Thank You! I Was Just Tryna Do A Basic Overview To Get The Gist Going, But I Appreciate The Elaboration

thank you! i was just tryna do a basic overview to get the gist going, but i appreciate the elaboration xo ( i figured if i tried to introduce every possible sentence it would get overwhelming so i only provided a couple. i've just seen some blatantly incorrect uses that i wanted to note)

writing tips: conjunctions and the dreaded 'nor'

conjunctions are in-between words that connect two clauses in a sentence or phrase. but, yet, although, however etc.

the difference:

'but' is a coordinating conjunction. you use 'but' after a comma. "she liked dogs, but her sister had a severe allergy." DO NOT USE IT AT THE BEGINNING OF A SENTENCE. Use However.

'however' is a conjunctive adverb. it introduces a new sentence to the original clause and usually describes the action that contrasts the interpretation. "she liked dogs. However, her sister had a severe allergy, so the family couldn't get one."

-

NOR. nor nor nor. aur naur. aur naur, it's nor. ok i'll stop.

'nor' has everybody in a chokehold. it is not just another way to say 'but, however, yet.'

it means 'neither.'

"here nor there" means 'whatever you're looking for isn't here or over there.'

incorrect:  I neither can talk to you, nor can I text you.

Correct: I can neither talk to you, nor can I text you.

it's a common mistake to use it in a double negative. it still means neither. it looks hella different, but use it the same. use 'nor' with neither as a way to say the same thing without the same word.

double negative:

"I don't have neither the time nor the patience!"

correct:

"I have neither the time nor the patience" or "I don't have the time or the patience."

nor is buddy-buddy with neither. don't use nor by itself. it's gross.

xox love you

Tips for writing those gala scenes, from someone who goes to them occasionally:

Generally you unbutton and re-button a suit coat when you sit down and stand up.

You’re supposed to hold wine or champagne glasses by the stem to avoid warming up the liquid inside. A character out of their depth might hold the glass around the sides instead.

When rich/important people forget your name and they’re drunk, they usually just tell you that they don’t remember or completely skip over any opportunity to use your name so they don’t look silly.

A good way to indicate you don’t want to shake someone’s hand at an event is to hold a drink in your right hand (and if you’re a woman, a purse in the other so you definitely can’t shift the glass to another hand and then shake)

Americans who still kiss cheeks as a welcome generally don’t press lips to cheeks, it’s more of a touch of cheek to cheek or even a hover (these days, mostly to avoid smudging a woman’s makeup)

The distinctions between dress codes (black tie, cocktail, etc) are very intricate but obvious to those who know how to look. If you wear a short skirt to a black tie event for example, people would clock that instantly even if the dress itself was very formal. Same thing goes for certain articles of men’s clothing.

Open bars / cash bars at events usually carry limited options. They’re meant to serve lots of people very quickly, so nobody is getting a cosmo or a Manhattan etc.

Members of the press generally aren’t allowed to freely circulate at nicer galas/events without a very good reason. When they do, they need to identify themselves before talking with someone.

writing tips: conjunctions and the dreaded 'nor'

conjunctions are in-between words that connect two clauses in a sentence or phrase. but, yet, although, however etc.

the difference:

'but' is a coordinating conjunction. you use 'but' after a comma. "she liked dogs, but her sister had a severe allergy." DO NOT USE IT AT THE BEGINNING OF A SENTENCE. Use However.

'however' is a conjunctive adverb. it introduces a new sentence to the original clause and usually describes the action that contrasts the interpretation. "she liked dogs. However, her sister had a severe allergy, so the family couldn't get one."

-

NOR. nor nor nor. aur naur. aur naur, it's nor. ok i'll stop.

'nor' has everybody in a chokehold. it is not just another way to say 'but, however, yet.'

it means 'neither.'

"here nor there" means 'whatever you're looking for isn't here or over there.'

incorrect:  I neither can talk to you, nor can I text you.

