Knot Protection Spell By Abel Gomez

Knot Protection Spell by Abel Gomez ⏳

~Vivian 🌙

What to do if you suddenly find yourself homeless

FOOD

Find your nearest food bank or mission, for food

grocery stores with free samples, bakeries + stores with day-old bread

different fast food outlets have cheaper food and will generally let you hang out for a while.

some dollar stores carry food like cans of beans or fruit

SHELTER

Sleeping at beaches during the day is a good way to avoid suspicion and harassment

sleep with your bag strapped to you, so someone can’t steal it

Some churches offer short term residence

Find your nearest homeless shelter

Look for places that are open to the public

A large dumpster near a wall can often be moved so that flipping up the lids creates an angled shelter to stay dry

HYGIENE

A membership to the YMCA is usually only 10$, which has a shower, and sometimes laundry machines and lockers.

Public libraries have bathrooms you can use

Dollar stores carry low-end soaps and deodorant etc.

Wet wipes are all purpose and a life saver

Local beaches, go for a quick swim

Some truck stops have showers you can pay for

Staying clean is the best way to prevent disease, and potentially get a job to get back on your feet

Pack 7 pairs of socks/undies, 2 outfits, and one hooded rain jacket

OTHER

first aid kit

 sunscreen

 a travel alarm clock or watch

 mylar emergency blanket

 a backpack is a must

 downgrade your cellphone to a pay as you go with top-up cards

 sleeping bag

 travel kit of toothbrush, hair brush/comb, mirror

 swiss army knife

 can opener

Scottish Witchcraft - Books

There is a god awful book out there claiming to be about Scottish witchcraft, and …it just really… isn’t. 

I had a feeling I’d be disappointed when I read it, but I held out some hope that the author would have some Scottish folk magic in there, or at least a bit about rowan berry necklaces, or rowan and red thread. Alas no. I’m not going to mention the author or book title, but I’m sure you can figure it out on your own. 

I hate to deride books as I know a lot of work goes into writing them. But sadly the research did not go into this one. It was more part memoir, and a do whatever the fuck you what kind of attitude and call it Scottish witchcraft, with a splash of highland romanticism. Ugh. It’s a far cry from Scottish witchcraft and folk magic; as bad as Buckland’s book on the subject. I know it’s petty but it makes me annoyed that this book is masquerading as something it’s not, and people will buy it and read it and not know any better. 

Anyone looking to learn about Scottish witchcraft please read up on the Scottish witchcraft trials (there’s a fantastic site called the Survey of Scottish Witchcraft to get you started), the myths and folklore of Scotland, the Carmina Gadelica, The Gaelic Otherword, The Silver Bough (F. Marian McNeil), Cunning folk and Familiar Spirits (Emma Wilby), The Visions of Isobel Gowdie (Wilby) and other books like it. Read their suggested reading lists too. 

Michael Howard wrote a great book about Scottish Witchcraft but it’s not cheap to get it from the publisher (the shipping cost more than the book). Maybe ask your local library to order it if possible?

Now Scottish witchcraft as a practice per se, can be difficult to define. We have the records from the witch trials, which are accounts from the authorities responsible for arresting and usually sentencing ‘witches’ to death. The accused may or may not have been witches. So it’s hard to define what is genuine witchcraft and what isn’t. What the records will tell you, is what people believed  witchcraft to be during that time period and that in itself is useful. 

I know it’s annoying having to do research, and it would be a lot nicer if there was one big book that told you all you wanted to know on the subject. That book may never come, but if you care enough about the subject you will start to enjoy your research and develop your own practice from it. 

The term “potion,” I must frankly admit, is mostly used in fantasy stories that feature magick, such as Harry Potter and The Dresden Files. In the fictional universes of those stories, the term means a variety of things, but in general it refers to some sort of liquid designed to have a magical effect. Most famously, in Harry Potter in particular, potions and Harry’s study of them in school plays a major role in the plot, and fantastic concoctions with names such as “Drought of Living Death” show up. Many witches, magicians and alchemists scoff at using the term “potion” to refer to something they make in real life just due to it’s sheer association with fiction these days. I guess the thought is that, while saying you made a “spelled tea” or “infusion” might be well and good, saying “I created a potion today!” will bring out naysayers ready to point out that Harry Potter isn’t real in the snarkiest voice imaginable.

Obviously, I disagree. The word “potion” is useful, having been used for centuries to refer to the liquid creations of witchcraft and magick. It comes from a Latin term, potio, which simply meant “drink.” Actual practitioners have been creating potions far longer than Harry and Snape, and thus I think we’ve got as much of a right to use the term as those who parlay magick into fiction. It’s a very convenient word, allowing us to describe a whole genre of magical practice.

