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I want to elaborate even further on why I think Alastor’s breakdown in the finale was (at least in part) motivated by the fact that he has come to care about the people at the hotel. A few people have responded to me saying they don't believe he actually cares or asking me about my opinions on certain counterarguments against the interpretation that he cares and I figured it would be easier to just make one post in response. (this is just meant to expand on my thoughts. You don't have to agree. That's half the fun of media interpretation.)

The consistent throughline I keep being told is that his breakdown was purely motivated by pride and loss of control and I do think these were massive parts of the breakdown.

Alastor is very aware of the fact that the situation around him is spiraling out of his control. That the notoriety he had cultivated as an unchallengeable overlord is crumbling. His time away allowed the fear he sowed to dull. He keeps coming face to face with beings that rival or surpass his strength. People who wouldn’t dare question him before are banging on his door. His foothold in the world isn’t secure like it once was and that has him reeling.

Alastor's pride is a driving factor in his actions, but, like I said in my last analysis, I think this is only part of it. I think this breakdown is motivated by the fact that he feels like he’s losing control of himself on top of the situation around him.

I'm going to start with the points/questions I've been asked first then expand on my thoughts after.

The first one I was asked about is the interpretation that Alastor was mocking the very idea that he would sacrifice himself for someone else when he says "Great Alastor, altruist, died for his friends." and I think that would work if it wasn't for the visuals paired with this line.

He literally looks like THIS when he is speaking the line. This isn’t the face of someone mocking the very idea that he would do this.

It was actually this shot that convinced me there was some truth to the words he was saying because it looks like he’s beginning to have a breakdown over the fact that this is almost exactly what happened.

The second one that I was asked about was the idea that he was forced to fight and protect Charlie by whoever owns his soul. But if he was forced to fight in this battle due to his contract why not describe it this way when alone? How could he even leave if he was forced to fight and protect the hotel? I doubt there was a caveat that he could leave the fight if he was seriously injured if he was ordered to fight and protect Charlie and the hotel.

I do think he's at the hotel because of whoever owns his soul, but I don't think it's why he fought or why he helped Charlie get Cannibal Town to aid them through his connection to Rosie.

And the last one that I was asked about was the idea that the demons had to be fighting for love like Carmilla said to Vaggie to defeat the angels and the reason Alastor didn't win was because he was fighting purely for his own interests. Freedom, power, and control.

And, while I think the base idea of this is really interesting (This is a genuinely cool idea!) and could challenge Alastor's more selfish motivations, the show itself doesn't really back this up.

Charlie is the literal embodiment of fighting to protect those she cares about-- she has the biggest heart out of anyone at the hotel-- and yet she doesn't defeat anyone in this battle.

Before she faces Adam all she uses is a shield to protect herself and the other residents. She apologizes to those she hits, while Vaggie finishes them off. When she does face Adam she doesn't beat him. She gets in a good hit, but she isn't able to finish him off. She would have been killed if Lucifer didn't step in.

Plus, Alastor's shield killed multiple exorcists before Adam destroyed it, so I don't think this means he hasn't grown to care about the residents of the hotel or that there wasn't some part of him that was fighting to protect them.

Now to expand on my own thoughts now that I've answered the questions I've gotten, it's not just the final battle/fallout that brought me to believe he had come to care about the hotel and its residents.

The show itself seems to want us to think he is starting to grow “accustomed” (In Alastor’s words to Niffty) to the group with little moments that are played straight like when he sends Mimzy (possibly his oldest friend) away, telling her she can stay if she truly wants to try for redemption, but if she just wants to put the hotel in danger then she has to leave.

When he says he believes in Charlie and wants to mentor her in cannibal town. He even gives her his microphone which is a literal extension of himself to help her.

When he talks to Niffty (who he is clearly fond of) and admits he finds the group enjoyable to be around. He says he could grow accustomed to them after Niffty says she really likes them almost in agreement with her.

There is no sinister undertone or hint of the usual facade Alastor puts on in these scenes.

Like I said above I don't think that the fact that Alastor has come to care about the residents is the only factor in his breakdown or the only reason he fought in the first place (Alastor's blatant overconfidence in his fight against Adam makes it clear pride was a factor. That overconfidence is why he lost that battle). It's a combination of multiple things (his pride, loss of control, desire for freedom, etc), but I do think it's a valid reading that it was a part of it considering all the information the show has given us.

This isn't to say I think Alastor is going to melt and be a team player for the hotel from now on. In fact, I think he's going to lash out against this internal change.

Alastor has always put himself first and in the finale he almost died trying to protect this hotel and it's rattled him. It's challenged his entire self-perception. He doesn’t like that it’s being challenged. That he’s losing control of himself on top of the situation around him. So, he doubles down on his initial goals.

I think this internal conflict is fascinating. I wouldn't have written so much about it if I didn't. I genuinely can't wait to see what they do with it in season 2.

If you feel differently feel free to send an ask, message, or respond to this post. I'd love to hear what other people think! Differing views and connections to characters is what makes media so impactful and fun to consume.

Alastor Episodes 7 and 8 Thoughts

These two episodes really gave us a lot in regards to Alastor and I cannot wait to see where they go with him in season 2. What I find most fascinating about what they established with him in these episodes is how I think this perfectly sets up Alastor to directly challenge the show’s main themes of redemption.

Alastor is the only character in the main cast that I think could effectively challenge Charlie’s idea of redemption by making her face the question of “where the line for who can be redeemed and who is too far gone is?” 

Even Vaggie and her past as an exorcist couldn’t challenge Charlie’s ideals in the same way because Vaggie so clearly wants to be better and is trying to be better. She could only challenge Charlie’s idea of who could be redeemed. She couldn’t truly challenge the line of when someone is too far gone unlike Alastor. 

And to explain this I'll just jump right in.

It’s clear these two episodes were meant to show a shift in Alastor and Charlie’s relationship in some capacity. It’s a bit more of a subtle shift than with the other characters, but I think it’s setting up this future conflict well for the limited time the show has. 

At the start Charlie doesn’t think Alastor cares and calls him out on this. She directly states that she believes he enjoys the suffering. He refutes her idea of him by stating she doesn’t know what he feels. He purposefully hides his feelings behind a smile as a sign of control. (The first shift. It tells her there’s more beneath the surface)

Then Alastor helps Charlie enlist cannibal town and says he wants to mentor her in the song. This is more than the initial indifference and humor he got out of Charlie at the beginning. There’s an interest in seeing Charlie grow and being a part of it that wasn't there before. And, with Alastor helping Charlie here, trust is being built (at least on Charlie's end).

Then Alastor talks to Niffty (who he is clearly fond of) and admits he finds the group enjoyable to be around. He says he could grow accustomed to them after Niffty says she really likes them almost in agreement with her. He's very candid with Niffty and doesn't seem to feel the need to hide his emotions around her. They appear to be on the same wavelength.

And finally, Charlie is upset when she thinks that Alastor died against Adam and hugs him happily when he returns. In Charlie’s eyes Alastor has been helpful and risked himself and his power to protect the hotel. This is a true shift in their relationship on Charlie's end.

This bond is necessary because if (at the very least) Charlie doesn't care about Alastor then he won't be able to truly challenge her idea of redemption and the show implies it doesn't just go one way. It's just obscured.

To explain what I mean I want to look at Alastor's role in the final battle and that moment when he is alone after he escapes.

At the beginning of the battle he felt like the trump card he should have been. He makes the exorcists, before Adam destroys his shield, look like a joke. And he gives Adam a run for his money before he becomes overconfident and lets his guard down. He didn’t expect Adam to bounce back and have that much power left to show. He was caught completely off guard and paid the price. 

And instead of staying to face the end with the rest of the people in the hotel Alastor opts to save himself. He places himself first. When he leaves he seems almost smug, spouting off a one liner and smiling as he sinks into the shadows. It seems calculated and calm, but alone is a completely different story. This moment shakes Alastor and that moment alone puts his fight against Adam and decision to flee in a different light.

In this moment when he's alone he starts to lose it, saying there has to be a way out. This isn’t where things end. He will come out on top. 

He can feel his control over the situation slipping. His power and notoriety has been challenged left and right this season. First Vox, then Lucifer, then the loan sharks, now Adam. It’s one right after the other. And Adam almost killed him.

He’s struggling to grasp onto what little control he has left by forcing himself to keep on his smile and it calls back to the beginning of episode 7 when he says to Charlie that just because she sees a smile doesn't mean she knows how he really feels. His smile is a sign of control. And even in this moment you can see that last bit of control slipping. And it’s left him even more desperate for his freedom than before.

The Radio Demon was introduced almost as if he was an all powerful entity and now he is being brought back down to earth and he’s raging against it, barely keeping it just below the surface. 

But there’s even more to his breakdown than just his pride. The lines “Great Alastor, altruist, died for his friends. Sorry to disappoint that is not where this ends. I’m hungry for freedom like never before. The constraints of my deal surely have a backdoor.” strongly imply that he really does care for the residents of the hotel more than he wants to admit even to himself.

He is freaking out because he got too close to dying trying to protect and help people that he never thought he would care at all about and he’s doubling down on his plans from before. 

His immediate desperation to be free implies he is at the hotel because he is forced to be there, but he’s desperate to get out of the contract because he doesn’t like how it’s changing him. Alastor has always put himself first and here he is almost dying trying to protect this hotel and it's rattled him even more deeply than the blow to his pride.

I feel like they know exactly what Alastor can mean thematically and they want you to know he’s a villain while seeding hints there could be change under the surface (ones that Alastor himself is afraid of and wants to double down against). There’s a balancing act going on with him and it seems they really do want to challenge the idea of redemption with him. Not just Charlie’s, but his own as well.

Alastor is still in my opinion the best written character in the series. There’s just so much to unravel with him and he’s the most fun to try and dissect to me. I can’t wait to see what they have planned for him in season 2.

Hazbin Hotel - Vaggie Finale Thoughts

My thoughts on Vaggie are… complicated. I think the last two episodes of season 1 do a really good job with her and I love the beats her character hits, but the rest of the season didn’t build up to some of these beats the way they should have to make all of them hit as hard as they could.

I’m just going to jump right in to explain what I mean.

Vaggie’s role in episode 7 where she has to go convince Carmilla to help them face the angels is at its core fantastic and the song that they get together is a banger, but the basis for this song– that Vaggie is being driven by vengeance and has to fight for love instead– rings hollow. 

Everything Vaggie has done this season has been for love. She’s been nothing but supportive of Charlie, putting all her effort into the hotel and Charlie’s mission. Her song and arc in episode 3 surround Vaggie’s belief and love for Charlie. Vaggie fighting for love has never been the central issue of her character because she’s been doing it all along.

I like the idea of Vaggie being driven by vengeance, considering how brutally Lute mutilated her and how she was cast out of heaven for the “horrible” offense of hesitating to kill a child this would make sense for her character, but this wasn’t shown at any point prior to this song. 

Where was this thirst for vengeance when she came face to face with Adam and Lute in the hotel room? Where was Vaggie’s anger at heaven when Charlie was calling out their hypocrisy? At what point in this season did Vaggie choose vengeance over her love and support for Charlie?

If vengeance was what was really driving her character then Vaggie would be pushing Charlie to call out heaven. She would take some impulsive actions to strike back that put Charlie’s goals in danger. She wouldn’t be the one telling Charlie to keep a cool head or singing about supporting Charlie no matter what.

This is the issue that’s been plaguing Vaggie this entire season. So much of her character has been tell rather than show. We were told by Husk that Vaggie hates herself. We were told by Carmilla that Vaggie was driven by vengeance. When Vaggie is faced with the decision to support Charlie against heaven or side with heaven to keep her secret the narrative lets Vaggie just not make a choice.

She doesn’t get to show her character and flaws through her actions. At least not the ones the show says she has.

I think this problem is a bit more obvious because when the show does build up something with her character it is really good.

Vaggie being the one to reach out to and convince Carmilla to help their cause is a great beat. We see early on that Vaggie isn’t a people person. She has trouble trusting and/or inspiring others, but here we get to see her reach out to and connect with someone else, and it's through this understanding the two have that she is able to get Carmilla to help her (by training her to fight angels) and the hotel (by providing weapons).

This exact struggle is also reflected in the moments with the hotel residents. Throughout the season Vaggie has always come across as being on their level. Charlie is well-meaning, but because of her privileged upbringing she has a very black and white view of redemption and struggles to deal with the more serious mental health issues that the hotel residents face. Whereas Vaggie is more jaded and has made massive mistakes in the past.

The other hotel residents can understand her struggle to do the right thing and redeem herself, which is why it was impactful to have Vaggie be the one to let them know that they can leave and that she’s the first one to see that they stayed. It emphasized the connection between them.

Vaggie’s fight with Lute was also amazing. Lute was the angel that cast her out, ripping out her eye and cutting off her wings. There’s a personal connection there that makes this battle investing. The way their battle ends really emphasizes the conflict between Charlie and heaven in episode 6 by showing that Vaggie, someone cast out of heaven, is more worthy of heaven and angel wings than Lute, Adam’s right-hand woman, through her decision to choose love over hate and spare Lute’s life.

It’s these moments that show the full potential that Vaggie has as a character and put the moments that they fumbled in stark contrast.

I really like this show, but I do think it has flaws. Vaggie’s character is a prime example of how the pacing of this season made certain character arcs suffer. 

I'm hopeful that the show can improve on some of these issues now that it officially has a season 2 and that it was the biggest animated release on Amazon Prime (which is impressive because The Legend of Vox Machina had the massive already established fanbase of critical role watching it). I really enjoyed watching this season week to week and can’t wait for what they have in store for us next.

Side note: The moment where Vaggie spared Lute is where she should have gotten her angel wings and specifically she should have gotten Lute’s angel wings. This would just heighten the thematic importance of this moment and show through Vaggie’s mercy– the very thing that got her kicked out of the exorcists– she has shown that she is more worthy of being an angel than Lute. I can’t take credit for this. I heard it from Sarcastic Chorus.

Alastor Episodes 7 and 8 Thoughts

These two episodes really gave us a lot in regards to Alastor and I cannot wait to see where they go with him in season 2. What I find most fascinating about what they established with him in these episodes is how I think this perfectly sets up Alastor to directly challenge the show’s main themes of redemption.

Alastor is the only character in the main cast that I think could effectively challenge Charlie’s idea of redemption by making her face the question of “where the line for who can be redeemed and who is too far gone is?” 

Even Vaggie and her past as an exorcist couldn’t challenge Charlie’s ideals in the same way because Vaggie so clearly wants to be better and is trying to be better. She could only challenge Charlie’s idea of who could be redeemed. She couldn’t truly challenge the line of when someone is too far gone unlike Alastor. 

And to explain this I'll just jump right in.

It’s clear these two episodes were meant to show a shift in Alastor and Charlie’s relationship in some capacity. It’s a bit more of a subtle shift than with the other characters, but I think it’s setting up this future conflict well for the limited time the show has. 

At the start Charlie doesn’t think Alastor cares and calls him out on this. She directly states that she believes he enjoys the suffering. He refutes her idea of him by stating she doesn’t know what he feels. He purposefully hides his feelings behind a smile as a sign of control. (The first shift. It tells her there’s more beneath the surface)

Then Alastor helps Charlie enlist cannibal town and says he wants to mentor her in the song. This is more than the initial indifference and humor he got out of Charlie at the beginning. There’s an interest in seeing Charlie grow and being a part of it that wasn't there before. And, with Alastor helping Charlie here, trust is being built (at least on Charlie's end).

Then Alastor talks to Niffty (who he is clearly fond of) and admits he finds the group enjoyable to be around. He says he could grow accustomed to them after Niffty says she really likes them almost in agreement with her. He's very candid with Niffty and doesn't seem to feel the need to hide his emotions around her. They appear to be on the same wavelength.

And finally, Charlie is upset when she thinks that Alastor died against Adam and hugs him happily when he returns. In Charlie’s eyes Alastor has been helpful and risked himself and his power to protect the hotel. This is a true shift in their relationship on Charlie's end.

This bond is necessary because if (at the very least) Charlie doesn't care about Alastor then he won't be able to truly challenge her idea of redemption and the show implies it doesn't just go one way. It's just obscured.