Correct: I can neither talk to you, nor can I text you.

it's a common mistake to use it in a double negative. it still means neither. it looks hella different, but use it the same. use 'nor' with neither as a way to say the same thing without the same word.

double negative:

"I don't have neither the time nor the patience!"

correct:

"I have neither the time nor the patience" or "I don't have the time or the patience."

nor is buddy-buddy with neither. don't use nor by itself. it's gross.

xox love you

idk if this counts as a request, but I loved your post on starting, and I was wondering if you had any advice for one step before a writing session (i.e., going from the staring-at-the-wall phase to sitting down in front of some sort of screen and opening the right document). It sounds silly, but that's where I'm at right now; I've figured out how to handle a blank page most of the time, once I'm there, but I'm having trouble getting to that point. Is this something you deal with, and if so, do you have any tips for handling it?

i'm gonna assume you mean the like outlining/drafting stage? like not 'writing' the story but just like making scene outlines and stuff? that's what I'll answer but if it's wrong pls send me a follow up and i'll fix it lmao

outlining is a very person-to-person thing because it fits the story and the style and the blah de blah de blah.

but...here are some basic templates you could build off of and make your own.

the 3 act outline. divide your story into 3 'acts'.

Act 1: set-up and exposition - in the Hobbit, for example, this act would be like the arrival of the dwarves, the setup of the journey, and the beginning of the journey.

This act looks different for every story. you can pick where this act ends, but it usually transitions into the second act right before a point of major conflict or the beginning of rising tension. this act includes the inciting incident and the first 'turning point'.

Act 2: confrontation - the beginning of the intense stuff. In the Hunger Games, this would look like the beginning of the Games, where Katniss is first realizing how dangerous it is, maybe the first time she gets seriously injured. it ends with the 'darkest moment', when the characters feel all is lost and they need a win.

Act 3: resolution - The final act contains the climax, the plot twist, and the fallout. it's the final battle, then any last obstructions to peace, and then the clean-up of everybody going home, wounds being bandaged, the end yayyy.

Personally, I think 3 acts is too vague, so I do 7 acts, which is basically 3 acts divided into two (plus one) to narrow down the different phases. You can absolutely mix it up depending on the story; really big intense stories might benefit from more detailed outlining just to keep the facts straight, whereas smaller stories might not need it.

play around, find what works. if you hate an outlining process, don't use it. don't butcher your story to fit it, just find something that works.

Here are some other misc tips for setting up a writing space:

keep a fact sheet handy. just basic things to remember, if you have a hard time with remembering setting locations (me cough cough) draw up a lil map to keep it straight.

a goal checklist for the part/chapter. write out generally where you want the story to go in that place, and some need-to-happen things. this can help for writer's block, if you don't know what to write next.

remember it's okay to write out of order. make a separate document for things that you liked but don't necessarily have a 'place' in the story yet. keep it on a back tab and if you realize 'oh that piece of dialogue would be great here' do an ol' copy paste and ta daaa

I hope this answered your question and helped out anyone else who needed this! if it didn't please message me again (no hard feelings my skull is thicker than Oscar's ass) and I will write a follow up!

xox love ya

The Mini Guide to Crafting Compelling Royal Characters for Fiction Writers

Creating royal characters can be both exciting and challenging. These regal figures often play pivotal roles in stories, capturing readers' imaginations with their power, privilege, and the weight of responsibility they carry. Whether you're writing historical fiction, fantasy, or contemporary novels featuring monarchs, this comprehensive (mini) guide will help you develop authentic, multi-dimensional royal characters that will resonate with your readers.

Understanding the Basics of Royalty

Before diving into character creation, it's essential to have a solid grasp of what royalty entails. Royalty typically refers to members of a ruling family, including kings, queens, princes, princesses, and other nobles within a monarchical system. These individuals are often born into their roles, though some may ascend to power through marriage or other means.

