Sherlock And Co Sherlock And Co Sherlo-

Sherlock and Co Sherlock and co Sherlo-

HI I JUST SAW YOUR INCREDIBLE SHERLOCK AND CO COMIC YOU MADE AND I WOULD LOVE FOR YOU TO TALK ABOUT THE PROCESS AND THE SYMBOLISM AND INTRICACIES AND EVERYTHING PLEASE ‼️‼️‼️‼️‼️‼️‼️

GOD THANK U ok if i actually talked about EVERYTHING i would be here forever and ever, there were things about the process where it kept surprising me and i kept adding stuff.

I talk about my general comic process here , it started out mostly the same for this one. Analysis of the script, sketches, panel and colour blocking

The scene from Mr Sherlock Holmes presented me with a unique challenge (for me) because...usually I pick scenes from the podcast that are instantly visually stimulating. This scene is NOT that. It's sort of unclear and confusing and even the emotive narrative is sort of hard to pick out. Those things I had to sort of decide for myself. It's hard to draw a whole scene like this without first deciding what the scene is about, what its purpose is. If you go back and listen to the episode along with the comic you'll notice all sorts of changes and tonal shifts - that's because of me and my decision making.

I decided that the direction I wanted to go in was to show John having his realization about himself, his podcast, and Sherlock, showing him getting pulled into, yes, Sherlock's world, but also the world of the podcast as an adaptation. I knew i could do this just with colour, but if you've seen my other comics, you know i almost always use colour to show shifts. I guess I had some insecurity about doing the same thing over and over again so I pushed myself to think of other ways I could accomplish it visual. Enter: rendering technique

I will say I didn't expect this effect to make John seem so SAD and MISERABLE, i only wanted to show him getting pulled in, but its effective for his emotions in this scene as well. Scanning drawings into the computer sort of flattens the paper texture, so I started adding photos of the pages of A Study in Scarlet to make him feel more paper-y. And then, of course, realised i could use that to further elaborate on John's inner thoughts, backgrounds, and motivations. People are welcome to interpreted that how they like and i've seen a number of variations, but to me it operates on sort of a meta level, showing the inevitability of what John is going through. He's a Watson, he's always going to follow Holmes, he's going to try and figure him out, and that's why you sort of see a back and forth between acd and pod Watson, highlighting the ways in which they are similar, and then, John breaks off and becomes his own character, still with those foundations but also entirely different.

there's one piece of text that i haven't seen anyone pick up on or mention and I'm starting to think it's gone unnoticed because it's in an unexpected spot. I won't mention what or where because it is, for now, a very indulgent little secret.

I notice a lot of people are getting a kick out of Sherlock playing with the speech bubbles, which I am so pleased by because I almost didn't do it! I thought i was maybe breaking something in the comic but it was so fun that i didn't care and I'm so glad it came across well. It operates on a lot of levels, it shows his thought process, it plays into that fourth-wall medium play i've got going on, and it feeds into the web metaphor as well as visually showing him roping John in.

on the topic of Sherlock, I feel a lot of people are rather focused on John, which is understandable (he's the main event) but Sherlock has a lot of details I love too.

For instance, him pushing his hair back and putting on a coat when the officer arrives, almost like he's shifted modes, and then his hair falling back down when he gets excited and John starts to understand.

I really love this moment of Sherlock seeing John's potential for interest in mysteries when he's trying to solve the matter of what Sherlock Does, and being surprised and flattered for a moment (until John messes it up again)

John copying Sherlock's pose <3

There's deliberate things in the character design as well, things like the fact that once John comes into colour, it reveals that he's actually wearing more colour than anyone else in the scene, and the fact that the grey in John's hair only appears post-greyscale. Things you are welcome to read into. And there are, of course, the socks, which I've seen people pick up on.

Those are the main things for now so i might leave it there, but thank you so much for your ask and i'd be pleased to elaborate further on absolutely anything!

sherlock & co doodle again! huzzah! looks a little like jmart but thats. a total accident. probably should’ve thought twice about putting sherlock in green

black and white version that i sorta like more

Ace Attorney does not get nearly enough credit for the fact that it consistently portrays relationships between men and women with absolutely no romantic or sexual undertones.

