Gantz: O Movie Review

Gantz: O Movie Review

Within the first few minutes, it becomes apparent that this movie has a hard time determining its audience. Fans of the manga will be peeved by the various edits done resulting in potential favorite scenes being cut out. Viewers who haven't read the manga will feel confused by the fast pacing and lack of explanations. At the end of the day, this movie is an exhilarating thrill ride from start to finish.

How much you enjoy the story is dependant on your familiarity with the manga. As a standalone peice, this movie is the tale of a brave teen who finds himself trapped within a horrific survival game. Manga readers may see this as a rushed and clumsy adaptation of a fan favorite arc. It would've been much better Gantz: O was instead a cinematic miniseries akin to Digimon Tri with more time to flesh out the plot.

The film begins with manga protagonist Kei Kurono being killed off by a huge yokai alien before the scene switches to Kato getting killed by a knife-wielding maniac in the subway. This is the most noticeable change since Kato in this continuity is unfamiliar with the Gantz game while in the manga he had experienced prior to this arc.

The characterization is a bit messy due to the compressed nature of the movie but the core personality traits are still there. Nishi is still a complete sociopath, Kato is a noble hero and the Osaka team are careless hedonists. Reika has weaker characterization than the other due to her spending a lot of time reminiscing over the dead Kurono. This is mostly Hiroya Oku's sexist writing because even in the manga, Reika's personality mainly revolved around Kurono.

The action scenes are the definitive highlight of Gantz O. Every scene is backed up by gorgeous cg animation courtesy of Keiichi Satou. The man is no stranger to cg animation and even worked on the saint Seiya legend of the sanctuary movie prior to Gantz. The character models are expressive and fluid throughout the film which makes them feel like real people. Fight scenes are depicted with all the gore and brutality of the original manga. Bodies are crushed to bloody pulps and limbs are sent flying. Battle junkies everywhere should be able to enjoy this movie.

Youthful Dystopia of Narutaru

Narutaru was beneficial enough to have been made in an era where deconstruction series was gaining traction. If it were to made now, it'd probably be labeled as edgy without any mention of the actual quality of the story. Notably, the genre being deconstructing is the Mon( Digimon, pokemon, etc) genre. Unlike magical girl and mecha shows of today, Mon anime are still generally fluffy and childish so a darker take on the genre was definitely in order.

To give a little backdrop on the creator Mohiro Kitoh, he's pretty much a nihilist that rivals gen urubuchi in cruelty. His other works include a giant robot that steals the life force of children to destroy the multiverse and a psychic teen whom mass murders anyone who drives irresponsibly. He's that type of guy.

The main appeal of the story comes from the interactions between the children and their shadow dragons, rather than actual plot progression. Shadow dragons are mysterious creatures who bond to the characters with a psychic link, sharing their pain and inner thoughts. The names of the shadow dragons are often reflective of their user's psychology. For example, Norio's dragon is Vagina dentata representing his feminine appearance and inability to become intimate with the man he loves.

Our first real look into the world of Narutaru comes in the form of Tomonori Komori. The first few chapters spend time lolly gaging and establishing a vaguely foreboding mood, but, Komori establishes how this world operates. He a textbook level sociopath. A charming young boy who is revered by those in his neighborhood. All that charm is simply a facade he puts on to hide his true sinister views. He wants a Darwinistic world where all of the educated and well to do members of society are killed off, leaving the world in a survival of the fittest state. " Those who are weak and can't fend for themselves deserve to die," he says despite having a sick mother to take care of. He's ironically killed off by hoshimaru, one of the weaker dragons.

Komori is far from the only disturbed child in the series. The children have few qualms with murder and treat it casually. What sets this mon series from those of the same genre is that it treats its children character like actual humans. They aren't saints who only use their abilities for good. They're selfish and use these dragons to suit their own needs. It seems that being psychologically damaged is a requirement for having a dragon. Even upbeat Shiina has her hang-ups about her identity. This theory of trauma giving birth to shadow dragons is more or less confirmed with Hiroko.

She's a shy girl who's constant physical and emotional abuse from her bullies and parents allow her to awaken Oni. Her parents are representative of a common problem in Asian society. They only value their daughter for her academic status and chide her for being anything less than perfect. Her bullies torment her for being too smart and standing out during class. Both parties have opposite reasons for hating Hiroko, but, they both wish to strip away her individuality and turn her into a submissive slave of society. Awakening her shadow dragon allows Hiroko to finally get revenge on her tormentors, even if it means becoming a serial killer in the process.