I use the word “potion” to conveniently refer to all liquids imbued with magical intent and having a magical purpose beyond their physical effects. This means that, when I say “potion,” I am referring to a wide variety of things, ranging from simple magical teas to tinctures, oil blends, and even alchemical spagyrics. The physical basis of each of these differs, and most, if not strictly all, potions somehow involve elemental water, if only by virtue of being liquids. There are those who would argue that concoctions with an oil or alcohol basis might find their primary elemental association elsewhere, but I hold that a liquid will always have a watery essence, insofar as elemental water includes all liquids, just as earth includes all solids to a degree.

It is important to note that while I tag most of my posts that involve potions under a general alchemy heading, and many books refer to potioncraft simply as “alchemy” or “herbal alchemy,” the vast majority of potions that witches make are not true alchemical formulas, though they may have been developed using alchemical theories and correspondences. 

When I use the phrase “true alchemy,” I largely refer to the practice of creating what some call spagyrics and similar, related concoctions, and I admit my understanding of it is currently a bit limited compared to some. If you’re interested in learning about the practice of true alchemy in a present-day context, I suggest reading Robert Allen Bartlett’s excellent book on the subject, Real Alchemy, or checking out Spagyrics, by Manfred M. Junius.

While I am writing this article as part of my series for beginner witches, and many beginners do create potions, it’s worth noting that potioneering, and in particular certain kinds, isn’t a very accessible part of witchcraft. Why? Well, many books tell you that you don’t need expensive tools and ingredients to do magick. While this is true in most cases, when it comes to potions, unless you’re very creative, you’ll have to invest a bit of funds and effort into just gathering the supplies. As I’ll hopefully show, these supplies needn’t be particularly pricy, and improvisation gets you a long way, but still, potioneering requires quite a bit more materials than most forms of witchcraft.

Another reason potion-making isn’t as accessible to a beginner as (for example) sigils or candle magick rests in the fact that many of the ingredients traditionally used in potion-making have physiological and psychological effects on human beings, making it risky to use them without doing a great deal of research, which can be daunting at best. It’s beyond the scope of this essay to discuss what herb or such is or isn’t poisonous and what can be consumed in which quantities, but many existing books and websites are full of that information. At the end of this essay, I’ll provide links to some potions I’ve developed that use highly innocuous ingredients, but everyone reacts differently chemically, and even with something like chamomile, be sure to do your research. I’m not trying to discourage anyone here, but if you choose to take up potion-making, do be mindful of your budget and research ingredients very carefully.

If you want to make potions, I suggest choosing a focus. There are many different types of potions, and alluded to earlier, ranging from simple to concoct teas to complex configurations of essential oils. Most witches work a lot with oil or water-based potions, and plenty also make tinctures and other potions with an alcohol base. I would recommend choosing one medium/basis to focus on - do you want to make drinkable potions and teas, tinctures, or oils?

Regardless of what sort you want to make, you will probably have to buy or find some equipment and ingredients, unfortunately. As I’ve said, most witchcraft requires little investment besides emotional commitment, but potioneering does involve equipment and ingredients I personally have built up a large collection of supplies for compounding potions and brews, and while not everyone’s going to want or need to do this, my advice to those who are looking to create a large laboratory-like setup is to start small. Below is an image of my current supply cabinet, with all my potion-making supplies visible, as well as some charm bottles and other things.

For the most part, herbs, flowers, and other plants make up the bulk of what is used in potions today. Choosing which herbs to purchase can be pretty overwhelming, but I always found it useful to buy herbs on an as-needed basis, slowly building up a collection over the course of a few months. Even if you cannot afford a lot of fancy ingredients, much can be done with simple household herbs and spices, like mint, basil, oregano and black tea. Many of the potions I make take the form of a tea-like infusion that may or may not contain actual tea leaves (often, it’s just herbs). 

For creating these, I find my porcelain mortar and pestle helpful, which I got from Amazon.com rather cheaply. I use it to grind up particularly difficult roots and herbs, and to bruise flowers such as lavender in order to better release their taste/scent into the mixtures I make. I also have a small scale, of the sort commonly sold in head shops, but I only really have this because some of the potions I make actually contain (legal) psychoactives and I’ve got to be careful about dosage. 

Whether you need any of this or not really depends on what your plans are. If you intend to work with so-called “baneful” ingredients or anything that has a strong physiological or psychological effect on the human body, a scale might be a good safety precaution, as it helps you calculate dosage. If you plan on mostly working with things like mint and thyme, which are culinary and safe for most people, it might not be necessary or worth the investment. Similarly, while a mortar and pestle allows you to grind and mix ingredients rather easily and adds a level of effort (and therefore power) to the process, not everyone’s going to want or need one plenty of herbs don’t require grinding.  

