Only Two Things Make Me Sad: One Of Them Is Life, And The Other One Is Trying To Live It. I Am Always

only two things make me sad: one of them is life, and the other one is trying to live it. i am always afraid of regret. always afraid of the wrong thing. too many days spent in the closet, on the floor, throwing up with my head in a toilet. hands trembling like the wind and i’m still trying to live with this. that tremor won’t ever go away. how can i tell you to live when i don’t want to? and there’s nothing i won’t do to want to. all these admissions and omissions of how much time i really spend trying to function as a human being. isn’t that what we call life? this hell we’re in when we can’t call it hell? we keep on through the precarious existence of the balance between burning fast and flickering out. when it’s beautiful, hold it close. when it’s ugly, hold it the same. if it makes you sad, cry, and i have to cry too. when i see things that make me ache, all over, and want to curl up so i don’t have to face it, i do for a little while. but i still get up when the alarm goes off in the morning saying ‘cheer up. you’re not dead yet’ and when it says ‘one more day’, when it says 'be happy’ and when it says 'ní hên píao líang you are beautiful’ i have to get up. i have to get up for all those who can’t. yes, it hurts to breathe and exist and live but isn’t that what it means to be human? breathe. stand new-made in the shivering light. 
 if you still have a day. live it while you are shaking.

REMEMBER WHY YOU BREATHE :: o.m. 2017

i return howling

black ringed eyes of smudged morality / questionable practises of immortality.

after ten thousand years you’d think we’d start to lose the taste / of salt and skin, lips to face.

kiss me still when i am inhuman / a beast wandering through the night.

here we are in the forest, teeth and claws and all / here we are in this dark humanity, ready to fall.

even then when i am lonely / i dream in full moons, bruised skies turned holy

i still sleep quiet underneath the night / i return, howling, home to you.

the unquiet night

TIME IS A CONSTRUCT CONSTRUCTED BY BITTER ENDINGS AND THE SPIN OF A WORLD IN THE GAPING ABYSS THESE STARS ARE DEATHLESS AS MEMORY THEY CRUMBLE INTO DUST LIE AWAKE AND LIE TO YOURSELF THAT THIS IS NOT THE WAY THE WORLD ENDS INTO THAT GOOD NIGHT HOW LONELY WE WILL GO.

an uneasy grace

we balance on the line of an edge running perpendicular across a point. tell me the world and its beginnings, a creation. tell me a lightbulb lightening-flash scorched earth sound. waves unfolding across a desert, land rising from an ocean. fire to water to earth to air from chaos and it burst forth: from chaos in a cacophony of light because nothing miraculous ever happened quietly, except, perhaps, that instant before the whole tangled mess broke and the inhale before a silent peace cradled down upon a body unbroken. the quiet god of a girl. is there a beauty in the quantum mechanics of things, black hole event horizons tell me how she does it. how she breaks down and gets back up again. nobody made a world in seven days, not even her, still sleeping it off like a morning hangover. tell me what god wakes up to. a graceless existence into which the descent is easy and we have fallen. sorry god. i believe in you. i just don’t believe you.

venus hates apostrophes and burning

because they’re always to the dead. the dead can’t hear you anyway, so it doesn’t matter if you shout. shout louder, even, because they’re dead. or have a conversation with the sun, shout at him instead. venus is the sun’s abusive lover, living next door. not abusive; tired. the sun still shines and venus tries to reason him away. i don’t love you anymore, venus says, and the sun gets too close still- like he doesn’t understand what this means. that venus can feel him everywhere, the atmosphere, skin blistering at a touch, his whole self burned away to leave only ash, that heat trapped inside- and venus shines brighter because of him, hopeful for something but god, doesn’t the sun know it’ll never work? a coat of armour for protection, another wasted shield and still. still, venus can’t get the light to go away and blinding is the sun’s only setting. it burns down to the truth of it, that venus only wants an apostrophe in the words “the sun’s” like a possessive and he’s tired of writing love letters to the dead or talking to the ghost of his self before the flames, venus only says those things because the sun would be better off without the second best. second closest, not even brighter than a star. the sun turns away and turns back, he always comes back, and venus wants to cry again with the heat of his gaze. no arrows, no apostrophes, no burning venus hates burning because it always means the sun, and red hands remind him of what he’s done. i’m sorry doesn’t cut it when you’ve cut too deep. he closes the door, shuts the window, turns the key and he’s still shaking, cold at the core where the light never reached. 67 million miles can’t keep out a chill. 67 million miles and venus burning still. apostrophe, from apostrophiese, to turn away. i don’t want to keep running, venus says, still half-shielding from the light. i don’t want to keep turning away.

Litte teeth, little fist by @cityskylinesofimaginaryplaces