This Is The Only Place Where I Can Block Negativity And Drama And Live Happily

This is the only place where I can block negativity and drama and live happily

It’s so sad to me how scared the Twitter and Reddit refugees are of making mistakes on this website.

Dear refugees, as someone who used to be on both Twitter and Reddit but who uses Tumblr the longest of all sites (besides Youtube):

This is the website without cringe culture. Don’t be ashamed. You won’t get downvoted or beat up for even your weirdest opinions because frankly, 90% of the users on this website are either neurodivergent or queer or a mix of both (me, I’m talking about me)

This website is like the table of bullied kids you always used to avoid in highschool.

We all know we’re different, strange, cringy, obsessive.

That’s why this place holds so little judgement.

We aren’t insecure incels. We embrace our differences.

So if you want to talk about your unhealthy life obsession dedicated to a sidecharacter from an unknown animated movie from 1978 that had approximately 2 minutes of screen time - do it.

Heck even dedicate a whole sideblog to them for fucks sake.

This platform is literally what the ancient prophecy has foretold:

We are cringe, but we are free

Don't harassed people over fictional character please thank you

Notice how I ship UsUk while respecting other shipping preferences, very demure, very mindful. I don’t go harassing people over which fictional characters kissy-kissy who. I don’t go accusing people of ludicrous, wild ideas because of a certain ship. I’m very mindful in the Hetalia community. See how I act mature? The way I respect my shipping community is how I respect the overall community. Those that decide to willingly insult others over fictional characters—*disappointed head shake* not demure.

Why Stolas is a Terrible Person/Character

Oh this will be long. In this post I will cover why Stolas is a character that fundamentally fails at everything it tries to accomplish. I probably have to say that you can love Stolas. That's just why I hate him.

Trigger warnings for: Racism, casteism, power dynamics, sexual assault, sa apologism, abuse, and neglectful parenting. A lot, I know, but that's Stolas.

His Actions in S1

Despite the title, there will be two examples from season 2.

Racism/Casteist

Stolas is from the upper caste, a royal. He seem to often fetishize imps, or the fact that he's sleeping with someone who's less than him. I even saw fans pointing this out. He have empathized Blitzø being an imp in a sexual context.

(Notice the use of words: "little", "plaything", to me this is blatant racism and fetishism).

He also showed a certain lack of empathy for his imp butler.

Stolas isn't particularly violent, he doesn't choke people left and right. He's just angry, at Stella, so he decides to.. choke the imp.

Stolas has been dehumanizimg imps. Fetishizing an imp for being an imp, calling him an "impish little plaything", and he has been willing to choke an imp just because he was angry at something unrelated. He's racist and casteist.

Treatment of Blitzø

"Treatment" is putting it lightly. In the first episode, Stolas does something inexcusable that will taint their dynamic for all of season 1. First, he sees Blitzø in a vulnerable position, where he cannot think or negotiate. Thus, stripping him of what little choice he has on what he's about to offer.

What Stolas is saying is, "Fuck me or I'll shut down your business". This deal he makes is just a threat with extra steps. Which, is a real life abuse tactic called Quid Pro Quo:

"Quid pro quo harassment occurs when someone in a position of authority over another directly or indirectly demands sexual favors in exchange for some benefit, or to avoid some detriment in the workplace".

One element I haven't brought up yet, is the political power imbalance. Stolas is royalty, one with a lot of power, influence, credibility, etc. Blitzø has non of that. Other characters have commented on that the fact that Blitzø even has a business is a miracle.

There are so many layers of imbalance and how Blitzø has no choice or agency. A royal is """offering""" the powerless a Quid Pro Quo while he's in a life threatening situation.

And their dynamic looks exactly like you'd imagen. Stolas is consistently sexualizing him against his consent. (As it's been established, Stolas's racism feeds into this). And refuses to do the surface level courtesy, not even calling him his real name (x).

Stolas treats Blitzø as a lesser being, violates his boundries, forces himself on him, and strips him of all autonomy.