In any other game, it would be very common to make some sort of chemistry between the protagonist and their assistant. We play as an attractive man who's usually smart and charming. With a cute young girl as a quirky assistant. This would be a recipe for some sort of heterosexual romance in any other media.

However, this never happens. The dynamic between the lawyer and the assistant is always platonic. Or even familial. Phoenix and Maya act and treat each other as if they were siblings. Bickering and bullying each other, but still doing anything they can to help one another. Phoenix typically refers to Maya as a kid. Even when she is well into her 20s. While Edgeworth and Kay have a much more of a father daughter bond. Edgeworth constantly worried about her when she put herself in danger. Helping her in all sorts of ways. Even stepping into the shoes of her actual biological father to restore her memories in The Forgotten Turnabout. Of course, Apollo follows this trend as well. With Trucy being has actual biological half-sister. Neither know of this yet still act as if they grew up together. Teasing and poking fun throughout the game.

There's not a single moment for any of these duos that I can recall that scream romantic. With the exception of Phoenix and Maya. Mind you, this not them, actually acting in a romantic way. It is the way their relationship is perceived by a small young girl. Pearl is absolutely convinced that Phoenix and Maya are deeply in love and will be married soon. This is treated as something unfortunate. Phoenix was confused as to why she was thinking this way. Until Maya informed him that Pearl almost never sees a happy healthy relationship between a man and a woman. She has come to understand that if a man treats a woman nicely, then they must be in love. The attitude Phoenix and Maya have about this isn't one of lovers or secret pining. It's one of great sadness for little pearly.

There are characters in the story who do act disgustingly heterosexual whenever they can. Namely, Larry "if something smells" Butz. He's constantly in and out of relationships and always looking for more. He even hinted at jealousy for Phoenix and his friendship with Maya and Pearl. Which is pretty gross. He's shamed and scorned for this behavior most of the time. Signifying, he's the odd one out.

When it comes to fandom shipping, this is a similar story. While yes, of course, there are plenty of people who ship the lawyers with their assistants. It's not nearly as common as you'd think it was. Most people agree that these characters have no chemistry with each other. Most even have the maturity to understand that shipping a man in his mid twenties with a girl usually under eighteen is wrong. In both the Western and Jappanese fandom, I was pleasantly surprised by the lack of shipping for these characters.

I commend the writers for doing this. It is a breath of fresh air to finally have healthy friendships between men and women. Even when they do have more of a romantic undertone, with characters such as Mia and Diego, it is one of respect and admiration. Not one of simply physical attraction.

10 min is quite a long time to be unconscious for. Granted, he had nobody to help him but even during 3-5, the last time we saw this in effect, he was only out for how long it took Franziska and Phoenix to run to him so 1-2 min at most. I wonder if it depends on how strong the shaking is? The way he scoffs at the "slight" turbulence sounds like it does. I also wonder how much it has to shake to trigger his phobia. It doesn't specifically have to be an earthquake, something like turbulence is enough but turbulence can also involve a lot of shaking. We saw in 1-4 that he doesn't necessarily always faint but instead rolls into a trembling ball and isn't responsive anymore. Does that depend on the strength of the shaking as well? Maybe it just varies.

Considering how often Miles flies all over the world it's only natural that he would've encountered some turbulence here and there. The way he thinks about it being expected on a flight makes it sound like he hasn't encountered it that often before though that might also be him trying to calm himself down. Gumshoe immediately asks him if he was fine with the turbulence so either he's seen Miles' reaction to it before or he assumes, correctly, that Miles would struggle with it. I wonder if there are any other non-earthquake situations that trigger Miles' phobia?

HELLOOO tumblr!!! i have come with a MASSIVE DUMP of podtober!!

the tweet i chose was one i meant to do for a while from marianas vc. tan mariana woohoo!!

the cardboard box is my FAV ADVENTURE!!! very silly (i am incredibly aware how bad john looks in that one shhhh)

happy late podversary and OF COURSE!!! obligatory ant farm for free time

see u later alligators :-)