retro-with-a-twist - Random Stuff From A Random Person
Random Stuff From A Random Person

Cant sleep art repeat šŸ’Ŗ

37 posts

The Fall Guy? More Like The Pookie.

The Fall Guy? More Like The Pookie.

The Fall Guy? More like The Pookie.

I was made for lovin’ the Goss 😌

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More Posts from Retro-with-a-twist

1 year ago

”WARNING!: VERY long post ahead!

WARNING!: VERY Long Post Ahead!

I was recently asked to do a tutorial for two friends, and I figured I’d share it here! It’s on how I personally use markers and colored pencils for portraits, so if that’s something you’re interested in then this is for you!

I must preface by saying this is my first tutorial/guide thingy and I’m no professional, but hopefully it helps some! This is only one way of going about it, don’t worry if it’s not your way!

Without further ado, let’s do this! And remember: Trust the process!!!

First, the angelic (šŸ˜) reference:

WARNING!: VERY Long Post Ahead!

Now, we all see tones differently. I also am using the Art Alternatives Portrait Set, which is limited in tones. So, this won’t be completely picture accurate- which is okay! Essence over accuracy!

Alright! Here we go!

Step One: the sketch!

WARNING!: VERY Long Post Ahead!

Typically I do the sketch in the person’s undertone, usually pinks or purples. However, for whatever reason I was compelled to try blue on this one, and hey- what is art if not random attempts at creating beauty?

And just like the color scheme, the sketch isn’t 100% accurate. But again, it’s all good!

But anyways, the reason I do my sketches in colored pencil is because it doesn’t smudge like graphite does, and it actually blends into the marker. I feel it’s smoother, and it provides some undertones as you start layering with marker.

Step Two: base tones

WARNING!: VERY Long Post Ahead!

This is where you wonder if you just destroyed the entire drawing. I promise you that you didn’t! Basically what I do here is I put pinks down wherever I see pinks in the reference and lay down where the skin is the darkest. I find that it blends better when it’s underneath the base layer.

Step Three: the base layer

WARNING!: VERY Long Post Ahead!

Here, all you do is throw down the skintone over the entirety of where it goes, in this case the face. I typically try to leave out highlights, but sometimes the marker bleeds and covers things I didn’t ask it to. In this case, that was the eyes. Oh well!

One thing to notice here is how you can still see the colored pencil beneath the sketch. That’s a very useful guide for when you begin detailing.

Step 3.5: uh

WARNING!: VERY Long Post Ahead!

This isn’t necessarily a marker step, it’s just me letting the ink dry and working on other spots with pen and colored pencil. Also, I do like to go over the pink areas a few times to make them less stark.

Step Four: beginning detailing

WARNING!: VERY Long Post Ahead!

Now, black is a tricky color on the face, because it can either smudge on everything and turn it gray, or work really well. I used a colored pencil here, and began going over the blue colored pencil spots and lines that were visible under the marked, which started to bring out his face. I also covered the highlight on the nose that had been left alone thus far.

Step Five: THEā„¢ļø details

WARNING!: VERY Long Post Ahead!

If there’s anything I’ve learned in my five years of drawing, it’s that the highlights and darkest points are what really make the piece. Pure white, bright highlights (like the ones in the eyes) are awesome, but lately I like smudging them out a little bit so that they’re gentler.

If there’s anything you want to hit, it’s the whites of the eyes with the white gel pen, and the pupils + nostrils with the black fineliner.

I have shaky hands, but I use them to my advantage in stippling the darkest part of the eyebrows and in the line of the lips with the fineliner- it just adds a little bit more depth :)

Hair is its own thing, I just sort of wing it. Black hair especially is not the easiest for me, just because I find it difficult to bring out the shades in it. It’s not done at this step as I was trying to figure out how I was going to finish it.

I will also blend things out with both the skintone marker and a pink colored pencil just to get stuff to be smoother. If you’re going for semi realism/realism like me, I highly recommend taking a reddish brown to do some freckles/skin texture with. You can’t see it too much in this picture, and I didn’t want to overdo it since Cas/Misha doesn’t have that many freckles as far as I can see, but it does make a difference.

Step Six: everything else

WARNING!: VERY Long Post Ahead!

I did the jacket in colored pencil as well as the fake id!

If you have any questions let me know, I’m happy to help!

Hope this is a decent guide :)


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1 year ago
Rhonda Hurley, The Unsung Hero Of The Supernatural Fandom.

Rhonda Hurley, the unsung hero of the Supernatural Fandom.

(Uhhh be SUPER careful clicking ā€œkeep readingā€)

Rhonda Hurley, The Unsung Hero Of The Supernatural Fandom.

If you know me irl, we are NEVER discussing this.

Anyway Supernatural has 100% altered my brain chemistry. Also, I feel like Dean had hair that sort of looked like Sam’s when he was in his late teens, sue me.


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1 year ago
*gestures Frantically* Listen, Hear Me Out- No Really, Listen, Alright. Look, Im No Genius, But Like,

*gestures frantically* Listen, hear me out- no really, listen, alright. Look, I’m no genius, but like, you know that one ep of Spn with the magicians and the PT Barnum book or whatever?? How in the name of Chuck did they miss the opportunity to idk, put the boys in slutty magician outfits and maybe call Dean ā€˜Magic Mike’ and make him wear eyeliner????????? Because??? Hello??

Okay I’m done now AHHHHHHHHHHHHHHH

Anyways I am in the middle of a bit of a style flux- I usually draw almost-realism and portraits and it’s a little hard maintaining those aspects when a face is tiny but I’m getting there!!

Hope I’m not the only one who thinks this would’ve been a good idea!!


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