Faliure as a Father

Stolas's role as a father is directly tackled in Loo Loo Land and Seeing Stars. At the beginning, both episodes show Stolas being a good father to Octavia, but does this still hold true in the currect day? Well, no.

In Loo Loo Land, Stolas wants to take Octavia to a theme park. Octavia is 17, and Stolas ignores her when she says she doesn't want to go. (In retrospect, Stolas coud be oblivious because he's projecting onto Via his experience meeting Blitzø).

But that's just the start. Stolas then invites Blitzø to the trip and harasses with him all throughout. Essentially, Stolas is forcing his daughter to watch as he harasses "the homewrecker", all the while he's supposed to be with her, on a trip she didn't even want to go to.

After a whole day of this, as expected, Octavia runs away. Stolas chases her. (And of course, he's still thinking of Blitzø on his way to find Via). There's an apology scene that looks deep, but when you dissect it, it's rather empty.

Stolas never actually provided an explanation as to why he just did what he did, nor of the "drama" with Stella. There is nothing here. Octavia only makes up with him because he said he isn't gonna leave her. Which is bare minimum.

After he realizes that his affair hurts his daughter to the point where she feared he's gonna leave her, what does he do? What practical actions does he take to improve? Divorce Stella? Cut off his deal with Blitzø? Explained the situation?

Nothing. And now we see he's willing to stand up on a stage and let people know.

In Seeing Stars, Stolas bashes Via's mother to her. Which, does she know about their situation? Does she not? She isn't shown to hate or.. anything Stella. Is he hiding the situation (which I'll cover), while also trashing her mother? That's impulsive and negligent.

But that's nothing. She later runs away, Stolas is stressed as he should be, but the second they arravie on earth he's all calm and everything's normal.

When his daughter is missing. When he is shown to be stressed, it's for the sake of plot. But he's willing to just chill, watching Blitzø's show.

Stolas is, dare I say it, neglectful. He might care about his daughter, but he's proven that she's not enough of a priority to focus on her when it matters.

Cheating

Yes, I know what ended up being revealed, I'll cover that. In season 1, the relationship is presented to not be perfect before Stolas cheated.

But there were instances that showed that what Stolas did changed their relationship for the worse. (Some additional rebuttals).

It could have been a loveless marrige, they could hae fallen out of love, they could have been arranged. But their relationship was manageable. Love or no love, it's a committed relationship. and Stella didn't deserve to get cheated on.

Who was Stolas?

Stolas's behavior is common among royals. Stella has no problem throwing said butler at Stolas (S1 E2), and the Goetias are shown to be casteist. They're untouchable privileged assholes.

Stolas was born that wealth, never having to suffer the consequences of his actions. Always putting himself first, hurting others. He doesn't mean to, he wants for everyone to be happy, he does care.

However, when it actually matters, he acts on his worst tendecises with no self control. He never had to learn self control. That is, until Ozzie's.

Before Ozzie, Blitzø and Stolas are at obligation. Stolas's actions had tainted them. There was one redeemable moment: He saved Blitzø's life. Stolas did something for him. But this one act of goodness doesn't magically fix anything.

Stolas's family life have been escalating. Stella hated Stolas for cheating and his daughter just had to take it. In Loo Loo Land, he learns the full weight of the damage he caused. And in the next episode we see him, he proceeds to take no steps to improve the situation. In the end of that same episode, we learn that Stella hired an assasin after him. Because he did nothing.

The season 1 finale, Ozzie's, is aware of all of this and absolutly delivers.

The episode starts with seeing Stolas alone, in his big house, miserable. It appears that Stella finally left the house. (Also he later says "Octavia is with her mother this weekend"). He's eating a bowl of cereal, pitying himself, wallowing in his despair. You feel bad for him, he looks so torn down.

And then Blitzø calls. The one he loves, asks him on a serious date. It's hope, it's honest, and it's exactly what he wanted. It's almost as if the universe handed him is fairytale scenario.

Almost. Reality smacks him right in the face on that date. Asmodeus calls him out on losing everything he had. He had a family, a happy daughter, but gave it all up for an affair.

