HELP LMAO

HELP LMAO

They mean so much to me bro

i like sherlock and co's sherlock because he feels like, y'know, an actual human being who's just real fuckin weird as opposed to a super computer like bbc's sherlock. i still love bbc sherlock but i like how sherlock's neurodivergent traits are like genuinely relatable (sensory overload, info dumping, overexplaining) in sherlock and co rather than it just making him an untouchable genius

I see why the dancing men is one of those fandom gripping episodes now

OK, Sherlock & Co's The Gloria Scott, probably the best episode so far, also probably the darkest episode so far but it was the first episode where I've felt like the main characters really started to develop proper depth (I still like Mariana more than Sherlock or John though), but I really don't get the thing with the music. I don't get what the point of the music was both in the context of John choosing to edit music into it and the creators choosing to put all that in? Like what's the point of almost drowning Victor out with the music before it shifts to a practically unrelated later scene? And maybe there was meant to be some sort of 'dramatic irony' with the song there or something but I don't know what that song is and I can't tell what the singer is saying either so if there was some sort of symbolism there it's lost on me. And just, the tonal shift of it, where Victor's really upset, apparently Sherlock is also upset, but there's no actual resolution to Victor's story and the ending is just John making these rather flippant remarks. I mean I get why they wouldn't want to record Victor after he's shouting at Hunter to get out but if that's the last we hear of him, there's no actual resolution for his story for us. Which sucks when you've just introduced him as an actual character in the here and now, not someone who was solely from Sherlock's past as he is in the canon (also this Victor is such a sweetheart). Then the end is John rambling in a presumably meant to be humorous way about putting the music in like it was supposed to add something but the music really detracted from it for me, also about pirates and stuff but his tone felt really weird and inappropriate considering how dark the storyline was.

I love Victor Trevor anyway and overall I liked this take on him - bringing him into the present, making him canonically queer, even practically introducing him with him having a full on anxiety attack, I liked most of what they did with him but then that sort of makes it worse when his storyline doesn't have any real closure for us? (Also at least in the canon he's had time to come to terms with everything before Watson writes the story up and publishes it for the public to read. This though does feel a bit like another one of those times when broadcasting something almost right after it happens doesn't feel appropriate.)

I’m watching it on Youtube

https://youtube.com/playlist?list=PLS5g10jrGG0Fg9g-o862Kg31VAyqItsul&si=c_ijKPw-LcE4Bq6A

OH M Y GOD IM WATCHING THE SOVET HOLMES AND THE EPISODE AFTER THE FINAL PROBLEM WATSON GOES INTO SHERLOCK'S ROOM (which is covered in dust:() AND PLAYS HIS VIOLIN. THE VOILIN SOLO VER OF THE INTRO MUSIC CLASHING AGAINST WATSON'S UNPRACTICED PLAYING IS SO COOL!

This episode makes me so sad, like Mrs. Hudson not wanting to rent out the place again to keep his stuff in tact and Watson being so gentle with his stuff I can't I'm not even 10 minutes into this episode yet but omg we need to talk about this adaptation more it is so so so so soooo good I love it