Distracted-and-diffused - My Thoughts Are Many Miles Away...

reblog this to put a leaf on your mutuals head

Expanding a thought from a conversation this morning:

In general, I think "Is X out-of-character?" is not a terribly useful question for a writer. It shuts down possibility, and interesting directions you could take a character.

A better question, I believe, is "What would it take for Character to do X?" What extremity would she find herself in, where X starts to look like a good idea? What loyalties or fears leave him with X as his only option? THAT'S where a potentially interesting story lies.

In practice, I find that you can often justify much more from a character than you initially dreamed you could: some of my best stories come from "What might drive Character to do [thing he would never do]?" As long as you make it clear to the reader what the hell pushed your character to this point, you've got the seed of a compelling story on your hands.

The Hollywood Reporter

How ‘Dead Boy Detectives’ Proves There’s Life After Network TV for the YA Genre

The Netflix series’ cast and creatives unpack how they delivered a spirited — and inclusive — new coming of age tale. 

“Edwin and Charles have died, but in a lot of ways they’ve never had to face that they’re dead,” creator Steve Yockey explains of the show’s ghostly duo. “And here comes this living teenage girl [Crystal] that upsets the applecart. All of a sudden everyone’s having to learn how to grieve for these experiences that happened a long time ago or face things about their lives they’ve put behind them but never really processed.”

I just had to