I Interpret The Coffee Shop Scene In S2 Ep 1 A Bit Differently Than What Ive Read.

I interpret the coffee shop scene in S2 Ep 1 a bit differently than what I’ve read.

I don’t see jealousy at all.

This seems like a surprised reaction from Crowley. (Astonishment maybe?) Aziraphale got called out by Nina, and is clearly uncomfortable. Crowley could tell.

So later in their conversation, he teases Aziraphale, questioning why they aren’t in the bookshop.

But Crowley only wants to help Aziraphale. He knows the “something’s wrong” voice, is concerned and wants to find out what has upset Aziraphale.

When they go back to the bookshop, they’re in “us” mode, and Crowley casually holds the plate of eccles cakes while Aziraphale unlocks the shop. No signs of jealousy.

Once they enter the shop, Crowley tells Aziraphale that something a bit weird is going on with his old lot. No mention of a naked man. Our favorite demon is confused when Aziraphale says he might have an idea of what’s going in and calls for Jim.

Side note: How adorable is this? ❤️

I don’t think jealousy is even on the agenda. Aziraphale and Crowley know each other. They trust each other. It doesn’t even seem like it would cross either of their minds that anyone could interfere with the bond they have. Everyone else is in the periphery. It’s always just them. The group of the two of them.

(Almost) all of Klaus dance moves to footloose

Rose wearing Ten’s coat

I really miss Viktor playing the Violin. This was such a big part of his personality in season one and later in the show his power got more and more turned into just shooting energy waves at people. Maybe there’s way more to it that he hasn’t discovered yet but he would if he would start his music again. Like imagine him composing a whole concert, imagine what he could do with that…

How am I only noticing the obvious bondage stuff here on my third rewatch??? God I love Lila and Diego

#dw #I have goosebumps now

Me, on a new date: Hey, have you ever thought about the fact that there are plenty of planets where "the Doctor" doesn't refer to the Time Lord carrying around the sonic screwdriver, but rather to the young women who swing through their lives and ask their names and demand answers and sacrifice themselves, to the young men who start off unsure and second-fiddle but bring a kindness, a loyalty, with them and end up finding their own voices and their own purpose? Do you ever think about the role that myth plays in Doctor Who, how so many companion exits and finales take on the role of storytelling, about how companions become gods and immortals and walk the entire dystopian earth and wait two thousand years and be the cause of every Cyberman's single tear and wrench the Doctor back into the universe and carry the story off of screen with them, that they birth myths in their wake, that Doctor Who finales so often leave science-fiction behind them and become mythology itself, when these humans insert themselves into the mythology of the Doctor only to usurp him, that they make themselves the Bad Wolf and Orpheus and the Woman Who Walked the Earth and the Doctor Donna and the Last Centurion and the Girl Who Saw the Stars and most of all, they become the Doctor themself, that the Doctor's story goes nowhere if Rose doesn't save him on Satellite Five or Amy doesn't pull him back into existence or Martha doesn't walk the entire hell-earth to restore him or Clara doesn't make him forget her or Jack doesn't sacrifice himself to stop the Daleks or Bill doesn't carry him away from the Cybermen or Donna doesn't stop him from drowning himself with the Racnoss or Yaz doesn't pilot the TARDIS or River Song sacrifices herself at the library or Sarah Jane and Mickey don't help restore the earth back to its place in the sky and that the Doctor is only a myth with so many stories to their name because their companions make it so-

My date, sliding the breadsticks out of their purse back onto the table, hopelessly intrigued: Go on...