If you’re mostly going to be working with oils and making magical perfumes/scents, dried (or even fresh) herbs won’t be as useful as pure essential oils, though. These compounds are called such because they contain the chemical essence of the plant - basically the active ingredients of whatever herb or plant they come from. While essential oils, for the most part, aren’t consumable or meant to be ingested, they capture much of a plant’s properties, both magical and chemical, and often have an extremely strong scent, making them useful for perfumes and anointing oils.

Above is a photo of some of my oil and perfume-making supplies. I personally use essential oils rather extensively, mostly to make custom magical perfumes and scents, to create anointing formulas for candle magick, and also for use in cleaning (both in a non-magical and magical sense). Because essential oils are chemically as well as magically powerfully, I also use them in a therapeutic fashion - for example, I add a few drops of rosemary essential oil to my shampoo to improve my hair texture.

You can go into many stores and buy “aromatherapy oils” or “fragrance oils,” but in most cases, these aren’t actually essential oils and are instead synthetic forms of the scent, or just the essential oil diluted into a carrier oil. For example, if you buy a vial of rose oil perfume, it’s highly unlikely to contain any rose essential oil, and is probably a synthetic imitation of rose scent mixed into a carrier oil. Fragrance oils like this can indeed be used in magick if their smell is evocative enough, but keep in mind that synthetic rose oil perfume won’t have any of the chemical benefits (for example, clarifying the skin) that actual rose oil might give, and might actually do damage if you try to use it in that way. Once again, it’s really beyond the scope of this article to give a lot of safety and usage information, so please do your research. If you want actual essential oils, most health food stores will have them, and they’re available online quite affordably, even on Amazon.

For the most part, if you buy herbs online or elsewhere, they’ll be packaged in some form of plastic bag. Even Mountain Rose Herbs does this, but their bag’s rather thick and is vaccum-sealed. Either way, I recommend moving herbs from their original plastic bags into jars, which should be as airtight as you can find. I personally got a bunch of random jars at craft stores and places like Target, and store my herbs there, as well as in containers I just saved along the way, such as jars that used to hold instant coffee or peanut butter. If you’re potioneering plans involve making anything that you’ll save for later (an oil for later use, a salve, etc), you will need to have storage for it, too. I keep a small selection of bottles for this purpose, mostly purchased from the same herb stores where I get my essential oils and raw herbs. 

One note about that, though - while some of the jars I use to store my loose herbs have corks, I would never use a corked vial or bottle to store a finished tincture, salve, or other concoction, as most of the bottles you get that have corks are unlikely to be watertight and simply invite spoiling. Pretty much anything you make, though, will spoil eventually. There are methods (such as adding Vitamin E or buying a carrier oil that already has it in it) that will halt the process a bit, but nothing really has an indefinite shelf life. In particular, don’t expect to be able to keep a tea-like brew in your fridge for more than a few days without it going bad.

I personally recommend Mountain Rose Herbs for both dry herbs (in bulk) and essential oils, as well as carrier oils and many other products you might need for creating potions. Of course, there’s plenty to be had at most health food stores and even grocery stores, too. One thing I want to say about shopping for herbs is that it’s almost always best to buy loose herbs (say, mint, etc), instead of herbs already portioned into tea bags and labeled as a herbal tea. It’s much less expensive and generally gives you better quality because the herbs are fresher and, again, there’s less overhead. 

With loose herbs, you’re not paying for the cost of them being slapped into tea bags. I recommend getting some sort of tea ball or strainer if you want to do teas, and avoiding the cost of commercially-prepared tea bags. This is much more cost-effective in the long run. I cannot, obviously, cite prices everywhere, but as an example, here in Poland, a box of mint tea is roughly 9zl, whereas a slightly-greater amount of the actual herb, loose and without bags, is only 2.50zl. In the image below, you can see the strainer I currently use. I actually have a larger one for making teas for the household, but this one works very well for making strong brews for myself. I prefer strainers that allow the herbs to spread out in the water, so I rarely use things like tea balls.

When you’re ready to take the plunge and make your first potion, ask yourself what effect you would want it to have. I am a firm believer that, in witchcraft, form has a complex interdependent relationship with function, but that the latter should be considered first and foremost. While almost any form of potion can be designed to have any number of effects, I’ve personally found that certain forms are more suitable (from my perspective) for certain tasks. Oils, when used to anoint the body, go a long way towards changing how the user is perceived, and thus I tend to use them to help me put my best foot forward. Teas and concoctions that are consumed are great for altering your mindset and deep internal changes. The creation of waters, floor washes, and similar products are obviously best-suited to spells designed to affect an entire area, household, or everyone who will encounter the formula. These are just some general rules I use in my practice - you might experiment and find things work differently for you, but I thought I’d mention them nonetheless.