Key aspects to consider:

Hierarchy and succession

Royal duties and responsibilities

Protocol and etiquette

The concept of divine right (in some cultures)

The relationship between royalty and their subjects

Remember, while these elements are common in many royal systems, you have the creative freedom to adapt or reimagine them for your fictional world.

Developing Your Royal Character's Background

Every character, royal or not, needs a rich backstory. For royal characters, this background is particularly crucial as it shapes their worldview, values, and decision-making processes.

Consider the following:

a) Lineage: What is your character's family history? Are they from a long-standing dynasty or a newly established royal house?

b) Upbringing: How were they raised? Were they groomed for leadership from birth, or did they have a more sheltered upbringing?

c) Education: What kind of education did they receive? Was it formal, focusing on statecraft and diplomacy, or more well-rounded?

d) Relationships: How do they relate to their family members, courtiers, and subjects?

e) Personal experiences: What significant events have shaped their character and outlook on life?

Crafting a Unique Personality

Avoid the trap of creating one-dimensional royal stereotypes. Your character should be as complex and nuanced as any other well-developed protagonist or antagonist.

Consider these aspects:

a) Strengths and weaknesses: What are your character's admirable qualities? What flaws do they struggle with?

b) Motivations: What drives them? Is it a sense of duty, personal ambition, or something else entirely?

c) Internal conflicts: What personal struggles do they face? How do these conflicts affect their rule and relationships?

d) Hobbies and interests: What passions do they pursue outside of their royal duties?

e) Sense of humor: How do they express humor, if at all? Is it dry wit, sarcasm, or something else?

Balancing Power and Vulnerability

One of the most intriguing aspects of royal characters is the juxtaposition between their immense power and their human vulnerabilities. This balance can create compelling internal and external conflicts for your character.

Consider:

The weight of responsibility and its impact on their personal life

The isolation that often comes with a royal position

The constant scrutiny they face from the public and court

The struggle between personal desires and duty to the crown

Creating a Believable Royal World

Your royal character doesn't exist in a vacuum (I hope not). They're part of a larger royal ecosystem that includes family members, advisors, courtiers, and subjects. Developing this world adds depth and authenticity to your story.

Key elements to consider:

Court dynamics and politics

Relationships with other noble houses or kingdoms

The role of advisors and how they influence decisions

Traditions and customs specific to your royal setting

The economic and social structure of the kingdom

Addressing the Challenges of Royal Life

Royal characters face unique challenges that can drive your plot and character development. Some common themes include:

a) Succession disputes b) Balancing personal happiness with duty c) Navigating political alliances and conflicts d) Managing public opinion and maintaining legitimacy e) Dealing with threats to their rule or life

Use these challenges to create tension and drive your story forward while revealing more about your character's personality and values.

The Impact of Historical Context

If you're writing historical fiction or a fantasy inspired by real-world monarchies, it's crucial to consider the historical context. Research the time period and culture you're drawing from to ensure authenticity in your character's behavior, beliefs, and challenges.

Key areas to research:

Social norms and expectations of the time

Political systems and power structures

Technology and its impact on governance

Religious beliefs and their influence on royalty

Gender roles and how they affect royal duties and succession

Avoiding Common Pitfalls

When creating royal characters, be mindful of these common mistakes:

a) Making them too perfect or too villainous b) Ignoring the realities of royal life (e.g., lack of privacy, constant duties) c) Overlooking the impact of their decisions on their subjects d) Failing to show growth or change over the course of the story e) Relying too heavily on stereotypes or clichés

Incorporating Royal Etiquette and Protocol

Royal characters often adhere to strict codes of conduct and protocol. While you don't need to become an expert in royal etiquette, incorporating some of these elements can add authenticity to your story:

Forms of address (Your Majesty, Your Highness, etc.)

