Where Did Tim Learn To Read People? Gossiping Old Ladies At Galas. He Would Sit With Them As They Pointed

Where did Tim learn to read people? Gossiping old ladies at galas. He would sit with them as they pointed out different guests, indicated a slight difference, and then accurately depicted what skeletons their closet held.

Lady 1: "Did you see what cufflinks John Wess had on?"

Lady 2: "Oh? They're the ones inherited by his father? It looks like we'll be reading about a divorce by the end of the year."

Tim: *purposefully playing up his naive clueless innocence so he can learn their skills*

Lady 4: "Oh. It seems Rebecca Till has sunset orange lipstick on tonight."

Lady 2: *sighs and starts chugging her champagne*

Lady 3: "Ha! You all owe me a social favor now. I told you she was sleeping with the mayor."

Tim: *startles as he looks at Ms. Till's lipstick and then back at the ladies confused how those add up*

I took a creative writing class my freshman year and the amount of students who used AI for their work was astounding. and I honestly don’t get it. why sign up to be in a CREATIVE WRITING class if you need to rely on AI to write for you. it’s stupid.

people like the writer aesthetic but dont want to put work into actually improving their writing. joining a creative writing class? oh! that’s a perfect way to improve! that’s why I joined the class. oh? you joined because you wanted something to brag about to your friends and family? that’s STUPID. people are STUPID.

and who knows, maybe one day these people might become actual “writers”. maybe they’ll spend enough time on chatGPT to get something that even comes close to resembling the blood sweat and tears that other authors—real authors put into their writing. maybe they’ll become famous for it. become a staple in history. meanwhile all the writers who actually cared about writing are left behind without a pot to piss in.

“oh this is so good!” it’s actually miles and miles of code. it’s laziness wrapped in pretty words topped with the pen name of a STUPID person.

Feral McGee™

It starts with the Joker. 

His goons picked up Tim Drake. Not specifically because it was Tim Drake, he just so happened to be in the Joker’s neighborhood, and we'll, he can't pass up that opportunity now can he? 

Except Tim Drake is watching, along with the rest of Gotham, at the Batcomputer. He’s nursing a broken foot and has been put on monitor duty until he's cleared for field work again. 

The guy looks enough like him, though. Black hair, blue eyes, and bags under his eyes for days. He's also got the same lean sort of build like he does. 

It happens like this. 

The Joker is doing his monologue thing where he explains whatever twisted game he's come up with this time. He takes up the majority of the screen, so nobody can see Not-Tim behind him, not until the big reveal. Then he covers the screen again, getting up close and personal, before stepping back. In those quick few seconds, Not-Tim is no longer sitting there tied to the chair. 

Someone off camera lets the Joker know, and he whirls around, confused as the rest of Gotham. 

And then Not-Tim comes in with the steel chair. 

Or, well, a crowbar, but the reference holds up. 

He takes out one of Joker’s knees before punching him in the face. The Joker drops like a bag of stones, out cold. 

Then he looks towards the camera. 

“Hey there. I'm not really sure where I am, but also if he was after Tim Drake, he got the wrong guy. I'm not him, I'm just some dude. Anyway, I'll just-yep-” he carefully steps over the unconscious Joker, gives the camera a little wave, and then leaves. 

Batman and Nightwing enter shortly after, with the Joker and his goons out cold and tied up. The knots were complicated enough where, in the end, the police resorted to cutting the ties off of them so they could be properly cuffed and taken to Arkham. 

“A constrictor knot,” Batman tells Nightwing as they watch the villain be taken away. “Often used by sailors to temporarily tie things together to keep something in a bag, or to hold something to glue it back together.”

“Huh,” Nightwing says, scratching the back of his head. “Go figure.”

—

The next time it happens, it’s the Riddler. 

He’s laughing, giving his riddles to the Bats and recording himself to all of Gotham while his victim, one of the Wayne brats, hangs over a vat of something. From a distance, he looks like Tim Drake, or maybe a lankier Dick Grayson. And he’s not the only victim, they’re all scattered across the city, but he thought an important figure such as a Wayne should be under the Riddler’s direct supervision while he enacts his schemes. 

While the Riddler cackles and plots and waves his cane around, in the background all of Gotham can see the figure escape. Several Gothamites recognize him as the kid from before, who clocked the Joker. They all watch with bated breath as he sort of wiggles his way out of the ropes holding him up. Once he’s free, he climbs the rope and gets himself down safely. 

