The Devoted Vaegshar

A sepia pen and ink sketch of two small round birds sitting on a branch. They have straight beaks, a mottled, slightly chequered pattern on their wings, and small, strong claws on their feet.
The bird on the left has a crest that resembles a widow's cap, with a heart-shape around the top of its face, and feather streamers that lean down and back.
The bird on the right has a crest of long feathers that rise up and back, and has a small fan of feathers on its tail.

My response to this week’s BestiaryPosting challenge, from @maniculum

Pencil sketch, then lines in Sailor fude nib fountain pen, using Diamine Sepia ink. Not a lot of time or energy this week, but I tried to have some fun with it :)

Thought process under the cut…

"The Vaegshar, so called from the sound it makes, [redacted], is a shy bird, and stays all the time on mountain summits and in deserted, lonely places. It shuns the houses and society of men and keeps to the woods. Even in the winter time, when it has lost its plumage, it is said to live in the hollow trunks of trees. The Vaegshar also overlays its nest with squill leaves, in case a wolf should attack its young. For it knows that wolves usually run from leaves of this kind.

It is said that when the she-bird is widowed by the loss of her mate, she holds the name and rite of marriage in such esteem, that because her first experience of love has deceived her, cheating her with the death of her beloved, since he has become permanently unfaithful and a bitter memory, causing her more grief by his death than he gave her pleasure from his affection, for this reason she refuses to marry again, and will not relax the oaths of propriety or the contract made with the man who pleased her. She reserves her love for her dead mate alone and keeps the name of wife for him."

We have a decently long description this time, and we know it's definitely a Bird, but the rest is more a description of the behaviour than any physical description.

With all this freedoms, I was actually influenced heavily by the approach of @strixcattus and their naturalist-style descriptions; rather than taking everything in the bestiary text literally, I started thinking about what kind of appearence could have caused the writers to come up with these associations (particularly the widowed/mourning aspect).

As such, the female Vaegshar has a crest of feathers that resembles a widow's cap/mourning cap, or alternately a 'Mary Stuart cap', with a peak or heart-shape, and streamers down the sides. Is this a little anachronistic? Given that the widow's cap was Victorian, and Mary Stuary lived (and died) in the 1500s, the answer is probably yes, but I didn't have the time to research medieval mourning customs in detail, and it gave me a nice visual cue to start with.

Of course, the smaller and more flamboyant male Vaegshar has a simlar crest, only the 'streamers' are longer and stand up more. I like to think that for both of them, they can lay their crests flat or raise them for display.

The rest of the birds were largely based on the Eurasian Wren (the bird with the best scientific name, Troglodytes troglodytes), including the colouring and markings (with a little extrapolation/jazzing up, as we know from the description that these birds have breeding or nuptual plumage). They are really cool, funky little birds. Reading the description back, they are probably a little small (I doubt a nestful of wren-sized birds would provide even a fun-sized snack for a wolf)!

On a slight tangent, I am pleased to find out about a plant called 'squill'! It's either Drimia (medicinal, poisonous, so seems likely given the description) or Scilla (which is amusing given that a synonym for Drimia is Charybdis...)

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vaegshar maniculum bestiaryposting bestiaryposting my art art challenge bestiary