Blitzø calls him out on treating him like a pet, not earning any of that emotional connection he wants or even communicating it, just violating him, they have nothing.

The show held him accountable and called him out. While it's not perfect, Stolas is a morally grey character. Now, a character arc was set up where he learns to treat people better. Stolas is exactly the character I want to see from a show like Helluva Boss. He's a horrible person, but nuanced, who does care.

Season 2

Yeah... all of that is thrown out the window. Because apparently, Stolas is just imperfect. He simply made a lot of mistakes. He misread a lot of situations, really it's all just an accident. He's an oblivious victim. So, let's get into the woobification of Stolas.

Surrounded by Evil

In The Circus we're given Stolas's ✨️backstory✨️. And we find out he had such a terrible life.

Stella is, and always was, an abusive evil bitch. From the day she was born. Pure evil.

So you see, Stolas did nothing wrong. Let me be clear, you are not obligated to stay loyal to your abuser. We can erase "cheater" off the list. But that's the only reason why it's done. So we can erase that off the list, and that we could feel oh-so-sad for him.

Because Stella isn't written to be an abuser. She's a cartoonishly evil. We see a picture of her as a kid where she's the same person. Spongebob villians have more depth than her, you know, the abuser in the adult show.

Helluva Boss reversed an established dynamic where Stella is the victim and Stolas is at fault, except without any of the depth or nuance.

But that's not all. Stolas's dad (Paimon) is also neglectful. By "neglectful" I mean, of course, a Saturday-morning cartoon villain.

He doesn't remember his name. This is such bullshit. I can buy Stolas having a horrible father. It's also not bad to show Stolas's trauma. What is bad is that the subject matter is handled with less seriousness as the fish fight in Spring Broken. And Helluva Boss did write Crimson as a serious abuser, the episode did have comedy, but not Paimon.

The reason why all of this is happening, is so we could feel bad for Stolas. They do zero of the work to earn a good story about abuse, but still go "Do you see how sad he is? Look at how they're treating this poor baby!!"

"Recontextualization"

In said ✨️backstory✨️, we also learn that Stolas and Blitzø are childhood friends. But also not really, they just hung out for one day. Where did this come from? How does that enrich the characters? I would tell you, but I don't know. However, what I'm sure of, is that it's done to make Stolas look less problematic.

DO YOU SEE HOW CUT THIS IS? He isn't just horny for that imp, he is special, it's absoultly pure! Don't worry, totally safe.

Later in the flashback, we see how Blitzø and Stolas reconnected after over 20 years. Apparently... Blitzø was the one who sexually manipulated Stolas, selling him that he wants him.

All Stolas did was just buying into Blitzø's narrative he was imposed on. It's a role he leaned into, because he thought Blitzø liked it. I.. WHAT???

If this horseshit is true, why did he make this weird r*pe deal with Blitzø? If Blitzø was the one who acted like he's interested at first, and he was sexually exploiting him, why did he lash out at Stolas in Ozzie's? Did it just hold no weight for Stolas? It went from "Don't pretend to have something when you've been harassing me this whole time" to "You misunderstood".

The Stolitz backstory makes no sense, it's cheap, and fixes nothing. No matter what the story is trying to sell, in season 1 Stolas knew what's happening enough to try to force it. And maybe Stolas wanted Blitzø because of a connection, he still harassed, dehumanized and violated him.

Note: Stolas realizing "he imagened the relationship" is completely ignored one episode later in Seeing Stars. This is a huge deal, didn't he learn? Just further evidence that he's willing to violate the guy. (x)

Before this backstory, we had a story of a selfish man hurting the person he loves while explointing the broken system and the power that he has over him for his own selfish desires that he's forcing on him. Now, we have the same thing, but with fanfic tropes – and the story refuses to confront that.

Casteism is Brushed Off

Helluva Boss pretends that Stolas isn't racist, because he didn't want Blitzø for being an imp, but for being his fanfic trope childhood friend. Which fails to adress the disgusting fetishism of Blitzø for being an imp, and he also continued to dehumanize his imp butler in Seeing Stars. He's still racist.

