Facts 10000000%. A Diary Of Chase Would Be So Interesting And Give A New Preseptive. He Probs Felt Lonely.

Facts 10000000%. A diary of Chase would be so interesting and give a new preseptive. He probs felt lonely. I think he a 'sheltered' prince to the public's mind. When in actuality he obv the red knight is his duty so he knows of people but doesn't get time to mingle. I was so shook when Lizzie and the wonderlandians didn't know him. He knows of people but was really unknown to em and not close

ever think about how not only were we deprived of most of the guys' dolls, but we were also deprived of their diaries? like. can you imagine if we got actual depth to sparrow? humphrey? hopper? they could've found a way to pull off one for tiny if they just thought abt it for long enough. hell, daring got two dolls and yet no diary. can you imagine if we got daring from his own point of view? all the accounts we have of him are either laced with resentment bc he's the golden boy or played for laughs. there's soooooo much wonderland lore in the diaries, can you imagine if we got one from chase, who actually stayed in wonderland after it got sealed off?

THIS IS THE COOLEST!

Peter Pan in Ever After High

Years ago I made some rough draft Ever After High OCs for Peter Pan years ago but then deleted them because they were too cringey. This was before I learned to EMBRACE THE CRINGE (you know, online and anonymously). They were exchange students from Neverland. I can’t remember much, but from what I do I have reconstructed these fanfic concepts and OCS.

Peter Pan is the Peter Pan. His whole character is the Boy Who Wouldn’t Grow Up. He wasn’t planning to grow old, let alone have kids, anyway, and once the legacy system was implemented he was bound by destiny not to too. So while the Hooks and Darlings and (now unisex) Lost Kids and even his fairy sidekicks come and go, Peter never changes. At least, he’s never supposed to. So he’s just been reenacting the events every generation for hundreds of years (the system has to be a good few centuries old) and doing whatever in between, and he thought he was fine with this because the thing a lot of adaptations forget about Peter is he isn’t a straightforward good person. He’s childhood incarnate. Eternally immature. In the original story he doesn’t really understand the weight of death; not just his own, simply saying dying will be “an awfully big adventure”, but others’, thinking nothing of murdering pirates and risking the Lost Boys’ lives in battle on a regular basis. He ambiguously ‘thins out’ the Lost Boys who grow up on him, unable to stand them becoming the what he so hates. In the darkest versions he kills them, in others including this one he just expels and disowns them, but either way it gets the point across. It’s all a game to him. That’s why the Darling kids need to leave him and face the future in the end: the harshness and responsibilities of adulthood come with a much more sophisticated theory of mind, sense of empathy and general grasp of reality. It isn’t that he’s malicious, he just can’t understand that his actions have consequences and sees everyone as side characters or antagonists in his story. Peter doesn’t have good and evil, he has fun and boring. This is all JM Barrie’s characterization. Barrie explicitly says young children are ‘heartless’ by adult moral standards and gain hearts as they grow.

Were he to evaluate the legacy system for a few seconds, all the decidedly un-fun strict repression and burdensome duty, he’d absolutely despise it. He distantly remembers life pre-scripting and it was fine. He’s pretty sure Ever After was fine. He should realize more than anyone how artificial it is. Trouble is he’s a hyperactive, selfish, impulsive preadolescent boy to the power of a thousand, so very easily distracted and bribed by Ever Afterian authorities into compliance before he can do that. All he needs to do is keep living his dream life and act out what he essentially already saw as an extended, dramatic game over and over, after all. They even let him throw in a couple small twists each time! Another factor is that he signed the real Storybook of Legends way back when the first signing event occurred (he drew little stick figure Lost Boys and pirates on the page). And based on how it gave Raven access to the full depth of her magic power, this book, unlike the one Apple signed, is supernaturally effective. So Peter’s inability to learn from his experiences or emotionally mature has partly been enforced by the book. He doesn’t think too hard and stays stagnant in his childishness.

What changes is the current Captain Hook sees an opportunity. Though he hates Pan, he hates the thought of his daughter Scarlet losing her hand and being tormented by a crocodile for the rest of her days even more. Peter is naive and malleable enough to be swayed against the legacy system and powerful and influential enough to possibly get their story removed from the list. He doesn’t care for Peter or anyone else outside his family (‘Freedom from destiny but only for me I think. The rest of you are on your own.’). Swallowing down the urge to stab the boy on sight, he encourages Scarlet to become his friend at a young age. The island is pretty insular between the retellings of the story so he gets away with it. For comedy points, Hook instructs Scarlet on how to hide her heritage, painfully aware Peter is cleverer than he looks, and then Peter just never asks her last name. She’s soon practically a Lost Girl. She eventually starts to wear pirate clothes again and phase in pirate slang and lead sailing trips around the bay and expertly fend off jealous mermaids with her cutlass. Peter never bats an eyelid. Until Scarlet is called for the generational transfer of plot-important kids to Ever After High.

Peter: You’re a Hook?!

Scarlet: You didn’t know? I just thought you were being cool and nonjudgmental!

Peter: How was I supposed to know? You didn’t say anything!