Gotham holds their breath as the kid casually walks up to the Riddler, who’s mid-rant. He politely taps him on the shoulder, and as the Riddler is turning around, the kid clocks him just as brutally as he had the Joker. He’s down with one punch. 

They think he’s going to say another sort of awkward goodbye, but instead he pats the Riddler down until he finds a piece of paper tucked into the inside pocket of his jacket. 

“Right,” the kid says, looking at the list. There’s a lot more static overlay now, and several wonder if it’s damage to the cameras. “Uh, the Clocktower, the Docks, and-” he squints at the page for a moment-”Mama Nacaroni’s? What the fuck is that? Anyway, uh. See you later, I guess. Oh! And we’re at the Gotham Arena. Have fun with him, I guess.”

The kid tosses the paper off to the side before the camera cuts to black. 

Just like last time, everyone is out cold and tied up. The Riddler himself is sporting a pretty bad shiner, but well deserved nonetheless. 

“Stop it,” Red Hood tells him. Batman just looks at him, and though Hood can’t see the top half of his face, he can tell that his eyebrow is raised. “You know exactly what I mean, B. Put the adoption papers away.”

“Hn.”

—

After that, it sorta becomes a game. The rogues of Gotham are no longer after a Wayne, or after anybody who holds any kind of social status like usual. They’re all going after this one kid, all determined to be the one to hold him. And each one is televised. 

Mr. Freeze freezes him in a block of ice, but due to the cameras glitching out, nobody can really see how he got free. They do, however, see the kid suplex Mr. Freeze. It should seem impossible, given his lanky figure, but he evidently has more muscle than he’s originally let on. 

Two-Face gets a hold of him, using chains and some power-dampening cuffs just on the off-chance that he’s a meta. They all watch as the kid leans down, pulls a bobby pin out of his hair, and picks the locks on his cuffs. One punch, and Two-Face is down. 

Gothamites are going wild for the kid. They’ve dubbed him Feral McGee™ (an online poll, of course), because every time he goes in for the punch he gets this feral look in his eyes. Also, just the fact that he casually goes up to these rogues and takes them out with all the casualness of doing something incredibly mundane? Incredible. The Gothamites are eating it up. However, despite the video evidence, nobody has been able to properly identify the kid. They know he has black hair and bright eyes, but any time he gets near a camera, it’s like there’s this weird, sort of warped quality the camera takes on. It doesn’t usually calm down until the fight is done-as one sided as they usually are-before he awkwardly skedaddles away.  

He gets kidnapped by the Penguin, Harley Quinn and Poison Ivy (though that was more just a friendly chat than anything), Mad Hatter, and the Riddler again. 

And then the Joker escapes. 

It’s no surprise as to who he’s going to go after. 

Due to one too many careless goons, they manage to find their way to the Joker’s hideout pretty quickly. This time, it’s all Bats on deck, and they all hide away in the rafters as Feral McGee™ is hung over a vat of acid. His whole body is tied up, hardly a single inch of exposed skin to be seen except for the neck up. 

They watch the goons, they watch the Joker, and they watch Feral McGee™. 

The Joker is monologuing, practically begging the bats to come find him before the timer runs out. When it does, the kid gets dumped into the vat of acid. 

Despite these stakes, the kid seems to be only mildly annoyed. 

“Fuck this, I have homework I still need to finish,” they hear him say. 

They all watch, amazed and confused, as the kid starts gnawing through the ropes. Human teeth shouldn’t be able to do that so easily, but one bit after the other, and soon enough the kid’s got himself freed enough to just climb up the rest of the rope. When he’s at the top of the crane holding him up, Batman lets down a rope and pulls the kid up and out of danger. 

“Oh, cool, you’re all here,” the kid says casually, as if meeting the entire Bat Clan is just a normal Tuesday. And then he pulls out a notepad and pen and hands it to Red Hood. 

“Can I get an autograph? You’re dope as fuck, dude.”

Red Hood has to look away and hide his face in his arms for a few moments to not give away their location with his laughter before signing. And then, one by one, the others do as well. They pass along the kid’s notebook with shit-eating grins and barely contained snickers despite the fact that the Joker is still right below them. Even Batman signs it, after his children don’t stop hounding him about it. 