To explain what I mean I want to look at Alastor's role in the final battle and that moment when he is alone after he escapes.

At the beginning of the battle he felt like the trump card he should have been. He makes the exorcists, before Adam destroys his shield, look like a joke. And he gives Adam a run for his money before he becomes overconfident and lets his guard down. He didn’t expect Adam to bounce back and have that much power left to show. He was caught completely off guard and paid the price. 

And instead of staying to face the end with the rest of the people in the hotel Alastor opts to save himself. He places himself first. When he leaves he seems almost smug, spouting off a one liner and smiling as he sinks into the shadows. It seems calculated and calm, but alone is a completely different story. This moment shakes Alastor and that moment alone puts his fight against Adam and decision to flee in a different light.

In this moment when he's alone he starts to lose it, saying there has to be a way out. This isn’t where things end. He will come out on top. 

He can feel his control over the situation slipping. His power and notoriety has been challenged left and right this season. First Vox, then Lucifer, then the loan sharks, now Adam. It’s one right after the other. And Adam almost killed him.

He’s struggling to grasp onto what little control he has left by forcing himself to keep on his smile and it calls back to the beginning of episode 7 when he says to Charlie that just because she sees a smile doesn't mean she knows how he really feels. His smile is a sign of control. And even in this moment you can see that last bit of control slipping. And it’s left him even more desperate for his freedom than before.

The Radio Demon was introduced almost as if he was an all powerful entity and now he is being brought back down to earth and he’s raging against it, barely keeping it just below the surface. 

But there’s even more to his breakdown than just his pride. The lines “Great Alastor, altruist, died for his friends. Sorry to disappoint that is not where this ends. I’m hungry for freedom like never before. The constraints of my deal surely have a backdoor.” strongly imply that he really does care for the residents of the hotel more than he wants to admit even to himself.

He is freaking out because he got too close to dying trying to protect and help people that he never thought he would care at all about and he’s doubling down on his plans from before. 

His immediate desperation to be free implies he is at the hotel because he is forced to be there, but he’s desperate to get out of the contract because he doesn’t like how it’s changing him. Alastor has always put himself first and here he is almost dying trying to protect this hotel and it's rattled him even more deeply than the blow to his pride.

I feel like they know exactly what Alastor can mean thematically and they want you to know he’s a villain while seeding hints there could be change under the surface (ones that Alastor himself is afraid of and wants to double down against). There’s a balancing act going on with him and it seems they really do want to challenge the idea of redemption with him. Not just Charlie’s, but his own as well.

Alastor is still in my opinion the best written character in the series. There’s just so much to unravel with him and he’s the most fun to try and dissect to me. I can’t wait to see what they have planned for him in season 2.

I actually did think about what Charlie's role in this would be and I think the reason Alastor was sent to look over Charlie would be because she'd be a pawn in Eve's plan.

Eve has been hurt by both heaven and hell. She's the one that benefits the most from this war that is coming in episode 8.

We don't know who told heaven that hell was trying to rise up against them. It's clear that Lucifer wasn't trying to start anything and Lilith (based on Charlie's story at the beginning) was mostly just building her people up. There wasn't a hint of an uprising.

So who fed heaven this lie?

Eve.

And Charlie is the only one in hell trying to change the status quo. It felt like the sinners were resigned to their fate so they just lived however they wanted at the start of the story.

Alastor would have been sent to the hotel after it was announced to ensure it didn't fail because if it succeeded then the reasoning behind the angels' extermination would come to light to both hell's inhabitants and the rest of heaven. This would then cause an actual uprising in hell.

And we know that sinners can kill exterminators because of Carmilla. (I think the only reason she could kill them could be her weapons. I think she's the one that Striker got the gun to kill Stolas from, but it's been a while since I watched that episode.)

The hazbin hotel itself looks like it's going to become a symbol of the resistance against hell in the next episode with Charlie leading the charge. Charlie is the best person for this. She's exempt from the extermination, the daughter of the king of hell, and likely very powerful (even if she doesn't show it). She's a symbol.

As a result heaven and hell destroy each other.

Alastor Theory

Okay, I'm gonna throw my hat into the ring when it come to who has Alastor on a leash and I'm not gonna say Lilith.

I think Eve might also be an option for being the one that owns Alastor's soul.

I think the Lilith connection is a bit too obvious and Lilith hates being forced into subservience canonically within the show, so it would be weird if she chained another soul to do her bidding. And Eve is easily the character that would have the most issues with the Morningstar family, heaven, and hell. She was made out of Adam's rib and given the apple by Lilith and Lucifer. She's been a pawn in other people's plans since the beginning. She's the one blamed for original sin and it's clear she's not in heaven. She was the scapegoat while Adam got off relatively Scott free.

She has so many reasons to want to get back at everyone and what better way to gradually gain a foothold without drawing attention to herself than enlisting the services of a sinner in hell?

It’s said that Alastor immediately started taking out overlords that had been dominant for centuries the moment he stepped foot in hell. There has to be a reason for that. It feels too calculated to be a coincidence.

Plus Lilith’s disappearance coinciding with the Alastor's isn’t necessarily a factor against this theory because it can be explained as Eve essentially throwing Alastor into a battle with Lilith where Alastor was injured and had to take time to recover.

His reaction when Zestial said people thought he had been struck down by holy arms was a bit telling to me. The way he took that moment to look away and collect himself to brush it off read as Zestial hitting too close to the mark.

He's super touchy about why he was gone for 7 years and we've seen that Alastor's berserk button is his pride and he dislikes his strength being questioned. He absolutely would not want to admit he was gone because he was recovering.

That comment seemed too pointed by the writers to be completely written off.

Maybe in this battle Eve got Lilith's soul. If she doesn’t why would Lilith be gone from Charlie’s life for seven years? Why wouldn't she return around the same time as Alastor? She seemed to really care about Charlie. Charlie still tries to call her and she doesn’t seem to hold any resentment toward Lilith, so I think there would have to be a reason beyond nebulous plans that's keeping her away.

Alastor also clearly does not have a good relationship to whoever has his soul, so I kind of imagine if it was Lilith he would be a bit more hostile towards Charlie or it would show a bit more in the moments where he was alone or when Charlie isn't looking. (Alastor is the only character this show is truly subtle with)

I just wanted to put my opinion out there because I've seen so many Lilith owns Alastor's soul theories out there and I wanted to offer a different angle.

Alastor Theory

Okay, I'm gonna throw my hat into the ring when it come to who has Alastor on a leash and I'm not gonna say Lilith.

I think Eve might also be an option for being the one that owns Alastor's soul.

I think the Lilith connection is a bit too obvious and Lilith hates being forced into subservience canonically within the show, so it would be weird if she chained another soul to do her bidding. And Eve is easily the character that would have the most issues with the Morningstar family, heaven, and hell. She was made out of Adam's rib and given the apple by Lilith and Lucifer. She's been a pawn in other people's plans since the beginning. She's the one blamed for original sin and it's clear she's not in heaven. She was the scapegoat while Adam got off relatively Scott free.

She has so many reasons to want to get back at everyone and what better way to gradually gain a foothold without drawing attention to herself than enlisting the services of a sinner in hell?

It’s said that Alastor immediately started taking out overlords that had been dominant for centuries the moment he stepped foot in hell. There has to be a reason for that. It feels too calculated to be a coincidence.

Plus Lilith’s disappearance coinciding with the Alastor's isn’t necessarily a factor against this theory because it can be explained as Eve essentially throwing Alastor into a battle with Lilith where Alastor was injured and had to take time to recover.

His reaction when Zestial said people thought he had been struck down by holy arms was a bit telling to me. The way he took that moment to look away and collect himself to brush it off read as Zestial hitting too close to the mark.

He's super touchy about why he was gone for 7 years and we've seen that Alastor's berserk button is his pride and he dislikes his strength being questioned. He absolutely would not want to admit he was gone because he was recovering.

That comment seemed too pointed by the writers to be completely written off.

Maybe in this battle Eve got Lilith's soul. If she doesn’t why would Lilith be gone from Charlie’s life for seven years? Why wouldn't she return around the same time as Alastor? She seemed to really care about Charlie. Charlie still tries to call her and she doesn’t seem to hold any resentment toward Lilith, so I think there would have to be a reason beyond nebulous plans that's keeping her away.

Alastor also clearly does not have a good relationship to whoever has his soul, so I kind of imagine if it was Lilith he would be a bit more hostile towards Charlie or it would show a bit more in the moments where he was alone or when Charlie isn't looking. (Alastor is the only character this show is truly subtle with)

I just wanted to put my opinion out there because I've seen so many Lilith owns Alastor's soul theories out there and I wanted to offer a different angle.

Other random thoughts I wanted to add:

*I really think that whoever Alastor is working for had him take down those overlords he's infamous for toppling

*I think Eve might also be an option for being the one that owns Alastor's soul. I think the Lilith connection is a bit too obvious and Lilith hates being forced into subservience canonically within the show, so it would be weird if she chained another soul to do her bidding. Plus her disappearance coinciding with the Alastor's can be explained as Eve essentially throwing Alastor into a battle with Lilith where Alastor was injured and had to take time to recover. His reaction when Zestial implied people thought he had been struck down by holy arms was a bit telling to me. It read as Zestial hitting too close to the mark.

*Next episode seems to be an alastor and Charlie episode (at least partially) and I’m excited. I really hope we get to learn more about Alastor’s true motives. Is he trying to make a deal with Charlie? Will they actually bond? Will that be part of Alastor’s plan or unexpected? Will we get to see more depth be it genuine or more of a glimpse of the feared radio demon before he disappeared for 7 years? Will we get a more clear picture of Alastor's endgame? I’m mostly just excited to unravel the mystery of the radio demon

*I kind of like that at Charlie's lowest moment in the series it's going to be Alastor she's paired up with in the episode. I don't think this episode will be wholesome. In fact I think this will ride the line where Alastor acts aloof like always so you aren't sure exactly what his angle is here, but there will be hints of what he thinks/feels hidden beneath his facade. And I think having the character who feels the most deeply be paired with the character that makes it a point to appear unaffected (the only thing that cracks this mask is his pride taking a hit) is fun and can be character building for both of them. I won't be surprised if Alastor lets out the "Carmilla killed an angel" secret here either.

Hazbin Hotel Episodes 5 and 6 Thoughts

Wow. These two episodes of Hazbin Hotel were easily the best out of the series so far. They’re still working at a breakneck pace, but these episodes were so much more focused than the first 4 that it worked significantly better. The A and B plots of both these episodes were cleanly tied together so that no one part felt insignificant.

One of the biggest problems with the first four episodes was the fact that the split focus pulled the episode in different directions and made it so that reveals didn’t get the build up they needed to really feel impactful and pushed the Hazbin Hotel to the background so it felt insignificant in its own show. 

The second biggest problem in those episodes was that Charlie’s wish for her people, for redemption, and attempt to get into heaven to avoid extermination felt like it wasn’t the driving force it should have been. 

But these two episodes really fix that and expand on the characters really well. I’m just going to go through what I loved the most.

Alastor

I absolutely loved what we got from Alastor in episode 5. He really is the highlight of the show for me. There’s just so many layers to his character that the show isn’t rushing to peel back like it is with everyone else and it makes his character so intriguing.

I liked the fact that this episode hints that he truly does care about the hotel and wants it to succeed. It’s not only entertainment like he initially claimed. That moment where he sends Mimzy away was really telling. There isn’t even a hint of sinister subtext, sarcasm, or a joke in his voice or face when he tells her she can’t stay if she isn’t going to take redemption seriously.

The way his eyes twitch when she says he can’t seriously care about the hotel is such a great little detail.

I really like this point. The main theme of the show is redemption and showing that even someone like Alastor can care about the hotel is a direction I wanted the show to go in from the pilot, but something I wasn’t sure we would actually get. But I liked that it’s getting hinted at this early, especially since we now know there’s a season 2 and it can get fleshed out much more and can probably get to the point where he might grow into an actual mentor for Charlie instead of it being performative to spite Lucifer like it was in this episode.

(side note: I like that Charlie defends his actions against her father. She sees it as protecting the hotel, which we learn is the truth. He did do it for pride, but he also cares about the hotel and does want to protect it. I like to see that Charlie’s ability to see the best in people does pay off at least somewhat.)

That little hint of care to his actions with the hotel isn’t all we get to see of Alastor's layers. He is still the infamous Radio Demon after all, so we also get to see his pride at play.

It’s his pride being hurt by Lucifer that causes him to play up his role in Charlie’s life. It’s his pride being hurt that leads him to taking on the loan sharks alone both to remind everyone of his power and to show what else he brings to the hotel.

It’s also what causes him to go off on Husk. Husk is the only character willing to call Alastor out. He knows Alastor better than anyone else at the hotel because of their past and his ability to see through his facade. And he hurts Alastor's pride when he calls him out with the truth: That he's on a leash just like him.

The reveal that Alastor is also on someone’s leash was expected, but well executed.

This episode let Alastor’s mask slip a bit and we got to see more of his real emotions/feelings about things.

Alastor was the character I thought would have the most layers to them. Characters like Charlie, Angel Dust, and Vaggie wear what they feel a bit more openly than a character like Alastor (or at the very least their true feelings come out more frequently). There are motives and mysteries behind Alastor’s actions that aren’t clear with him like they are with everyone else and his demeanor, words, and actions can conflict with his true feelings and that’s what draws me to him so much. His usual (kinda) goofy and cavalier attitude, cold and ruthless demeanor that can come out at the flick of a switch, and infamous past make it so learning about Alastor's true intentions and introducing the idea of him changing and coming to care is very intriguing to me.

I just think that Alastor is the character that is working the best in the show right now because his plotline and development is not going at a breakneck pace. We’ve only gotten hints about why he was gone for seven years, who he sold his soul to, why he appeared to help with the hotel, etc. His character progression is also taking its time. This is the first real hint we get that he does genuinely care about the hotel in his own way and it’s 5 episodes in. This is the kind of pacing and development that the whole show would benefit from. 

This isn’t meant to be a shot at the show. I think it was put into a complicated situation because it was picked up initially for only 8 episodes (this is the type of show and large cast that needs at least twice as many) and was only renewed about halfway through the production of the first season, which I think explains why these episodes felt more coherent and fleshed out than the first four.

I really can’t wait to see where his character heads. He's still a walking question mark as of right now and every time we get a glimpse at his true intentions it's always fascinating because it's never clear cut where he stands.

Side note: I find it hilarious that Alastor created a rivalry between himself and Lucifer. The literal king of hell. Lucifer hurt Alastor’s pride and he immediately decided he would be as petty as possible towards him.

Charlie

I was always in the boat that Charlie was an interesting protagonist. The pilot set up a character that was very intriguing for the setting she was placed into. I didn’t think the three episodes necessarily handled her the best, but I think that was more a result of the rushed pacing and bloated plot. She’s handled significantly better from episode 4 on.

Episode 6 is where I think Charlie really came into her own as the protagonist of this series. The song where she stood up to heaven really sold me on her character. 

“If hell is forever then heaven must be a lie. If angels can do whatever and remain in the sky. The rules are shades gray when you don’t do as you say. And you make the wretched suffer just to kill them again.”

Up until this point Charlie felt a bit limited in her actions. It really amounted to trust exercises and the hotel residents acting out made up situations. She seemed naive and well meaning, but ill equipped to actually address the mental health issues her people had due to the fact her upbringing was so sheltered. There was the potential for more, but it wasn’t given the time I felt it deserved.

But this is where she really got to step up and call out the inequality and hypocrisy of heaven. This is where we got to see her backbone and the true extent of her care for her people. She won’t back down or accept the flimsy excuses they use to persecute the denizens of hell.

I also really liked her belief in Angel Dust. Yeah, he made some mistakes (at least from heaven’s point of view), but Charlie had complete faith in the fact that he would meet their requirements. It’s this characteristic of her’s that is intrinsic to bringing out the best in the residents of the hotel and before this point it was on the periphery (like with Angel Dust in episode 4) or implied. 

Episode 6 showed how important that characteristic is, especially to people who feel like they’re damned. (I like that Charlie is a good judge of character. It’s easy to take someone that’s privileged and naive and make them too trusting, but these two episodes show her belief in the best in the people at the hotel is founded.)