Regardless of what form your potion will take, please keep safety in mind at all times. You might read in some old manuscript that a certain herb helps with a certain purpose, but if we now, here in the 21st century, know that herb to be poisonous, you probably shouldn’t use it, or at least exercise extreme caution! Safety first at all times. Choose ingredients based on the magical associations you personally have for them, first and foremost, which may or may not be based on whatever tradition you’re working within. 

With the added safety precautions required of something to be consumed, worn, or doused about, the advice I give in my article on bottle spells for choosing ingredients mostly applies here, too, but there’s other issues to be considered, as well. If you’ve decided your spell will be a tea, you must concern yourself with how it will taste, and if the taste of the finished product lends itself to the goal in question. With an oil, you don’t want it spelling foul in most cases, so the harmony of scents, as well, must be considered. There’s actually a really good book out there, called Mixing Essential Oils for Magic, by Sandra Kynes, that, while also giving excellent traditional information on the correspondences of various flowers and herbs, also explains the theory behind perfumery and how to make blends that smell delicious.

Basically, when choosing ingredients for a potion of any sort, many factors should be bouncing around in your brain, and these include:

Safety (first and foremost!)

Scent/taste

Appearance

Traditional correspondences.

Personal correspondences

Safety (of utmost importance!)

Usually, when I’m making any sort of potion, I start by listing ingredients that are safe, appropriate to the form I’ve chosen, and associated in my mind with my goal or purpose. I then experiment a bit with them, mixing and matching until I’ve got something that works and fits with what I’m trying to do. For example, if I’m making a perfume oil for prosperity, I might begin by just setting out all the essential oils and herbs I currently have that I associate with prosperity, then make tiny batches mixing and matching until I get something that works scent-wise and in terms of general association, at which point, I’d make a larger batch. 

For teas, once you’ve factored in and taken proper safety precautions, a lot of it is simple trial and error. Some of my recipes are modifications of tea recipes I found online, having worked out the correspondences. Others are just things I’ve tried and found delicious and workable. I admit to using my fiancé to taste-test some of my infusions, too! This isn’t really an exact science, though there are aspects of science to it. If you’re being safe, don’t feel bad if you end up a few times with a concoction or scent you hate - just dust yourself off and try, try again. It took me forever, for example, to find that I hate the taste of lavender unless it’s combined with mint, and that, while I love eucalyptus as a scent, it lingers too much and is ill-suited to my preferences in terms of a floorwash or area cleanser.

One thing that bears mentioning, though, is that magick is not about following a recipe or even creating one, and in my experience, a tea or perfume will be just that (i.e., not a potion) until it is in some way magically empowered or enchanted. I’ve written an article about this, too, which you might want to read. Most witches realize the importance of intent and that strange factor that seems to separate the magical from the everyday, and I personally do go about enchanting each ingredient, whether it’s an oil or herb, that I add to a potion. I also, as I mentioned doing for spell bottles, add a final bit of enchantment to the finished product before using it, and with some things (oils, etc.,) I continually empower them with each use. This is one of those things that’s incredibly difficult to explain, though most people who do magick have a way of doing this that works for them, I’ve found.

Here, at the end of this very brief introduction, I’ll include links to potion recipes I’ve written and posted here. I’ll admit there’s only a few, and not all of them are meant for human consumption. As usual, use caution and do research before mixing up something from an online recipe. Also, I’d like to include a link here to @honeycoyote​, a Tumblr user who’s blog features a wide array of tasty, tea-like potion recipes - check them out here. I’ve made quite a few of those and enjoyed them! Here’s my own small list of potion recipes I’ve posted:

Devotion Oil

Attraction Potion

Concealing Your Craft

Focus Enhancement

Blogging Potion

To Bring the Sun Inside

I also want to recommend the following books for those looking to learn more about potioneering and herbal alchemy! The following is just relevant bits posted from my masterpost of book recommendations, specifically the books focused on potioneering and alchemy, but they’re really quite useful.

The Herbal Alchemist’s Handbook, by Karen Harrison. I cannot praise this book enough for its concise and well-formulated approach to astrology, herbs, and magick as a whole.

The Weiser Concise Guide to Herbal Magick, by Judith Hawkins-Tillirson. This is excellent for anyone who’s interested in any kind of magick. Yes, the focus is generally herbs, but there’s a lot to be learned here about Kabbalah and other correspondence systems, as well.