Court ceremonies and rituals

Dress codes and regalia

Rules of precedence in social situations

Diplomatic protocols when interacting with other royals or dignitaries

Exploring Different Types of Royal Characters

Remember that not all royal characters need to be ruling monarchs. Consider exploring other royal roles, such as:

The rebel prince or princess who rejects their royal duties

The reluctant heir thrust into power unexpectedly

The exiled royal fighting to reclaim their throne

The royal spouse adapting to life in the palace

The illegitimate child discovering their royal heritage

Each of these archetypes offers unique storytelling opportunities and challenges for character development.

Balancing Historical Accuracy and Creative License

If you're writing historical fiction featuring real royalty, you'll need to strike a balance between historical accuracy and creative interpretation. While it's important to respect known facts and timelines, you also have the freedom to explore the inner lives and motivations of these historical figures.

Tips for balancing accuracy and creativity:

Thoroughly research the historical figure and their time period

Clearly differentiate between historical fact and fictional interpretation

Use author's notes to explain any significant departures from known history

Focus on filling in the gaps in the historical record rather than contradicting established facts

Developing Royal Character Arcs

Like any well-rounded character, your royal protagonist should undergo growth and change throughout your story. Consider how their experiences might challenge their beliefs, alter their perspective, or force them to confront their flaws.

Possible character arcs for royal characters:

From naive idealist to pragmatic ruler

From reluctant heir to confident leader

From isolated monarch to connected leader who understands their subjects

From power-hungry tyrant to benevolent ruler (or vice versa)

Remember, character growth doesn't always have to be positive. Sometimes, the most compelling stories involve characters who face moral decline or tragic falls from grace.

Remember, while the trappings of royalty may be grand, at their core, your royal characters are still human. They love, fear, hope, and struggle like anyone else. It's this humanity, set against the backdrop of power and responsibility, that makes royal characters so fascinating to read and write about.

Happy writing, - Rin T

Hey fellow writers! I'm super excited to share that I've just launched a Tumblr community. I'm inviting all of you to join my community. All you have to do is fill out this Google form, and I'll personally send you an invitation to join the Write Right Society on Tumblr! Can't wait to see your posts!

Google Docs

Membership Form for Write Right Society (Fill-Out Form!)

Welcome to Write Right Society! At Write Right Society, we are dedicated to nurturing the creative spirit and honing the skills of writers a

Gumroad

The Writer's Scene Workbook

Calling all aspiring storytellers with hearts full of whimsy! Get ready to sprinkle a touch of enchantment into your scenes with my Scene Wo

writing tips: editing!!!!!!!!!! our favorite 13th reason

it's okay to hate editing. we all do. it's hard it's ugly it's nasty ew gross.

but! it's okay. if you know how to do it right, you'll feel better about the outcome.

make a list of your goals. what did you want out of the story? what was supposed to happen in each chapter? big things, little things, it doesn't matter how many but make sure to identify the most important ones. when you go through your work, check them off as they happen. if something crucial was left out...add it in!

start basic. don't immediately jump in to the nitty-gritty details of your writing. start with the basic flow of the story. how's the pace? did you like how many pages it took to get to XYZ? basic, big picture stuff.

pleeeease get an outside opinion. you have a background idea of all the behind-the-scenes of your story. someone else might read it and go 'uhhh, what does [this part] mean? it doesn't make sense.' you might've glossed over it because you had a background sheet of all the info. outside opinions help catch things that your bias didn't.

that in mind, approach editing with a blank mind. don't rush it the minute you finished the first draft. take a day off and don't even think about it. take a walk, go see a movie, whatever, and then come back to it. this helps reevaluate your place and refocus.

make sure to edit grammar and punctuation. if you don't know how, i've posted about it and there are plenty of writers here that take submissions for it! (I am one of them but there are more seasoned ppl out there lol) don't worry too much about it reading like a Classic, because it's tumblr. if you're writing outside of tumblr, awesome, there are websites for editing submissions (will link them below)

Scribophile

Goodreads Beta Reader Groups

Critters

Inked Voices

Critique Circle

hope this helps! xox