Another point I liked is that she was getting through to some of the angels. It’s a recurring gag that her presentations aren’t great. They’re written in crayon, flowery, and a little basic, but it’s the passion and critical thinking that she expresses in her presentations that shows that she can be a capable leader. 

She effectively poked holes in their argument that the sinners in hell deserve to be there and had their chance.

Her duet with Emily was really good. The way she brought back “Hell is Forever” to call the angels and exorcists out was the best (as you could probably tell from the fact that I quoted it). It also introduces a theme that the next generation will work to change things. Both Emily and Charlie want things to be different and clash with their parents who are both afraid that their child might end up like Lucifer. It’s a very clear parallel that sets up a lot of plot potential.

Charlie really was great in these episodes.

Angel Dust

I will admit I think aspects of Angel’s arc are rushed. Him standing up to Val is a big moment and I like the fact that it happened while Charlie is trying to show heaven that they are wrong about sinners, but I wish that we had gotten more time to build to Angel Dust being able to “stick it to the man” because of how powerful I think his arc is and the themes it deals with.

Episode 4 was the first time we really got to see beneath Angel’s mask and truly see the potential for change that Charlie does. We only really got hints that Angel wanted to change, but was scared to try in the first 3 episodes. We also know that he doesn’t feel safe even when he’s not around Valentino. 

Episode 4 is the turning point for him. When Val was abusing him he asked him not to hurt Charlie. His concern was solely for her in that moment despite the fact he was in the more tenuous position. He even forgives Charlie at the end because he knows her intentions are good. Plus his connection with Husk helped him find understanding so that he could come to feel like he could change. 

It was the real start of his growth and it was well done in my opinion. 

I just wish it had gotten a little more breathing room because while I do really like the plot points that occur in this episode I feel like they happened a bit too soon. (I know that it's been a few months in canon, but we didn't get to see that, so that slow progression doesn't have the impact it should)

I also liked that it called back to the pilot where she told the news that he was their patron and he ended up making them look bad because he was indulging in all his bad habits from before, but now it’s almost the opposite. Yeah, he drinks and does some drugs, but he shows his growth and proves Charlie’s point about sinners and it makes the angels argue among themselves.

Vaggie

The reveal that Vaggie was an ex-exorcist was something a lot of people made theories about. It was one that I wanted to be true because of what it would mean for Charlie and the dynamic of the hotel. I liked how it was revealed to Charlie.

This is another plot point that I think is rushed, but I think the execution is better than a lot of the other reveals that happened earlier in the series.

I feel like this reveal was a bit necessary for Vaggie’s character and the episode’s focus wasn’t split and I think that’s why I’m not as hard on it being rushed as I am on earlier plot points. Vaggie was the member of the hotel I thought suffered the most from the limited time/episode count.

The only focus she got was episode 3 and her arc in that episode was a bit clunky, which wasn’t helped by the fact that the other half of the episode with the overlords of hell was more interesting because it set up what looks like it will be a long term conflict and revealed a major plot point. 

The rest of the hotel residents got slower paced, less cluttered focus. Alastor has been subject to quite a few plot lines and is a slow burn mystery with a lot of potential for growth. Angel Dust is the hotel’s first patron and the character positioned to be the poster boy for redemption, so of course his development is given the spotlight. Husk has a unique dynamic with everyone (Alastor and Angel in particular) and is a foil to Angel Dust which makes him a central figure/mentor in Angel getting himself together. Etc.

I think this creates a lot of potential for her character leading into the last two episodes and gives her depth that I really want to see explored. I don’t really know what to say about the reveal beyond the fact that I’m really excited to see how this shakes Charlie and the hotel. How will this effect the other residents? Will Vaggie take a stand against the angels when they come for the hotel? Will we see her grief/conflict over her past actions now that they’ve been revealed?

There’s so many directions they can take this that I can’t wait for episode 7.

One smaller note is that I wish that the threat of Adam telling Charlie about Vaggie's secret had played more of a part in the episode and Vaggie actually had to choose between standing beside her girlfriend or stopping her. She just excuses herself to the restroom instead of making that choice and it felt like a missed opportunity.

Lucifer

Lucifer is a very interesting character in the limited screen time he’s had so far. The direction they took him is different from most of the other dads in Hazbin Hotel/Helluva Boss. The fact that he does care and was the person that was the original motivation for Charlie to open the Hazbin Hotel is a refreshing direction to take after all the bad dads this series has. 

He’s so afraid that Charlie will end up like him. That she’s putting her faith in the wrong people. That hell’s denizens aren’t capable of redemption. All these fears stem from his own crushed dreams from his fall at the hands of heaven. 

It’s a nice change of pace.

I also love how he’s just as petty as Alastor, taking any shot he can at the Radio Demon to one up him when it comes to their respective relationships to Charlie.

Extra Thoughts

Sir Pentious having a crush on Cherry Bomb, but being absolutely horrible at acting on it was really funny. Sir Pentious is such a fun character.

I love that the theory that Alastor made a deal with Lilith seems more and more plausible with every episode. It certainly would explain the fact that they were both gone for seven years and how Alastor was such a dominant force in hell from the start. I want Alastor’s backstory asap.

I like that Alastor’s overwhelming power among sinners is re-established here. He’s someone that you don’t mess with. And I like that the way that people don’t react to him as much as before is because of his 7 year absence. I did think it was strange that he’s so infamous for brutally toppling powerful overlords, but people don’t go running like you’d expect in the first few episodes.

Alastor and Husk have such a complicated dynamic. I really want to learn more about their history. Alastor has no problems tearing overlords that come across him apart, but Husk ended up with a deal to keep his power. Why is that? And while Alastor does own his soul Husk will call him out on things and can read him so much better than anyone else. Alastor lets these slide until he points out that Alastor is also on a leash like him. And Alastor had to have told Husk that he sold his soul because how else would Husk know that. All these things make for one of the most interesting and complicated dynamics of the show.

I do want to make clear that I think Alastor is a character of duality and contradiction. There's a hint that he does care about the hotel and the possibility of him growing to care for the residents, but he's still the sadistic and cruel Radio Demon. There's just a glimpse of change there now.

I really like the parallels between Emily and Charlie. I really like the idea that this seems to set up that the next generation is going to step up and take a stand against the mistakes of the previous generation. This one episode set the groundwork for a really interesting arc for Emily and her potential dynamic with Charlie.

I love Angel Dust. That's it. I just wanted to say that.

Hazbin Hotel Episodes 5 and 6 Thoughts

Wow. These two episodes of Hazbin Hotel were easily the best out of the series so far. They’re still working at a breakneck pace, but these episodes were so much more focused than the first 4 that it worked significantly better. The A and B plots of both these episodes were cleanly tied together so that no one part felt insignificant.

One of the biggest problems with the first four episodes was the fact that the split focus pulled the episode in different directions and made it so that reveals didn’t get the build up they needed to really feel impactful and pushed the Hazbin Hotel to the background so it felt insignificant in its own show. 

The second biggest problem in those episodes was that Charlie’s wish for her people, for redemption, and attempt to get into heaven to avoid extermination felt like it wasn’t the driving force it should have been. 

But these two episodes really fix that and expand on the characters really well. I’m just going to go through what I loved the most.

Alastor

I absolutely loved what we got from Alastor in episode 5. He really is the highlight of the show for me. There’s just so many layers to his character that the show isn’t rushing to peel back like it is with everyone else and it makes his character so intriguing.

I liked the fact that this episode hints that he truly does care about the hotel and wants it to succeed. It’s not only entertainment like he initially claimed. That moment where he sends Mimzy away was really telling. There isn’t even a hint of sinister subtext, sarcasm, or a joke in his voice or face when he tells her she can’t stay if she isn’t going to take redemption seriously.

The way his eyes twitch when she says he can’t seriously care about the hotel is such a great little detail.

I really like this point. The main theme of the show is redemption and showing that even someone like Alastor can care about the hotel is a direction I wanted the show to go in from the pilot, but something I wasn’t sure we would actually get. But I liked that it’s getting hinted at this early, especially since we now know there’s a season 2 and it can get fleshed out much more and can probably get to the point where he might grow into an actual mentor for Charlie instead of it being performative to spite Lucifer like it was in this episode.

(side note: I like that Charlie defends his actions against her father. She sees it as protecting the hotel, which we learn is the truth. He did do it for pride, but he also cares about the hotel and does want to protect it. I like to see that Charlie’s ability to see the best in people does pay off at least somewhat.)

That little hint of care to his actions with the hotel isn’t all we get to see of Alastor's layers. He is still the infamous Radio Demon after all, so we also get to see his pride at play.

It’s his pride being hurt by Lucifer that causes him to play up his role in Charlie’s life. It’s his pride being hurt that leads him to taking on the loan sharks alone both to remind everyone of his power and to show what else he brings to the hotel.

It’s also what causes him to go off on Husk. Husk is the only character willing to call Alastor out. He knows Alastor better than anyone else at the hotel because of their past and his ability to see through his facade. And he hurts Alastor's pride when he calls him out with the truth: That he's on a leash just like him.

The reveal that Alastor is also on someone’s leash was expected, but well executed.

This episode let Alastor’s mask slip a bit and we got to see more of his real emotions/feelings about things.

Alastor was the character I thought would have the most layers to them. Characters like Charlie, Angel Dust, and Vaggie wear what they feel a bit more openly than a character like Alastor (or at the very least their true feelings come out more frequently). There are motives and mysteries behind Alastor’s actions that aren’t clear with him like they are with everyone else and his demeanor, words, and actions can conflict with his true feelings and that’s what draws me to him so much. His usual (kinda) goofy and cavalier attitude, cold and ruthless demeanor that can come out at the flick of a switch, and infamous past make it so learning about Alastor's true intentions and introducing the idea of him changing and coming to care is very intriguing to me.

I just think that Alastor is the character that is working the best in the show right now because his plotline and development is not going at a breakneck pace. We’ve only gotten hints about why he was gone for seven years, who he sold his soul to, why he appeared to help with the hotel, etc. His character progression is also taking its time. This is the first real hint we get that he does genuinely care about the hotel in his own way and it’s 5 episodes in. This is the kind of pacing and development that the whole show would benefit from. 

This isn’t meant to be a shot at the show. I think it was put into a complicated situation because it was picked up initially for only 8 episodes (this is the type of show and large cast that needs at least twice as many) and was only renewed about halfway through the production of the first season, which I think explains why these episodes felt more coherent and fleshed out than the first four.

I really can’t wait to see where his character heads. He's still a walking question mark as of right now and every time we get a glimpse at his true intentions it's always fascinating because it's never clear cut where he stands.

Side note: I find it hilarious that Alastor created a rivalry between himself and Lucifer. The literal king of hell. Lucifer hurt Alastor’s pride and he immediately decided he would be as petty as possible towards him.

Charlie

I was always in the boat that Charlie was an interesting protagonist. The pilot set up a character that was very intriguing for the setting she was placed into. I didn’t think the three episodes necessarily handled her the best, but I think that was more a result of the rushed pacing and bloated plot. She’s handled significantly better from episode 4 on.

Episode 6 is where I think Charlie really came into her own as the protagonist of this series. The song where she stood up to heaven really sold me on her character. 

“If hell is forever then heaven must be a lie. If angels can do whatever and remain in the sky. The rules are shades gray when you don’t do as you say. And you make the wretched suffer just to kill them again.”

Up until this point Charlie felt a bit limited in her actions. It really amounted to trust exercises and the hotel residents acting out made up situations. She seemed naive and well meaning, but ill equipped to actually address the mental health issues her people had due to the fact her upbringing was so sheltered. There was the potential for more, but it wasn’t given the time I felt it deserved.

But this is where she really got to step up and call out the inequality and hypocrisy of heaven. This is where we got to see her backbone and the true extent of her care for her people. She won’t back down or accept the flimsy excuses they use to persecute the denizens of hell.

I also really liked her belief in Angel Dust. Yeah, he made some mistakes (at least from heaven’s point of view), but Charlie had complete faith in the fact that he would meet their requirements. It’s this characteristic of her’s that is intrinsic to bringing out the best in the residents of the hotel and before this point it was on the periphery (like with Angel Dust in episode 4) or implied. 

Episode 6 showed how important that characteristic is, especially to people who feel like they’re damned. (I like that Charlie is a good judge of character. It’s easy to take someone that’s privileged and naive and make them too trusting, but these two episodes show her belief in the best in the people at the hotel is founded.)

Another point I liked is that she was getting through to some of the angels. It’s a recurring gag that her presentations aren’t great. They’re written in crayon, flowery, and a little basic, but it’s the passion and critical thinking that she expresses in her presentations that shows that she can be a capable leader. 

She effectively poked holes in their argument that the sinners in hell deserve to be there and had their chance.

Her duet with Emily was really good. The way she brought back “Hell is Forever” to call the angels and exorcists out was the best (as you could probably tell from the fact that I quoted it). It also introduces a theme that the next generation will work to change things. Both Emily and Charlie want things to be different and clash with their parents who are both afraid that their child might end up like Lucifer. It’s a very clear parallel that sets up a lot of plot potential.

Charlie really was great in these episodes.

Angel Dust

I will admit I think aspects of Angel’s arc are rushed. Him standing up to Val is a big moment and I like the fact that it happened while Charlie is trying to show heaven that they are wrong about sinners, but I wish that we had gotten more time to build to Angel Dust being able to “stick it to the man” because of how powerful I think his arc is and the themes it deals with.

Episode 4 was the first time we really got to see beneath Angel’s mask and truly see the potential for change that Charlie does. We only really got hints that Angel wanted to change, but was scared to try in the first 3 episodes. We also know that he doesn’t feel safe even when he’s not around Valentino. 

Episode 4 is the turning point for him. When Val was abusing him he asked him not to hurt Charlie. His concern was solely for her in that moment despite the fact he was in the more tenuous position. He even forgives Charlie at the end because he knows her intentions are good. Plus his connection with Husk helped him find understanding so that he could come to feel like he could change. 

It was the real start of his growth and it was well done in my opinion. 

I just wish it had gotten a little more breathing room because while I do really like the plot points that occur in this episode I feel like they happened a bit too soon. (I know that it's been a few months in canon, but we didn't get to see that, so that slow progression doesn't have the impact it should)

I also liked that it called back to the pilot where she told the news that he was their patron and he ended up making them look bad because he was indulging in all his bad habits from before, but now it’s almost the opposite. Yeah, he drinks and does some drugs, but he shows his growth and proves Charlie’s point about sinners and it makes the angels argue among themselves.

Vaggie

The reveal that Vaggie was an ex-exorcist was something a lot of people made theories about. It was one that I wanted to be true because of what it would mean for Charlie and the dynamic of the hotel. I liked how it was revealed to Charlie.

This is another plot point that I think is rushed, but I think the execution is better than a lot of the other reveals that happened earlier in the series.

I feel like this reveal was a bit necessary for Vaggie’s character and the episode’s focus wasn’t split and I think that’s why I’m not as hard on it being rushed as I am on earlier plot points. Vaggie was the member of the hotel I thought suffered the most from the limited time/episode count.

The only focus she got was episode 3 and her arc in that episode was a bit clunky, which wasn’t helped by the fact that the other half of the episode with the overlords of hell was more interesting because it set up what looks like it will be a long term conflict and revealed a major plot point. 

The rest of the hotel residents got slower paced, less cluttered focus. Alastor has been subject to quite a few plot lines and is a slow burn mystery with a lot of potential for growth. Angel Dust is the hotel’s first patron and the character positioned to be the poster boy for redemption, so of course his development is given the spotlight. Husk has a unique dynamic with everyone (Alastor and Angel in particular) and is a foil to Angel Dust which makes him a central figure/mentor in Angel getting himself together. Etc.

I think this creates a lot of potential for her character leading into the last two episodes and gives her depth that I really want to see explored. I don’t really know what to say about the reveal beyond the fact that I’m really excited to see how this shakes Charlie and the hotel. How will this effect the other residents? Will Vaggie take a stand against the angels when they come for the hotel? Will we see her grief/conflict over her past actions now that they’ve been revealed?

There’s so many directions they can take this that I can’t wait for episode 7.

