witchvspatriarchy - Witches vs Patriarchy
Witches vs Patriarchy

witches supporting other bitches

273 posts

ITS THE FIRST OF NOVEMBER!!!

ITS THE FIRST OF NOVEMBER!!!

ITS THE FIRST OF NOVEMBER!!!

FELIZ

ITS THE FIRST OF NOVEMBER!!!

DIA

ITS THE FIRST OF NOVEMBER!!!

DE

ITS THE FIRST OF NOVEMBER!!!

MUERTOS

ITS THE FIRST OF NOVEMBER!!!
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More Posts from Witchvspatriarchy

5 years ago
ITISNOTACOSTUME

IT👏IS👏NOT👏A👏COSTUME👏

It's original name is Calavera Garbancera (Chickpea Skull) and was created in Benito Juårez, Sebastiån Lerdo de Tejada and Porfirio Díaz governments to express the discontent of the people and was a symbol of social and political denunciation that eventually became a traditional wear for day of the dead. This wear is called La Catrina, its not a representation of dead itself but that of a dead woman, and it was created by cartoonist José Guadalupe Posada.

(this 👇 is the original calavera garbancera engraved in metal)

ITISNOTACOSTUME

Back then texts called calaveras alegres (cheerful skulls) were written by middle class people critiquing in a mocking way the upper class and the country's situation and were published in "combat newspapers" - this texts were accompanied by drawings of skulls and skeletons dressed in gala clothes, drinking pulque, riding on horseback and in high society parties but all of this in lackluster neighborhoods to represent the misery, the political mistakes and society's hypocrisy.

Origin of the name cheakpea skull: cheakpea merchants were notorious for being indigenous people that tried to pass as European and denied they're indigenous origins and their culture. They would dress in high class clothes but live very precariously. Posada tried to convey that in this work of art that was a critique to the Mexicans that were poor but tried to sustain an European lifestyle that they couldn't afford.

Originally she was naked except for a very big and elegant hat with ostrich feathers. Diego Rivera dressed her up and gave her the name La Catrina when he painted this mural 👇

ITISNOTACOSTUME

(Catrin was the name given to extremely elegant and wealthy Mexican aristocracy in XIX)

Posada said this about his inspiration: "Death is democratic. Blonde, brunette; rich, poor; everyone ends up being skulls" and this quote is basically the reason she became so traditional on the day of the dead, since it represents so well mexicans point of view about it.

And the texts that accompanied her (the cheerful skulls) became the calaveritas literarias (literary skulls) which are traditionally Mexican verse compositions that are written on the eve of the day of the dead as a manifestation of culture to make fun of both the living and the dead, and remember that we are all going to die. They are written in a satirical or burlesque language and are very short texts that reflect all the spirit and festivity in the face of death.

This

This

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This

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Costume

This

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This

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Mexican

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This

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5 years ago

When the boys are looking at the basement, searching for Peter, and Ryan hears something, the way Shane asks if he wistled it’s very casual, I don’t think he was making fun of Ryan or something. But the moment he realizes Ryan is serious about it after he yells, he stays silent and looking at him at first.

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He right away starts making his funny voices, lookinig around as he starts a new bit. It cracks Ryan up in a second. And Shane keeps doing it until the man is laughing out loud and he’s no longer yelling and being frustrated for the sound.

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Shane always, always searches a way to make the situation lighter for the two of them. And you can see it too, just to say another example, during the Hannah Williams episode, as they are in the master room and then the kid’s room.

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He sees Ryan is getting tense and more nervous as they keep investigating. He first make the stupid yell that ″spooks ghosts″ and then ‘fights’ the whatever that is talking to Ryan in the room, laughing at its answers while Ryan looks at him to see his reactions. Both things immedately make Ryan laugh as well:

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During the Lighthouse episode, later when Ryan is so visibly upset by what happened on his solo investigation, he doesn’t make fun of him. Shane checks on him and calmly says, well congrats. He knows that Ryan is nervous and it’s not the time to fight him on shit. I bet they did discuss it later, but in that moment what mattered was that Ryan was sweating, uneasy, and Shane keeps himself as calm as possible and just checks on him, and listens to him.

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Aaaand this is why Shane is the best, and why the show works. He disagrees with Ryan, he doesn’t believe, but he believes in Ryan’s fear and anxiety, he believes in what upsets him because all Ryan is feeling is right there. It may be initiated by things he personally consider stupid, but the way his friend feels will never be stupid.

At the end of the day, Shane respects Ryan very much, he really loves his friend, which is also why Ryan feels so comfortable with him and it’s able to forget he is those terrible-for-him places, because Shane makes it easier to bare.

Their dynamic, as the seasons go by, has only gotten stronger and, like they have said before themselves, deeper. And it’s really exciting to see it on screen. 

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5 years ago

joaquin phoenix just slayed my life

what a PERFORMANCE


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5 years ago
Para Un Habitante De Nueva York, Pars, O Londres, La Muerte Es La Palabra Que Jams Se Pronuncia Porque
Para Un Habitante De Nueva York, Pars, O Londres, La Muerte Es La Palabra Que Jams Se Pronuncia Porque
Para Un Habitante De Nueva York, Pars, O Londres, La Muerte Es La Palabra Que Jams Se Pronuncia Porque
Para Un Habitante De Nueva York, Pars, O Londres, La Muerte Es La Palabra Que Jams Se Pronuncia Porque
Para Un Habitante De Nueva York, Pars, O Londres, La Muerte Es La Palabra Que Jams Se Pronuncia Porque
Para Un Habitante De Nueva York, Pars, O Londres, La Muerte Es La Palabra Que Jams Se Pronuncia Porque

“Para un habitante de Nueva York, ParĂ­s, o Londres, la muerte es la palabra que jamĂĄs se pronuncia porque quema los labios. El mexicano, en cambio, la frecuenta, la burla, la acaricia, duerme con ella, la festeja, es uno de sus juguetes favoritos y su amor mĂĄs permanente. Cierto, en su actitud hay quizĂĄ tanto miedo como en la de otros; mĂĄs al menos no se esconde ni la esconde; la contempla cara a cara con impaciencia, desdĂ©n o ironĂ­a: ‘si me han de matar mañana, que me maten de una vez’.” - Octavio Paz (El Laberinto de la Soledad, 1950)


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