------I Thought This Concept Was Pretty Enticing, Given The Stakes. It Really Expressed How Love Grounds

------“I thought this concept was pretty enticing, given the stakes. It really expressed how love grounds people’s existence. Wish it had more time to flesh out the characters.”

Sexagesimal, also known as base 60,[1] is a numeral system with sixty as its base. It originated with the ancient Sumerians in the 3rd millennium BC, was passed down to the ancient Babylonians, and is still used—in a modified form—for measuring time, angles, and geographic coordinates.

The number 60, a superior highly composite number, has twelve factors, namely 1, 2, 3, 4, 5, 6, 10, 12, 15, 20, 30, and 60, of which 2, 3, and 5 are prime numbers. With so many factors, many fractions involving sexagesimal numbers are simplified. For example, one hour can be divided evenly into sections of 30 minutes, 20 minutes, 15 minutes, 12 minutes, 10 minutes, 6 minutes, 5 minutes, 4 minutes, 3 minutes, 2 minutes, and 1 minute. 60 is the smallest number that is divisible by every number from 1 to 6; that is, it is the lowest common multiple of 1, 2, 3, 4, 5, and 6.

In this article, all sexagesimal digits are represented as decimal numbers, except where otherwise noted. For example the largest sexagesimal digit is "59".

It is he alone who suggests that kindly persuasion may achieve more than the use of a spur, 'if you give a good horse the rein and let her run, she’ll not stumble’

Shakespeares Imagery And What It Tells Us (1923)

by Spurgeon, Caroline. F.

------“I think this film is pretty in a generic way. Some of the best dialogue came through without any words, and that felt really classic to me.”

They were conscious that when the creative impulse was given a free rein, a power flowed through their poetry. This happened when they created imaginary worlds and expressed these fleeting visions in a concrete form. The only way they could make the imaginary world intelligible to the reader, and to themselves, was through the imagery. The imagery was a link between the known and the unknown; it was in fact the stairway to the stars.

The Imagery of Thomas De Quincy's Impassioned Prose - Dwyer (1965)