I REMAIN CONCERNED
I REMAIN CONCERNED
No mention this episode? Nothing?
In amongst the absolute chaos of everything that happened this episode, especially the end, a little thing that stuck with me was Baxter.
Emily got a Nat 20, and because of that, saw Baxter flying through the storm. Brennan specifically called out that Sandra Lynn wasn't onboard. It wasn't brought up again.
Where was he coming from? Was he coming to them? Where's Sandra Lynn? I am CONCERNED, Brennan. They better be ok.
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More Posts from Giraffewithhumanhands
Just looked at a blog where the header description said 'sometimes I reblog posts I like so I don't forget them'.
And I feel like that, right there, explains so much about how the site has changed in the last few months.
People now think reblogging is an unusual behaviour, rather than a default.
Tumblr newbies, please, for the love of baby Jesus, reblog the posts you like. That is the whole reason the site exists - for you to collect all your shiny fandom objects in a single space. Which you can organize to your heart's content. Or not organize at all, if that's your jam.
Our blogs are intended to be collections of posts, not collections of likes.
I don't care about Dungeon Meshi otherwise but "Tallmen" is SUCH an elegant solution to placing humans in a fantasy setting that it's still blowing my mind. Just the term itself is enough to instantly recontextualize humans. They're no longer the default race. They're those big goobers with long legs, striding about all the time. I can so easily envision much more interesting relationships between humans and non-humans because of it. Like perhaps "tallmen" are stereotyped as shepherds by other races because they can watch over their flocks better, or as vagabonds because they are better suited to long travel on foot. And of course, they don't *literally* have to be taller than everybody else, they were just the tallest around whenever the label became the norm, or something like that. I just feel like it's so much better than what I've seen in settings like D&D that go "and humans are the... adaptable, generalist people :)!"

@dimiclaudeblaigan asked for a tutorial on how to begin drawing. Good news! If you can draw a funky looking stick man, you have already started!
I think that stick people are a great starting point for artists because of the things you can learn from them that will be important later on.
If you are able to draw a circle and a couple of lines, you can easily put together a stick person.

Congratulations! You have started to draw. :)
A stick person is a very minimal artistic representation of a real life person. It is simple yet recognizable, and is widely used in art, media, and signage.

But what can a stick person teach us about drawing people that look more like… well, people? Lets have a look!
By simply adding a few more lines, we can add a pair of eyes and a mouth. Maybe even a little triangle nose! Or half circles for ears. We can now draw a face, which provides a basis for all sorts of expressions.

These simple additions can allow us to explore the wide range of human emotion and individuality.

This may seem like the basics of the basics. But that is what we want! In order to get to the point where we are able to draw complex, elaborate representations of humans and objects, we will need to start with simple shapes like lines and circles and build our understanding from there.
For instance, lets give our stick person some cool new features, such as hands and feet. I chose little squiggly circles to represent hands, and triangles to represent feet.

We can go a step further and modify the body of the stick person to include shoulders, hips, elbows and knees. These parts of the human body are quite complex in real life But here, all we need to do is add a few simple lines and dots to our stick person.

The lines provide some additional structural elements to our stick person's body, which are the shoulders and the hips. The dots indicate the points of articulation - elbows and knees, the places where the arms and legs bend!
Now we can use our stick person to show us an even wider range of human movement, action, and expression.

Our little drawing of a human being is evolving! All it took was adding a few more lines and shapes here and there.
By elongating some of the existing lines and making the head an oval instead of a circle, we can give our stick person proportions that resemble that of a real life human.

By this point, we have managed to add more complexity to our stick person simply by using our ability to draw lines, circles, and other basic shapes!

These basic ideas are the building blocks that will enable us to create more complex shapes.
The next part may be a considerable step up if you are absolutely new to drawing, but I have decided to include it in order to show you how complex objects like the human body can be built from shapes that are a bit more complex than circles and lines.
For example. Two ovals and a rectangle can be combined to create a cylinder.

Six squares can be combined to create a cube, or a box. Here, each square is distorted slightly depending on which way the cube is facing.

Note that the back faces of the cube and the bottom of the cylinder are hidden. These shapes allow us to visualize that which should not normally visible.
A sphere from all perspectives can be represented by a circle. But we can make it more like a sphere by adding lighting and shadow if we so desire.

Cubes, cylinders, and spheres are examples of 'solid shapes' because they consist of 3 dimensions.
Lets see how these solid shapes can be used to compose the human body.
By stacking three cylindrical objects, we can create a torso. Two spheres have been added to form shoulders, while a smaller cylinder forms the neck.

An arm is an alternating sequence of spheres and cylinders connected together. Note that the hand has been simplified for this example.

We can apply these solid shapes to the rest of the body to give us a more recognizable representation of the human form. It doesn't even have to be perfect. And just like that, our stick figure now has a silhouette that is unmistakably a person!

In the above examples, notice that we kept the stick person at the beginning while building up the shapes and solids around it. This is because the stick person serves as a guide for positioning the body and its various parts -> also known as posing.
You can do the same thing to everyday objects! Here, I drew a wine glass by stacking these three dimensional solid shapes.

The cup and its contents are two ovoid shapes that were cut in half. The stem is a very thin cylinder shape. The base is a cylinder with a slightly wider bottom.
Solid shapes help inform us how objects and parts of the human body may appear from different perspectives.

For example, a sphere can be used to demonstrate how the human head appears when looking up or down, turned to the side, or tilted at an angle.

With these examples, I hope I have managed to convinced you that if you can draw a circle and a couple of lines, you can draw a person! You just have to train your eye to recognize the simple shapes within complex objects. Try it with everyday objects as well! Or even your favourite media! A drawing subject can be as simple or as complex as you envision it to be.

Once you have mastered that, there are many aspects of drawing you can explore from here that may require you to seek additional resources or a fellow artist's advice.

Last of all, remember that drawing is an iterative process. Even if you draw something correct the first time, you will need to draw it again and again to get it right all times! And by making small changes like the ones we explored in this tutorial, your drawings will gradually transform!
I hope what I've demonstrated here are enough to provide the basics of how to get started with drawing objects and people, and also to help refresh more experienced artists. :) Hopefully I didn't go too off topic with what was requested, and let me know if there are any more questions I can answer.
Cheers :3
Okay but I’m being so for real when I say I’m terrified that Baxter showed up alone. I’m so scared that Baxter showed up alone and also didn’t do anything. Where is Sandra Lynn.
And what if I said I wanted a FH au where Gorgug is a barbarian/artificer teacher at Aguefort academy, specialising in helping multiclass students, who has a workshop and builds commissions as a side business (he has a high level of barbarian clients, who usually break or ruin regular artificer machines).
What if I wanted a FH au where Fabian becomes a bard/fighting teacher, using his mother’s sword lessons to teach students, taking over both dance club and bloodrush coach (who on weekends does dance classes and dances in local and national shows).
What if I wanted a FH au where Kristin recognises herself in the confused cleric students who are suddenly learning more about religion than their families taught them, and decides that she can assuade their doubt (they are encouraged to ask questions always, and she assures them that they don’t need to be certain to deserve kindness).
What if I wanted a FH au where the Aguefort academy has a sort of careers day, for those not looking for an adventuring career, and the students get to watch as their cleric, barbaficer and bard fighting teacher walk in with the most successful PI of Solus, the Elven Oracle and famous singer and Devil of Rebellion, acting like they’ve known each other forever.
What if the students look, and find an old photo in Agueforts office, of the six of them, fire and rubble in the background, hugging and laughing, with a post it note on the back of -the bad kids, do not seperate-.