I've Seen So Many Posts Talking About The Honda Scene Being A Visual Metaphor For Deadpool And Wolverine

I've seen so many posts talking about the Honda scene being a visual metaphor for Deadpool and Wolverine having sex that I want to talk about the film as a whole for a second:

Deadpool & Wolverine is a romantic comedy.

There are a bunch of places (including this one) that describe the format of a romantic comedy, but the basic beats are as follows:

1. Introduction to your protagonist "Okay, Peanut, guess we're getting that team-up, after all." Deadpool and Wolverine opens on Wade digging up Logan's remains from Logan (2017).

2. The inciting incident "I'll do it." Paradox kidnaps Wade and blackmails him into locating a Logan to save his timeline. Cue "Iris" by Goo Goo Dolls, featured in City of Angels (1998).

3. The meet-cute "You two going to fuck or fight?" After initially failing to resurrect his own timeline's Logan, Wade travels to several other timelines to find another in a montage set to Huey Lewis and the News' "The Power of Love".

4. The new reality/new world "Let's fuckin' go." Paradox sends them to the Void, ruled by Xavier's insane twin sister, where it turns out many other mutants have also been sent. They need to escape in order to save Wade's timeline and try to undo the events of Logan's timeline, which Wade has promised is possible. This requires them to work together.

5. The mirror moment/recommitment "I'm going to fight you now." Logan finds out that Wade lied to him in order to secure his cooperation, leading to the Honda fight scene set to "You're The One That I Want" from Grease (1978). Logan is demoralized but Laura convinces him that he's still needed. He really is; it's his compassion that convinces Cassandra not only to spare their lives, but to send them back to Wade's timeline if they're willing to take a leap of faith together.

6. The crisis/all is lost "They do not play nicely with each other." Cassandra is still insane, so she follows them because she'd like to eliminate all timelines and rule over everyone in the Void. To stop this, Paradox tells Wade and Logan that someone has to cut power to the device she's using at the guaranteed expense of their life.

7. The climax "I got nothin'. Give me this." Naturally, Wade and Logan fight over which one gets the privilege of sacrificing himself for the other. Logan initially wins him over with a heartfelt speech, but Wade gets Logan with a sneak attack. Wade struggles to make the connection between the terminals because they're further apart than the wingspan of a single human, but they're conveniently just the right size for two (ಥㅅಥ). Of course, the choir version of Madonna's "Like A Prayer" is playing here.

This scene encapsulated everything I enjoyed about this film: that it was stupid, emotional, action-filled, filthy, and obviously about romance between men. My husband is straight and he left the theater with me in full agreement that a) this was a romantic comedy and b) they had sex in in the Honda.

8. The resolution "Althea, this is--this is Logan." It's the end of the story, they're about to part ways, and Wade will never see Logan again if he lets him walk out of his life. So he takes Logan home and makes him part of the world he'd been telling Logan he'd been trying to save all movie long.

❤ The end ❤

The Soundtrack I can't tell you how excited I was about the soundtrack. It's full of old, romantic songs. "Only You (And You Alone)" has to be on like every doo-wop or "Best of the '50s" compilation album. "Iris" (oh god this song is old now) was featured in the romantic drama City of Angels. Everyone and their dog has covered "You Belong to Me", and the most famous recent cover has to be Jason Wade's version that was featured in Shrek (2001). Chris De Burgh may not be crazy about "The Lady in Red", but I think it's fucking sweet. I grew up on musicals and LOVE LOVE LOVE LOVE LOVE "You're the One That I Want" from Grease (1978).

The Honda Odyssey Fight Scene I wanted to come back to this because there is so much to it. First of all, I'm bringing up "You're the One That I Want" again.

There are intentional parallels made between this dance number in Grease and the fight scene. It's about the flirtatious push and pull between Sandy and Danny throughout after she's made her superficial transformation into the 'bad girl' at the end of the movie. It's the same in the Odyssey between Logan and Wade. They throw each other in and out of the car as they fight (and sure, go in and out of each other).

Just look at this:

Yup, completely intentional visual metaphors for fucking galore. Logan and Wade even have a post-fight bondage scene.

Also! These scenes end with the couples in moving vehicles.

In conclusion: Deadpool & Wolverine is a violent romantic comedy. Of course they fucked.

Tuvok and Seven of Nine l Star Trek: Voyager "Human Error"

Donna and Dean | The Purge, 9.13

for anonymous

Dean's face though! Even a couple of seasons on from this he still gets that, "Shit!" moment when he backchats an angel. He refuses to show any of them a shred of unearned respect, or hold back on telling them when they cross a line. He refuses to be cowed by their power or impressed by their authority, and I love him for it.

Meanwhile, immovable-object Castiel, the full power of Heaven still at his back, is going from smitey to smitten at a rate of knots and quickly figures out that whatever he demands in the name of Heaven, Dean will do the exact opposite. He goes from watching him like a bug under a microscope, curious and entertained, to looking at him like he hangs the stars—hopelessly and immovably in love. Gorgeous.

(If only it occurred to either of them to really talk to each other about the whys for all that.)

i find it absolutely hilarious how the doctor decided on his gay little outfit by just. straight up stealing clothes from some dude at the hospital. THREE SEPARATE TIMES

DOCTOR WHO S06E07 A Good Man Goes to War