Female Protagonists Will Literally Go Through 30 Life Altering Traumas At The Age Of 16 And You Ppl Still

female protagonists will literally go through 30 life altering traumas at the age of 16 and you ppl still have the audacity to call them annoying bc they cry about it and act like teenage girls

2022 / 2024

Tom is aging like whiskey... delicious. 🥃😋

Day 04 Martell Week: Song/Lyrics that remind you House Martell

Will this always be just an arrangement We'll find out in time if we don't break it Can mine become yours Combining our dreams Without keeping score Always together, but never bored No choice in the matter but This will never work without each other

Can we become we (can we become we) Start a new line On this family tree Two hearts connected by one beat Your hand in mine and

Something simple and romantic, I chose a song that sounds like something Myriah and Daeron II would think at their wedding. I feel like Dorne would throw everything out the window with decorations for Myriah, Daeron tries but finances are adjusted, and he also wants to please his uncle Baelor.

I think that Myriah's appearance is close to some Dornish stereotypes that people later have, such as being small, smaller than Daeron, a characteristic that she would share with Elia, then with Arianne they would share the curls, which her son Baelor inherited that is why he cut his hair. short

The dance is also an adaptation of the dance from the song's original video.

Baby Rhaenys announcing the week. The song is We Become We

"She was kind and clever, with a gentle heart.”

— from june 10th to june 16th

— use #elia martell week when posting

— the prompts are not specific to any day so feel free to pick any to post about on any day

— remember to mark the posts with the tag :)

(we also have a discord server where we share our ideas for elia week so if you're interested in joining the server please message me)

listening to an analysis of sansa - by a CHILD THERAPIST i think this is a great angle, recced by @transdimensional-void - and he said something about Sansa seeming a bit lonely, which made me think about how like, for both Theon and Sansa, there’s an enddate to what they feel is a sort of misery (tho wildly different sorts of miseries) - one day she’ll be married and a proper lady surrounded by other proper ladies and not in the drab, dull north, and one day Balon will die and Theon will be Lord of Pyke and not under constant threat of death meant to be loyal to a family who cannot conceive of the stress he’s under. Contrast to Arya & Jon, who don’t have that “end date” to look forward to - Arya will never be free to live the way she wants, at some point her tomboyishness will stop being cute to the men around her and start being a sign that she’s too wild, and Jon will never be free from the taint of bastardry so long as he lives, this confusing underclass of man where he is noble by birth and yet also lowborn and unworthy is a fate he can never truly escape.

I think it explains both why Theon & Sansa romanticize the terrible things around them, with the repeated focus on beauty, on songs and stories, because they want to live up to the expectations by being the Perfect Lady and Perfect Wife, by being the Perfect Hostage and Perfect Lord, because this freedom they’ve built up in their minds has to be worth it. Theon was taken away from home for this, Lady died for this, it HAS to be worth the cost. BUT ALSO, whereas, because Jon and Arya feel there’s no reprieve coming, there’s nothing good in their future, there’s an emphasis for them on the idea that who they are now isn’t wrong, or dirty but instead a strength. They don’t deserve the bad that happens to them, but their identity as outsiders makes them suited to survive it, and their suffering has ~meaning.

But for all four of them, what ultimately matters is identity - whether they are hoping for the day when they’ll stop being who they are or dreading it, or outrunning it, all four have to grapple with a changing identity and come to terms with the idea that there is nothing wrong with who they are, but there IS something wrong in how they were all raised to believe they must change to accepted.

Princess Jaehaera, King Aegon II, and Queen Cassandra Baratheon

(Requested by Anonymous)