In their distraction, they didn’t see the kid sneak away. He’s far away from them now, nearly right over the Joker. Danny waits, though, until the Joker has turned around as the timer almost runs out. They watch as he snickers at Joker’s flabbergasted look. The Joker comically looks back and forth and under objects the kid obviously isn’t under. However, before he can do or say anything else, the kid drops from the rafters and right on top of the Joker. He crumples to the ground, unconscious. The kid, however, just brushes the dust off of himself. Despite the fall he took, there isn’t a scratch on him. 

When the bats join him, they give his notepad back to him, barely able to contain their laughter at the absurdity of it all. The kid, too, joins in the camaraderie, laughing and joking along with them as Batman secures the Joker. 

“Okay, okay, but I gotta ask, dude,” Red Hood says at one point, looking at the kid. “How do you keep getting kidnapped?”

The kid just shrugs. “I get distracted easily. And I’m sleep deprived, so you know. Social awareness is kind of at an all time low right now.”

“Why are you sleep deprived?” Nightwing asks, barely hidden concern in his voice. 

 “Finals are kinda kicking my ass right now. Especially this dumb English homework I have. You guys wouldn’t happen to know anything about that, would you?”

“Oh, lucky for you,” Red Hood says, wrapping an arm around the kid’s shoulders as he walks them out of the warehouse, “I happen to know a lot about English. So, it is Shakespeare?”

“Yeah, Midsummer Night’s Dream.”

As they walk off, Batman calmly watches, though the rest of the bats can see his jaw twitching. Nightwing comes up behind him, clapping a hand on his shoulder. 

“If you don’t adopt him, I will.”

“Hn.”

A father and his children

Guys what's that one dp fic on ao3 where the Fenton's install some like truth shield around Casper high that'll reveal a ghosts true identity if it's triggered and Danny ends up stuck in the school somehow with a bunch of the a listers + lancer and he ends up revealing himself against his will because of the shield but turns out everyone he was trapped with was like secretly part not human and lancer was like their counselor for keeping all of them safe amd make sure the public didn't know about them? I remember like Danny was trying to keep himself secret but so was everyone else from him because they were like he's just a human he can't find out about this!! And I think either dash or Kwan were werewolves and star was a fairy. Please I read this actual months ago and I cannot find it again 😭😭

i need to get this out of my head before i continue clone^2 but danny being the first batkid. Like, standard procedure stuff: his parents and sister die, danny ends up with Vlad Masters. He drags him along to stereotypical galas and stuff; Danny is not having a good time.

He ends up going to one of the Wayne Galas being hosted ever since elusive Bruce Wayne has returned to Gotham. Vlad is crowing about having this opportunity as he's been wanting to sink his claws into the company for a long while now. Danny is too busy grieving to care what he wants.

And like most Galas, once Vlad is done showing him off to the other socialites and the like, he disappears. Off to a dark corner, or to one of the many balconies; doesn't matter. There he runs into said star of the show, Bruce who is still young, has been Batman for at least a year at this point, but still getting used to all these damn people and socializing. He's stepped off to hide for a few minutes before stepping back into the shark tank.

And he runs into a kid with circles under his eyes and a dull gleam in them. Familiar, like looking into a mirror.

Danny tries to excuse himself, he hasn't stopped crying since his parents died and it's been months. He rubs his eyes and stands up, and stumbles over a half-hearted apology to Mister Wayne. Some of Vlad's etiquette lessons kicking in.

Bruce is awkward, but he softens. "That's alright, lad," he says, pulling up some of that Brucie Wayne confidence, "I was just coming out here to get some fresh air."

There's a little pressing; Bruce asks who he's here with, Danny says, voice quiet and grief-stricken, that he's with his godfather Vlad Masters. Bruce asks him if he knows where he is, and Danny tells him he does. Bruce offers to leave, Danny tells him to do whatever he wants.

It ends with Bruce staying, standing off to the side with Danny in silence. Neither of them say a word, and Danny eventually leaves first in that same silence.

Bruce looks into Vlad Masters after everything is over, his interest piqued. He finds news about him taking in Danny Fenton: he looks into Danny Fenton. He finds news articles about his parents' deaths, their occupations, everything he can get his hands on.

At the next gala, he sees Danny again. And he looks the same as ever: quiet like a ghost, just as pale, and full of grief. Bruce sits in silence with him again for nearly ten minutes before he strikes a conversation.

