"She Will Take It Back Some Day." -Pink Floyd

"She will take it back some day." -Pink Floyd

broke: supernatural creatures comparing humans to worms, ants or any other insect creatures in a hateful tone

woke: supernatural creatures in awe of the shit humans do/put up with given their limited abilities

also seriously if a character isn’t white, i promise your only descriptive options aren’t food words and varying degrees of tan. it’s okay to say brown. pale brown! light brown! golden brown! medium brown! dark brown! deep brown! so many kinds of brown!

BROWN BROWN BROWN BROWN BROWN

for all you writers out there:

donjon has tons of generators. for calendars. for demographics of a country and city. for names (both fantastical and historical) of people, nations, magics, etc.

this site lets you generate/design a city, allowing you to choose size, if you want a river or coast, walls around it, a temple, a main keep, etc.

this twitter, uncharted atlas, tweets generated maps of fantasy regions every hour.

and vulgar allows you to create a language, based on linguistic and grammatical structures!!! go international phonetic alphabet!!!

Find your REAL Angel name

• First two letters of your last name • First vowel of your first name • Third letter of your middle name (or parent’s first name if you don’t have a middle name • Last consonant of your last name • Add IEL or EL to the end!

How to Convey an Established Relationship Quickly

I was once reading two story openings that were frankly amazing at conveying an established relationship in a matter of pages or even paragraphs. Many stories revolve around the protagonist meeting new people, such as in a typical Hero’s Journey plot. But perhaps even more stories (and often including even the Hero’s Journey to some extent) revolve around relationships that are established before the novel begins.

Many new writers have a difficult time conveying such relationships quickly, and to be honest, it can even be tricky for more experienced writers to figure out sometimes, especially if the relationship is very significant.

Whether you are working with best friends, significant others, parents and children, schoolmates, rivals, or downright enemies, here are several methods to help with that.

1. Communicate What’s Normal.

Every established relationship has been … well … established, meaning it has behaviors and attitudes that are typical in it. In one of the story openings I read, the protagonist had to deal with two, mean, cruel older sisters. First the meanness was rendered, and then validated through narration. In the second one, what was normal of two brothers was simply conveyed through the way they talked to one another. In both cases, I immediately had context for what was typical.

2. Refer to or Imply an Off-Page History.

Every established relationship has a history: how the characters met, what events have taken place between them, and how they got to where they are now. In some cases, they may have a “reoccurring history.” For example, every Saturday they happened to both be at the dog park, and that’s how they became friends (or enemies).

3. Have a Character Predict How the Other Will Behave or React.

This immediately conveys that these two people know each other very well. Again, it can be more reoccurring: “Samantha always got cranky when she ran out of chocolate.” Or a specific moment: “I could already picture Monica’s eye roll before I delivered the news.”

4. If the Relationship is Long-Term, Give Us a Sense of How it has Changed.

A lot can change between first falling in love and being married for ten years. Whether it’s a friendship, partnership, or even an enemy, naturally there will be some degree of growth or at least change. Give us a glimpse of how the relationship we see on the page now is different than it was before.

5. Round out Likeness with Foiling, or Opposition with Likeness.

One of the mistakes that is easy to make is to have participants in a positive relationship exactly the same, or participants in a negative relationship exactly opposites. But almost nothing can make a relationship feel more authentic and well-rounded quicker than having some of both. This means that even two best friends should disagree with or dislike each other to some extent, in some aspect. It’s better if you can even make them opposites in some way. On the other hand, with an enemy, there should be some similarity and likeness between the characters, maybe even admiration (even if the viewpoint character doesn’t want to admit it). This will immediately make the relationship feel more complex.

For a more in-depth look at these some of these points and at creating powerful positive relationships between characters, check out my article “Creating Relationships Readers Can’t Resist.”