Send Me Some Requests For Vikings And Ill Do My Best!

Send me some requests for Vikings and I’ll do my best!

Angst/fluff Prompt List

Please don’t repost (stealing isn’t cool, but reblog if you wish) <3 <3

“I love you, please don’t go.”

“Stay here tonight.”

“Please don’t walk out of that door.”

“I thought things were going great.”

“Don’t you love me?”

“You make every day worth living.”

“I’ll keep you warm.”

“I’m never letting you go.”

“You meant too much to me.”

“I won’t let you.”

“How could you ask me that?”

“Don’t you trust me?”

“I won’t let anyone hurt you, you’re safe with me.”

“You look amazing tonight.”

“Shouldn’t you be with him/her?”

“I’ve got you.”

“I can’t sleep, can I stay here?”

“It’s late.  Shouldn’t you be asleep?”

“How are you feeling today?”

“You look amazing tonight.”

“We’ll figure this out.”

“This isn’t goodbye.”

“What’s cookin’ good lookin’?”

“Wanna go grab a drink?”

“What the hell were you thinking?!”

“Here, let me help you.”

“Kiss me.”

“I care about you.”

“You could have warned me!”

“That was unexpected.”

“You haven’t lost me.”

“Why are you doing this?”

“Don’t cry.”

“Please don’t do this.”

“You make me feel safe.”

“You’ve shown me what love can feel like.”

“Thank you, for everything.”

“All I wanted was for you to be happy.”

“I can’t do this on my own.”

“I wasn’t lying when I said that I loved you.”

“Don’t be afraid.”

“You’re always on my mind.”

“You have no idea how much I want you right now.”

“You’ve always felt like home.”

“I can’t imagine this world without you.”

“Dance with me.”

“Trust me.”

“Why are you crying?”

“Who hurt you?”

“Nothing is wrong with you.”

“You make me feel alive.”

“I wouldn’t change a thing about you.”

“Who cares about what they think?”

“Let’s go.”

“I’m not going anywhere.”

“Tell me what’s wrong.”

“You’ve always got me.”

“I’ve waited for this moment for a long time.”

“Is this okay?”

“You look like you could use a hug.”

“Did you need something?”

“Do you have a ride home?”

“I am home.”

“What happened back there?”

“That’s not gonna happen.”

“Why me?”

“I’m right where I belong.”

“Fine.”

“What do you want me to say?”

“After everything we’ve been through, you still don’t think that I love you?”

“You’ve been drinking tonight, haven’t you?”

“You need sleep.”

“Excuse me?”

“What are you doing?”

“What did you expect?”

“You’re not alone.”

“We’re meant for each other.”

“You’re worth it.”

“I don’t care what anyone else thinks.”

“I’ve always been honest with you.”

“It’s cold, you should take my jacket.”

“Just breathe, okay?”

“When I’m with you, I’m happy.”

“Going somewhere?”

“Don’t lie to me.”

“Don’t be scared, I’m right here.”

“You’re so adorable.”

“I’m better, now that you’re here.”

“I could never forget you.”

“Forget it.”

“That’s in the past.”

“You make me happy.”

“You’re more than that.”

“I won’t lose you too.”

“Come cuddle.”

“Can’t you stay a little longer?”

“It’s not that easy.”

“I’ve had enough.”

“I fell in love with you, not them.”

“You’re the only one I wanna wake up next to.”

Realizing My Attraction to older men.

When Harad first appeared on Vikings

My Reaction: ‘Oh no he’s hot!”

Vikings Ships

HIt me up with some Viking Ships! I’ll be happy to do them.

how to trick writers into giving you more fanfic to read

Do you have any tips for writing enemies to lovers?

Hi, love!  Thanks for your question and your patience

Enemies-to-lovers is a popular trope, but it’s often treatedcarelessly by writers – especially TV/movie writers who rush through thetransition to fit a single movie or episode arc.  There’s nothing worseyou can do in this situation than to rush your arc.  Falling in love isalready a time-consuming plotline – but transitioning from enemies, who arealready shutting each other out, to lovers?  The quicker it happens, theless believable it becomes.

I have a lot of notes on how to write enemies to lovers, sobear with me as I list them out.

Writing Enemies to Lovers: The Basic Ingredients

1. Give them some similar traits.

No matter what, two people can’t fall in love if they don’trelate on some level.  The first step to creating possible love interestsis to find where they’ll connect.  Are they a hero and a villain? Evil and good?  Night and day?  I bet they both love animals. Maybe they’re both way into politics.  Maybe they share a commonenemy.  Maybe they’re both neat freaks or a bit sassy or super gay or lovethe same music.  It can be a few important things or a bunch of superficialthings – just make sure they have something that can tie themtogether.