Real Alchemy, by Robert Allen Bartlett. Excellent book, lots of history and detail. There’s a strong focus on tradition within the text, yet the author is quite accommodating of his audience and describes alternate methods that work better in a modern context.

Spagyrics, by Manfred M. Junius. With a highly-developed academic tone and attention to detail, this book is a meaty look at traditional alchemy. I recommend this more for intermediate practitioners due to the sheer density of information.

Mixing Essential Oils for Magic, by Sandra Kynes. Fills a very difficult gap in published knowledge regarding the use of essential oils by discussing, in great detail, how scents interact with each other and how to create a formula that’s not only palatable, but evocative.

I hope this article was useful and interesting. It’s meant to just be a short introduction to the concept of potions rather than a full guide. I’ve got plans for more potion-related articles and writing, and if there’s something in particular you’d like to see, don’t hesitate to contact me. Also, if you enjoy my work, consider offering support to help fund future endeavors. Thanks for reading! 

[Revised 11/1/17] Book Recommendations for Witches, Spellcasters, and the Curious

I periodically (usually once a year) make an updated post of my annotated bibliographies for witchcraft, magick, and divination studies. I recently noticed that I hadn’t done this in a long time! 

Since I’ve read a lot of new books in that time, and since many are worth adding, I thought I’d go ahead and post an updated list. 

I’ve added just ten new ones this time! Unfortunately, still, it’s getting quite long, so I’m splitting it into two posts - one for divination, and one for magick/witchcraft.  I will be tagging both as #long and #long+post because I realize this is pretty extreme in terms of length.

For Absolute Beginners

Encyclopedia of Witchcraft, by Judika Illes. Even better than the Weiser Field Guide to Witches - this book is huge and chock-full of information. It’ll explain in easy-to-understand language how the concept has developed throughout time, why witches do what they do, and different types of witches.

The Weiser Field Guide to Witches, by Judika Illes. This gives an excellent look at the historical lore concerning witches, from the perspective of a witch herself. It’s kind of tongue-in-cheek, but it does have some information that won’t be found elsewhere.

The Modern Guide to Witchcraft, by Skye Alexander. Great book for those who’re really absolute beginners and are wondering what witchcraft is all about. Skye takes a very postmodern, utilitarian, and unfailingly honest approach, and it’s geared towards those of almost any belief system.

Grimoire for the Apprentice Wizard, by Oberon Zell-Ravenheart. Attractively packaged and readible for almost all ages, this is a great (mostly) non-denominational look at the foundations of magical practice. It’s extremely detailed. Some of it only applies to Zell’s own tradition, but it’s quite useful, anyways.

Of Witchcraft and Whimsy, by Rose Orriculum. Written by Tumblr’s own @orriculum, this is one of the best, most modern an no-nonsense Craft introductory books I’ve seen. It’s unabashedly up-to-date and self-aware in its portrayal of the contemporary Craft.

Basic Techniques

Protection and Reversal Magick, by Jason Miller. This gets a little woo-woo at times, but he gives good advice on how to avoid serious problems that can come up as you begin to practice. Take with a grain of salt, though - some of this has the potential to make you feel paranoid.

City Magick, by Christopher Penczak. If you’re at all interested in tech witchery, or just want to practice magick within an urban setting, do check this out. It is by far the best look at the subject I’ve seen, and his discussion of urban tutelary spirits is worth the price alone.

Power Spellcraft for Life, by Arin Murphy-Hiscock. Nicely done, quite secular book providing basic beginner information regarding writing original spells and workings. It does fall prey to the trap of just listing correspondences with little information at times, but also contains a great deal of detail about ritual timing, raising power, and other topics essential for the beginner.

Sorcerer’s Secrets, by Jason Miller. This is a decent volume that describes a lot of techniques you don’t usually see in books, such as gesture and gaze-based magick. Be warned that Miller writes extensively about manipulative techniques, but it’s useful theory regardless of how you put it into practice.

Witch’s Bag of Tricks, by Melanie Marquis. This is not recommended for beginners, because the whole point of this book is to help existing practitioners refine and improve their already-established techniques. It’s got some novel ideas in it, and I like the author’s approach to symbolism in spellcasting.

Spirit Conjuring for Witches, by Frater Barrabbas. Frater B. is a very learned and rather famous magician and witch. This book is mostly geared towards Wicca, but even if you’re not Wiccan, his techniques are innovative and interesting, many utterly unlike anything I’ve seen elsewhere.

Direct Magick (Energy Work)

The Un-Spell Book, by Mya Om. This non-denominational guide to working with magical forces is filled with useful exercises that go beyond the author’s previous work. I recommend reading this after readingEnergy Essentials.

