Sukibaa - Kiba - Tumblr Blog

I sell my BuckyBear suffering and being unable to do anything to help:

I wanted to hug him so much.

Gifs by: August-Walker

“you are free.”

he was fighting so hard to stay in control and then you can see how relieved he is to hear the trigger words and not turn into the winter soldier.

James, you will have to become someone you claim is gone. The Falcon and The Winter Soldier (2021) | Power Broker

uധu

How does a lady come to be with child?

Y/N: so, what can I do when a boy is too tall for me to kiss?

Ginny: punch him in the stomach, when he leans over - kiss him

Ron: tackle him

Draco: dump him

Pansy: kick him in the shins

Tom: no

Tom: no to all of those

Tom: just ask me to lean down

Y/N: I will torture you now

Tom, smirking: kinky

Y/N, smiling: I think you are sweet and beautiful

Tom, tensing up: wait-

Y/N, moving closer: you are deserving of love and affection

Tom, moving away: no

Y/N, trapping him against a wall: your feelings are valid and deserve to be heard

Tom, holding up his hands: I think we need a safeword

this is so me haha

but i'm a hufflepuff lmao

Patronus Analysis 043 Buzzard

Those with the Buzzard are natural observers, rarely missing anything. Often less talkative but still involved in what happens around them. However, choosing to watch goings on and be less talkative does not mean they lack communication skills. Those with the Buzzard patronus have great communication skills and can be very persuasive.

Those with the Buzzard are often goal orientated. They know what they want and will do anything to achieve it.

Analytical, those with the Buzzard are often found thinking and can outsmart there way out of any problem.

The buzzard is most common in Slytherin but is found in other houses.

helpful tips for writing

so a lot of nonnies have been asking me to help them by sharing my tips and a lil advice when it comes to writing, so here it is!

psa: i am not a professional writer. what works for me will not work for everyone. how i write, and how i express myself through a scene may be entirely different than what you do. that's ok, but i just wanted to share what works for me. enjoy!

feel free to reblog, add on to this or whatever. please read all the way through if you don't mind!

writing angst/emotional scenes

honestly, this was probably one of the hardest things to write. to be able to capture and properly project an emotion or feeling into a scene is something it took me a while to get used to.

something i do to help, is try to imagine myself in that scene. what the characters would he feeling, how they would express themselves/react to a certain phrase/action. maybe a description of the area around them. really try to set the mood for whatever feeling is being added into a scene.

i would also try to keep dialogue either very abrupt or rambly depending on what you're trying to convey. frantic cries or maybe soft mumbles that caused an abrupt pause in the room. either emotional numbness, deadpanning looks or even nervous, sobbing, and audibly upset conversations.

i would try to stray away from describing the room or the characters a lot. it's going to help place the setting and stabilize the emotional aspect, but you don't want it to stall the scene or make it feel scratchy in a way. you want it to flow, but have it be dramatic as well. it's all about finding a good balance.

fluffy/romantic scenes

everyone i know is a little bitch for cute and adorable scenes, so these fics are definitely very popular amongst fandoms of any kind.

fluffy concepts are cute, but have fun with it! no one wants to read the same "they smiled at eachother and fell asleep" bullshit everytime. make it unique! give your characters the soft moments in between the tickle fights and the playful banter.

romantic fics are so goddamn amazing. giving your stories a plot line and a dynamic between the characters is so important, i can't stress it enough. the vocabulary especially. express their feelings of pining and heartbreak through words that will strike a cord in the reader. make them feel what their feeling. write the hell of out of a scene if you feel that it's too important just to skim over. write a paragraph explaining the immense feeling of absolute dread having the reader see them with someone else. give them a rollercoaster ride.

if you're writing a fic that inevitably ends in heartbreak, foreshadowing is always great. at least warn the people before you go breaking their hearts. i guess this could also apply to the angst section, but just make it yours. make a scene that sticks with you and makes you feel like you're heart's breaking in half too. make it feel like their world is torn apart. or maybe don't. make it feel numb, nothing at all. express the absolute emptiness they feel afterwards and even during the scene. make it frantic, slow, fast, easy, quick; whatever fits the narrative you're working with.

series/multiple parts

god, slowburn is fucking amazing, but only if you do it right. when they're fast and rushing into it before they even know what they have together is also amazing. but only if you can play out the feelings and adrenaline rush correctly.

slowburn. it's a bitch but we all read it anyways, and here's why: it's the absolute pining and want and need for each other that we all crave in some way or another. the feeling of being so completely immersed in someone to the point of breaking and spilling everything you have into the open is such an amazing concept to write about.

so i would suggest to write the tension. make the reader feel the air between them lighting up but never feeling like you can do anything about it. make it feel almost hopeless in a way. write the frustration and the anger in their movements. the built up pension coursing through their bodies; make it feel like as though it's a half of their heart missing and they need it because they've never had it before.

rushing into things. young love, i'm pretty sure? completely disregarding everything just to be with that one person, over everything else. feeling on top of the world before they even know what the world is. it's a beautiful peace of life, and also very heartbreaking.

most in-real-life instances such as these often end in heartbreak and dispair, a tragic loss of a flame that burned out too soon. writing this is very interesting, only because the initial spark of meeting is the stressing point.

