dreams."

While Georges Méliès was a real person; if I recall correctly, the book title was created by author, Brian Selznick, who wrote the original novel from which the movie screenplay was adapted. Apparently there is now a group for writers that takes its name from that fictitious book included in both the novel and the film.

The word synergy is likely overused as a buzzword these days, but it seems apt here. Selznick's writing, Scorcese's direction, actors acting, filmgoers, the writing group mentioned above, and it expands ever outward. The numbers of people involved in this creative output are tied together in so many ways and so many dreams, some of which are yet to be realized. Film technology has changed since the 1930s setting of the story, without a doubt-- but machines cannot be allowed to replace the dreamers, the storytellers, the actors, the humans who labor to capture these dreams.

*The Sound Of Silence (1964, written by Paul Simon; performed by Simon & Garfunkel; Columbia).

Asa Butterfield and his co-stars.

29.07.2023

#Mira-Marathon

Cartoon Name: Nimona (2023); Production studios: Annapurna Pictures, Annapurna Animation; Director by: Nick Bruno, Troy Quane; Screenwriters: Marc Haimes, Pamela Ribon, Lloyd Taylor, Keith Bunin, Troy Quane, Robert L. Baird; Starring: Chloë Grace Moretz, Riz Ahmed, Eugene Lee Yang, Frances Conroy, Lorraine Toussaint; Genres: Science Fiction, Action, Adventure; Running Time: 1 hours 39 minutes;

"Nimona" is a cartoon that tells the story of Knight Ballister, the main suspect in the murder of the Queen, who meets Nimona, a dangerous and mysterious creature. It's an exciting adventure story with well-written characters and beautiful animation.

My rating: 9/10

La Temporada 2 de 'The Peripheral' es desechada en Amazon.....

View On WordPress

ㅤㅤㅤchloe grace moretz as 𝗖𝗔𝗥𝗥𝗜𝗘 𝗪𝗛𝗜𝗧𝗘 in carrie 2013 – ( layout ) ㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤ

── 𝙄𝙛 𝙮𝙤𝙪 𝙪𝙨𝙚: 𝙡𝙞𝙠𝙚/𝙧𝙚𝙗𝙡𝙤𝙜

── don’t clame as your own.

─ credits in @ ᴄᴀᴏᴛɪᴄʜᴜᴍᴀɴ in Twitterㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤ

moodboard: carrie white