The manga is definitely a character-driven tale that dwells deep into the psyche of highly disturbed children. You have Akira who has depression and suicidal tendencies, Aki Honda who raped a girl with a test tube and the girl in question who snaps and goes in a killing spree. You could say that all of this bleakness is a bit too much but honestly, it felt refreshing. Mon series are generally really cheesy with bland one-note characters and a story that only exists to sell merchandise. Narutaru breaks the mold and presents characters who are multi-faceted and lifelike. Contrary to popular belief, children aren't always innocent and they can be just as cruel as adults.

One major gripe I have with the manga is the art. Mohiro sure can write but his art isn't winning any awards, that's for sure. Character designs are bland and minimalist. I admit the military paraphernalia is drawn in extensive detail and the dragons have cool designs but that's about it. Other manga artists can do sketchy manga art perfectly but Mohiro isn't one of them.

I also wasn't too particularly fond of the second half of the manga. It drops elements of deconstruction and character drama to replace it with military affairs. I understand the writer is a military nut but having chapters littered with walls of text of JSDF members reacting to the shadow dragon was just so tedious. It would've been better if the plot focused solely on the children and how their actions affect their environment. The second half of the manga lost what made Narutaru so special. It started as a character study of how immature kids react to newfound power only for the story to get Monopolized by adults. some characters like Mamiko Kuri, Norio Koga, and sudo desperately needed more screentime and character development. Mamiko is the worst offender as she only exists to be overtly cryptic until the final volumes.

I highly recommend anyone curious to please read the manga. It's ultimately a story of children thrown into an adult world of violence with little room to grow up. It's a thought-provoking social commentary on the nature of humans and how far their cruelty can go. There's an anime adaptation that isn't as good but is still a fun watch. Even if it's unlikely I'd to see the anime get a remake with a bigger budget and completely adapt the manga. If it did get a remake, here's whom I'd want to work on it:

Studio Mappa/ Geno studio- They seem more willing than other studios to work on nontraditional anime. They also tend to have high production values, something the Narutaru anime desperately needed. Producer twin engine would probably need to be involved

Sadyuki Murai(scriptwriter)- His work on boogiepop Phantom and Juuni Taisen has shown he excels at character drama and psychological thrillers. His style would work perfectly with the narrative and maybe even give the side characters some much-needed development. Taku Kishimoto would be my second choice

Takahiro Kishida( Character designer)- He has a sketchy and rough art style that can perfectly encapsulate the feel of the manga. I'm sure he'd improve on the demure character designs and make them more dynamite.

Takahiro Omari( Director)- He directed Durarara and Baccano which tells me he knows how to work with an ensemble cast. He also directed Hell girl, which had heavy social commentary poised at Japanese society, something Kitoh would love.

Yugo Kanno(Composer)- This guy knows how to how to Composer dark and suspenseful tracks that can amplify the intensity of the manga.

Be sure to check out these two other blogs that went far more in-depth than I ever could.

https://hanagasaitayo.wordpress.com/2019/08/05/analysis-narutaru-mukuro-naru-hoshi-tama-taru-ko/

https://manymanytoes.wordpress.com/2018/10/17/narutaru-shadow-star/

Kusakabe San is an Enigma

As expected from Oshimi Shuuzo, Kusakabe-san offers a look inside the dysfunctional relationship between a disturbed man and woman.

Our introduction to Kusakuba is a strong one; laid out in front of the nameless protagonist's apartment while proclaiming she had just been raped with a carefree grin on her face. This is probably one of the more subtle bouts of insanity displayed in an Oshimi manga. The two waste no time in starting a sexual relationship before they quickly begin dating. It's also implied Kusakabe has an eating disorder due to her alternating between not eating and then binging followed by purging.

Kusakabe is a complete enigma. We don't know why she does what she does or what her backstory is. It's probably better that way. There's no reason to explain her insanity because her worldview only makes sense to her. The protagonist isn't much better as he feels worthless without her and doesn't do anything besides yell when Kusakabe brags about how many men fucked/raped her and how it was better than the sex they had. These two are damaged people who probably only have each other to confide in.

The short length of this one-shot is its biggest hindrance as there isn't much room for character development to make the pairing feel alive. We only know the bare bones of who they are and can only speculate what in life led them to where they are. If nothing else, this manga shows that even two losers in life can find true love.

You can read this manga on the official Denpa website.

Haiku# 1-  Know the Enemy

Nature loves us all

Yet you pollute it freely

Know the enemy

Big Order. Big Trainwreck

Being made from the creator of the utter monstrosity that is future diary, big order was bound to fail from the start. It's hard to find a writer who fails so hard at telling a story without any form of self-awareness. It's even more badly written than future diary but thankfully less annoying. The anime adaptation only expands on the flaws by adding new scenes that are even worse than what happened in the manga. This is what happens when you hire the creator of Boku no Pico( I'm dead serious) to write the script.