the electricity that sparked their hearts and chest into overdrive from a simple touch burned into their heads that they were in love. the rush and adrenaline ride of the high was the best part. then they crash and burn.

its an interesting dynamic and its one a lot of writers spin in their own way. if you wanna make it last though, find a different starting point along the way. maybe a young, gracious warmth fluttered through their chests, or maybe it was nothing but a smile that absolutely melted your thought process.

beating writers block

honestly, i've never found a single thing in this whole world that always gets me out of my writers block. it's never easy, and it's always different things that provoke it.

sometimes i'll just take an off day for myself, and i'll completely detach myself from the writing. i wont think about it, i wont talk about it, and i wont even open my laptop to look at it.

i'll do a spa day, i'll get my nails done, put on a facemask and watch stupid lesbian romcoms all day. the choice is yours, really.

and i'll read. god i'll read a lot. when i read beautiful work, especially poems, i instantly feel a pulling in my chest to do the same thing, so that maybe i can make someone else feel as inspired as i am right now. it's an amazing feeling, and if you don't do this i would highly recommend it.

sometimes i'll watch the movies/tv shows i'm writing about, depending on your fandom or whatever. i'll look for new concepts, little details to explore and that often helps me find tranquility in my work.

i eat, cook, and sleep a lot during these times. i mostly write at night, so being able to have a nine hour night of sleep is quite the shocker to wake up too. i feel refreshed, and often times it helps me as a boost to my creativity.

all in all, i would try to find whatever works for you. it's important that you realize not everything that i do will work, or even help ypu in the slightest, and vice versa.

take care of yourselves, and happy writing y'all!

𝒑𝒆𝒅𝒓𝒐 𝒑𝒂𝒔𝒄𝒂𝒍 ❥︎ 𝒑𝒂𝒄𝒌𝒔

♡︎ please like or reblog if you save/use.

• credit @hiddlesmrvel on twitter

Pedro Pascal for GQ Germany (x)

THE MANDALORIAN S2

baby just noped his way outta there

MY HEART-.. so cute 🥺

Boop

Pairing: Haytham Kenway ft the Templars and Connor Warning: none Note: N/A

“Boop.”

Haytham’s gray eyes flicked from the paperwork and down to his lap, where his six-year-old daughter sat.

She gave him a cheeky grin before pecking his cheek and dashing off into the hallway.

“Bill! Bill!” Y/n chanted, catching up to William Johnson.

“Yes, Miss. Kenway?” William replied.

Y/n tugged on William’s trouser leg, pulling down to her level.

“Boop.”

Y/n took off running, leaving William in a puzzled state.

“Boop?” William quietly repeated.

Y/n’s giggles echoed through the large estate, her skips pounding against the floor.

“Shay! Gist!”

The two men turned to face the girl.

“Y/n!” Gist cheered. “Come here you little rascal!” Y/n eagerly ran to Gist, throwing her arms around Gist’s neck.

“Boop!”

Gist frowned before Y/n reached up for Shay.

“Boop!”

Y/n left the two men behind, watching her skip through the hallway again.

“Hickey! Master. Lee!”

The drunken Scottish man and the stuck-up Englishman turned to face the cheerful girl.

“Oi. What’d you wan-?”

“Boop!”

Hickey scrunched his nose in confusion.

“I refuse to partake in your foolish game, Y/n,” said Charles, turning to leave.

He stopped when he felt a sudden weight holding him back. He looked down to see Y/n clinging to the ends of his overcoat.

“Oh, for goodness sake! Let go!”

Y/n puffed her cheeks out in anger before she started to climb him.

“Get down! Do I need to call your father and have him discipline yo-?”

“Boop!”

Charles’ cheeks started to burn red, watching her jump down and run away.

“Uncle Monro!”

Monro stopped and turned to face the girl charging straight for him. Catching her in his arms, he pressed a kiss to her forehead.

“Hello, Y/n.”

She giggled before reaching up to his nose.

“Boop!”

Monro chuckled before placing Y/n down on the floor. She took off running, her giggling almost contagious.

Reaching the front yard of the estate, Y/n saw the familiar builds of her father and half-brother.

“Connie!”

Connor’s hooded head tilted to the side, watching Y/n charge straight towards him.

“Oof!”

Tackling him head on, Connor nearly tipped over before finding his footing again.

“Boop!”

oscar & pedro - parallels: a thrilling saga

George Lucas changes Jedi marriage rules after cute kid asks nicely

One 7-year-old boy has succeeded where legions of fans have failed: he has persuaded George Lucas to change his vision for Star Wars.

Colin, a young Star Wars fan, hopes to become a Jedi Knight when he’s older, but he also wants to get married and start a family—something forbidden by the Jedi Order, according to Attack Of The Clones and Revenge Of The Sith. Probably dissatisfied with his parents’ guidance to “just become a new kind of Jedi” or to “stop watching those prequels and watch the real Star Wars,” Colin went straight to the source with a succinct letter to Lucasfilm:

Colin received the following response:

…as well as a bunch of cool Star Wars merchandise:

More at avclub.com

Pedro’s many facial expressions, part 2

we were designed to love.

Star Wars characters in the cover of Vogue - Part 1  (Part 2)

Source:  @adamdrivor in Twitter

Brace yourselves for

Part 2/3

Here comes my favourite…

GOD