Instant Magick, by Christopher Penczak. Excellent beginner’s guide for those who don’t have access to a lot of fancy tools or prefer to work without them. This book won’t instantly teach you magick, but it will help even a seasoned practitioner find quicker, less-complicated ways of achieving results.

Energy Essentials for Witches and Spellcasters, by Mya Om. Though I balk at the use of the term “energy” to describe magical forces, this book is worth a look. It’s a bit like a workbook, with various exercises. Expect a lot of pseudoscience, though, and there are many religious references, but the techniques are solid.

Hedgewitchery and Astral Travel

Ecstatic Witchcraft, by Gede Parma. This is actually probably my favorite book on this subject, even though hedgeriding is only a part of what the book discusses. The only bad thing I can really say about this book is that it’s really not recommended for beginners, and it’s helpful to have the basics of visualization already mastered (for example) before doing the exercises Parma recommends.

By Land, Sky and Sea, by Gede Parma. This book goes into even greater details regarding different ways of conceptualizing the cosmology of hedgeriding, and I find it a very refreshing book that appreciatively draws from a number of different perspectives while grounding itself, so to speak, with the overarching metaphor of land, sky, and sea as the three worlds.

The Temple of Shamanic Witchcraft, by Christopher Penczak. Penczak is usually a pretty mixed bag, and this book is no exception. It gives a lot of good practical information and a very in-depth exploration of the three worlds (a useful concept), but it’s primarily framed by Wicca, so it might not resonate with those of other faiths and particularly those who aren’t pagan at all.

Ascension Magick, by Christopher Penczak. There’s a chapter or two in this that address alternate ways of conceptualizing the architecture of reality, and it’s pretty helpful for a hedgerider. Beyond that, this book is mostly about ceremonial magick, but it’s a (mostly) good book. Certain parts (such as the bit about UFOs) are a little off, in my opinion.

The Shamanic Witch, by Gail Wood. This book is really best suited for someone who practices Wicca and, besides the background info and cosmological descriptions, is really only useful in the context of that tradition. If you’re Wiccan or willing to pick around a lot of Wiccan-talk, though, this is a good foundation.

Witches, Werewolves and Fairies, by Claude Lecouteux. It can be hard to find scholarly works on these phenomena that are affordable, but here’s one I personally enjoyed. It details many accounts of journeying experienced by both pagans and Christians in earlier times, and gives a good description of the concept of the astral double, the architecture of the soul, and other topics throughout history.

Betwixt and Between, by Storm Faerywolf. This book is mostly a guide to the Feri tradition of witchcraft, but while I myself don’t practice that, those who do seem to know a lot about hedgeriding! The book has several chapters on the subject and is highly recommended for this reason.

The Psychic Energy Codex, by Michelle Belanger. A lot of people have strong opinions about this author, but this is book actually provides a lot of good information about so-called “energy work” which can be a step in the right direction for those wanting to ride the hedge.

Psychic Dreamwalking, by Michelle Belanger. In this book, Belanger discusses, essentially, how to use your non-waking life as a vehicle to for journeying, and while I myself don’t usually dreamwalk, much of what she says applies to hedgeriding in other states, too.

Hedge Rider by Eric De Vries. Considered a classic on this subject, this book contains a lot of good information on making the jump across the Hedge, but with a lot of editorializing about “true witchcraft,” etc. A mixed bag, but still recommended.

To Fly by Night, edited by Veronica Cummer. This is an anthology about hedgecraft by many different authors. The essays vary in quality but there’s something for everyone, and the text doesn’t shy away from tough topics, either.

Magical Writing, Words, and Symbols

Dictionary of Ancient Magic Words and Spells, by Claude Lecouteux. Mostly a historical text, this book isn’t exactly practical or terribly useful. It is, nevertheless, incredibly interesting. It’s a bit difficult to navigate, but worth a glance.

Composing Magick, by Elizabeth Barrette. A very general, but well-done, look at writing in a magical context. Some of the ritual templates are slightly specific to religious witchcraft traditions, but most information is widely applicable.

Crafting Magick with Pen and Ink, by Susan Pesnecker. Focuses both on the physical act of writing as a magical act, and the mental state associated with it. Highly recommended

The Modern Witchcraft Grimoire, by Skye Alexander. This book is for those who want to create their own grimoire. It gives fairly good advice for doing so, as well as providing hints and tricks for spellcasting and useful correspondences.

General Concepts

Practical Astrology for Witches and Pagans, by Ivo Dominguez, Jr. This book, unlike most astrology texts, won’t tell you much about interpreting a chart - instead, it’s an entire book on timing your magick with the stars!