Imperfect Father

In The Circus, Stolas devivers this line: "The only reason I have endured your constant insults and cruelty, was for that girl to have a normal life".

Sounds impressive, he stayed all these years just for his daughter. But that's the thing – it sounds impressive. Every time their relationship is the focus, Stolas is being the scum of the earth. What I see here, is a person. A person who despite being willing to stay passive, acts on his his selfish wants, forgetting to look around him. Mind you, this fact is also being revealed one episode after Ozzie's.

But no, one episode later, in Seeing Stars – that was covered as a prime example of everything I just descriped – Loona says this:

Yeah. He's just a good father "trying" his "best" and makes some.. "mistakes". The Circus did present Stolas as this, but Seeing Stars really solidified how his parenting will be handled moving forward. And I think it's comlete and utter dogshit.

Damsel in Distress

The title is a bit misleading. This section is mainly about Stolas's power being toned down. Both magical and in presentation.

In season 1, he was energetic and enthusiastic, while being able to set his foot down and intimidate when needed. He's still all of those things, but in some instances his characterization made my raise an eyebrow.

In Seeing Stars, he's being weirdly gentle with people kidnapping Blitzø and are later beatting him.

In Oops, he's excited to start negotiating with literal kidnappers. I have no idea why he's so nice.

(He did harass Blitzø again in Seeing Stars and bashed Striker, all of which isn't soft, but it's also the two moments where he should have shut up).

Further more, both of these conflict rely on Stolas not using his powers for some reason or another. Why didn't he just do whatever he did in Truth Seekers to track Fizz/Via?

About Via, I'm gonna have to call bullshit on the "My powers are limited on earth" nonsense because, for starters, kid Stolas is shown to remember the contents of his books and now he's been studying them for years. And two,

There is no excuse for Stolas to not use his powers and whenever the show says otherwise it's bullshitting its way out of it.

Even in Western Energy, before Stolas gets captured he was just aimlessly going in and out of his demon form. Why didn't he turn him into stone like he did in Loo Loo Land?

Stolas has been presented as weaker than he is. He's made to look more vulnerable, less "above it all". He was untouchable, and when he wasn't, it had a harder impact and made sense. Now, I almost forgot he's a powerful demon.

And his characterization is at the core of this issue. At times he's just so kind and gentle with people who should get smacked in their heads.

What about Ozzie's

The big clash, the one that called Stolas out on everything, the one that set him on a genuine path to grow, what about it? How is it adressed while the show tries to pretend he's a good person?

No, not the message Stolas is looking at, the ones in the background he just scrolled through.

I'm not breaking this down. I refuse. The only reason I put it here is to show how fast it goes. I'm not touching that.

Who is Stolas

Stolas is a moral scapegoat – "a character that is bad, but the book/movie/show portrays them as good". It's characterized by the story twisting itself to make one character look good.

Stolas didn't start out as one, but became one over one season premire and it just kept escalating from there.

Helluva Boss takes place in Hell. A horrible place filled with horrible people, the root of all evil. Stolas fits right in there. He was already problematic, awful, fed into Helll's broken system. Why trying to cover up his faults? It's Hell, and it was great. But now, we're supposed to pretend he's just flawed.

With the show actively ignoring everything he did, what's left for him? What does he have to learn? How will he grow as a person? How will he improve? What's his character arc? It's nothing. Because everything that happens to him isn't his fault, and at times could just be solved with one conversation.

Once you start harassing people over their tastes in fiction, you've gone too far.

You should not be sending anon hate.

You should not be telling people to kill themselves.

You should not be contacting people's family members, job, or school.

You should not be sending people gore.

You should not be telling people that they deserve their trauma.

You should not be attacking people over liking something fictional. At that point, you're the problem. Not the person making things you don't like, YOU. Harassment is never acceptable.

Love Olympus: the "charming" lessons we learned from it

Hi! Are you searching for a good story, filled with creativity, care, coherence and beautiful art style? Then please, turn left and you will find something worth your time.