To be fair, the series did have the potential to be good. Eiji accidentally caused the apocalypse ( through a dumbly worded wish) and he has to cope with it as well as having to take care of his sister. Could've been a nice character-driven drama but nope The first episode/chapter was strong but things just go downhill from there.

The story lets the audience know early on that this is a post-apocalyptic setting but it barely plays a factor here. Characters still go to school and use their phones without any problem. Apparently, there's still enough resources to maintain government building and internet service. You'd only know that the city went through a disaster because of the generic scenery of destroyed buildings. Our protagonist is Eiji Hoshimiya, a sullen teen who's riddled with the guilt of causing the great disaster while having to look after his ill sister. How did he cause this great disaster? Some random mystical little girl called daisy appeared before him and granted his wish to save the world, which she somehow interpreted as destroying it.

He lives the normal high school life until he meets a transfer student named character named Rin. She invites herself to his apartment and kidnaps Sena as revenge for her dead parents. While her wanting to get revenge on Eiji after her parents died in the apocalypse is an interesting goal that's her all there is to her character. She acts angry and homicidal towards Eiji whenever she's not having forced as hell ship tease moments with him.  Their fight introduces the concept of orders, a blatant copy of the stand abilities form JoJo that represents the user's inner desires. Rin can use flames to heal from anything and Eiji can manipulate anything within a given radius. The aftermath of the battle results in Eiji accidentally ordering Rin to marry him and him getting drafted in a mysterious political organization called the group of ten.

What follows is a half baked story of political warfare as the group of ten use Eiji to gain dominance over Japan. Your manga is off to a great start when the main characters of nationalistic terrorists.

Nothing about the story or characters stood out. Things just happen and the audience is given no reason to care. How is it even possible to make a cast of superpowered individuals as boring as a brick wall? At least the cast of future diary could envoke emotion in me even if it was mostly annoyance. The only names here I remember are Eiji, Rin, and Sena and none of them are interesting at all. These people are just archetypes and tools used to move the garbage plot forward. There's a character called Daisy who's essentially a goddess but nobody questions her existence and her purpose is very poorly defined. Another character is Iyo who gets pregnant when Eiji touches her ears and tries to rape him in the anime cause she fell in love with his basic bland unseasoned chicken personality in a heartbeat. Said attempted rape never gets mentioned again after it happens. Not only is it offensively bad but if the genders were reversed, I'm sure male Iyo would be portrayed as a villain so seeing her get off scot-free is annoying. The creator's sexism resulted in writing females who only exist to pine after the basic male lead.

                                        Is this shit for real?

The anime also thought it was a good idea to add disgusting incest subtext that wasn't in the manga. Eiji and Sena have an implied sex scene and the show wants viewers to think they're in love. This was nothing more than the director and scriptwriter pleasuring themselves seeing as how said incest does absolutely nothing to develop the two and is never referenced again. Again, the lack of self-awareness and sexism is crazy.

Readers aren't given good explanations on character motivation at all. I read the manga and watched the anime but I still don't understand the reasoning behind most of these characters. A few people wanna take over the world and that's about it. Why has no one made a wish to undo the great destruction? Daisy grants wishes to random people and not one of them at least thought of restoring the world? When nobody has any solid motives or decent personalities, the plot will bomb. The story wouldn't have been this bad if the writer didn't try to make it complex. I would much rather have read a JoJo Esque battle shonen than this poor excuse of a story. At least then it would've been popcorn entertainment.

The most positive thing about the series was the stands er- I mean -orders. Many people complained that the powers were too op( they're not) and were confusing. One person even called Eiji one of the strongest characters in fiction which honestly made me laugh. Op powers are good when handled well but everything is shit here. There's also the music composed by Call Evan. It made wonderful use of jazz and "Dominate", Eiji's theme song is far too good for what this show deserves.

Eiji can control the environment and people around his perimeter with little restrictions yet he always gets his ass kicked. There are hundreds of ways he can win any given battle and he fails to use any of them. He can condense the air to make a shield but rarely uses that ability and never uses it to suffocate his enemies. He never commands enemies to attack themselves. To make it even worse, his power is a weakened form of his maximum potential and in the manga, he can fuse with other orders to get even stronger. Even then he still gets his ass handed to him😶😑🙄. The sheer lack of creativity from both the creator and character is just marvelous. How is it even possible to be this incompetent?

