
Side-blog managed by someone who tends to stack resource and tutorial posts under her blogs' drafts as future references for anything useful in life. Circa 2014. REOPENED.
230 posts
Trying To Draw Buildings
Trying to draw buildings

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More Posts from Starrylibraryofresources
I've been having a go at turning fics into books, and I've put together a step-by-step instruction guide for how to take a fic from Ao3 and make it look like a book in either Word or Google docs, and then how to take that and turn it into signatures (sections of a book) ready to be printed and bound. I'm by no means an expert, but it's worked for me, and hopefully the instructions are simple enough for other beginners!
How to turn a fic into a book with Word
How to turn a fic into a book with Google Docs
A Writer's Guide to Character Development
I don’t know about you guys, but I can only answer “what’s your character’s favorite flavor of ice cream” so many times before I realize those lists are not going to help me actually write the character.
So, instead, I like to drabble practice. Answer these ten key questions about your character (answer in character). Then, after you know them a little better, write ten scenes (NOT part of your planned story) with the ten prompts below. Set it in your world, but it can be whenever you want—pre-story, or post-story, or mid-story. You could even write two scenes for one prompt, contrasting where your character starts the story and where they end up, or write one in first person and then write it again in third.
Just has to cover events that are NOT plot points. The point of the exercise is to come up with scenes you can toss out as soon as you finish them. You might end up using some of the lines or scenes you come up with, but for now you’re just playing around.
QUESTIONS
What does your character tell everyone is their greatest fear? What is it actually? Is it the same? Why or why not?
What is their greatest strength and greatest weakness?
Name the most important people to this character. All of them. Family and close friends and lovers.
Does your character have enemies? Who and why?
What is your character’s favorite holiday and why?
How does your character like to present himself/herself? How do they dress? How do they act? Are they friendly or standoffish? Do they like to make a scene, or are they a wallflower?
What is their love language? How do they express it, and how do they best receive it?
What is their highest virtue? What is something that peers would praise about your character? What do they value most in other people?
Are they messy or neat? Why or why not?
If your character could change one thing about their life, what would it be and why? And, conversely, if they could only save one thing from their life, what would it be?
PROMPTS
Your character has had a bad day. What happened?
Your character’s loved one is sick. What do they do?
It’s your character’s birthday.
Someone is hiding something from your character. How do they uncover what it is?
Your character has just heard the news. A character they loved is dead. Describe the rest of their day.
Your character is on their own for dinner.
Your character has the day to himself/herself. No responsibilities, nothing. What do they do?
In the middle of the night, your character hears a noise in the house.
Your character knows they will die at midnight. What is their last day like?
Your character suddenly develops amnesia. Their loved ones try to jog your character’s memories by taking them to familiar locations and reminiscing.






Hey friends, it’s Meg!
Glad to be back at TUTOR TUESDAY, and a big thanks to Paul for taking over for two weeks! Big thanks to @wr3h for todays topic! I’m hoping to branch out more into styles/techniques in photoshop if y’all enjoy how this one went! I’m always open to recommendations, feel free to send them here or to my personal. Keep practicing, have fun, and I’ll see you next Tuesday!
fat bodies tutorial!
ALRIGHT SO my pal @kalreyno wanted help with drawing fat characters and as a fat artist i felt like i could give a bit of helpful insight on that. there’s also been a lot of complaining about “boo hoo fat characters are hard to draw so i can’t include them in my work Ever” goin on lately so if that’s your case then this is for you too!! and also just for anyone who would like help with fat bodies in general, ofc. anyway, let’s get this show on the road!!

let’s start with some common misconceptions. these are the two main attempts at chubby bodies i run into, so i’ll focus on them.
the Anime Chubby i see everywhere, and it’s just……so wrong in many ways. first of all, there is almost no additional body fat compared to your average thin character - except for where it’s added in “attractive” places (breasts, hips, thighs). the breasts are way too perky, and don’t have the realistic shape fat would give them (though how to draw accurate breasts is another tutorial all on its own lmao). there is still a thigh gap, which usually only happens in very thin people, and bones are still visible on the surface of the skin, which also rarely happens in fat people.
the Michelin Man is better in some ways, but still not that great. it’s a slightly better attempt, but basically all that’s done there is taking a thin character and blowing them up, while giving no thought to fat distribution. the thigh gap is usually still present, and they look a lot more hard than soft - and fat is very soft and pliable.

here’s a chart on how fat usually distributes (if you can’t read my messy writing, “1. next to no fat, 2. moderate amount, 3. most of the fat distribution”). basically, the more muscle an area has, the more prone it is to develop fat, such as the abdomen, thighs, and upper arms. it’s important to note that fat sits on top of muscle, and that it does distribute in different levels, and not evenly across the body as shown in the Michelin Man.

now, here’s an accurate fat body with all of that kept in mind!! notice how the fat isn’t only kept to aesthetically pleasing areas, and how it sits realistically on the character’s body. their breasts sag a lot more, which happens even in thin people with larger breasts, and the nipples are pointing more downwards than straight out. there is no thigh gap in sight, there are no bones in sight, and most importantly, they have fat rolls, which are very important in drawing a convincing fat character!! as far as i know i’ve never met a single person with no rolls at all, and everyone has them, whether thin or fat - they’re just more prominent and more consistently present in fat people. pay close attention to where they are and how they’re shaped.

here are a couple of drawings showing how fat is affected when sitting vs stretching. as seen in the first, the fat specifically on the stomach is distributed a lot more evenly and stretched out, so it becomes “flatter”. the love handles are still pretty visible, though, as well as the fat on the thighs and arms. the breasts are raised with the shoulders, and the fat on the shoulders and near the neck forms rolls as it’s being pushed together.
in the second, there is a lot less room for distribution, so the fat is all pushed together. the breasts sag and the stomach forms rolls and spills into the lap. a good analogy for the way fat works is to liken it to a water balloon, and thinking of how its shape would change when resting flat on a surface, hanging off of a ledge, held upright, etc.

here are a few extra tips i find a lot of people miss!
first on the top is the hip/pubic region. the first circle is showing the way the bellybutton is folded in fat people, as opposed to stretched out in thinner people. the second is the stomach fat spilling over onto the pubic region and creating a separation in the two areas, which is something that’s missing in a lot of art. in addition, the pubic mound also gains fat, making it round as seen in the profile drawing i did up there (i’ve heard people refer to it as fupa?). the last in the hip region is the lack of a thigh gap. i can’t stress this enough!!!! if you’re trying to draw a convincing fat character, make sure their thighs are pretty much always touching!! for reference, mine literally don’t separate until my feet are about 2ft from each other.
the bottom right is showing the double chin, which a lot of people are afraid to draw!! fat does distribute itself here too, and there’s nothing wrong with it, so don’t feel like you shouldn’t give fat characters a double chin in your work for fear of it looking like a caricature.
in the bottom middle, it’s showing how fat affects different types of breasts with the presence of more or less breast tissue.
lastly, at the very right are stretch marks with their usual locations and directions, which i also can’t stress enough!!!!! i sometimes forget to add them honestly, but they’re so important in accurately portraying fat characters, as they literally come from the skin being stretched from fat being gained (and they’re also just rlly neat lookin like why wouldn’t you lmao). some people have less and some people have more, feel free to experiment with them!

the last thing is body types!! there isn’t one single way for a person to be fat, so feel free to experiment with shapes once you’ve learned the basics!!
so there you have it, a tutorial on how to draw chubs!! now go forth and make some accurate fanart or some rad fat characters, because the world could always use more of both. hmu if you have any questions or concerns, and thanks for reading!!
EDIT: someone pointed out the bad wording in the tutorial. thank you for bringing it to my attention and sorry for offending anybody. i’ve updated the tut, so please reblog this one!