
105 posts
What If They... What If They Turned "DO NOT OPEN" Coffin Upside Down???
What if they... what if they turned "DO NOT OPEN" coffin upside down???
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More Posts from Glassofsweetsalicineester
I had almost two years long hyperfixation on political violence and terrorism studies specifically, but now comes time when it fades away (which is sad, but we accept death of interest as part of life). At least I thought that.
And then infodump to my partner about Beslan siege for straight 20 minutes
\_༼ ◕_◕ ༽_/
So I've seen the whole 'Math's Saddest Love Stories' (asymptotes that drift ever closer but never meet etc.), but I think we're missing the potential of Math's Funny Love Stories. The couple whose destiny is an infinite cycle of breaking up and getting back together again:

Oscillating rapidly in and out of each other's life for a while before drifting apart in opposite directions:

Drifting ever closer, until you finally meet and go fuck that:

One who drifts slowly closer to the other, until they acutally meet and decide to make a very sharp turn in the other direction:

Whatever hellscape of contrived coincidences these series of infinite near misses are:


this is my favourite meme

Кто из нас будет варить борщ? /// Whom of us will cook borshch?
Зачем мы наварили столько борща? /// WHY WE COOKED SO MUCH BORSHCH?
And tone of joke is lost it translation :/
I wonder if there is any fictional depiction crush syndrome?
On one hand, it's gruesome medical condition (when a limb is compressed with heavy object, so no blood flow goes in out out of limb. Tissues get full of metabolic products. Rest of body however is remotely fine. There were several historical records of people being okay and even commanding other people to get press from their limb. When heaby object is taken off, people lose consciousness within minutes, because toxic metabolites ebter their blood stream and cause system shock). On another hand it's not rare case in natural disasters and war conflicts. And seems to add up realism, gore or emotional contrast (from narrative perspective)