The other characters are no better. The leader guy of the has a rip-off order of kumagawa misogi's all fiction from medaka box. Fact from fiction ( even the names are similar) lets him negate events from reality. Unlike kumagawa who marvelously screws over the main cast from his manga with his ability, the leader guy doesn't advance the plot at all and does not have any noteworthy battles. You also have a guy who can atomize anything, a girl who shoots lasers, a man who can brainwash others and a terrorist who controls rocks. Besides the terrorist chick, none of these people use their abilities in innovative ways. The writer could've taken lessons from JoJo, one-piece and even law of Ueki( so underrated) when it comes to writing superpowers.

The endings of both anime and manga are around just as bad but the manga might be even worse. The anime has an inconclusive ending where the world no longer hates Eiji and he just goes to school. That's it. The climactic battle was him using the full power of his order to manipulate abstract concepts to create a world where Sena can be happy. I'm sure the writers didn't intend for Eiji's last order to be as op as I just described but it Is. He wishes for something abstract and it comes true which implies he would be able to manipulate other concepts. And yet, he doesn't do anything about the run-down world he lives in. For a post-apocalyptic setting, the apocalyptic event barely had any influence on the characters or plot.

The manga comes up with a dumbass plot twist that Sena was the one who caused the great destruction and Eiji was just covering up for her. She turns evil and tries to destroy the world cause she's evil. Eiji refuses to let anyone kill the potential mass murderer and constantly protects her. Did I mention Rin and Eiji and kinda low key dating at this point? Eiji faces sena in an anticlimactic battle followed by a 1-year time skip where their current fate is unknown. And people thought Naruto had a bad ending..... With how abrupt and lazily put together the ending was, I can't tell if the manga was canceled or the creator lost interest. Both options seem highly likely.

                             That’s his sister by the way. Cause incest was exactly what this show needed

With its bland characters, a nonsensical plot and poorly thought out powers, big order is a  clusterfuck of a show that continues to fade into obscurity. Even having a big name creator wasn't enough to keep it within the public eye. I was hoping for a so bad it's a good experience but this was just hot garbage. I give it a 4/10 for its bland character, muddy plot and terribly written romance. It only gets a four because the music and powers were pretty cool.

Lay Your Hands on Kiznaiver

Kiznaiver delivers a heartfelt and powerful message on the importance of empathy in our relationships. The anime tells the tale of a group of isolated teens who bond together through their shared physical and, later, emotional pain.

The Kizuna project brings great turmoil to the teens, but, it also allows them to gain a better understanding of each other and deepen their bonds. This creates a perfect analog to the Hedgehog's dilemma; we get hurt the closer we get to each other. Being burdened with someone's pain a first seems horrific. All of their discomfort and trauma becomes your responsibility. Why would anyone want to experience someone else's pain in the first place? The members of the Kizuna system each express their contention for the experiment and how they believe it brings more harm than good. This system isn't without merit, however. It forces them to be more considerate of how they approach each other or else they too will be hurt.

Growing intimate with others also means emphasizing with them. Their struggles and misfortune become your concern. Friends share their burdens. Some will see this as a hindrance while others will view it as a testament to their relationship. Katsuhira wasn't aware how much his aloofness was harming Chidori until he experienced her emotional pain. This realization motivates him to apologize to Chidori while being more thoughtful of her feelings. Once the cast learns of Maki's troubled past, they all set out to understand her feelings and be a shoulder for her to cry on. Finally, even after the Kizuna system has been removed, the characters can feel Katsuhira's pain with all the vividness of before. They've become true friends at last.

Kiznaiver's biggest flaw is its short length. This greatly stifled the potential for in-depth character development seeing as how Honoka is the only character besides Katsuhira with a major character arc. The other characters felt bare-bones by comparison. The cast was still enjoyable, but, there was a lot of room for improvement. We could've easily had a show twice its length had the producers been more generous.

Art and animation are consistently fluid throughout the entire run. Studio Trigger brought out their A-game and finally produced a show that doesn't look like an embarrassment once you pause it. Another thing to note is that it had the grace of getting a dub from Ocean productions. Canadian anime dubs are extremely rare in a medium oversaturated with LA-based voices. Using a Canadian cast allowed for each character to have a voice unique to them and every performance sounded fresh. It is such a breath of fresh air hearing lesser-known actors getting their time to shine.

Much thanks to Mari Okada for crafting such a charming teen drama. It seems that her genius truly shows when she works on anime with supernatural/sci-fi themes( Black rock shooter, wixoss, Aquarion Evol). She has a strong understanding of the human condition and what makes them tick.