Remember The Frog Prince From This Post? I Decided To Clean Him Up And Give Him As A Gift To The Boy

Remember the frog prince from this post? I decided to clean him up and give him as a gift to the boy who inspired him, so I popped him in the oven a la Rhonda's R2D2. Unfortunately, unlike Artoo, he came out a little burnt:

So I painted him. But rather than go to the store for some new acrylic paint, I used some hand-me-down tubes of paint from my grandmother, who bought them for an art class maybe 40 years ago. I can't find a date on the box anywhere, but it looks like it's from the 70s at the absolute latest. When I tried to twist the cap off the tube of white paint, the tube itself split down the side.

This is my way of explaining that the paint came out a little...funny.

But after the first, somewhat chunky coat, I started thinning the paint with water (I was also using those rainbow-colored dollar-store brushes with the black nylon bristles; classy) and the texture improved. Anyway, here he is in all his whitewashed glory. Enjoy!

For some reason, New Friend Rob was under the impression that I know what I'm doing and wanted to watch me sculpt today, so I subjected him to the ritual: Jurassic Park III in the background, running commentary under my breath, and eventually some kind of recognizable shape out of polymer clay. He made a couple of cute little figures (pictures forthcoming) and kindly refrained from commenting on my lobster.

Oh, and credit where credit's due: it was totally his idea to use dish soap to make it look like the water is boiling. My friends are so clever.

Super Sculpey, ~90 min.

Yikes, that was a long hiatus. Hopefully the fact that I forced myself back on track excuses today's poor showing. This little flamingo wasn't exactly inspired (or stable...hence the precarious angle), but he is color-appropriate. Maybe that counts for something?

Super Sculpey, ~30 min. 

Tumblr, meet Mina. Or, what will eventually become Mina. Maybe.

I've been sculpting, sketching, plotting, and measuring, and today I made what will probably become the body shape for Mina (the main character) and probably some of her female classmates, too. She's headless because we're animating the faces by making a series of different heads which we'll pop on and off between shots. She's got a little baby fat to help make her look young, and slightly exaggerated hands so we can slip armature wire in there to animate her fingers once she's cast in latex. Here's the back view:

I actually sculpted her muscles first, and when she looked too old, I draped a layer of skin and fat over the top to make her less defined. Keep in mind that she's, uh, not going to be naked in the film; she'll be dressed in real fabric, so her body is just to give the fabric the right drape.

(Oh, and here's some explanation if you have no idea what all this is about.) More to follow!

Phew, what a day.

I finished painting Marion (she's fully sighted now, thank you very much) and actually managed to make one latex puppet today. YES. I KNOW. I was thrilled, too. It's far from finished--there's all the patching and trimming and fur-gluing and skin-painting to do--but at least I've proven that my molds can actually create puppets. So there's that.

To illustrate how time-consuming this process is (3.5 hours, just to do the part shown below), I've made a little photoseries:

After the figure is sculpted, the mold made and dusted with mold release, and the latex mixed (according to the particular warmth and humidity of your studio), you can finally pour the mix.

When both sides are full and the armature is in place, take a deep breath and squish the two sides together before it hardens/spills out the side.

Let it bake for 2.5 hours, then pry it apart with a crowbar or a screwdriver. Or, if you're hardcore like me, your bare hands. Before waiting for it to cool. (Ouch.)

Gently peel the latex off the mold. Swatting your friend's hands away when she tries to help is optional.

Trim off the excess latex with a pair of mustache scissors. Yes, that's really what those are. Yes, the latex fumes made that a lot funnier than it should have been.

And then you're done! Haha, just kidding. You're never done. But you do have something resembling the photo up at the top. Voila!

Zzzzzzzzz...

It's 2am and I'm still not done for the night. But that's ok, just a few more days and all this will be over. Shooting starts on Saturday morning, bright and early, which means it would be nice if...oh, I don't know...my puppets actually had heads by then.

Because they don't.

So I spent 6:30-1:30 at the studio, patching and painting the puppets. I finished three of the nine completely, two more just need heads (a minor detail), and the other four need one more coat of paint before they catch up to their headless brethren. Which means that now, I'm going to sit here and catch up on House while I sculpt a half-dozen heads as fast as my little hands can go.

Oh, and here's Marion and Monster #1 for my mom, because I promised a picture days ago but didn't finish until now: