The Birth Of Slutty Puppycat

the birth of slutty puppycat

I just think people write out of obligation too often.

"How do I motivate myself to write through the boring part of my story?"

"How do I make this boring scene not boring?"

Don't write it.

Don't write boring things just because you think the structure of the story demands it. I promise it doesn't need to be there.

If your characters need to have gone shopping for a later part of the story to make sense you can just have a sentence about how they went shopping and move on.

You are not obligated to write the boring parts. No matter what those parts are.

You are not obligated to make the parts of your story that you're not excited to write interesting somehow.

You can just write the fun and interesting parts and gloss over and summarize boring things.

Your audience will thank you and you will thank yourself.

🌌 See you space outlaw…

september 8th... 1973. september 8th, 1973. it was 11:07 here. it would have been 9:07 in san francisco. armand called me. were you there? did you hurt yourself?

The Causal Chain And Why Your Story Needs It

The most obnoxious thing my writing teacher taught me every story needed, that I absolutely loathed studying in the moment and that only later, after months of resisting and fighting realized she was right, was something called the causal chain.

Simply put, the causal chain is the linked cause-and-effect that must logically connect every event, reaction, and beat that takes place in your story to the ones before and after.

The Causal Chain is exhausting to go through. It is infuriating when someone points out that an event or a character beat comes out of nowhere, unmoored from events around it.

It is profoundly necessary to learn and include because a cause-and-effect chain is what allows readers to follow your story logically which means they can start anticipating what happens next, which is what is required for a writer to be able to build suspense and cognitively engage the audience, to surprise them, and to not infuriate them with random coincidences that hurt or help the characters in order to clumsily advance the author's goals.

By all means, write your story as you want to write it in the first draft, and don't worry about this principle too much. This is an editing tool, not a first draft tool. But one of the first things you should do when retroactively begin preparing your story to be read by others is going step by step through each event and confirming that a previous event leads to it and that subsequent events are impacted by it on the page.

this pride, i learnt about the Palestinian trans woman Oscar Al-Halabiye, dancer and resistance fighter against the israeli occupation in Southern Lebanon. she named herself Oscar after Lady Oscar from the "The Rose of Versailles", a Japanese manga series written and illustrated by Riyoko Ikeda.

her story is documented in Cinema Fouad(1993). zionists use pink washing to reinforce their genocidal terrorist narrative when queer Palestinians have been fighting against the occupation since the very beginning. you can watch it here with english subtitles. long live the intifada!

YouTube

Cinema Fouad (1993) with English Subs

Documentary by Mohammed Soueid. Republished here for educational purposes. "Cinema Fouad is a documentary portrait of Khaled El Kurdi, a Syr