"Do you like to do anything?"

Nothing. Just silence.

Bruce isn't quite sure what to do: comfort is not his forte, and Danny doesn't know him. He's smart enough to know that. So he starts talking about other things; anything he can think of that Brucie Wayne might say, that also wasn't inappropriate for a kid to hear.

Danny says nothing the entire time, and is again the first to leave.

Bruce watches from a distance as he intercts with Vlad Masters; how Vlad Masters interacts with him. He doesn't like what he sees: Vlad Masters keeps a hand on Danny's shoulder like one would hold onto the collar of a dog. He parades him around like a trophy he won.

And there are moments, when someone gets too close or when someone tries to shake Danny's hand, of deep possessiveness that flints over Vlad Masters' eyes. Like a dragon guarding a horde.

He plays the act of doting godfather well: but Bruce knows a liar when he sees one. Like recognizes like.

Danny is dull-eyed and blank faced the entire time; he looks miserable.

So Bruce tries to host more parties; if only so that he can talk to Danny alone. Vlad seems all too happy to attend, toting Danny along like a ribbon, and on the dot every hour, Danny slips away to somewhere to hide. Bruce appears twenty minutes later.

"I was looking into your godfather's company," he says one night, trying to think of more things to say. Some nights all they do is sit in silence. "Some of my shareholders were thinking of partnering up--"

"Don't."

He stops. Danny hardly says a word to him, he doesn't even look at him -- he's sitting on the ground, his head in his knees. Like he's trying to hide from the world. But he's looking, blue eyes piercing up at Bruce.

Bruce tilts his head, practiced puppy-like. "Pardon?"

"Don't." Danny says, strongly. "Don't make any deals with Vlad."

It's the most words Danny's spoken to him, and there's a look in his eyes like a candle finding its spark. Something hard. Bruce presses further, "And why is that?"

The spark flutters, and flushes out. Danny blinks like he's coming out of a trance, and slumps back into himself. "Just don't."

Bruce stares at him, thoughtful, before looking away. "Alright. I won't."

And they fall back into silence.

Danny, when he leaves, turns to look at Bruce, "I mean it." He says; soft like he's telling a secret, "Don't make any deals with him. Don't be alone with him. Don't work with him."

He's scampered away before Bruce can question him further.

(He never planned on working with Vlad Masters and his company; he's done his research. He's seen the misfortune. But nothing ever leads back to him. There's no evidence of anything. But Danny knows something.)

At their next meeting, Danny starts the conversation. It's new, and it's welcomed. He says, cutting through their five minute quiet, that he likes stars. And he doesn't like that he can't see them in Gotham.

Bruce hums in interest, and Danny continues talking. It's as if floodgates had been opened, and as Bruce takes a sip of his wine, it tastes like victory.

("Tucker told me once--") ("Tucker?") ("Oh-- uh, one of my best friends. He's a tech geek. We haven't talked in a while.")

(Danny shut down in his grief -- his friends are worried, but can't reach him. When he goes back to the manor with Vlad, he fishes out his phone and sends them a message.)

(They are ecstatic to hear from him.)

It all culminates until one day, when Danny is leaving to go back inside, that Bruce speaks up. "You know," He says, leaning against the railing. "The manor has many rooms; plenty of space for a guest."

The implication there, hidden between the lines. And Danny is smart, he looks at Bruce with a sharp glean in his eyes, and he nods. "Good to know."

The next time they see each other, Danny has something in his hands. "Can you hold onto something for me?" He asks.

When Bruce agrees, Danny places a pearl into his palm. or, at least, it's something that looks like a pearl. Because it's cold to the touch; sinking into Bruce's white silk gloves with ease and shimmering like an opal. It moves a little as it settles into his hand, and the moves like its full of liquid.

Bruce has never seen anything like it before, but he does know this; it's not human. "What is it?" He asks, and Danny looks uncomfortable.

"I can't tell you that." He says, shifting on his foot like he's scared of someone seeing it. "But please be careful with it. Treat it like it's extremely fragile."

When Bruce gets home, he puts it in an empty ring box and hides the box in the cave. He tries researching into what it is. he can't find anything concrete.

Everything comes to a head one day when Danny appears at the manor's doorstep one evening, soaking wet in the rain, and bleeding from the side.