When I Started Choosing Embroidery Patterns For My Store, I Was Really Focused On Relatively Small, Simple

When I started choosing embroidery patterns for my store, I was really focused on relatively small, simple designs. Things that would be quick and easy for beginners. But honestly... I think I underestimated just how easy the printed interfacing would be, since it's the needlework version of completing a dot-to-dot patterns. They take time, but none of the constant counting and ripping stitches out.

So that meant I've started to get ambitious. Little designs are still great, but what about a few designs that are dazzling from the other side of the room? As a treat?

Maybe just one of Giovanni Ostaus's shirt opening border designs from 1561?

Some fancy chickens and um... tulips? pomegranates? water fountains?

And just for me, a pattern you won't find in any history book, a little confection I made that I like to call: "Strawberry Fieldmice Forever"

That's only like, half of them. I just dumped a whole bunch onto my Etsy.

Interested?

Beginner-friendly historical and fantasy embroidery patterns, right this way!

Back in 2015, I made this skirt for an 1860s ballgown. I wanted to make a daytime bodice to give the gown more wearability outside of formal events, but I had run out of fabric and since the fabric had lived in my stash for years, it had been discontinued long ago.  I had a minor fabric miracle when I discovered some similar plaid taffeta on Etsy! I scooped it up and decided to make an 1850s bodice, since tiered flouced skirts like this were super popular then.

This bodice ate fabric, and I think I used three or four yards in total because the sleeves are massive and multi-layered. There is a black lace/fringe trim on the bodice, which you can’t see very well in pictures but is lovely in person.

The cap and bodice were made to accompany the new ensemble. The cap is made entirely from things found at Walmart, and the materials for the bonnet came from my fabric stash.

Happy National Bat Day! Here’s a happy little bat embroidery pattern from the 1632 pattern book “The Schole-House for the Needle.”

The embroidery for the 1760s waistcoat is officially finished! This one took me a while to complete, but looking back at my sewing diary I actually only spend a total of 16 days on the embroidery (though that was spread out over several months). As of now, I’ve put in around 150 hours, with more work to come.

The next thing to do is begin on construction. When it’s all finished, the waistcoat will be completely lined and have functional pockets. It will also be my first time making hand-sewn buttonholes, which is a little scary.

Now I need to figure out how to embroidery the coat that will go with this!

Embroidery on the 18th Century court suit is moving right along! This project started way back in February but had to be put aside because of how much schoolwork I was doing this semester. Now that school is out, I’m finally getting the chance to go back to it.

This suit is based on extant 18th Century court suits. The waistcoat is a cream duchess silk satin with cotton embroidery and metal spangles. So many spangles! I’m glad I have a fella that will let me make his clothes sparkly.

I’m hoping to finish up this week and finally begin the construction. I also need to make a new shirt for him before I can move on to the coat, so that’s in the queue, as well. Now to decide what embroidery pattern to use for the coat...

One of my favorites. Still planning to make my green version someday.

yellow silk evening dress with oak leaf design

c.1902

House of Worth

Fashion Museum of Bath