Scarlet: I do pirate stuff all the time! I literally wear the red Hook heirloom coat every day!

Peter: A lot of pirates like that kind of coat, I assumed you were some average, background pirate’s daughter!

Scarlet: But you still made me an honorary Lost Girl.

Peter: I’m pert - perpetu - purpley - I’m innocent for forever, duh! Why would I not like you based on how you look and where you’re from? That’s a stupid thing grownups made up.

Scarlet: Then… why do you care?

Peter: (crying) Because now we’re gonna have to not be friends anymore!

Scarlet: Why?

Peter: (furrows brow and stares intensely) Because… well… the grownups from the mainland…

Scarlet: Because they said so?

Peter:

Cut to Milton Grimm sipping tea in his office, ready to commence the school year.

Milton: I suddenly feel something is terribly wrong.

So the requested Neverlandians arrive and to everyone’s surprise living legend Peter Pan tags along! They convince Milton he’ll be a positive influence on the students. Who knows more about following the script than him? He’s actually lived every rerun! The inherent PR boost of the fabled, incredible Peter Pan approving of the school and students’ excitement to meet him doesn’t hurt. Thus Peter is given lodging and exemption from most school rules and on paper social norms. From there, it spirals.

Starring:

Peter Pan, professional chaos gremlin. Biologically, he appears to be ten. Mentally, he’s… complicated. He has tanned rosy skin, brown hair matted and spiky with mud, full of leaves and twigs. He will not wash. That’s both a statement and a threat. His forest green eyes are wide and bright and almost always have a smile in them. His outfit resembles a crude green, brown, black and gold scout leader uniform, cobbled together out of rough organic fabric and fur, complete with a sloppy Lost Kids insignia badge (his teammates have their own, each insignia a unique, unrelated design). He’s a force of nature capable of being stopped only by emotional tactics and his own hubris. Freedom is his most fundamental and initially basically sole value. That and friendship. Impatient and temperamental he may be, with push coming to shove for the first time in centuries he ultimately proves an incredibly loving and loyal friend. He has never been to school, so while his intelligent is sharp it manifests as cunning, disarming social skills provided whoever he’s talking to humours him, and borderline supernatural intuition. He loathes school with a passion. Move over Hook, Milton Grimm is his new nemesis. He’ll make him beg to just have his hand cut off. Unless you’re branded a villain in his story, which in fairness you do have to be actively, repeatedly cruel to earn, Peter genuinely doesn’t have a mean bone in his body and is quick to trust and forgive. Part of the reason the harm he causes doesn’t register at first is his assumption everyone shares his lighthearted worldview and is playing along with him. Over the course of the story he’s dragged kicking, screaming and in utter horror into being able to properly listen to and empathize with people, even when they conflict with him; take things seriously; handle philosophical nuance; respect others’ perspectives and judgements; admit when he’s wrong and work to fix it. All the while he must overcome the crushing identity crisis of ‘I’m the Boy Who Never Grow Up! If I grow up, who am I?’ learn how to preserve the good qualities of childhood and balance them healthily with his new maturity.

Scarlet Hook, daughter of Captain Hook. She has light skin, the Hooks’ trademark long black curls, piercing blue eyes, and wears stereotypical pirate clothes mostly in red and white with a rigging-like skirt and her dad’s coat tied around her waist. She’s a Rebel. Her stated reason is that she doesn’t want to get dismembered and all that, and being a talented athlete who would be set back by the loss of her dominant arm doesn’t hurt, but less vocally she couldn’t bear to betray her playful, teasing yet tight friendships with the others. She’s a big sister to Peter and his accomplice in neutral-to-good self-serving chaos. She has a shrewd pragmatism that offsets his fancifulness. Her favourite sports are fencing, obviously, tennis, British football and hockey. She loves her father, who’s a pretty decent parent if you discount his education in ruthlessness and spite, and the thrill and power of a pirate captain’s life and cared where it counted in his own way. The more violent aspects of it do secretly disturb her, having inherited her dad’s fear of the sight of blood. Plus having a conscience and empathy deep down. But overall taking the Jolly Rodger’s helm someday excites her. She admires Raven Queen for her courage in directly challenging the legacy system whereas Scarlet is more comfortable working from the shadows, using subterfuge, pulling strings and manipulating people. She learns to value others’ rights and fight for the overarching Rebel cause to give all free will, coming into her own as a leader. She simultaneously gradually loses her aversion to openly displaying affection.

Meghan Darling, daughter of Wendy Darling. She has several younger siblings affectionately nicknamed the Darling Horde, busy parents and is widely expected to be mature due to her destiny involving becoming a mother figure to the Lost Kids and later turning down endless youth. This has made her responsible and caring to a fault. She’s on the surface an archetypal ‘mum friend’, but a very exasperated one and actually rather sick of it. It’s left her highly sensitive, easily stressed and with fragile self-esteem - she isn’t as levelheaded as people assume she is. To compensate for her worries she’s developed an escapist side. That’s why she’s a Royal in the destiny debate, because she can’t wait to visit Neverland and have unbridled, fantastical childish fun, although she knows she’ll need to leave afterward. She hopes her experiences there will give her whatever the key to proper maturity is she doesn’t currently have. Meghan is friendly and sociable and tries to show kindness to all. She is also an academic bookworm and massive nerd on the topic of magic, especially its intersection with biology. Her favourite subject is Science and Sorcery. Her growing romantic feelings toward Fire Lily stress her out at first, but she comes to embrace them just in time to see the destiny debate resolved.

