Been So Overwhelmed With All The Notes, Re Blogs And Wonderful Tags Ive Been Getting Lately That I Just

Been so overwhelmed with all the notes, re blogs and wonderful tags I’ve been getting lately that I just had to draw my favourite found family as a big old THANKYOU!!!

It just…means so much to me that this one little thought has been shared by so many of us. I don’t know -why- it means so much to me, but I’m treasuring it; just like I’m treasuring every single like and tag and comment these pieces get.

Thankyou: not just for that, but for reminding me what art can do and for keeping me so inspired! I can’t wait to get started on my next piece with these guys!!

It’s not really all about the money: not entirely.

That’s always the vibe that I’ve gotten from Vector. Yes, he needs that cash to cover their bills, but only so he can keep a roof over their heads and the boys fed. Did you know that in Sonic heroes, one of Vector’s idle lines is “Darn. I forgot to pay the electric bill.” —that pretty much cemented my impression of him as “Dad friend,” especially considering that Espio and Charmy are underage.

But I also like to think that he never wants the boys to see the bills. I like to think he doesn’t want them to be so bogged down worrying about it that they can’t do, or even enjoy, their jobs.

Hoping to explore this one a little further.

Oddworld: The Promised Neverland Homages (Pt. 6)

I gotta be honest, this image had to be the one that I was most excited about since starting this series.

It’s based off barely a flash of a second in The Promised Neverland’s second opening, and it’s a much more ‘closed’ composition there, focussing mostly on Emma’s face and the braid that hides a significant injury. But for Abe I felt it was important to ‘zoom out,’ so to speak, to emphasise the action of him reaching up towards the moon—the moon with the face in the shape of Abe’s paw.

I just felt like it could represent so much all at once for him; wonder at its sight when he first escapes Rupture Farms, hope in darker moments, despair at all he’s learned since that first night of escape. Actually, it wasn’t very hard at all to adapt this image seeing as the bulk of it was just referencing *that* moment in Soulstorm—hands down one of my absolute favourite moments in a video game. The helplessness on Abe’s face as his body just loses all support, how he curls up and begins to quietly weep…the terror that flashes on his face when the keeper first approaches, and then how he calms a bit when he realises that she won’t hurt him. It’s just…it’s beautiful in how heartbreakingly poignant it is. And I really hoped to do it justice in this piece?

Just a quick update for everyone who followed me for my Sonic and Chaotix content: Bear with me!!

Art block’s been a nightmare, so I’ve stepped away to re-watch old, cheesy cartoons from the 1990’s. Non-Sonic doodles and thoughts incoming!

Back with the second part of “Things I would have liked to see in the metal virus arc.”

Pretty much the biggest thing: Vector acknowledging how freaking traumatic seeing him get zombified must have been for Espio…

But then, he -is- a great detective…so I figure that he probably already knows damn well what it must be like: the trick is that Espio would probably have to be the one to broach the subject.

And, of course, Espio being Espio…just wouldn’t.

It was actually a lot of fun to play around with -how- to portray Espio here; there’s a fine line one can dance between stoicism and just shutting down on yourself completely, and it was intriguing trying to capture what Espio is clearly feeling despite his best efforts to hide it.

Ko-fi

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I made a Ko-Fi page!

Look, I’ve accepted that I’m never gonna make it big in the industry…but I wouldn’t mind another crack at a bit of financial independence if possible, so I may as well try right?

Plus, in addition optional donations I’m offering something which I thought was pretty cool: an in depth look at design and development, as I was taught in Uni. Also includes a “How I would do it” tier: I’m basically selling my thought process, but only on some ideas that I’d hoped to be able to see “out there, on the screen” someday. It’s gonna include an in-depth look at the characters used, as well as sketch/design developments and annotated mock-production sheets.