pencilprawn - Howdy Roosky!
Howdy Roosky!

šŸ¤| 24 yr old Shrimplet |🦐 Animation/TV Film/Media Student. Hijinks and Histeria served with a Boatload of Barnacle Sauce! šŸ’æ| Bury me in DvD Boxed Sets |šŸŽ¬šŸŽ„

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Hey Dude I've Been Following Your Blog For A While And You Got Some Really Cool Animations. I Myself

Hey dude I've been following your blog for a while and you got some really cool animations. I myself am trying to learn how to animate but I don't know where to start. So my question to you is where do I start to learn how to animate? Like are there any books I should read or tutorials you would recommend. Thanks for your time man I really apreciate it.

First off, thanks for the compliment and thanks for following me!

I don’t really think there’s any one way, but…

As far as books go, I’d say Preston Blair’s Advanced Animation is probably the best place to start. The name’s pretty misleading- It atcually starts form the very basics. It’s where I started when I started getting more serious about animation, and I’d say it has probably been my biggest help. Learning good construction skills has helped me tremendously with my animation and art. You may have a lot of awesome ideas in your mind, but that won’t help much if you can’t translate them to paper (or tablet, or whatever you may use).Ā  Learn about construction, how lines and features wrap around forms, clear and distinct poses, perspective, etc. Don’t trace the examples, but make your own copies of them step by step and compare them to the images given. Your copies don’t have to be perfect- what’s most important is that you’re learning how and why something looks the way it does.

When I first started copying I made the mistake of trying to make my drawings look exactly the same as in the book, causing frequent frustation. I’d spend forever on one drawing, not really absorbing and understanding what the goal was. Now, that doesn’t mean you should be careless about it… You do want them to look close. Just make sure to go step by step, checking your progress along the way. You’ll get better the farther you go.

You might have taken a look at those pages and thought ā€œWell, that’s interesting and all, but I don’t exactly plan on drawing these old ā€˜40s Disney-style characters any time soonā€¦ā€

That’s totally understandable and perfect because the next step is to use the tools you learned from copying those drawings and apply them to your own drawings. After all, what’s the point in copying and learning all those principles if you aren’t going to use ā€˜em? I’d also recommend some life drawing every once in a while. Draw people and objects and learn what things actually do look like and not just what you think they look like. Once again, apply these principles to your own drawings.

Like I said before, though, there’s no one way. That’s just the way I happened to learn. Some people can pull off amazing drawings and animation without a bit of construction!

As for learning actual animation… Watch and study the best! Take influence from both classic and modern animation. I love watching old Warner Brothers cartoons- especially those by Bob Clampett, Tex Avery, and Chuck Jones- and seeing how skillfully they move their characters. I also love anime, too. There are TONS of talented Japanese animators with unique styles and techniques. I have so many favorites I can’t even list them all, but SakugaBooru (occasional 18+ content there so beware) has a huge selection of awesome animation gifs and webms from just about everybody. Whenever you get a chance, browse around the site. Watch and analyze different animators’ works and study the underlying principles. Learn to recognize what’s great and what isn’t. Go frame by frame and see how things move, then try it out for yourself. If possible, check out rough animation too. Preston Blair also goes a little bit into animation (walk cycles, squash and stretch, etc.) later on in his book. I’ve also heard a lot of people recommend The Animator’s Survival Kit, but I haven’t really taken a look at it.

So, yeah, this is a big post coming from somebody who hasn’t had any type of formal training. Please don’t take my advice as the end-all be-all (…is that right?) Everything I’ve learned about animation so far has come from the internet, and I’m still just scratching the surface. There are still tons of things that I need learn and get better at (walk cycles still scare the heck out of me), but I’m going for it. Just look around and explore, both here on Tumblr and the rest of the internet. There’s quite a bit of treasure out there.

Some random tips and stuff:

-When animating, start with the basic forms first. Animating something that has a lot of details can be tricky and I find it easy to lose myself. Starting with the simple parts helps a bunch.