Here we will talk about that beautiful, terrible disaster that is Lore Olympus. Ah, it's always so nice to read a new retelling of Greek mythology and find out it's basically the same 200 stereotypes slapped together into something that's way older and staler than the original. What did my ancestor ever do to the world, to be treated like that.

But I've already talked about what a waste of potential Lore Olympus is, how pathetic the writing is and how bad the protagonists are. I've spent more than enough words commenting on why this series could've been great and came out like this.

Now there's only one thing left: to make fun of it. To draw our conclusions on the whole thing and the finale and find out what "wonderful" messages we got from it.

Don't worry: the messages are absolutely wonderful and I'm not sarcastic, not at aaaaall.

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Planning in advance is for the weak

Don't you know how to fill your third season, after the "battle" that closed season 2? No problem! People will read you anyway, so instead of planning and moving the plot forward, waste everyone's time writing chapter after chapter of pure nothingness: your characters can have discussions so stupid, that people will question if they have been written by using ChatGPT. That will surely prove what a great writer you are!

And don't worry too much about the plot: just wait until inspiration magically falls from the sky. That's how it works, isn't it? Stories are just random events slapped together, with no planning, care or coherence whatsoever. When we write a story, we don't want to treat our readers like intelligent human beings, oh no: people are idiots, so we can just throw them the first shit that pops out of our minds and everything will be fine.

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Coherence is for the weak

After waiting for inspiration (that somehow hasn't fallen from the sky yet, jeez I wonder why), you still don't know what to do with your plot? Easy, use one of the villains! Like the rapist guy! Now he's running for President.

Yes, we know there is a monarchy in this land, because there is a king, but it doesn't matter. The rapist is trying to be President now. President of what, you ask? It doesn't matter! Presidents exist, right? So he's trying to be one, that's all you need to know.

Will he become President? He's running from it, that's all! You don't need to know what happens after that! As we all know, stories do not have closed plot points, they're just random shit thrown around. So why care about solving a problem you just raised? Just forget it, it's not important.

Is the story supposed to take place in Olympus or, at least, in Greece? Well, what's the problem? As we all know, Europe and the US are basically the same thing, so how different can Greece and America be?

I mean: one is a huge country with many climate zones and wide areas, the other is a small, hot country mostly made of mountains and islands. One has a millennia-years-old culture that influenced the entirety of the West, the other is literally called the New World, to emphasize how young it is. Same place.

So, since they're so similar they're basically identical, just fill your Greece with American stuff and give your characters English names. Greece is notoriously full of English names. It's not like there are millions of people with similar names because parents give their own parents' names to their offspring and sometimes all siblings give their parents' names to all their children and the result is that your cousins all have the same goddamn name and you all came up with nicknames to distinguish between them.

No, that's not based on personal experience, what makes you think that.

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The protagonist is better than anyone else

Is Zeus telling you he wants to give his child to some nymphs, because he knows won't be a good father? Well, clearly the most normal thing to do is steal his baby. No, not because you're a psychopath, but because you clearly know how to handle the baby better than some nymphs. Remember: you are the protagonist, hence you are better at everything anyone can do, especially a stupid nymph. You will care for the baby more and better than anyone else, no doubt.

Is the child you stole running around without supervision? But you took care of him! You even hired a babysitter! No, of course you didn't spend time with him, you were busy! What? It could've been better to leave the child with the nymphs as Zeus wanted, because at least they would've spent their time with the child and not hired someone else to do it? Listen, we don't work with logic here and you are the protagonist, so of course all of your decisions are perfect and should never be questioned.

Speaking of kids: is your mother telling you she had a son who died? Time for some favoritism! Your husband is the god of the dead, so death isn't a problem anymore. What? Death is supposed to be impossible to overcome? But you're the protagonist, so the mere mortals' rules do not apply to you. Death is nothing, compared to your perfection.

Oh no, you accidentally caused winter! And a genocide! But remember: you're the protagonist, so of course you're always perfect. And you didn't do it on purpose, so you're automatically innocent and people attacking you are just mean and jealous.

