Lydia Bennet-19th Century Sansa Stark

lydia bennet-19th century sansa stark

Poor Lydia. Her dreams were realized, but, unlike Sansa Stark, she never recognized they were nightmares too. Sansa and Lydia were beauties who insulted their sisters for not adhering to societal standards. Sansa grew exasperated with Arya's boyishness and called her a horseface. Lydia snarks about Wickham's previous love interest and insults Mary's performance. Sansa, however, quickly gets bitten in the butt by the standards she revered. Numerous tragedies, such as the Battle of the Blackwater and Joffrey's abuse, force Sansa to confront how women's conformity only leaves them at the mercy of others.

By contrast, Lydia seems to be rewarded for fitting into society's mold. She and Wickham are deep into the honeymoon phase when they get married. By the end of Pride and Prejudice, she still doesn't know about Wickham's manipulativeness. Lydia even gloats about her marriage to Wickham, seeing no issue with her actions. Slowly but surely, reality sinks in. In the epilogue, Lydia and Wickham move frequently, saddled by debts. Lydia isn't great at managing her money, but Wickham is expected to provide a living income. Even if she were a financial mastermind, Lydia's livelihood would still be hurt by Wickham's inability to manage money. However, the Wickhams are always cushioned from the consequences of their mismanagement. Sadly, it seems like Lydia will always remain blinded to the issues within her society.

the beast's silver tongue

Johan's and Lotte's first meetings with Karl Schumacher were meant to contrast. Lotte has to search Karl's mother to retrieve info about her. By contrast, Johan appears so trustworthy and amiable that Karl reveals his past without much prodding.

Arya had broken dreams, too

Everyone hones in on how Sansa's dreams were brutally dashed, but I don't think enough people realize how Arya's dreams were broken too. Arya wanted to become a swordfighter and have bold adventures. She never imagined the death and destruction that could result from it. She, too, suffered the loss of her idealism and sunk into a deep depression. She doesn't even believe her mother will love her after seeing what she has become. Becoming what she has wanted is costing her who she was.

one glance

I'm only 50 or so chapters into kingdom, yet I can tell I'll really enjoy it because of this one non-verbal interaction

Oh. My. GOSH

Where do I even start. Firstly, we don't really get into Ei Sei's head. He's an incredibly stoic character, the cool calm tempering Shin's fire. He often listens to Shin's rants with annoyance or frustration, and you might think that he doesn't think that highly of Shin at all. But this moment completely overturns that. It demonstrates that when Ei Sei isn't speaking, he's observing and learning. In his silence, there's an internal monologue reflecting on what others say and adapting his worldview accordingly.

Both Shin and Ei Sei depend on each other and acknowledge that fact. Ei Sei glances at Shin after his statement to let Shin know that he understands what he said and respects him for it. Likewise, Shin knows that he has to serve Ei Sei for a while before becoming the greatest general in the heavens. Both of them understand their friendship is also a vehicle to achieving their individual goals and don't resent that fact.

Astute observation! maiamars absolutely cooked in this post

i like how arthur and brienne are similar yet they stand on the opposite sides of jaime's journey. arthur, the morning, from starfall, was the starting point of his journey before he lost him and let the day eat what he once was. brienne, the evening, daugther of the evenstar, was the starting point of his reflection on the end of his journey. they are his north star, the one guiding him to the man he always wanted to be. yet the quiet night is always followed by dawn, right grrm?

Matahachi Honiden and Peter Keating

Despite being from two completely different eras and countries, the deuteragonists of the Vagabond manga and The Fountainhead share a lot in common. The Fountainhead has Peter Keating, an aspiring architect who sacrifices others and eventually his own happiness to achieve ephemeral success. In Vagabond, we see Matahachi Honiden bumble through various troubles on his quest to become an esteemed swordsman. Both of these men pursued these paths because of their mothers. Mrs. Keating guided all of Peter's career choices, from attending college to joining a firm and marrying his employer's daughter. Osugi Honiden, Matahachi's adoptive mother wanted him to be a worthy heir of the Honiden name. One of these men falls into disgrace, whereas the other accepts his failings and aspires to be better. Their maternal support is critical to their character arcs.

From the very beginning, Peter and Matahachi are pushed towards divergent endings. Peter mother frequently dismissed Keating's actual desires in favor of fulfilling a shallow version of success. This is epitomized in Keating's rejection of Katie, his true love. One day, a panicked Katie goes to Peter's home and asks to marry him the next day. He agrees, but his mother dissuades him from doing so. Instead, she advises him to marry Dominique Francon, his employer's daughter. Peter ultimately follows his mother's wishes rather than his own. This desperation to live up to his mother's standards drive him to ghastly measures. He frightens his firm's partner into dying of a stroke. Keating also plagiarizes his rival's designs. Despite owing his success to his rival, Peter still resents him Reaching all the hallmarks of traditional success leaves Keating tormented; he knows that he can credit himself for none of it.

By contrast, Osugi supports Matahachi's goal of becoming a skilled swordsman. In her eyes, this ambition makes him a better heir. However, Matahachi doesn't have the discipline to develop his sword skills. His indiscipline leads him to make the same mistakes as Keating. He cheats on his fiancee Otsu and wounds her deeply. Matahachi pretends to be the renowned swordsman Sasaki Kojiro. Admiration also sours into envy for Matahachi. He also resents his friend Musashi for becoming a better swordsman and taking his ex-fiancee.

It's Osugi's support, however, that guides Matahachi on a better path. Before her death, Osugi reveals that she knew about his failings but loved him anyways. She even compares him to Musashi positively. Even though Musashi's single-minded focus is admirable, Osugi believes that Matahachi wandering before finding his path is still beautiful. This validation and love is what gives Matahachi the strength to accept himself and his mistakes. This is the start of his redemption arc. Keating, however, never receives this same love. His mother recognizes that her constant meddling led to Peter's current misery; however, she never openly states that she accepts him for who he is.