Fire Lily, son of Tiger Lily. He is quiet, reserved, dislikes expressing anger and is often misunderstood in Ever After; however, in Neverland he stands out for being sensible and logical (it’s notably different from Wonderland eccentricity, but mainlanders agree there is something off about Neverlandians). The truth is he simply has a steady enough core of self-confidence he doesn’t feel much need for social validation. At his worst, he can be prideful. That said, people usually either listening to him blindly because of his status or dismissing him as a side character without bothering to get to know him does grate on him; he wants to earn every ounce of respect he receives and is a Rebel out of distaste for judging people based on the holes they’re supposed to fit into rather than their individualities personalities. He’s intelligent and perceptive. Being the heir to the Native American community, therefore an important figure in the island’s internal politics, Fire Lily’s life has thoroughly exposed him to human and supernatural drama, leading to sharp sarcastic streak and expecting himself to be able to take new information in stride. When he can’t understand or adjust to something, he tends to panic and want to avoid it. He has a creative spirit and loves to paint and draw. He’s most content doing this. He reciprocates Meghan’s romantic feelings and they officially get together at the concluding party of “Way Too Wonderland”.

There are other tales too! Also there's Giles and Milton in this world. So I like to think there's other fairytale author's descendants too. Like they could be storybook adapters to make stories go seamlessly but they pretty much don't get to do anything. Headcannon that the lesser known tales are very confusing to try and follow. Charlotte Perrault, Gabriel de Villeneuve, and Jean-Mario Leprince de Beaumont are cousins And second cousins of Andrea Lang and Monsieur d'Aulnoy. The key story their ancestors adapted was Beauty and the Beast. They like historians to help the tale be easy to follow and live. Lesser known tales are usually harder to live through because of how unadapted it is. Story simplifiers or adapters aka Storytellers They don't go to EAH and they a shunned secret cause Milton thinks they not needed anymore (Gatekeeping to the max)

but what exactly is a fairytale? does it HAVE to be Grimm? what about Anderson? Meeshell, Nina, and Crystal imply that Hans Christian Andersen is also allowed into the EAH canon, despite Milton and Giles. I am sick today and staying home from school so will attempt to categorize exactly what is in the EAH universe and how I can twist this to include whichever manner of beast I please (these posts will be tagged “#EAH spellbook” bc I couldn’t come up with anything better)

New To Tumblr

Got on here for commenting on ships and such. Missing Ever After High a lot. I be writing fics. Fell down the rabbit hole again. Got a lot on my mind. This is my first post. Ravin’ Queen is a triple  entendre to symbolize my faves: Raven Queen, Lizzie Hearts. Briar Beauty.

10000000% worth it! One's stories are meant to be told. If you anyone is wondering if they should write that fic, let the idea come alive on paper or even go for it and publish the fic, here's your sign to go for it!

Reblog if you think fanfiction isn't a waste of time.

Reblog if you think it’s a good way to practice writing.

Reblog if you have made friends because of fanfiction.

My sister called it a waste of time and I want to prove her wrong.

Reblogging, hopefully not slowing ya down if ya tryna make a full on long string post. Your hand writing is beautiful and i could imagine it so well. And ayeeee mention of Wonderlandiful World which be one of my fave books. Peter has such leadership tbh, he's charismatic. Also Fairies do live long/ are kinda immortal so Tinkerbell being here is realistic. I love how deep and thought out this is!

~More stuff for this!~

So in the book Peter Pan this adorable exchange happens when he first meets Wendy:

[She also said she would give him a kiss if he liked, but Peter did not know what she meant, and he held out his hand expectantly.

"Surely you know what a kiss is?" she asked, aghast.

"I shall know when you give it to me," he replied stiffly, and not to hurt his feeling she gave him a thimble.

"Now," said he, "shall I give you a kiss?" and she replied with a slight primness, "If you please." She made herself rather cheap by inclining her face toward him, but he merely dropped an acorn button into her hand, so she slowly returned her face to where it had been before, and said nicely that she would wear his kiss on the chain around her neck. It was lucky that she did put it on that chain, for it was afterwards to save her life.]

(It does this by blocking an arrow Tinkerbell jealously tricked the Lost Boys into firing at Wendy while she was flying so she wouldn’t get between her and Peter.)

And nobody asked, but my EAH version of Peter has kept Wendy’s ‘kiss’, the thimble, likewise on a chain necklace, wears it everywhere and is very protective of it, getting defensive and uncharacteristically quiet when asked about it, because it’s the last thing he has of her and the time before the legacy system. The gifts from her descendants just don’t make his heart hurt the same way. Those Darlings weren’t trying to be themselves with him, they were trying to be her, but they weren’t. No one is.