You Are A Hurricane Of A Girl

you are a hurricane of a girl

THIS IS REBLOG RELEVANT FOR ONLY TODAY IN THE WHOLE OF HUMAN HISTORY AND ITS FUTURE

who taught you that the value of a woman is the ratio of her waist to her hips and the circumference of her buttocks and the volume of her lips? Your math is dangerously wrong her value is nothing less than infinite.

‘Greater than’ by Della Hicks-Wilson (via dellahickswilson)

ITV Player kept cutting out - does Carson even know what happened to Anna yet?

Wait. Carson & Hughes went into his office & I was hoping we see them talk and…until now…NOTHING? grrrr

I think that what the writers were getting at, particularly when her brother was talking to her at the engagement party (“Stop pretending to be someone you’re not”) was that the Peggy we saw in the flashbacks was conforming to the way the society expected her to be; to marry ‘well’ and be a housewife. But her brother’s faith in her and later his death made her understand that he was right and that wasn’t everything she was meant to be. So she went to fight and to be who she really was, not caring about what everyone else expected her to be.

I’m a week behind on Agent Carter but last week’s episode with Peggy’s backstory felt, for the first time on this show, like the writers didn’t know who Peggy Carter was. Not that she should always have been the Agent Carter she is currently, or that she should never have been young and unsure, or wanted marriage and family, but that there was no reconciliation between little Peggy slaying make-believe dragons, the rogue SSR agent and the Peggy we saw at Bletchley. The Peggy at Bletchley didn’t seem like someone who would have valued pre-serum Steve, who would have gone against orders and snuck behind enemy lines. The backstory worked with Whitney Frost, seeing her as a child and then as a young woman who was still discovering herself, so what the hell happened that they couldn’t write a believable young Peggy?