2. Put them on the same side of something.

When two people are mortal foes, it can be hard for them tosee each other in any other light.  Bringing in a common enemy (ananti-hero, a natural disaster, a person in power), or a common interest (amutual friend, a school play, a moral cause), can land foes on a teamtogether.  This forces them to become aware of each other’s strengths, andto consider (and worry about) each other’s weaknesses.  This is perfectfodder for an eyebrows-raised, “Hey, they don’t suck at this particularthing,” moment.

3. Get them alone.

With other people watching (especiallyfriends/coworkers/allies), little groundwork can be made for your twohate-lovers.  If you get your characters alone together, you’re given abounty of opportunities to bond them, including but not limited to: actualconversations, accidental (or faux-accidental) physical contact, the sneakymoment of checking each other out, etc. etc. etc.  People are differentwhen you get them away from their friends – less extreme, less rowdy, lessunreachable.  If you have to trap your characters in an elevator theold-fashioned way, damn it, you’re the only one who can do it.

4. Let them fight their feelings.

If these two are truly enemies, there isn’t going to be amoment of, “Oh, I like them.  Huh.  Neato.”  Oh, no. There will be internal backlash – they will beat their emotions back with abroom, and deny them to anyone who asks.  There will be extra hatefulglares, more middle fingers, and basically anything they can do to remindthemselves that they don’t like this person.  If you show thisinternal conflict, it both (a) makes the feelings seem real, organic, and (b)creates a more realistic transition from hate to love.

5. Love can sound like hate.

There’s a reason people say indifference is the trueopposite of love.  When your two enemies start to feel things foreach other, this will probably spark a lot of ranting, arguing, anddoor-slamming.  It creates a fixation – you sit there and you stew andyou tell your friends, “Remember when they did thatstupid thing?  Yeah.  Screw them.”  Your friends roll theireyes.  When will you stop talking about this person?  Just kiss themalready.

6. Sexual tension is a powerful tool.

If your characters experience sexual attraction, this is agreat way to accelerate their relationship against their will.  It’s theage-old, “My mind says no but my body says yes,” dilemma.  Yourcharacters can’t stand each other, or the image they have of each other, butthey’re attracted like magnets and can’t shake it.  This can make for somepretty hot – or pretty hilarious – scenes.

7. Give them a moment of horrified realization.

Eventually, the feelings will grow strong enough that one orboth of them will have to sit there, probably on the bathroom floor a littlebit drunk with one sock on, and realize: “I love that f*cker.”  It’llbe a scary moment for them.  It’s not that they haven’t known it – theyjust have yet to accept that it’s something to deal with, until now.  Thiscan be prompted by a dangerous situation, a shared activity, or a failed attemptat another romance – so when they really sit and think about it, theyknow.  Then it becomes a question of either “how do I get rid of this?”or “how do I pursue this?”.

8. Try their hand at flirting.

Whether one or both characters have come to accept theirfeelings, someone’s gotta start flirting.  A glancing touch across thearm; a small comment that could kind of be construed as amicable; a lingeringglance; that first peek at their enemy’s smile.  Something cute and quickand immediately followed by an existential crisis will do in a pinch. Without this water-testing, readers won’t have any image of what thisrelationship will look like – and if it can succeed.

9. Craft the perfect kiss/hug/confession.

When the time is right, create an undeniable display ofattraction to transition into a new phase of their relationship:the “welp-we-both-like-each-other” phase, which comes right beforethe “we-decided-to-(stay-platonic/start-romancin’)” phase.  The BigKiss/Confession is the most iconic climactic love scene, in which the twocharacters take a chance and become vulnerable with each other – and kiss, orsay, “I love you,” or do anything that can’t be construed in any otherway.  Want to extend the drama?  Interrupt them, or have it beone-sided, or let it turn into a fight until they decide, “Forget it, thiswas stupid.”  Readers will swoon.

10. Finish up with an awkward adjustment period.

If and when your characters do enter a relationship, makesure it’s a little tentative at the beginning, to keep it realistic.  Yourcharacters have made a huge shift in their dynamic – there will be somelingering arguments and love-hate, and maybe a bit of discomfort going publicwith their romance.  Then come the usual growing pains of a new relationshipgetting serious – figuring out how to navigate each other’s flaws, learning tobe open with their feelings, dealing with unresolved fights from before theirrelationship.  It won’t be perfect right away.  That’s the beauty of it.

I hope this helps you, love!  I adore love-haterelationships, and I hope you enjoy crafting your own enemies-to-lovers as muchas we’ll all love reading them :)  Good luck!

– Mod Joanna ♥️

Ifyou need advice on general writing or fanfiction, you should maybe ask us!