-This is probably just me, but I seem to have some sort of issue when it comes to erasing parts of a drawing. I tend to just draw over it, and over time that gets messy. Soo…. er, don’t be afraid to erase.

-If you’re making a project that’s a bit longer or more complicated than the usual gif or something, have a plan. Srsly. Storyboards help. I’ve learned that the hard way.

Miscellaneous recommendations:

-John K Stuff. Say what you will about him, but he gives solid drawing advice. Tons of information here that has also been a huge help in my learning. Also has some great animation lessons. I’d recommend it for those 16+, though.

-Animation Resources. They have the whole Preston Blair book uploaded.

I hope that wasn’t too long. If you or anybody else has any more questions please don’t hesitate to ask!

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More Posts from Pencilprawn

9 years ago
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{21.05.16} a day of art


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9 years ago

Rolling 02 ^^


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9 years ago

Hey! I'm really interested in pursuing a career in art (right now I'm thinking cartooning or something) and even though college apps are a couple years away my teachers have been telling me to look into what unis/colleges I'm interested in. Every time I do, I get really sad because I'm like "what are the chances of me being a successful artist with decent job security, especially since there are so many other great artists out there". Do you have any advice?

Here are some of my thoughts (after jump):Ā 

Keep reading


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9 years ago

Hi there, so I'm a senior in high school and I love animating. That's what I wanna do during college and for my career. I saw that you work for Disney, and that has always been a dream of mine to be an animator for them. So my question. What was your journey to Disney like?

Hi! It’s a little late tonight but I wanted to answer this. I apologize if my babbling makes no sense, I ate too much candy tonight.

I’ve answered similar questions a few times (they should be reblogged at @hello-aron) but to sum it up:

I went to school for animation. Mixed-up sequencing of my classes after transfer in totally messed me up (eeeboy foundations are heavy) Had a great professor who was a Disney veteran of almost 25 years. Earned my BFA in animation from SCAD, and then went for my Masters.

Studied for my MFA at AiCA-SF (avoid them) and graduated as the recession hit full swing. Had an internship lined up, that fell through with economy, then worked in retail for 4 years.

While in retail, focused not on animation, but learning to draw and color. Was taught by my best friend, and self-taught myself photoshop. 2011 was a turning point. In October I started up at a small studio and got to work with amazing folks including my good friends. Work ended before Thanksgiving and I spent until around April unemployed but hellbent on studying Storyboarding from Sherm Cohen’s lesson DVDs. Was coloring comic bg’s for My friends webcomic.

I think maybe mid to late April 2012 I got an email– It landed in my junk box & I almost deleted it by accident. It was from Disney asking me if I was interested in a job. I started freelance in Publishing and was hired full time in June and have been there ever since. Someone saw my portfolio online and it was the major turning point. I’ve been very lucky.

If you browse through my answered questions about stuff I will always stress this:

-Never give up. -Keep your portfolio clean, easy to browse, and UPDATED constantly. -Draw so much. SOOOOO MUCH. -keep trying-learn from everywhere -be rad. You got this-never give up. I know you can do it

You gotta keep having the drive to get better. You will always learn. There’s no end to that. Keep your portfolio updated with your best stuff because you never know who will be browsing. Apply to things. Be proud of your work and keep trying if you don’t get it the first time. You never know what might be your foot in the door.

I hope that helps! Feel free to ask me more and check out my reblogs at @hello-aron, especially the school/education ones. There’s more learning options these days and no one way to go about learning :)


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9 years ago

Hello :) I'm admiring your work a lot! A question has been on my mind for a long time now but I couldn't find someone to answer: is it possible to visit or even be a trainee at Disney Studios ? I know if you're American there's like some internship but I am French and oh how I wish to see and discuss at least once in my life with artists working for Disney, like you :) I'm currently studying arts and I think it will be soooo interesting to do this! Thanks for your reply :)

I know disney brings over interns from Gobelins regularly, so if you are a student your best chance is to get into the animation program at Gobelins and apply from there. Once you have graduated and want to get on as a trainee (called apprentice now) at Disney you should go to www.disneyanimation.com/careers and follow the instructions there for how to apply.

Bonne chance!


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