Planetary Magick, by Melita Denning and Osborne Phillips. If you want to work with the planets at all, particularly in a highly ritualized context, I recommend this book. It’s large, comprehensive and gives a good foundation beyond what you find in general astrology books.

Practical Planetary Magick, by Sorita d’Este and David Rankine. Shorter than I would have liked, but a useful reference to have on your shelf, with excellent tables and appendices in the back. The meditations are also quite useful.

Practical Elemental Magick, by Sorita d’Este and David Rankine. Should be read alongside the other book by this pair. Comprehensive guide to working with the elements in a ritualized fashion. Not as accessible to newbies as Lipp’s book, but good for seasoned practitioners.

The Way of Four, by Deborah Lipp. Though mostly geared towards Wiccans, I found this author’s in-depth treatment of the four elements highly fascinating. I will note that it’s probably best to get the print version of this book, as it contains exercises and quizzes.

A Handbook of Saxon Sorcery and Magic, by Alric Albertsson. I really enjoyed this little book, which focuses on older magical traditions common among the ancient Saxons. It is very much introductory, but worth a read for those new to those traditions.

Ingredients and Correspondences

The Herbal Alchemist’s Handbook, by Karen Harrison. I cannot praise this book enough for its concise and well-formulated approach to astrology, herbs, and magick as a whole.

The Weiser Concise Guide to Herbal Magick, by Judith Hawkins-Tillirson. This is excellent for anyone who’s interested in any kind of magick. Yes, the focus is generally herbs, but there’s a lot to be learned here about Kabbalah and other correspondence systems, as well.

Mixing Essential Oils for Magic, by Sandra Kynes. Fills a very difficult gap in published knowledge regarding the use of essential oils by discussing, in great detail, how scents interact with each other and how to create a formula that’s not only palatable, but evocative.

Dunwich’s Guide to Gemstone Sorcery, by Gerina Dunwich. Given the New Age fascination with all things shiny, it was quite a chore to sort through the myriad crystal books to find something with good information. While far from perfect and not exactly devoid of fluff, this book does give a level of detail about the lore surrounding gemstones not seen in many other texts.

Real Alchemy, by Robert Allen Bartlett. Excellent book, lots of history and detail. There’s a strong focus on tradition within the text, yet the author is quite accommodating of his audience and describes alternate methods that work better in a modern context.

Spagyrics, by Manfred M. Junius. With a highly-developed academic tone and attention to detail, this book is a meaty look at traditional alchemy. I recommend this more for intermediate practitioners due to the sheer density of information.

The Hearth Witch’s Compendium, by Anna Franklin. This book is essentially a recipe book for various home remedies and magical purposes. For the most part, it focuses on healing work, but there’s some great tips in there for making your own cleaning products and such, too. Highly recommended.

Magical Housekeeping, by Tess Whitehurst. This is worth reading if you keep your own house/apartment and are looking for practical magical techniques for cleanliness and inviting harmony into your spaces. It could be more detailed, but I enjoyed it.

A Kitchen Witch’s Cookbook, by Patricia Telesco. This is a recipe book. It is mainly geared towards Wiccans and those who celebrate the eight sabbats, but the dishes are tasty and sure to please anyone.

Spellbooks

The Goodly Spellbook, by Dixie Deerman and Steve Rasmussen. The title sounds horribly fluffy, but this is a hidden gem. It explains obscure concepts like alternative alphabets and potential uses of musical notes, as well as plant lore and other bits and pieces. Definitely worth checking out. It’s way more than just “a book of spells.”

Encyclopedia of 5,000 Spells, by Judika Illes. The title sounds trite to some, but it delivers. This book has spells from almost every culture and spiritual philosophy, as well as a very detailed formulary. I read it when I’m bored sometimes, too, just because I always learn some tidbit from it.

Book of Spells, by Nicola Pulford. In most editions, this book is absolutely gorgeous and describes spellcasting traditions from a variety of perspectives and traditions. Recommended for those who already understand the basics, as this book jumps straight into spellcasting and gives only a small amount of information about how things work.

Ceremonial Magick

Modern Magick, by Donald Michael Kraig. I received this as a gift several years ago. It is essentially a workbook meant to be completed slowly, step by step, and while the format will not appeal to everyone, it’s a good easy-to-read introduction to ceremonial magick.

Familiar Spirits, by Donald Tyson. Though geared towards ceremonialists, any practitioner can likely learn a thing or two from Tyson’s interesting stroll through the whys and wherefores of spirit work and thoughtform creation. This is by far the best book I’ve seen on the topic of familiar spirits.

Secrets of High Magick, by Francis Melville. The most recent edition of this (the one I own) is lavishly-illustrated and full of rudimentary, yet useful information. He stresses the basics of ceremonial practice, and his writing style is very accessible. Highly recommended for absolute beginners.

My Life With The Spirits, by Lon Milo DuQuette. This is a memoir of a ceremonial magician, but it gives a good look at the magickal mindset in a highly developed form from someone who’s experienced quite a lot. I havemajor issues with DuQuette’s approach to Qabalah, but his memoirs are worth a read.

Chaos Magick

Liber Null and Psychonaut, by Peter Carroll. Classic book of chaos magick. I consider it required reading for almost anyone interested in the occult. Even if you have no love for chaos magick, do give it a read, just to understand how influential Carroll is, and why.

Hands-On Chaos Magic, by Andrieh Vitimus. Knowing some of the people involved in the creation of this book, I’m a bit biased towards it. That said, even if I didn’t know them, I would still recommend it. It’s especially interesting to read alongside Liber Null and Psychonautin order to see how the chaos “current” has developed over the years.

Pop Culture Magic 2.0 by Taylor Ellwood. There aren’t a lot of books on using pop culture symbolism in magick, but this one is nearly perfect. The author writes in a highly erudite, literate fashion, while still being accessible to newbies. Many useful resources cited, as well, so prepare to branch off a bit while reading it.

History-Related

Triumph of the Moon, by Ronald Hutton. An inside no-holds-barred look at the history of Wicca and Modern paganism. Highly recommended. This is sort of the book that fluffbunnies don’t want you to read.

Book of Lies: The Disinformation Guide to Magick and the Occult, by Richard Metzger. Lots of facts and history of magick in the context of Postmodernity. This is different from the Crowley text of the same name, which I wouldn’t recommend unless you want to focus on his tradition.

The Place of Enchantment, by Alex Owen. This is a purely historical text that documents the occult revival within the context of Modernity. I remember it being very good, but please realize I haven’t really picked it up much since graduating, and it might just have served my mindset at the time.

This is brilliant.

Hidden Witchery: Witch’s Ladder Necklace

One of the hardest, but possibly most fun, ways of being a Surreptitious Solitary is trying to find ways to practice out in the open without anyone knowing. I’ve been wanting to do a witch’s ladder (sometimes called pagan prayer beads, witches rosaries, etc.) for some time. If you don’t know what a Witch’s Ladder is, there are a few articles out there, but the summary is: it’s knot and nature magic mostly intended for protection.

Generally, they’re made of string of different colors corresponding with protection (or whatever you’re making the ladder for), and natural items like feathers, sea glass, shells, stones, etc. Sometimes charms or taglocks can be incorporated. If you look on Etsy there are some really pretty ones out there.

As I researched them, I wondered how I could incorporate this crafty craft into my daily life. And I kind of came to the conclusion that I don’t have to have a big rope of feathers and rocks hanging outside my door to do it: I can make something to wear that would protect me wherever I go!

I debated for some time whether to make a bracelet or necklace, but I liked how the numbers and measurements worked out on a necklace.

If you want to make one, you’ll need:

About 6 feet of beading string in an appropriately corresponding color to your needs (I went with purple for spirituality and power)

Forty beads (6mm for the sizing to come out like mine; larger or smaller will affect it; I picked hematite mostly for the look, but also to keep me grounded)

Nine feather charms

One end charm (serves as your closeure; something with dimension will work better than the flat disc I chose which likes to slip out now and then)

To make your ladder necklace, you’ll have to tie a loop in it in a place so that you have one short strand about two feet long and one long strand of the remainder. The loop will be part of your closeure. Basically, fold your string so one part hangs two feet, and the remainder hangs on the other side. Tie a simple knot in the folded string so you have a loop that’s just big enough for your end charm to slip through with little/no excess.

Find something to affix this to for knotting (I slipped the loop through some tweezers which I then clamped into my clipboard).

Now get to knotting, just like middle school friendship bracelets. As you know, remember to set your intent for the ladder into each knot. Also remember to keep the short strand stationary: use the long strand to make a basic forward knot around the short strand.

Make four knots to establish (4K)

Thread a bead (B), make four knots (4K). This is your basic pattern.

For my ladder, I established a pattern of four beads to each side of each feather charm (F). The pattern runs like so from start to finish: [4K, (B, 4K)x4, F]x9, (4K, B)x4, 4K.

In other words, with four knots between each item, string beads and feather charms in a four-one pattern with nine repeats, then end with an additional four beads.

At the end, tie on your final charm using both strands (I used a clinch knot), and trim off the excess string.

Done! Hang it up or wear it for protection. No one needs to know you’re carrying a loaded charm. 😉

Blessed be!