See? You're so perfect, you found a way to solve the problem! How? Easy, by believing in yourself ✨✨✨ And by talking (badly) about how life and death are linked. Yes, we know it's the equivalent of saying that 2+2=4, but we don't want to treat our readers like intelligent people, here. All they have to do is just revel in your perfection.

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More villains! Because Yes!

Do you still have no idea what to do with your plot, after too many useless chapters? Easy, use the cartoonish supervillain! He will do the trick! And throw another naked woman to defeat him: it worked once, it'll work again.

Is your cartoonish supervillain actually useless? No problem, make another villain even more useless. And make him appear out of thin air for two chapters. And since readers are stupid, just tell them that he was the evil mastermind behind everything. They'll eat it up.

Oh, and President Loser is in cahoots with SuperMegaVillain now. Why? Because Yes, of course.

You don't know how to defeat SuperMegaVillain? 🧑‍🤝‍🧑Avengers Assemble🧑‍🤝‍🧑and you're done. It worked for Marvel, it'll work for your story too. I know it's settled in Greece and fertility goddesses do not have resurrection powers or whatever the fuck they're doing, but shhhhh.

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Random justice is good

With all those villains to defeat, you forgot your story is supposed to be a retelling of the myth of Hades and Persephone? No problem, just stick a "Gaia Ex-Machina" here and let her solve the story with a power and authority she doesn't have. No one will notice the difference.

Speaking of justice: is the rapist gonna get the punishment he deserves? Sure, get this: he will fall in love with you and turn himself in. And he will get community service as punishment.

Are you saying that this isn't a real punishment? But of course it is! He turned himself in! The victim isn't allowed to expose him, nor to see him actually getting punished. All the victim can do is walk away. It's not that lack of control is a big deal for a rape victim, right? And seeing the rapist finally get punished won't give them the catharsis they need, right? And it definitely won't free them of the huge weight they carry on, because of the awful, horrible act they suffered from, right?

Of course not, so ah ah ah, the rapist gets to build places, very funny. And aside from that stupid punishment, of course he's free to walk around and, who knows?, maybe rape someone else. Wow, justice truly works well in this place! I would feel so safe to go around there!

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Queer people are stupid too (and ghosts, sometimes)

All those villains could've been great in a story centered around Zeus? We don't work with Zeus here: we hate men, all men except for the capitalist hubby of our dreams. So Zeus is a useless piece of shit and he will keep being a useless piece of shit until the end. Also, he's not a real king anymore, because apparently democracy popped out of nowhere and everyone just rolls with it. I wonder why it too centuries to accept it all over the world...

And Hera is a lesbian now. Why? I already told you we don't work with logic here. She's a lesbian because queer people are idiots too, so thrown them a queer character and they will like it, doesn't matter if it makes zero sense.

Uh? Are you saying that asexual and aromantic people exist too? No, of course not: they're just waiting for the hot lesbian of their dreams or for the hubby that will turn them into wives and mothers.

Hence why the organization centered around celibacy closed: it was just a cover for lesbians after all! And we all know that women can only be lesbians or mothers. A woman doesn't want or feel any romantic attraction? She doesn't exist, then.

Wow people, I don't exist! I'm a ghost!

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Feminism means gender stereotypes

As Wikipedia says, feminism is:

"... a range of socio-political movements and ideologies that aim to define and establish the political, economic, personal, and social equality of the sexes."

But Wikipedia is stupid, while we won a shit ton of prizes for some reason, so we're the good authors here. And we decided that feminism means "women good, men bad". This definitely isn't a point of view based on a warping of the original concept of feminism, that focused on helping women because, since societies are patriarchal, men already have a powerful position. Hence why, feminism fought (and fights) to give women a powerful position too: to make both genders on the same plane.

But nope, this is all stupid and wrong and doing research is underrated - after all, we wrote a story entirely based on the first shit that popped into our mind, so why do research about this? Let's focus on the superficial vision of feminism and fight for women's equality, by making them lesbians or mothers.

Because sure, feminism is good, but capitalism is better. And since capitalism wants you to have kids, go home to your rich hubby and have a ton of kids you definitely won't neglect, like the child you stole or the supposed godson you never cared about and only after he's an adult "sometimes" you have a conversation with. That's how a perfect, traditional family works, after all. And we know this didn't lead to any generational trauma at aaaaall.

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In conclusion

I don't know if you noticed the teeny tiny veil of sarcasm in my words. I know, it was so subtle, almost invisible. I made it oh-so-hard to find it, please let me know how hard it was.

But you know what? This story is over and I needed to let some sarcasm out. I am finally free to read something else, possibly (hopefully!) better.

And the next time I will approach another retelling... who am I kidding, I know I will fall for it like an idiot because that's what I do every time. They get me with something I love and once I find out it's shitty, I keep reading because I want to see how bad it is.

In this, Lore Olympus didn't disappoint: I expected something bad, I got something bad. And, sometimes, it was so bad, to make me laugh, so extra points for the stupidity: I appreciate something that makes me laugh, way more than something that makes me angry.

And, as I said in my previous posts, even something bad is useful, because it teaches you how NOT to do something.

So thank you, Lore Olympus, for being a terrible teacher. And thank you for making me appreciate the original myths even more. There's a reason why they still stand after millennials and can still capture the popular imagination, while this series will probably be forgotten in a couple years.

To you all, my readers: if you managed to reach the end of LO like me, congrats for surviving it, I hope you learned something useful about how to make better art.

But if you never approached Lore Olympus, don't do it: it's not worth the time you will lose.

Unless you want to see with your own eyes how does it look a story with zero planning and random ideas thrown everywhere. In that case, please, be my guest: read it and learn how not to write. You will learn a lot from this.

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(How about a coffee? ☕)

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Now I've seen a ton of you asking why people (like me) ship Ribbun

I have 2 words for you Character. Development.

A common criticism I see of the ship is that Jax bullies Gangle, which is understandable, but let me make this clear: I don't ship them in a "boy bullies girl because he secretly likes her" way. I ship them in a "Jax is an emotionally stunted person with unhealthy coping mechanisms, such as acting like a jerk to distance himself from others, and he needs to get his shit together" kind of way. Jax is waist deep in denial about caring for other people and doesn't allow himself to feel certain emotions or form relationships with others. He'd rather make them hate him so he doesn't have to go through the pain of losing them/they won't feel bad when he abstracts one day. Obviously this cycle is harmful to himself and to others, and at some point Jax has to realize that what he's doing isn't the way to go. And what better way to make him finally realize that than to give him a wake up call with the person who deals with his shit the most— Gangle. I want Gangle to snap at him one day. I want her to stand up to him. I want her to yell and scream and call him out on his behavior. I want Jax to be ridden with guilt and remorse and realize just how much his actions have affected her, himself, and others. I want Jax to take responsibility. I want him to face his issues and accept the consequences of what he's done. I want him to buckle down and put in the effort to be a better person and make things right with Gangle despite knowing nothing will ever make up for the damage he's done, not because he wants her to forgive him, but because she deserves better and he KNOWS that. I want Gangle and Jax to come to an understanding. I want them to gradually build a better relationship with each other. I want them to slowly open up to one another as they spend more time together. I want Jax to allow himself to be vulnerable around someone and express his true feelings. I want Gangle to gain more confidence as she spends time with Jax and grow as a person as well, one step at a time. I want them to give each other strength and face their demons together. Not everything is fixed with a love confession. Jax's actions aren't magically forgiven, it doesn't make everything okay. I want Jax to earn it. THIS IS WHY I SHIP RIBBUN If people can ship him with Pomni or Ragatha or anyone else, then shipping him with Gangle should be accepted too. Gangle isn't the only one that gets picked on by Jax, he does that with everyone, you just see it more prominently with Gangle in the pilot. Also not all ships need to be pure and good. Some ships are interesting because it's like watching a train wreck.

And really, this ship isn't that much different from a typical "enemies to lovers" story.