Holy...

Holy...

The lighting? The way he is illuminated because of *her*?

I love. Clora is just ✨✨✨

🖤 his light 🤍

Please take me to the masquerade 💃💃

So I did a thing...

This scene in DMATMOBIL has me in a *chokehold* after literal years.

Fave moments in DMATMOBIL by @isthisselfcare: -Hermione evened out the odds with her wifi pucks. -Draco just skewered a man with a wand. -Draco whips out a knife. -Larsen the Viking is about to face the ferally protective Auror Draco Malfoy in a hand to knife combat. Can you tell which part of Draco I spent the most time on? Yeah, I know, I like them veiny leave me alone. 🤭Also, gotta love him in his red Auror robe.

🌸Thank you for the tag @sallowslove

🌸Artemis Loreley when she goes to visit her mother's family on the Pacific side.

🌸Darling, sweet girl with a shadow cast.

🌸NP tags: @sunnyrealist @thefeatherwrites @gingerlegacy07 @galaxiasgreen

oh, these are such beautiful picrews, and I just had to!

make your OC + their sword of choice

np tagging: @valyrra @localravenclaw @shanaraharlyah @thriftstorebabayaga @eternalremorse @charmedcleric @sebastianswallows @ominisss @trulyblockedout @ephemerasnape, and really anyone who'd like to join

Structuring Your Fight Scene

adapted from <Writer's Craft> by Rayne Hall

Suspense

Show your characters gearing up, readying themselves.

The pace is slow, the suspense is high (use suspense techniques)

Provide information about terrain, numbers, equipment, weapons, weather.

May have dialogue as the opponents taunt each other, hurl accusations, or make one final effort to avoid the slaughter.

Don't start too early - we don't need to see the hero getting out of bed, taking a shower and having tea.

2. Start

Fighters get into fight stance: knees slightly bent, one leg forward, abdominal muscles tensing, body turned diagonally, weapons at the ready.

Each side will usually try to be the first to strike, as this will give them advantage.

The movements in this section need to be specific and technically correct.

3. Action

This section may be quick or prolonged. If prolonged, no blow-by-blow descriptions are needed.

Focus on the overall direction of the fight

Make use of the location to make characters jump, leap, duck, hide, fall, etc.

Mention sounds of weapons

4. Surprise

Something unexpected happens: building catches fire, a downpour, relief force arrives, staircase collapses, bullet smashes into the only lightbulb and everything goes dark, hero losses his weapon, etc.

Add excitement, raise the stakes.

5. Climax

Both sides are tired and wounded

The hero is close to giving up, but is revived with passion

Move to the terrain's most dangerous spot: narrow swining rope-bridge, a roof-edge, sinking ship, etc.

Don't rush the climax! Hold the tension

6. Aftermath

The fight is over: bes buddies lying dead, bandaging, reverberating pain, etc.

Use sense of sight and smell

The hero may experience nausea, shaking, tearfulness or get sexually horny

Fight scene length

Historical/adventure/fantasy: 700-1000w

Romance: 400-700w

Happy Weasley Wednesday!

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