One smaller note is that I wish that the threat of Adam telling Charlie about Vaggie's secret had played more of a part in the episode and Vaggie actually had to choose between standing beside her girlfriend or stopping her. She just excuses herself to the restroom instead of making that choice and it felt like a missed opportunity.

Lucifer

Lucifer is a very interesting character in the limited screen time he’s had so far. The direction they took him is different from most of the other dads in Hazbin Hotel/Helluva Boss. The fact that he does care and was the person that was the original motivation for Charlie to open the Hazbin Hotel is a refreshing direction to take after all the bad dads this series has. 

He’s so afraid that Charlie will end up like him. That she’s putting her faith in the wrong people. That hell’s denizens aren’t capable of redemption. All these fears stem from his own crushed dreams from his fall at the hands of heaven. 

It’s a nice change of pace.

I also love how he’s just as petty as Alastor, taking any shot he can at the Radio Demon to one up him when it comes to their respective relationships to Charlie.

Extra Thoughts

Sir Pentious having a crush on Cherry Bomb, but being absolutely horrible at acting on it was really funny. Sir Pentious is such a fun character.

I love that the theory that Alastor made a deal with Lilith seems more and more plausible with every episode. It certainly would explain the fact that they were both gone for seven years and how Alastor was such a dominant force in hell from the start. I want Alastor’s backstory asap.

I like that Alastor’s overwhelming power among sinners is re-established here. He’s someone that you don’t mess with. And I like that the way that people don’t react to him as much as before is because of his 7 year absence. I did think it was strange that he’s so infamous for brutally toppling powerful overlords, but people don’t go running like you’d expect in the first few episodes.

Alastor and Husk have such a complicated dynamic. I really want to learn more about their history. Alastor has no problems tearing overlords that come across him apart, but Husk ended up with a deal to keep his power. Why is that? And while Alastor does own his soul Husk will call him out on things and can read him so much better than anyone else. Alastor lets these slide until he points out that Alastor is also on a leash like him. And Alastor had to have told Husk that he sold his soul because how else would Husk know that. All these things make for one of the most interesting and complicated dynamics of the show.

I do want to make clear that I think Alastor is a character of duality and contradiction. There's a hint that he does care about the hotel and the possibility of him growing to care for the residents, but he's still the sadistic and cruel Radio Demon. There's just a glimpse of change there now.

I really like the parallels between Emily and Charlie. I really like the idea that this seems to set up that the next generation is going to step up and take a stand against the mistakes of the previous generation. This one episode set the groundwork for a really interesting arc for Emily and her potential dynamic with Charlie.

I love Angel Dust. That's it. I just wanted to say that.

Blue Eye Samurai Thoughts

These thoughts are sort of scattered and don’t cover everything I think makes this show great but I wanted to get something out about this amazing show.

Every once in a while an animated project comes around that makes me sit back in awe that something this phenomenal was allowed to be made. That something this rife with creativity, care, and emotion was given the freedom necessary for the people behind the scenes to make an authentic experience that really pushes the boundaries of what animation can do. And Blue Eye Samurai did just that. 

The last time I felt that way about an animated show was Arcane.

Blue Eye Samurai follows Mizu, a child of mixed race that was deemed a monster due to her parentage, and her journey to kill the man who sired her. It’s a dark, tragic tale that blends 2D and 3D animation to create a story that centers themes of prejudice, class, identity, found family, revenge, and loss.

It’s one of the most gorgeous shows to come out in the last few years. With pretty much the entire show having the ability to leave you breathless. The action scenes in particular are standouts (shocking I know).

In these action scenes the show really embraces the freedom its rating gives it without falling into the usual trappings shows with a mature rating tend to. Blue Eye Samurai has an abundance of bloody gore filled violence that never becomes gratuitous. It all feels purposeful and poignant within the story itself and how it explores its themes. It gives the consequences of Mizu’s revenge depth. Not just in how it effects the people around her and the collateral, but also in how the violence Mizu perpetrates effects her.

This is best explored in episode 5 (The Tale of the Ronin and the Bride), which is probably the best episode in the season, where we get to see a glimpse into Mizu’s past and how her path towards revenge is solidified.

The hopefulness of the past is directly juxtaposed with the bloody carnage of the present, while the story of the bride and the ronin is told over the course of the episode. There’s a foreboding that is layered over top of every scene in the past, the knowledge that in some way this goes wrong and leads Mizu to this point. To become this force of nature capable of cutting down men without hesitation.

It shows those parts of Mizu she’s lost through the hardships her life threw at her and those parts she’s been forced to discard herself to accomplish her goals.

The loss brought on by the hardships her life threw at her is shown in the past with her mother and husband and their betrayal and death. And the parts of herself she’s had to discard is shown in the present when she initially spares the boy that turns her in and almost gets the women in the brothel and herself killed that she ultimately kills in the end when faced with the same choice.

This is all just scratching the surface of this exploration, but I think it gets across the point that this show does a good job of exploring the nuances of revenge and what led Mizu to this point.

It’s the show’s meticulous exploration of aspects of Mizu’s character that makes her such a complicated character and an amazing protagonist. I don’t know if anything I write would really do her justice, but the complexity and nuance of her character alone make this show worth watching.

The second most interesting character to me was Akemi. 

Akemi’s arc is incredibly compelling. She goes from feeling trapped and trying desperately to escape to learning how to use her cunning to try and become great. But because this arc is occurring in Blue Eye Samurai it isn’t as straightforward as that description makes it seem on the surface. That arc is flipped on its head and to show what I mean I want to look at the scene on the bridge.

That scene on the bridge after Seki dies was one of the most intriguing of the final episode. That moment you can see the shift in Akemi’s desires from that of freedom to that of greatness. In many ways this isn’t the victory that it should be.

The wording seems like that of someone taking control of their own destiny and deciding to pull themselves up to a position higher than anyone thought possible, but the framing with the city in flames behind her, the shogunate’s enemies burning alive, and Seki dead on the ground put it in a more tragic/sinister light.

And those words she speaks that are on the surface sound triumphant echo sentiments that her father has said to her (telling him he’s only alive because of her and the belief that she can control the shogun, etc). Her desire for greatness even reflects his own. 

This isn’t really freedom and considering the almost naive quest for that freedom she went through during the season and was even hopeful she could obtain just moments before, living out her days with Seki on his family farm, make this feel less a victory and more like she’s becoming what she has to. That she’s hardened. That she’s starting down a path that mirrors Mizu’s in some ways.

And this mirror between Mizu and Akemi is clearly intentional. The show itself visually mirrors the two within this same episode in the exact scene I was just talking about.

And throughout the season she is the most direct foil to Mizu. Both found different ways to try and work around the inherent restrictions being a woman in 1600s Japan would entail, to gain any semblance of freedom from those restrictions, but were ultimately hurt by those expectations/restrictions in a way that forced them to change.

They took how they handled it in two completely opposite directions (Mizu presenting as a man and Akemi using her sexuality and forced marriage to her advantage. In broad, over-simplified terms: rejecting femininity vs embracing it to achieve their goals) which is what makes them such interesting foils for one another.

This parallel/contrast to Mizu makes her the most interesting of the supporting cast and her end point puts her into what might be the most compelling spot out of all the main characters heading into next season.

(Plus she’s voiced by Brenda Song aka Anne Boonchuy and London Tipton)

Honestly all of the characters are given nuance that makes them at the very least entertaining.

The show even manages to make a character that could have just been comedic relief an interesting character and an avenue to expand on its exploration of themes with (season MVP) Ringo.

This is best shown through Ringo’s views of greatness. They at first seem shallow and naive. Not really looking deeper than the surface at what this idea entails and he floats from one thing to the next so easily that it can initially seem unfocused, but I think that’s the point. Ringo doesn’t really know what greatness is so his view of it is constantly changing and what he believes he can be great at is constantly changing too. 

Just like the audience he is awed by Mizu’s strength and ability in battle, but as the brutality and reality of what that skill brings comes to light the idea that this skill and determination is greatness slowly dims. It never entirely dies out because this isn’t meant to destroy his idea of greatness, but instead change it from a black and white binary to something that is more blurred. He still sees greatness/potential for greatness within Mizu, but he doesn’t see her as the pinnacle anymore. The end all be all.

And what he can do to be great constantly changes because he’s suddenly had so many opportunities he never could have dreamed about, due to his disability and being stuck at his father’s noodle shop, opened to him that he needs the time to explore what he wants. He’s still trying to find his calling and by the end of the series he might have found the start of it in the same place that Mizu did– With Swordfather. 

The one thing about Blue Eye Samurai that didn’t quite work for me is the use of music. The show’s score is beautiful and used to great effect, but the music it chose to put over scenes would pull me out of the moment almost every time because it used highly recognizable songs that I’d heard in so many pieces of media it felt inauthentic and jarring.

This is a small complaint because there are only 2 scenes where the music choice did this, but I felt I should mention it because of how important these scenes were supposed to be. The rest of the show easily makes up for this small gripe.

I could probably ramble about this show all day but I’ll cut this off here and say this: Blue Eye Samurai easily lives up to the hype that everyone has been giving it. It’s a visually stunning show with compelling characters that explores its themes in such depth that I can’t wait to see where it goes from here. 

Random thoughts

I love the shot of Mizu in The Great Fire of 1657 where she’s staring Fowler down, flames behind her and eyes a piercing blue, because of the perspective of this shot. This is shown through the eyes of Fowler, the man who just brought an army to the shogunate’s doorstep with the plan to take over Japan, and yet he’s afraid of Mizu and the lengths she will go to achieve her goals. It’s such a chilling shot that absolutely shook me to my core. (Man Blue Eye Samurai is amazing at these types of shots)

Taigen is a character that I had a lot of fun with, but didn’t make as much of an impression on me as the rest of the characters. He isn’t as complicated and compelling as Mizu and Akemi or as thematically interesting as (season MVP) Ringo. I wish I had more to say about him, but I don’t. I do think his dynamic with Mizu is interesting though.

Fowler is a really fun villain and I can’t wait to see how he plays off of Mizu now that he is going to be her guide in London. I can’t wait to explore those bombshells he dropped in the finale about Mizu’s origins.

The fights in episode 6 were the most visually stunning to me in the season. The way it played around with lighting and perspective was incredible. 

I didn’t talk about it much above but I thought the way Blue Eye Samurai explored Mizu’s relationship to her gender to be very compelling and nuanced. The way it’s handled lends itself to a fascinating exploration of identity and gender that I think is important.

Swordfather has such a great relationship with Mizu. He knew she didn't leave his house the night before and just decides to adopt her and teach her everything he knows, giving her a stable relationship that doesn't reinforce her shame. He doesn't recognize her mixed heritage as a point of shame instead embracing her for who she is and letting her know that her mixed heritage doesn't make her impure, standing up for her when the bandit threatens to hit her and insults her origins. This genuine care is something Mizu desperately needed as a child and it was amazing to watch.

I think I want to go into greater depth at some point on my points on Mizu and Akemi being mirrors to one another and how The Ronin and the Bride explores violence and loss and how they're intertwined in Mizu's life at some point.

It’s shows like this that make me even more frustrated at Netflix. They were on such a role in animation and were (and sort of still are) a driving factor in changing the landscape of adult animation that they were frequently the platform that I was most excited to see new animated projects on, but then they absolutely gutted their animation division and showed little to no respect to the work of those that made the animated properties and I lost a lot of respect for them as a result. I really hope projects like Blue Eye Samurai keep being made and that platforms start respecting animation like it deserves.

I kind of feel like adding a few adult animated recommendations on netflix to this so here goes: Arcane (duh. It’s a masterpiece), Pluto, Cyberpunk Edgerunners, Castlevania, Carol and the End of the World, Skull Island, Inside Job, and Tear Along the Dotted Line.

I felt like adding to this list just to make fun of how consistent the characters I project onto is.

Me: There is definitely not a pattern to the characters I project onto.

The characters I project onto:

Across the Spider Verse Thoughts

Across the spider verse was my most anticipated movie of 2023. I came in with sky high expectations and yet somehow the movie managed to surpass them.

By the end of the opening sequence across the spider verse had me sold that this was going to be one of my favorite spider-man movies and when the movie finished that belief held true. Spider-Man across the spider verse is easily one of my favorite superhero movie sequels of all time (I actually think it might be my favorite). The movie just came out and I’ve already seen it, what my brother has dubbed, “too many times” (Though I vehemently disagree with him on that point).

It’s a movie sold on its scope and love for all of spider-man and his lore and yet it never loses its heart in the spectacle. It manages to be a fantastic middle chapter to what is quickly becoming one of my favorite film series of all time.

There’s a lot I want to talk about so I’m just going to get right into it.

Miles is a great protagonist

Miles Morales is a character that I felt Into the Spider Verse really elevated. I had read all of the ultimate comics spider-man run that was his debut series and, while I liked Miles, he was never in the top tier of my favorite superheroes, but that quickly changed with Into the Spider Verse. They managed to explore his struggle and hesitance to accept the Spider-man mantle in a way that was far more compelling than his comic book counter part.

Across the Spider Verse takes the already really strong basis that Into the Spider Verse created for Miles and builds on it through a brilliant meta narrative on what it means to be spider-man and asking the question of whether or not Miles really is spider-man.

Trauma is so ingrained into the creation and growth of spider-man as a character. Ask anyone to list what the most iconic moments in spider-man comics are and you are bound to get answers that include uncle ben’s death, the death of gwen stacy, the death of Jean DeWolfe, Captain Stacy’s death, etc.

There are a lot of moments of loss within the spider-man mythos that define the character and these moments are carried over into a lot of spider-man media outside of the comics. Miles’ rejection of this narrative and the necessity of loss to make a hero in this movie is what truly makes him become spider-man.

The first movie had him accepting the mantle but this is where he truly grows into the role.

Keep reading

Rise of the TMNT First Time Watch Thoughts

Rise is a series I didn’t get into right when it came out. It was released very soon after my favorite tmnt cartoon, 2012, had ended and I was going through a major transition in my life. 

I watched the first few episodes, but my schedule was jam packed and I fell off of watching it rather quickly. I still wanted to give it a shot but later when more episodes were released and I could binge it because I felt that this show deserved more than a fleeting shot. But I didn’t really get around to watching it in full until recently.

I do want to say right off the bat that the backlash against this incarnation when it was first announced was ridiculous. The show hadn’t even aired and people were rallying to cancel it. You can’t judge the quality of something before seeing it and changing something from past iterations isn’t necessarily a bad thing even if it is an adaptation. 

My rule for adaptations is that what’s most important for new iterations is that they understand the heart of the series and characters that they are adapting and I would say that Rise clearly understood the heart of its characters and series but it just chose to adapt it in a different way. And in my opinion that’s great.

And I’m not going to pretend that all the changes worked for me. Some changes just didn’t mesh with me personally and I found myself preferring certain iterations of the characters and their dynamics/arguments from past iterations more. It’s just a matter of personal preference.

I have spoilers below the cut but I want to say that if you haven't watched it I really recommend giving it a shot!

I want to get into my full actual thoughts on the series now that that’s out of the way.

While Rise of the teenage mutant ninja turtles is a great series, it got off to a bit of a rocky start. The first half of season one, while fun and full of amazing action scenes, wasn’t the type of start to absolutely grip me like the first seasons of 2012 and 2003. It did, however, manage to set itself apart from the other iterations of the turtles and firmly establish the unique personalities of these versions of the turtles, Splinter, and April O’Neil. 

The show clearly had some issues finding its footing at first and I think one of the major issues was that the show itself had trouble figuring out how exactly to implement the changes it made to the lore and characters from past incarnations into the first season, which led to pacing issues and some mixed characterization that took a while to get used to from characters such as Splinter (he gets a lot better later on and I really grew to like him but at first I wasn’t that fond of him). 

But, while I didn’t personally love the first season as much as other iterations of the teenage mutant ninja turtles due to this slow start, once it established its lore and changes and firmly knew what it wanted to be the show really took off and could reach great heights in a way completely unique from the other interpretations. 

This shift occurs about halfway through the first season with “The Evil League of Mutants” when the origins of Splinter and the Turtles and their connection with Baron Draxum finally get revealed (in a really good musical number I might add). This is where I really started to get invested in the new lore of this series and the changes the show made to the characters and backstory.

This is when everything that was slowly and sometimes awkwardly established started to come together and form a much clearer picture of what this series was trying to do. Those disparate pieces that felt a bit strange such as the new characters of Baron Draxum and Big Mama, the idea of the yokai, and the very different and at times kind of perplexing iteration of the foot clan finally interacted to hint at an endgame for this season and it worked much better than I anticipated.

I also was glad we finally got some development for Splinter, his relationship to the turtles, and his backstory. Up until this point he didn’t really work that well for me and the lack of any meaningful interactions between him and the turtles was a bit off putting, but starting with this episode so much new information was revealed about him that vastly improved the character and endeared me to him.

This continued development for Splinter leads to some of my favorite moments from the series.

For example, one of my favorite moments from the first season is when Splinter tricks Donnie and Mikey into going to a demolition derby with him. When Donnie discovers that Splinter lied he gets really upset and believes that Splinter didn’t really want to spend time with him.

It’s made clear leading up to this point that Donnie is really effected by the lack of attention and affection Splinter gives him and before now it was mostly said in a joking way that didn’t betray just how deeply it hurt him but he finally lets it out in a rare moment of vulnerability. And in response Splinter calls Donatello by his actual name for the first time in the series and apologizes. There’s a real and authentic moment of connection that wouldn’t have hit the way it did if Splinter wasn’t characterized the way he was early on. (I also absolutely love rise's version of Donnie.)

It’s not something that necessarily makes him more likable earlier in the series but that characterization early on makes his development and eventual connection with his sons heartwarming. 

The season’s momentum doesn’t stop with “The Evil League of Mutant” or Splinter’s development. It keeps building until it finally reaches the finale, which is a great culmination of all that came before, and ends with the shredder finally being formally introduced into the series and things feeling really dire for the turtles. 

This version of the shredder took him in a completely different direction from all the ones that came before and took a big swing by making him a man merged with a demon. One that’s thousands of years old that the Hamato clan was staked with keeping contained forever.

While this version of the shredder doesn’t have the depth of 2012 or the menace of 2003 they managed to build him up in a way that made his threat feel palpable. The desperation to keep the foot from collecting the dark armor paired with the revelations about the Hamato clan’s duty made it so that the inevitable confrontation felt like one that must be avoided at all costs.

This connection to the Hamato clan brought in an interesting conflict between duty and family for Splinter that we hadn't gotten to see before. When the turtles are captured Splinter is pulled in two different directions one that upholds his duty and one that preserves his family. Splinter eventually chooses his sons over his duty. (This carries over into the second season when they managed to combine the two and become their best selves as warriors and family.)

Another really fascinating aspect of the finale that I haven’t touched upon is how it subverts expectations by having Baron Draxum simply be a stepping stone for the shredder’s release. Up until this point Baron Draxum had been the closest thing to a big bad the series had. We had followed his plan step by step and believed he was the one pulling the strings only for the rug to be pulled out from under him at the last second when the turtles believed they had won.

This led to a cliffhanger that had me on the edge of my seat. It really felt like this was another turning point in the series like “Evil League of Mutants” had been…

But I don’t really feel like the second season carried that momentum over as well as it could have. The battle with the shredder wasn’t the tour de force I expected or the turning point in tone I anticipated. And there are things that were set up in the first season that, when finally seen, felt like anti-climaxes. This is most notable to me in the season premiere and the episode “Goyles, Goyles, Goyles” when we finally see the day that Splinter and the turtles were mutated.

With the premiere it was a weird split between things I absolutely adored– Leo finally displaying his excellent planning and leadership skills– and things I felt were anti-climactic compared to the build-up– the turtles’ fight with Shredder. 

I feel like the Leo stuff is self explanatory. Everyone knows that Leo is traditionally the leader of the turtles and up until this point Leo didn’t show much of that or have any significant development outside of a few select moments, but this was the episode that really showed his potential. 

It wasn’t just his ingenious plan that was really enjoyable to see come together, but also the fact that he knew his brothers well enough to trust in their skills and know exactly how they would be able to fend off and find the shredder. 

As a longtime fan of the turtles I loved this development. I had really enjoyed this version of Leo before now, but this was the moment that won me over to this version of him.

But the way the show handled the face off with the shredder didn’t really work for me. The biggest reason was that most of it happened off screen and then when we did get to see what was going on it was to show that the shredder was weak to tickling. 

After all that build up for the shredder and what a threat he will pose the way it went fell flat, especially considering how the first season finale ended with the turtles thinking they beat the shredder only for a much more powerful version to emerge from the smoke to face them down.

The ending with Big Mama set up some very interesting possibilities that I was excited to see come to fruition in the future (and eventually lead to a phenomenal season 2 finale) but it and Leo’s arc didn’t negate the disappointment I felt with how the shredder and his showdown with the turtles was handled.

Goyles, Goyles, Goyles felt like an intentional anti-climax, but even with that obvious intent it still fell flat for me. This moment was one of my favorite reveals of the first season. The way it was revealed in song by Draxum and his henchmen and the amazing still animation reflecting the words was a real turning point in just how much I enjoyed this series as I said above. And when we finally got to see exactly what happened… it was almost all a joke.

And this type of subversion is very common in Rise. It usually works better for me though because there isn’t as much build up and excitement towards them like there was for the shredder fight and the Draxum and the turtles backstory. 

In fact, there are plenty of moments in this series where this type of subversion works really well for me. In the season one finale the random reveal that the turtles cracked Splinter’s teapot as children and never told him being an important plot point was one that worked really well for me. 

The biggest difference between those subversions is that the one in the finale didn’t magically solve things or completely dampen the more dramatic and emotional moments. The teapot reveal didn’t retroactively make Splinter’s decision to put his sons above his ancestral duty any less meaningful and it didn’t magically save the day like they expected it to. It allowed things to still carry the weight they were meant to while still being funny and unexpected.

The show goes back to problem of the week episodes and as a result does fall into a few of the pacing and tonal issues that plagued the first season, but they were overall stronger and more fun episodes here than they were in season 1 due to the fact that there is a larger cast to bounce the characters off of and a lot more locations to explore. This allowed for some really interesting and unexpected character pairings that made some of the most entertaining episodes of the show.

The episodes centered on April and Splinter are a particular favorite of mine in season 2. 

I wasn’t expecting how much I would adore their dynamic, but it was easily one of my favorites in the entire show. I really liked Splinter’s unwavering faith in April and how they came together to better each other. 

Splinter very rarely has this type of relationship in any of the other shows. He’s mostly the one lifting others up and giving them wisdom and is rarely the one getting support in this type of way. April is able to interact with Splinter’s past in a way the turtles in this show can’t and it allows him to re-establish a connection to who he was in a healthier way than he had prior to her coming into his life.

It’s a great mutual relationship that finds a unique spin to what their dynamic usually is in turtles canon.

Now it’s time to talk about the final few episodes of season 2. These episodes showcase all the best aspects of the Rise show. They take what the series does differently from all the other interpretations and run with them, really showing what the show can do at its height.

These episodes gave me the shredder showdown I was hoping to see in the premiere. He posed the type of threat he had in many of the other shredder incarnations and served the turtles losses that they struggled to bounce back from.

This is the type of enemy shredder should be and the way they had this tie into Splinter’s past was amazing and moving.

The episode where the Baron Draxum sent the Turtles into Splinter’s mind was one of the most emotionally poignant episodes, showing the pain and emptiness of Splinter’s life before he mutated. It puts Splinter’s life before and after the turtles into stark contrast.

Splinter isn’t alone like he felt like he was before and he found a new family after the loss of his mother that gave him the strength and courage to accept the duty he had rejected because of the loss it brought him.

Splinter has grown from the character I was most disappointed with to one of my favorites of the series and this episode really hammered home just how great the writing for him in this series has been.

Splinter isn’t the only one that gets an increase in focus, April also gets some spotlight and a unique and unexpected role in this finale.

April’s growth from human ally to the turtles to a member of their family was amazing to watch. Having that bond that had been cultivated over the course of the two seasons that culminates in these episodes where she becomes an honorary member of the Hamato clan, fusing with Karai and teaching the turtles the way of their ancestors, was such an interesting change from past iterations of the character.

It really felt like her arc and relationship to the turtles was coming full circle when April was the one to talk Raph out of his despair. It really hammered home how far all of them have come and just how much a part of this family April is.

April’s talk to Raph leads into a great moment where the brothers unlock their mystic powers through their connection and trust in one another. They aren’t alone in this struggle or the fight with Shredder. It doesn’t come down to just one of them but their whole family. 

The heart of the turtles and their various series, at least to me, has always been the Hamato family and their bond with one another and this moment shows just how much this show understands that.

There’s just so much about this finale to gush about but there were two minor issues I had. Those are the reveal of Cassandra Jones and Splinter naming Leo the leader.

Cassandra Jones felt like a last minute reveal. The series made a few jokes about Cassandra being called unnamed foot soldier yet had her as a recurring character so it felt obvious that she was going to be a legacy character in some way but having her be Casey Jones felt odd. 

I don’t really know a better way of putting it. I’m not mad or anything and I don’t believe the show butchered Casey like I’ve seen some people say (especially considering how they brought Casey Jones into the movie), but it felt like the most out of left field choice rise had made up until this point. (I do want to say that I feel like this could have turned into a very interesting interpretation of the character if the show was allowed to continue and flesh this decision out.)

And Leo being named leader was especially rushed considering just earlier in the finale (parts 2 and 3) the show really felt like it solidified Raph as the leader. He was the one who was able to make the tough calls and he was the one who learned to trust his brothers in a way he needed to be the best leader he could be.

Leo only really had the second season premiere to set up the idea that he would make a great leader and strategist if he really applied himself but that thread felt like it was dropped for the rest of the season and had no real buildup within the finale unlike Raph’s leadership skills.

These didn’t really impact my enjoyment of the episodes especially considering that they were such a small part of the finale and they were both fixed/expanded on in the movie.

Speaking of the movie. It was absolutely phenomenal. 

This movie focuses on Leo and his journey into growing into a leadership role for the team with the Kraang as the turtles’ adversaries. 

Right off the bat this movie is considerably darker than the main series with the opening alone showing blood and the deaths of both Mikey and Leo. It immediately shatters any possibility of past conveniences present in the series like the Kraang being ticklish or the turtles escaping due to incompetent sidekicks. 

There’s a palpable danger established by this shift in tone that carries on throughout the movie and creates actual tension and stakes to the sacrifices made later on. 

I can also say with full confidence that this is easily the most intimidating the Kraang have ever been in turtles canon. 

While the Kraang have been threats in some of the series and even beaten the turtles more than once I never felt like they were the overwhelming threat they are here. That the turtles were completely outmatched.

This amazing update of the kraang and the threat they pose is paired with a great arc for Leo where he has to confront the more immature and impulsive side of him that has been ever present in the series up until this point.

These flaws had been addressed at varying points throughout the series proper but they were never treated anywhere near as seriously as they are here. 

And it addresses these shortcomings through Rise’s interpretation of the classic Raph and Leo conflict.

Raph and Leo are almost always the two brothers that come into conflict the most often in every iteration of the turtles. Their ways of thinking are incompatible in ways that make it hard for them to see eye to eye. This was something the main series of Rise didn’t really address. For the most part the brothers got along well and any conflicts they did have were either resolved or ended on a joke which fit with what the series was trying to do with them before this point.

I’ve heard a few complaints about this because the conflict between Leo and Raph is something the movie makes it seem like is a recurring problem for them when in reality Leo and Raph don’t really get into any real serious arguments/conflicts throughout the series. In fact, Raph almost never gets angry the way he does at the beginning. Rise Raph’s anger is almost always aimed at himself rather than others. 

And I can understand that to a degree because these aspects weren’t really established in the series but I don’t think either of these inconsistencies really hurt the movie and are in fact explained rather well within the context and time frame given. The conflict itself is well written and has the two coming to an actual understanding that feels organic to both characters.

The movie’s take on Leo and Raph’s conflict has the two switching places from their usual roles. Leo is the impulsive brother that does care deeply about his brothers but makes mistakes due to his personal flaws that gets them in trouble, while doubting/going against the older brother’s wishes/orders. Raph is the older, more responsible brother with the weight of his brothers lives on his shoulders because of his position as the de facto leader of their family (at least before the season 2 finale).

It’s not necessarily a completely unique take on the conflict since the roles are simply reversed with a few tweaks to better fit their characters but it plays out in a way that makes Leo’s arc and journey of growing into his leadership role very impactful in a way that separates itself from 2003 and 2012 Leonardos.

Leo’s arc culminates in such an amazing and heartbreaking sacrifice that, while it obviously didn’t last, was the moment from Rise that hit me the hardest.

The way the movie managed to really hammer home the weight of Leo’s decision and the growth of his character in that moment through everyone’s reactions, the music, and the stunning animation and coloring was incredible.

Outside of Leo’s fantastic arc and the Kraang the animation is absolutely stunning. There’s a reason the fight with the Kraang leader was all over the place after this movie released. The animation for Rise has always been fantastic and here is no exception. I don’t really think I can add anything to this point that hasn’t already been said by anyone who has seen the film.

Honestly if you haven’t seen it yet you should definitely give it a shot.

I’m just really disappointed this movie is probably the last we’ll see of Rise of the Tmnt because from my experience watching the series for the first time this show just continually got better. It introduced and hinted at so many elements from past iterations of the turtles near the end that I really wanted to see their take on.

Overall I think Rise is a really fun series that has amazing highs and a finale and movie that are legitimately great but it is a bit inconsistent in terms of pacing and tone with a rocky start and contains some changes to the characters that didn’t work completely for me personally. 

At its best this show easily stands toe to toe with the heights of the previous series. And in many ways those heights are completely unique from all the other iterations because of how much it twists the previously established lore and characters to make them its own.

After watching this series I can completely understand why so many people love this iteration of the turtles and I do consider the show great. I will definitely re-visit many of these episodes and the movie time and time again.

Extra Thoughts

What is it with tmnt series and dark futures? There’s Same as it Never Was, Mutant Apocalypse, The Rise Movie, The Last Ronin, etc. The brothers can never catch a break and get a nice happy ending can they?

I really love this version of Donnie and I think he's the character that worked best for me in this series. Donatello has always been my favorite turtle and in early iterations of the turtles I was a bit disappointed with how underutilized he was in the series. The episodes focused on him were great, but until 2012 Donatello was easily the most underappreciated turtle with the least amount of focus and screen time of the four. 2012 and Rise finally gave him the attention and focus I always wanted.

I kind of feel bad for saying this but I prefer Rafael and Leonardo’s conflict in the 2003 show, 2012 show, and 2007 TMNT movie to their conflict in this series. I also prefer the Character interpretations of Rafael where he’s the hothead. Where he chafes under Leo’s leadership and is forced to grow and mature so that he can handle his anger in better, more productive ways. I’m not saying this version of Rafael is bad or that Leo and Raph’s conflict isn’t complex, just that I personally prefer different versions of these things. And I completely understand that that’s personal preference. I think that this iteration will definitely work really well for other people and I think that’s great.

I really enjoy this version of Mikey and I'm disappointed he is given significantly less focus than any of the other turtles in this series. All the rest of the turtles get episodes dedicated solely to them and their struggles even April gets more individual focus than Mikey in season 2. I think Mikey is a great character to bounce off of but I was disappointed he never really got much time in the spotlight.

While the lore grew to become one of my favorite things about the series, not all of it worked for me. It was actually mostly the mystic pizza joint and some of the yokai that didn’t work for me because Big Mama, The hidden city, Draxum, the battle nexus, and the shredder/foot all grew on me whereas that part didn’t. I think this had more to do with the fact that the episodes centered on this part of the world were my least favorite in the series than anything else.

This series made the interesting decision to move away from the more grounded tone of past turtles incarnations. The turtles, at least in the shows, had progressively gotten more and more grounded in “reality” with even Donnie’s inventions, while still being incredible, reflecting the limited resources they would realistically have when living in the sewers. This series abandons any tether it might have had to reality and has the turtles out in broad daylight with only hoodies/tops to hide in, Donnie's inventions are even grander than before, and there's a whole hidden city where the turtles can be normal. They also immediately get mystic power and rarely interact with street level crime like their past incarnations. In some ways this worked and made the series immediately recognizable and stand out from its predecessors but in others it made them feel very disconnected from their roots and what made them so relatable in the first place which unfortunately alienated some people.

This ended up working really well for me after things started to come together and I think it’s a bit unfortunate that this will be a roadblock for people getting into the series.

The backlash the character designs got is something that I never really understood. Each turtle looks completely unique and for most of them you can grasp aspects of their personality and what they like by looking at them. This is a mark of good character design.

Barbie Thoughts

I think my favorite thing about Barbie is that on top of everything else it tackles it’s also a touching exploration of the beauty of life and the creation of art.

The line: “Ideas live forever.” which has been featured in most of the trailers has a completely different meaning through this exploration. It shows that it’s people who create meaning. Be it through movies, comics, toys, etc. It’s their life, experiences, and creativity that make something of the ideas and art that are made in the world.

Barbie herself wouldn’t have meaning if not for the personal inspiration that drove Ruth to create her or the way she impacts the people who play with her (at least until the end). It’s this desire to be seen and understood (and inspire) and help others to feel less alone that drives creation and creates meaning.

That meaning put into creation is found in all aspects of life. And Barbie emphasizes that life isn’t perfect. Life is hard and painful and rife with change and conflict but it’s also beautiful in its own way. Barbie is inherently optimistic about life and shows the beauty of aging. Of mistakes. Of learning and growing. And that’s what makes its final message about creation and connection hit harder. Life is imperfect and doesn’t last but you can find and create meaning in it.

And it’s this aspect of the movie that hit me the hardest and makes it really great to me.

The worst is when I hear someone say something wrong about my hyperfixation or both people say they don’t know the answer to a question I know way too much about and I have to sit there and force myself not to say anything.

I constantly have to force myself not to butt into conversations and tell complete strangers everything I know about a topic.

Not in a “well actually…” way but in a “I know about this topic and love it and I want to share it with you” way.

Someone across the room: *mentions a hyperfixation of mine*

Me, sweating: oh no I’m about to become so annoying

In defense of Gwen in Across the Spider-Verse

Okay. First of all: This post is gonna be super long and have tons of spoilers so if you don’t want to get spoiled for Across the Spider-Verse then don’t read this post. I have seen way too many people hate on Gwen because of her actions and her behavior towards Miles in Across the Spider-Verse. I’ll show you why that hate completely misses her arc in the movie and her true intentions/relationship with Miles. This post will also delve into Gwiles/Ghostflower since that is a big part of what shapes her intentions.  Many people say Gwen betrayed Miles and doesn’t really care about him. They say Miles shouldn’t forgive her and that she is a snake for what she did. I’ll show you why the opposite is true by going through the events of the movie in cronological order: The movie literally starts off with Gwen talking about Miles. She is drumming away, which is, mentioned by herself, a way for her to cope with her feelings. That opening from Gwen is a small glimpse into her head. We see how she feels and what she thinks. The interesting thing is that it’s basically Gwen broadly narrating the events of the entire movie. We even see glimpses of future scenes in that intro. The line of narration that is most important here is Gwen saying “I didn’t want to hurt him. But I did. And he is not the only one.” This shows us IMMEDIATELY that Gwen did not intend to hurt Miles AT ALL. Quite the contrary. It also shows that she is AWARE she hurt Miles. She knows she fucked up. That is going to be important later on when she needs to make the tough decision regarding Miles/The Spider Society. 

Keep reading

The Flash (2023) Non-Spoiler Thoughts

I managed to see an early screening of The Flash last Thursday and I have a lot of thoughts on the movie. I’m going to keep this completely spoiler free because the movie hasn’t released yet.

My feelings towards this movie are complicated. The parts of this movie that work really hit and I absolutely loved, but there are also quite a few parts of this film that really fell flat. It had a fun, if a bit clunky, opening and a very engaging middle portion that showcased everything that I wanted from a flash live-action movie. But the end is where the film falters for me. The emotional beats surrounding main Barry and his mother work really well and make for some very emotional moments- some of the best the DCEU has to offer- but the rest didn’t work to nearly the same degree.

This movie is steeped in nostalgia. That’s not really a secret since it’s been a heavily emphasized part of the marketing material and I’d say most of the callouts are really fun with Michael Keaton in particular being amazing, but it can get a bit over-indulgent at points and pull focus from the core of the story. 

This is most noticeable during a sequence near the end of the film that is meant to be an emotional turning point of the story, but the cameos pull the attention away from the important character beats to flaunt the multiversal scope of the movie. This hurts the resolution of younger Barry’s arc which was one of the main through lines of the story up until this point and contributes to the third act’s issues.

Sasha Calle is also very good as Supergirl, but she’s underutilized. The moments we get with her are great but some of her emotional moments aren’t given the time and build-up they deserved. This is most noticeable when it comes to her bond with Barry. While their relationship contains some great moments, it feels a bit undercooked as a result of her limited screen time. She does a good job with the material she was given and it makes me hope that we will see her in the DCEU moving forward even though I know that’s a long shot.

Ezra Miller’s turn as the flash was fantastic. I wasn’t sold on their take on Barry Allen prior to seeing this movie and was a bit skeptical they could carry a flash solo film, but this completely wiped those beliefs away. Ezra Miller did a great job playing the two Barry Allens and sold the emotional beats at the core of the film in a way that I wasn’t expecting going in. They managed to balance the pain and trauma that Barry carries with the more awkward and goofy side of the character very well. 

You can’t bring up Ezra Miller without addressing the controversy and accusations that they are facing. I’ll admit that part of the reason I wanted to see an advance screening of the film was because I wasn’t entirely comfortable financially supporting a movie with them as the lead. If that makes you uncomfortable as well then I’d say you can skip this. 

The last thing that I feel like I have to mention is the fact that the cgi is really questionable in places. This movie looks unfinished in some areas to the point that it pulled me out of many important scenes. I know I’m not the only one who has had this issue. Almost every other review I’ve seen on youtube points out the questionable cgi. 

It’s unfortunate that this is becoming a bigger and bigger issue with superhero films as time continues to pass and that studios are overworking and underpaying vfx artists. I hope that this can get sorted out because we’ve seen what vfx artists and animators can do when given the time and resources to do their job effectively. 

Overall I’d say the movie is good but it’s not as amazing as the early reviews have led people to believe. It has a lot of issues in the script department and doesn’t entirely stick the landing, but has a strong emotional core with Barry and his mother and great performances.

The Flash is my favorite DC hero and I’m glad that he finally got the feature film treatment he deserves. If anyone else enjoyed this movie more than I did then that’s great. If you didn’t then that’s fine too. Everyone takes something different from the media they consume and that’s part of what’s so great about it.

Across the Spider Verse Thoughts

Across the spider verse was my most anticipated movie of 2023. I came in with sky high expectations and yet somehow the movie managed to surpass them.

By the end of the opening sequence across the spider verse had me sold that this was going to be one of my favorite spider-man movies and when the movie finished that belief held true. Spider-Man across the spider verse is easily one of my favorite superhero movie sequels of all time (I actually think it might be my favorite). The movie just came out and I’ve already seen it, what my brother has dubbed, “too many times” (Though I vehemently disagree with him on that point).

It’s a movie sold on its scope and love for all of spider-man and his lore and yet it never loses its heart in the spectacle. It manages to be a fantastic middle chapter to what is quickly becoming one of my favorite film series of all time.

There’s a lot I want to talk about so I’m just going to get right into it.

Miles is a great protagonist

Miles Morales is a character that I felt Into the Spider Verse really elevated. I had read all of the ultimate comics spider-man run that was his debut series and, while I liked Miles, he was never in the top tier of my favorite superheroes, but that quickly changed with Into the Spider Verse. They managed to explore his struggle and hesitance to accept the Spider-man mantle in a way that was far more compelling than his comic book counter part.

Across the Spider Verse takes the already really strong basis that Into the Spider Verse created for Miles and builds on it through a brilliant meta narrative on what it means to be spider-man and asking the question of whether or not Miles really is spider-man.

Trauma is so ingrained into the creation and growth of spider-man as a character. Ask anyone to list what the most iconic moments in spider-man comics are and you are bound to get answers that include uncle ben’s death, the death of gwen stacy, the death of Jean DeWolfe, Captain Stacy’s death, etc.

There are a lot of moments of loss within the spider-man mythos that define the character and these moments are carried over into a lot of spider-man media outside of the comics. Miles’ rejection of this narrative and the necessity of loss to make a hero in this movie is what truly makes him become spider-man.

The first movie had him accepting the mantle but this is where he truly grows into the role.

Outside of the mask Miles is a unique and three dimensional character as well.

Miles has a youthful charm and good heart that feels authentic to a high schooler that has yet to experience a lot of what life has to offer without falling into feeling like a middle schooler or a caricature of a teenager like MCU Peter Parker tends to do at certain points in his trilogy.

I think this is displayed really well in his relationship with Gwen. There’s an innocence and inexperience there that shows that this is his (an her) first attempt at a real relationship but it never feels surface level because the movie does a great job at selling their bond and how they are similar in key ways that makes it so the understanding they find in one another feels natural.

This elevates the betrayal he feels when it’s revealed that Gwen and Peter B Parker knew everything Miguel reveals to him the whole time and it makes his goodbye to Gwen all the more impactful.

Another relationship I want to shed light on is the one Miles has with his parents.

Miles’ bond with both his parents in this movie is phenomenal but the relationship that is really allowed to shine is the one between Miles and his mother, Rio.

I loved the expansion of Rio Morales’ role. In the first movie she was a memorable but underused character (understandably) and her relationship to Miles took a backseat to his relationship to his father. But here we get to see their unique bond and her attempts to understand him and learn to give him the space he needs to grow into his own person. It felt earned that she was the one he was going to reveal his identity to first before it was revealed that the Rio he told wasn’t from his universe.

As it stands Miles’ arc isn’t complete, but what is shown and the place he is left in make for a strong set up for the finale of this three part story. I have complete faith that this trilogy will stick the landing and provide satisfying conclusions to the arcs and relationships that have been set up. Miles has really become one of the best iterations of the spider-man character and one of my favorites to hold the mantle. I can’t wait to see what they do with him in the next movie.

Gwen’s increased role

One of my favorite changes from the first movie is the amount of emphasis put on Gwen and her arc.

I knew after Into the Spider Verse that if they were going to make a sequel Gwen would likely have a much bigger role considering the seeds they planted to have her connection to Miles grow and the fact that where she was on her journey as a spider-person had her in the perfect place to be a foil to him moving forward. It felt like a natural progression, but even knowing that and having read the Spider-Gwen comics, the way the movie utilized her was better than I ever could have hoped.

Across the Spider Verse took the potential for Gwen as a character and foil for Miles and ran with it by creating a duality in how their arcs compare to one another.

The opening sequence very purposefully made her a dark parallel to Miles, a cautionary tale of what could go wrong if he unmasks himself to his parents and an extreme case of the isolation he could experience throughout his journey. But also just like Miles she’s very early on in her journey as Spider-woman. She’s not even out of high school so many of her canon events haven’t happened yet and, like she learns later on in the film, her story isn’t set in stone.

She’s on that same journey of self discovery and forging your own path that Miles is and having this contrast between them elevates both their arcs.

She’s not just an amazing foil for Miles. She’s also an excellent vehicle for the movie’s themes.

Across the spider verse is centered around themes of isolation, fate, the weight of life, and making your own path and, while Miles is undoubtedly the protagonist of the feature, Gwen is the one the movie tells a complete arc with surrounding these themes.

Her loneliness was hinted at in the first movie but it’s put on full display here with the opening 20 minutes hammering home just how isolated she is in her world and how much the loss of Peter Parker and her role in his death has effected her.

Gwen lacks any sort of support system at the start of the movie. Even before the showdown with Vulture there’s a disconnect between her and her police captain father that stems from the fact that he’s leading the hunt for Spider-woman, her alter ego, because he believes she killed Peter. She struggles to open up to anyone else and make friends in her world because of her life as spider-woman and how intrinsically tied it is to her issues. And she’s lost the only people she feels could understand her with no way that she knows of to see them (particularly Miles) again.

The opening culminates with Gwen losing the last person she has left in her own world when her father tries to arrest her after she unmasks herself to him and she flees her world to join Miguel’s spider society.

This all sets up a very powerful arc dealing with her loneliness and struggles with doing the right thing in the face of her fear of rejection and loss where she finally really opens up to other people and “starts her own band” to stand against Miguel O’Hara through her connection with Miles and desire to help him as well as her reconciliation with her father.

This movie asks questions about whether or not trauma and loss are necessary to make you spider-man so it’s significant that it is instead through healing from parts of her trauma, reconnecting with her father, and making genuine connections that Gwen is able to grow as a hero. It says a lot about what this movie believes makes someone “spider-man”.

Another moment in Gwen’s arc that exemplifies what the movie believes makes a hero is actually Gwen’s reconciliation with her father where he reveals he quit the force. That moment proves that Miguel’s belief is wrong and that breaking the canon isn’t the end of the multiverse as they know it. This coupled with the fact that it’s Gwen’s speech about her desire to do what’s right and protect those she loves that gets her father to quit tells you everything this movie is trying to say about heroism. It’s not the loss and trauma that makes you spider-man but the character of the person behind the mask.

The opening also does a great job of establishing just how much Miles impacted Gwen in the first movie. He broke through this wall of isolation she put around herself and for the first time in a long while she found a genuine connection with someone who could understand and know all of her. It sells you immediately on how much this bond means to her and makes her conflict moving forward really compelling.

This relationship is a linchpin in the narrative of this film so if it didn’t work then the impact the movie’s story and themes would have been severely hampered.

If I’m being honest Gwen’s arc is where the movie hit me the hardest. I think everyone has dealt with loneliness and that feeling of isolation that can come from being different and/or grief. There’s always that underlying desire for understanding and community that many people fear they’ll never have and seeing that portrayed in Gwen hit for me.

It’s the kind of desire I know I feared I would never get, but when I left home and went out on my own I was finally able to find people who understood me and accepted my idiosyncrasies in a way no one ever had before. And I always get emotional when I see that same isolation I felt portrayed in such a raw way and when those characters I see it in finally find the connection they need.

It’s also this isolation that goes a long way to explain why so many spider-people would join Miguel’s task force and go along with his plans. There’s a sense of community where all these people who have lost so much can find other people who understand them. That understand their unique form of grief, loss, and isolation that they struggle to find anywhere else because of the path they chose to take with their life. And won’t reject the half of them they are usually forced to hide from those they care about. Without showing this through Gwen’s perspective the last act of the film could have felt forced.

Gwen is a strong character that really grew into her role as the deuteragonist of the film and the role of spider-woman and serves to strengthen the themes of the film. She’s a great character that has so much potential moving forward and I look forward to her role and eventual reunion with Miles in Beyond the Spider Verse.

The animation

It’s no secret that spider verse changed the animation industry after it came out. Before spider verse many animated movies had started to feel like they fell into a very similar style that focused on realism above all else and in many ways I felt didn’t fully capitalize on what animation could do as a medium (there were exceptions but a lot of studios were starting to lean on the Disney/Pixar animation style). But now there are shows and movies that are taking a page out of spider verse’s book and experimenting. Studios are less afraid to let their animators get creative and it’s been incredible to see.

Across the Spider Verse continues to push the envelope and goes beyond what they did with the first one to create one of the most visually stunning movies I’ve ever seen.

The way they experimented with the animation in different dimensions to bring comic book art styles to life (Gwen’s universe) and further accentuate the character and culture they are centered around (Hobie and Pavitr’s universes) really served to elevate the story, heighten the emotions of every scene, and make this truly feel like a multiversal epic.

One of my favorite visual flares in the movie is how color is used in Gwen’s universe. In the opening it really plays up the stark divide she feels between her and everyone else. She feels like she’s completely separate from the world around her through the very deliberate contrast in coloring and the way the background bleeds and morphs around her. She’s frequently portrayed in shades of blue while the world around her is full of vibrant pinks, oranges, and white.

I also love how the paint like aesthetic of her world’s backgrounds are used to heighten the emotions of scenes like the talks she has with her father. The background bleeds and the colors morph to reflect the emotions of the characters talking. When Gwen is desperately trying to reach out to her father in the beginning after she unmasks herself and at the end when she admits how powerless she feels to protect those she cares about the background starts to run and the colors bleed together and it captures how her world is falling apart and her path forward is no longer clear.

I also want to point out how the lighting is one of the major hints that Miles isn’t on earth-1610. The lighting of every scene from the moment Miles is sent to earth-42 is some shade of purple or green which immediately gives the world a different feel than Miles’. It’s not so noticeable at first that it gives away the twist but it’s enough that it gives you an uneasy feeling the first time through and it’s details like these that elevate the reveal on rewatch.

This level of care and attention to detail permeates every frame of the film. There isn’t a single second of this movie that is wasted and it really uses the medium of animation to its fullest potential.

I can’t wait to see what they have in store for us in Beyond the Spider Verse. If it’s anything like this then it will be amazing.

conclusion

Spider-man is far and away my favorite hero. I’ve read many of his comic book runs, I own all his movies and video games, I’ve seen all his shows, etc. I’m the massive fan that probably understood way too many obscure references that this movie made and I loved every second of the movie I got to see.

I had so much fun with this movie and I hope everyone who watched the movie managed to get some enjoyment out of it. I can’t wait for Beyond the Spider Verse to come out and to finally get to see the conclusion to this animated trilogy.  

side note

Spider-man is a character that is able to speak to a wide range of people because of the struggles he faces. Having a movie that understands the diversity of the people who relate to the character and reflect that on screen through the many (canonical) spider-people portrayed is amazing.

I love that so many people will get to see someone like them being the hero they admire. Stan Lee himself said that anyone can wear the spider-man mask. He wanted people to be able to see themselves in the heroes he created which was the basis of spider-man (and the x-men but that’s another story). And that’s something that I will always love about the character.

The Ghost and Molly McGee Season 2 Thought So Far

I can’t believe I haven’t talked about The Ghost and Molly McGee yet. I have multiple drafts in my docs and on tumblr but I could never really get my thoughts across as well as I would like but I’ve decided to just put my thoughts out here because I really do enjoy this show.

The ghost and molly mcgee is one of those shows that shocked me with just how much I enjoyed it. I think that’s purely because it doesn’t fall into the tone of show I usually lean towards. I usually gravitate towards shows like Arcane, Invincible, Amphibia, and The Owl House to use recent examples. Shows that are very bittersweet (or in Arcane’s case straight-up tragic) and know how to gut punch you with emotional moments. I feel seen in certain aspects of these shows and the hard truths they portray that many people have experienced but that isn’t what I need all the time and the Ghost and Molly McGee perfectly fits what I need outside of those types of shows.

It’s a show that champions joy and connections and it sees the best in people. In a time that seems to be filled with hate and is hard to experience day to day, this is the type of show I need to unwind and feel a bit more hopeful.

The Ghost and Molly McGee had a phenomenal first season. It was an amazing introduction to the characters, world, and themes of the show that ended on a bang with Molly vs the ghost world. I had a lot of excitement heading into the next season, but was unsure of where the show would go from that explosive finale and I can safely say that the second season is off to a great start. 

I love the introduction of the Chens and how their profession of being ghost hunters comes into conflict with their friendship with the McGees. It's an interesting dynamic that adds a level of tension to Molly and Scratch’s adventures that wasn’t present in season 1. There wasn’t much of a threat of anyone discovering Molly’s friendship with Scratch or exposing their escapades, especially after Libby was brought into the fold, so I really like the decision to add threats on the human side of things.

The Chens themselves have a lot of potential as characters and are already interesting foils to the McGees. Most of them don’t have much development yet and they are very similar to the McGees in terms of personality, but the show has already set up very interesting plotlines for them. 

Ollie in particular has a lot of potential due to his discovery at the end of “I Really Wanna Dance with Some Ollie”. He made the conscious decision to not tell his mother that he discovered that Molly is friends with Scratch which sets up an interesting conflict in his character and it adds depth to his actions and bond with Molly. 

Right now he is a copy of Molly in many ways (as are all of the Chens with the McGees) but it’s only a few episodes into season 2 so there are a lot of opportunities for growth.

I also really like June and love that she’s canonically autistic. The Ghost and Molly McGee is great when it comes to representation. It is very racially diverse and I appreciate that it has background/normalized lbgtq+ characters and is now including main characters that are intentionally and explicitly neurodivergent. Representation matters. I’ve written about why I believe representation is important before so I’ll spare the essay but I believe that people being able to see aspects of themselves not depicted as frequently in media in characters on this show, especially this show’s age demographic, is a good thing.

Another development I really liked is what the show has decided to do with the ghost world, specifically the chairman. The idea that Scratch is forced into a role of authority after the events of the finale is really interesting. There are so many directions they can take this idea and it’s a really good way to force Scratch out of his comfort zone and get him to grow. This also expands on the lore in regards to the ghost world which we still know little about. I look forward to the ways in which this can explore Scratch’s character and give us more insight into the show’s lore.

Scratch gets some very poignant character moments even outside of the chairman development  in these episodes with the best example being “A Soda to Remember”.

“A Soda to Remember” is my favorite episode of the batch that dropped because of how it juxtaposes Scratch’s character and the glimpse of his past with the wacky antics of the episode. There’s a palpable melancholy to the flashback at the end of the episode that works so well considering the overall tone of the show. It builds a lot of emotion and intrigue around it that makes the episode and Scratch’s arc in it hit a lot harder.

Episodes in The Ghost and Molly McGee almost always end on an optimistic note so that final scene strikes a unique emotional cord within the show. This technique was used sparingly in the first season with it only occurring in the episode “Out of House and Home” when the McGees lose their house and when Scratch is taken back to the ghost world in “The Jig is Up”. The show knows when to slow down and allow these emotional moments to sit which is part of why I enjoy it so much.

This actually might be the plotline I am most interested in seeing explored in the future.

Overall I think the second season of The Ghost and Molly McGee is off to a great start!

Amphibia Season 3 Thoughts/Review

Season 3 of Amphibia is easily the most divisive season among the fanbase. There are a lot of different reasons for this but I think it primarily comes down to tone and pacing.

The reason why the issues with tone and pacing are so prominent is because of how it followed up True Colors. True Colors came in and seemed to promise that things would never be the same. It created a scenario for Anne and the Plantars that was very desperate. Sasha was left in Amphibia, Marcy had been stabbed (and for all they knew was dead), Amphibia was in imminent danger, and earth was going to be invaded next.

All of this should have created a massive sense of urgency and worry, but this doesn’t carry over very well into many of the episodes. The tonal whiplash that occurs when you watch True Colors and The New Normal back to back is massive. It goes from that gut punch of an ending to Anne being excited that she has wifi for the first time in months so quickly that it’s almost as if the characters forgot what happened.

When the show does address the sense of urgency the characters should have it is always on Anne’s end. Anne is the one staying up researching how to get back, Anne is the one trying to drop everything for new leads, Anne is the one losing sleep over the situation. The most the Plantars show on their end is homesickness. 

They are frequently the ones telling Anne to be careful or calm down which seems odd because they should have very pressing and important reasons for wanting to get back beyond missing their home.

In season 2 the heroes’ lack of urgency made sense. They didn’t know about Andrias’ plans, the core, or Sasha’s toad rebellion. The episodes where they explored Newtopia or visited towns on their travels fit much better because of their gap in knowledge and like I said previously those episodes usually found a way to keep the story moving forward or have important character moments so that they rarely distracted from the plot.

In season 3 there’s too much hanging over the characters’ heads that they know about for it to feel organic watching the episodes back to back. 

This isn’t to say that what happens on the earth half of the season is bad. The content is actually very enjoyable. Watching the role reversal between Anne and the Plantars is fun and we get to see even more of Anne’s culture and home life which is always a welcome addition.

The exploration of Anne’s family and culture is one of the best things about the first half of the season. The Thai Temple episode (Temple Frogs) in particular is one of my favorites. 

It has Anne displaying the urgency that some episodes were missing while also addressing how Anne’s parents struggled during her time away and how their community kept them afloat. This strikes a balance that makes almost everything that happens feel important on an emotional level without losing sight of what this half of the season is building towards.

This is also the case with the Christmas episode.

This half of the season doesn’t all take place on earth either. The perspective shifts back to Amphibia for a few episodes as well and they are two of the best episodes to come out of this half of the season. 

Turning Point and Olivia & Yunan serve as much needed glimpses into what is happening in Amphibia and handle the fallout of True Colors more directly.

In Turning Point Sasha takes responsibility for her actions throughout the series and decides to work towards being a better person with every action moving forward. She uses her strengths for good to fight against Andrias and protect the people and starts her redemption.

In Olivia & Yunan we see the crushing guilt Marcy is dealing with in the wake of True Colors and how she’s not doing so hot after being STABBED THROUGH THE CHEST. She is then possessed by the core in an honestly horrifying scene and loses all autonomy. 

In both of these episodes the course of the show is irrevocably changed and so are Sasha and Marcy. These episodes set up their arcs and roles heading into the endgame of Amphibia. 

This makes these episodes stand in stark contrast to many of the episodes surrounding them. They are darker in tone and have a sharp focus on what they are trying to do. These episodes are more in line with what I believe people thought this season would be heading into it. This helps make these what I believe to be the best episodes of this half of the season.

These episodes also break up the earth portions of the season and help the pacing immensely on re-watch. 

The first half of the season ends on the Christmas episode Froggy Little Christmas which, while a fun episodes that refocuses on the conflict with Andrias, shouldn’t have been the midseason finale. Escape to Amphibia should have been. It is the actual end of the earth portion of the series and feels like the beginning of the end in a way that the Christmas episode couldn’t capture (understandably).

So much about the episode is a bookend to this chapter of Amphibia and it has a lot of parallels that harken back to formative aspects of Anne’s character and the show as a whole. My favorite ones are this one 

and this one 

The first parallel is very reminiscent of Sasha during the third temple and I think that is intentional. Sasha’s redesign has her incorporate blue into her armor along with the red which symbolizes how Anne has changed Sasha and how she is incorporating the lessons she has learned throughout Amphibia and Anne into herself. This shows that the effect on each other is mutual. Sasha was not a good friend to Anne before this point but her good traits (when not taken to the extreme) have rubbed off on Anne and in some ways inspired her like she said in “The Third Temple”.

And the second parallel is very effective because it is put into stark contrast with the first time Anne and the Plantars come over the hill and see the rest of the valley for the first time. It takes the wonder and awe that was present the first time and twists it into shock and horror. It really hits home just how long Anne has been away and just how much True Colors effected Amphibia.

I want to take a second to mention how great Anne’s parents are. They really were the MVPs of the earth portion of the season and this episode.

It’s refreshing to see Anne and the Plantars back in Amphibia and this marks the start of the second half of the season which is the hardest to talk about in regards to the series as a whole in my opinion.

The second half of the season is complicated because it’s probably the most inconsistent part of the series. It contains some of the best content of the entire show and of any animated series airing at the time but it also has lows that mess up the pacing and ultimately end up feeling directionless at times.

The second half of the season starts out strong with Escape to Amphibia and Commander Anne but doesn’t maintain that momentum. The episodes primarily focus on the rebellion gaining forces to take on King Andrias but this doesn’t culminate in a satisfying way. 

The only episode we get to see the army fight is The Beginning of the End, but then they quickly become irrelevant after Sasha and Anne’s plan fails and the invasion of earth begins. This makes the majority of episodes in season 3B ultimately feel like they weren’t building towards anything. 

At least in 3A a lot of the people Anne and the Plantars impacted on their earth adventures come together to help them take on the government and get back to Amphibia. It makes it feel like there is some semblance of an end goal.

But with 3B the important players aren’t any of the amphibians they get to join their cause and it is entirely focused on the calamity trio, Andrias, the Plantars, and Grime. The army doesn’t play a part in stopping Andrias’ invasion when they get to earth or taking down the core.

It’s odd because these episodes bring back so many characters and plot points from the first season and makes it seem like it’s all coming full circle. That everything that happened in the beginning is going to come around in a big way and be the reason they will win in the end.

It built a certain expectation that it didn’t fulfill which hurts the episodes a lot on re-watch. 

These episodes do manage to flow better than the episodes in the first half of the season (at least to me) though because the setting and characters are ones I’m familiar with and invested in which always makes them at the very least enjoyable to watch. 

Episodes like Grime’s Pupil and Sasha’s Angels have all the issues I mentioned above but because they feature new relationships between characters I know and love and are centered around the conflict I am more emotionally invested in they always manage to hold my attention more than certain episodes in the first half and remain fun. 

There are episodes that didn’t do this nearly as well like Mother of Olms, which promised so much more than it actually ended up delivering on that it left a bit of a sour taste in my mouth when I first watched it. It’s better on re-watch, but it’s episodes like this coupled with the overarching narrative problems that leads to an uneven stretch of episodes.

There are some very good episodes sprinkled into this run with the clear standout being The Core and The King. 

The Core and The King is a fascinating look into Andrias’ past and why he is the way he is. It adds so much nuance to his character and actions in True Colors. It is held back a bit by the fact it isn’t a half hour special episode and thus can’t spend the time necessary to attach the audience to the characters of Leif and Barrel, but it still believably portrays the actions and relationships that it focuses on. The best relationship exploration of the episode is easily that of Andrias and his father, which recontextualizes his allegiance to the core and dedication to his mission.

This episode adds a level of tragedy to Andrias and his relationship to Marcy that retroactively elevates their relationship in season 2 and the betrayal in True Colors. There’s a level of regret and genuine care that feels like it’s simmering just below the surface that plants the seeds for the flashbacks in All In and makes their entire journey together really bittersweet.

This leads us to the finale three episodes (essentially one big finale), but before I talk about those I want to address how this season handles the calamity trio.

I’d say this is a mixed bag and it’s understandable why people have such conflicting opinions on this particular part of the season. This is where the trio are at their most important. The emotional climaxes of almost all 3 parts of the finale depend on them.

They are the ones the final battles come down to. There is so much riding on their growth and the audience’s emotional connection to them that they needed focus this season.

Sasha and Marcy have had limited screen time coming into this season but it was handled well in regards to the story and themes the show was trying to cover. In the third season they both still have limited screen time but the way that screen time is handled is vastly different between the two.

Sasha is the one that comes out far better in regards to this. She completes her arc and gets her redemption. Her perspective and change is put on full display.

There’s even a subplot that has Anne and Sasha go through an awkward transitionary period in their friendship that has Anne’s doubts and frustrations with the past surface. These moments are used to show Sasha’s change and work in regards to their overarching relationship. It feels earned that their friendship comes back together stronger because of who they are now as people and all the trials they’ve gone through. 

Sasha’s arc is one of the best handled in the series. A few things could have been tightened up, such as her gaining the trust of the Wartwood citizens, but overall it had a strong core that it never lost sight of.

It also culminates in a powerful way within All In.

But that isn’t the case with Marcy. Marcy is benched for a lot of this final season due to her possession. The idea behind Darcy is very intriguing and they could have been one of the best Disney villains to come out of a cartoon in recent years, but they were underutilized so the emotional impact of them was limited to mainly The Beginning of the End (which was fantastic).

This choice made it so Marcy was put into stasis and couldn’t realize her own development that started in True Colors. It makes for an emotional reunion in The Beginning of the End and All In but it makes it so Marcy’s arc feels shortchanged in comparison to her friends.

There’s also the fact that due to the crews strained relationship with Disney and S&P after the True Colors fiasco they weren’t allowed to address Marcy getting stabbed. This was a major moment that should have had massive repercussions moving forward but due to this handicap it fizzled out into an afterthought that hurt Marcy’s character arc and diminished how well her importance to Sasha and Anne could be displayed.

Even with the show struggling to juggle the calamity trio and their baggage (particularly Marcy) with the lighter tone they were encouraged to have and some of the directions they chose to go in the final three episodes hit almost all of the beats they needed to for the conclusion to their arcs and the journey of the show to be satisfying.

The final three episodes of the show are great and have some of the most emotional moments of the series. They were allowed to be darker and address the more difficult topics and themes the show had set up. It’s a shame that many of these very fascinating issues and conflicts were pushed back to the final few episodes, but the way they are dealt with here are for the most part fantastic.

I’ve talked in depth about each part of the finale on here already but to sum it up they manage to make the themes and character arcs set up in the story and pay them all off. There are a few issues I have with each of them here and there but for the most part they are a fitting send off and provide one of the best conclusions to a series I’ve seen in quite some time. 

The Beginning of the End expands on the pre-amphibia trio dynamic in regards to Marcy in a poignant portrayal of her isolation that elevates the tragic reunion between the friends at the end and is easily the episode that best utilizes Darcy.

All In puts the changes each of the trio have gone through during their journey in Amphibia on full display, allowing them to have a quiet reconciliation that touches on the care and impact each have had on one another.

The Hardest Thing manages to be a heartfelt goodbye to the series and world of Amphibia as a whole and keeps a sharp focus on the main themes of the story. This is the episode I have the most issues with of the three but it still manages to close out the series on a bittersweet note that makes sure the impact of these adventures can be felt on the characters even ten years later.

These episodes aren’t perfect (I go into greater depth on the episodes in the linked posts) but they are still some of my favorite of the series and remind me why I love this show so much in the first place. 

I feel like this came off rather harsh. I wanted to take a more objective look at the series season by season and address some of the legitimate issues while explaining its strengths and expressing what I personally loved about it. I don’t know if I got the balance right but I want to express that I really do love this show.

Amphibia is such a great and fun series. It wasn’t perfect but nothing is. It’s been almost a year since the show ended but I still miss it. I really came to love the characters and world this series created. I hope others got the enjoyment that I did out of it.

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Extra Thoughts

I really love where the trio end the series. In a way it hits harder considering where I am in my life. It’s pretty obvious that none of the trio really loved themselves prior to their journey in Amphibia but you see how each have grown into their own and are happy with where they are. They’ve found callings that help them express themselves and what they learned and it hits you that they’re okay. That things changed and they lost things and people but they kept those memories and eventually reconnected. I really like that. 

The jobs each of the girls end up with after the time skip are so perfect for each of them. 

I realized I never said this in any of my previous re-watch thoughts/reviews but Anne is a great protagonist that goes through so much development and growth. Her arc of learning self love and worth is amazing. I just felt that needed to be said.

I’m mixed on the decision to keep the reveal of the new Sasha a secret until Commander Anne. One the one hand it does succeed in what it was attempting to do. It does shock the audience with how much Sasha has changed just like it does Anne. But on the other hand I wish we had gotten to see that change in greater depth. It felt like a bit of a missed opportunity. It wouldn’t have needed a ton of screen time, in fact I think having at least a single episode showing Sasha growing into the role of commander of Wartwood while working on being a better person could have helped the awkward pacing of the first part of the season and establish the dynamics of the resistance.

One issue I didn’t touch upon above is how the show struggles to keep the Plantars relevant in the second half of the season. Many episodes just have the Plantars be present but don’t give them much to do, if they give them anything at all. In fact, Polly gets no focus or development in the second half of the season. 

There is one part in Escape to Amphibia that doesn’t really sit right with me and that’s the scene where Sprig tells Anne it couldn’t hurt for them to wait a bit longer before returning to Amphibia if she isn’t ready. I understand what the writer was going for with Anne not being ready to say goodbye to her parents again and face a war that may have already claimed her friends, but it once again undercuts the desperation of the situation. Almost as if the characters and show believe the conflict in Amphibia is put into stasis because Anne and the Plantars aren’t there which hurts the storytelling and tension of the season. Once again not taking the consequences of True Colors as seriously as they should.

Marcy and Sasha’s parents should have been seen at least once in the series. I could go into a hundred reasons why this would have been the better move but plenty of people have talked about it before and in greater depth than I could. It was definitely wasted potential and felt weird to tease them twice (Froggy Little Christmas and All In) only to never see them in the show.

This season is what I believe to be the musical peak of the series with fantastic and emotionally charged tracks that I listen to. I love the entirety of the score for All In but my personal favorite one of this season has to be the sad rendition of Marcy’s theme that plays over the credits of The Beginning of the End. That track is a gut punch. (TJ Hill has released most of the tracks on his youtube channel)

I do really enjoy the development that Polly gets in the first half of the season. She was the only Plantar that felt like they had tangible development which is once again disappointing because I do genuinely like the Plantars.

Amphibia Season 2 Thoughts/Review

The second season of Amphibia had a hefty task to undergo. It had to massively expand the world, introduce Marcy, sneakily weave in hints to her truth that would be revealed in True Colors, set up the toad rebellion with Sasha away from Anne, hint at the full story of Andrias and the core, introduce much deeper lore, and completely shatter the status quo by the end. And yet it managed to pull it all off. It felt like everything came together this season.

The biggest change from season 1 to season 2 is just how serialized the series became. Season one was very episodic for the most part with story, plot, and lore progression sprinkled throughout but never the main focal point with Reunion serving as a turning point in the series in this regard. 

The season doesn’t completely pivot away from the structure of the first season. It still contains episodes that have the adventure of the week nature of the first but even in those episodes it keeps sight of its end goal and keeps the plot moving forward for the most part or at the very least doesn’t distract from the plot. 

This is best shown in episodes that may seem like what some people would consider “filler” episodes on paper when just hearing the synopsis but in reality are some of the most important or emotional episodes of the series such as Hopping Mall or Battle of the Bands. 

Battle of the Bands in particular is incredibly integral to the plot and character development in the series. This may be one of the most important episodes for Sasha’s character arc.

Battle of the Bands sets up Sasha’s capacity for genuine change, not just doubt in her own actions. We see how much she cares about this friendship and that she is capable of giving up control and making the right choice for them.

Without this episode Sasha’s change of heart and redemption later in the series wouldn’t work. And it all occurs in an episode where a toad warrior wins a music competition by playing a 3 hour harp solo.

This integration of development into most of the episodes makes it so that the season constantly feels like it is headed somewhere with all the hints towards this destination weaved in organically throughout. This serialization allows for so many character arcs to be built up within the season and leads me to my next point. 

This season is the one that juggles the screen time of all three of the calamity trio best.

Every girl gets the screen time necessary to hit all the points they need to complete their individual arcs this season. Marcy becomes part of the main cast for a large chunk of season 2 and, while Sasha doesn’t appear much, she is given solo episodes from her perspective that show her struggles and journey after the fallout of Reunion. 

Their arcs as individuals and as friends play into the themes of the show perfectly. This show is centered around change and growth and so much of this season is challenging the way people fight against change. 

Sasha and Marcy’s attempts to fight change are precisely why everything came crashing down in the finale. Sasha was desperate to regain control and force things back to the way they were and Marcy wanted to escape reality so that things wouldn’t have to change between the trio. Both of these come back to bite them.

In Sasha’s bid for control she shatters whatever trust she had built with Anne and due to this can’t get Anne to listen to her when she tries to reveal the truth about Andrias. This directly leads to their second fight, her capture, and Anne handing Andrias the box. 

Marcy’s desire to keep the trio from growing apart leads to her deceiving Anne and Sasha and bringing the box right to Andrias. This gives him the ability to regain his former “glory” and causes her fantasy to come crashing down in the worst way possible.

This season emphasizes that the trio is fascinating and complicated and tragic all at once. They do care about each other. So many of their actions this season and in True Colors alone prove that they do but their individual flaws and Sasha and Marcy’s reluctance to accept change clouds it, leading to terrible mistakes and betrayals that can’t be taken back.

This complexity wouldn’t be displayed nearly as well if we didn’t get to spend time with the trio before everything falls apart. The three episodes leading up to True Colors that explore their dynamic are vital to getting their care for each other, the tragedy of their friendship, and the hope for Sasha and Marcy to get redemption across. 

A lot hinges on the trio’s friendship because their actions and dysfunctional relationship is what drives things and forces change in the story and world so if you aren’t invested in the trio (both as individuals and as a friend group) many of the big moments in the series wouldn’t work.

I also want to once again give props to how the show uses the opening to allude to future plot points about the trio.

Marcy’s reveal is hinted at in the moment that replaces the photo in the rain. Sasha and Anne are fighting while Marcy looms over them facing away and holding the music box. The ominous lightning strikes once again which hints at Marcy’s truth that Sasha and Anne are unaware of and that all three of them have conflicting end goals for their journey in Amphibia this season.

Marcy looms over Anne and Sasha. Her presence is felt throughout Anne and Sasha’s personal journeys in Amphibia, the good and the bad, because she is the reason they are there. Marcy is the one in control/possession of the box. There’s the implication that she knows more about it than she is letting on. She is facing away which makes it seem less like she is the looming presence and more like it’s her actions or knowledge of the box that is.

Things like this make going back to watch the season really fun because you can catch how all the pieces were there for Marcy’s reveal to make sense but none of them were obvious enough to spell it out for you before the fact. 

Amphibia’s world is also opened up to us in season 2. It manages to find the perfect way to introduce this brand new world without overwhelming the viewer.

Anne and the Plantars haven’t been outside of the valley and Newtopia is established to be far away. The audience gets to experience all these new places and all the new lore with the characters and it doesn’t feel unnatural and stilted. Instead it feels like it has a natural wonder to it that matches each character.

One of my favorite shots in this season is the first time the fwagon came over the hill and the world beyond the valley came into view. That shot was mesmerizing and really encapsulated just how ambitious I think this season was. 

There aren’t many series that have created that same awe over just how big their world is that Amphibia captured in this single moment. That awe is what season 2 excelled at. It expanded the world so much and yet made sure you really got a grasp on the nuances that each faction of the frogs, toads, and newts had. No one part of Amphibia felt the same. 

Newtopia, Wartwood, and the toad towers are all wildly different even in their color palettes and the music used when in each location.

When we are with the Toads the color palette leans more towards reds and the music sounds more intense such as the rock music that plays when Sasha is riding the narwhal worm or the theme that starts off Prison Break and Barrel’s Warhammer. They are very distinct and help give these places their own personality.

When in Newtopia everything feels grandiose with the color palette of blues, whites, and golds. The music is full of brass instruments that exude an air of royalty and greatness in contrast to the rough and tumble intensity of the rock themed music of the toads and the more humble feeling of the softer string instrument focused music used in relation to Wartwood and the frogs. (I’m not great at talking about music but I’m trying to get across how different each location feels musically)

Since we’re on the topic of music I want to gush about just how great the soundtrack for Amphibia is.

While I think season 3 is the musical peak of the series, this season is phenomenal as well. 

One of my favorite things TJ Hill does is the way he makes Sasha and Marcy’s themes go through multiple different renditions to show what point they are at in their respective arcs. The instrument choice and volume reflects what kind of turning point they are at within their respective arcs. 

My favorite scores in the season have to be the orchestral rendition of No Big Deal when Anne activates her powers and the score that plays when Marcy’s truth is revealed. I could listen to these on repeat if given the chance. TJ Hill is very talented and I wanted to take the time to give him a proper shout out.

I’ve spent so much time gushing about the season that I think it’s about time I got to the finale.

True Colors is what I still believe to be Amphibia’s best episode. 

Everything in the season felt like it was building up to this.

The toad rebellion, Sasha’s change of heart, and Andrias’ betrayal have all been building in the background of this season. Even the more shocking events such as Anne’s powers, the truth behind Marcy’s actions, and the cliffhanger of Anne and the Plantars back in the human realm have been built into the season with all the pieces there for the audience to put things together.

Anne’s stone not charging all the way and the hints at the girls’ calamity powers through their feats that occurred while their eyes flashed their respective colors gave enough for the audience to know something big would come of these moments but not enough to give away exactly how they would manifest or when.

The same can be said for Marcy but her reveal is even hinted at as early as the first time the opening plays this season in the moment that replaces the photo in the rain like I explained above.

These hints are carried into her character throughout the season in episodes like Scavenger Hunt, where Marcy admits that she struggles to make friends, and The First Temple, where Marcy’s tunnel vision blinds her to the consequences of her actions. 

The biggest hint is in A Day at the Aquarium when she stands there alone long after Anne leaves with the Plantars in a very striking visual portrayal of her loneliness and isolation (both major factors in her decisions with the box) and directly following this moment she is given a proposition by Andrias that we don’t get to hear. This looms over the end of the season leading into True Colors and added another layer to what was going on with Marcy away from Anne.

There was so much there that hinted towards Marcy’s reveal but just like with Anne’s powers it’s something that was still shocking because the specifics weren’t clear. Many people theorized that Marcy would betray Anne, but none that I know of got how she would betray her friends right. It was a masterful reveal.

Even Anne ending this season back in the human realm had all the pieces there. So much time was spent charging the box and making their way through the temples that it was obvious that someone was going to end up back home and having it be Anne, our protagonist, makes the most sense.

Even with all this build up all of these reveals still manage to give me chills to this day despite the fact that I know how they will work out and I think that’s the mark of a good twist. If it’s ruined by knowing what will happen it wasn’t a great twist in the first place.

True Colors is one of the best season finales I’ve seen for a cartoon and it caps off what I consider to be the best season of Amphibia. It manages to improve on almost everything from the first while not getting bogged down in the pacing and tonal issues of the third (I still love both those seasons as well). It’s an all around great season.

Extra thoughts

These are my rambles that I omitted from the review above but found worth sharing. You can easily skip these if you want.

One of my favorite things about the finale is that it makes it clear that Marcy’s actions aren’t clear cut. They can’t be placed into a neat box of good or bad. Marcy didn’t make her decisions out of malice, but desperation and fear. She’s afraid of losing the only friends she has and based on how Anne and Sasha ignored Marcy’s interests prior to Amphibia it felt like a matter of when their friendship would fall apart after Marcy moved not if from her point of view. Marcy didn’t think through the consequences of her actions with the box. As a result, she took Anne and Sasha away from their lives for over half a year and they were dropped into very dangerous situations. She also hid that she planned on going on more adventures with them rather than returning home and ensured that Andrias got a hold of a fully charged box. Marcy’s choice is a complicated situation that can be understood from all sides. 

The trio’s friendship is also a very complicated situation where all of them had flaws and made decisions that ultimately lead to this point. Some were more toxic and damaging than others (Sasha’s manipulation and control freak tendencies) but no one person is painted in black and white. Marcy isn’t evil. Just like Sasha isn’t irredeemable. just like Anne isn’t blameless. They are people.

True colors has some spectacular animation with the standout scene clearly being when Anne activates her powers. The change in fluidity and style (as well as the clear DBZ inspiration) makes it so that the raw power of Anne’s new form can be felt. 

I kind of wanted to elaborate on what I mean by Sasha and Marcy’s themes changing to show where they are or shifts in their arcs. I’ll use Sasha’s theme as an example. In the first season Sasha’s theme sounded like it was played on a music box. Each note was sharp and precise just like her and her manipulation, but when she is reintroduced in Toadcatcher her theme that plays at the end starts out soft, almost reflective as Sasha touches the scar and thinks about Anne, before it crescendos near the end as Sasha states things aren’t over between her and Anne. The notes blend together and the instrument changes, it’s not as precise and more driven by emotion, more ominous. The way the music plays out shows a shift in Sasha and her plans and not for the better.

For Marcy’s theme I feel like it’s a lot more self explanatory. Just listen to her theme that plays during her introduction and her theme that plays during the reveal in True Colors. There’s a stark contrast that anyone can notice. Her theme is very upbeat and energetic in the first one while in the second one it is slowed down significantly and uses brass instruments/an organ. Both of these choices make the tone much more ominous at the beginning as the music crescendos before the music softens once more, but keeps the much slower and deeper rendition of the melody, and brings that air of tragedy that this moment entails. It’s brilliant. (again, I wish I was better at talking about music)

Part of the tragedy of Marcy’s character is in her contrast. When she’s around Anne and the Plantars or Andrias (usually) she’s upbeat, happy, and energetic but the deep seeded loneliness she has slips through when she’s alone which is made the most clear at the end of A Day at the Aquarium. 

Amphibia Season 1 Re-watch Thoughts/Review

Amphibia season one was really fun and had an amazing finale. The choice to be an episodic comedy series works wonders for this season and I believe makes Reunion and season two hit all the harder. 

This season falls into a few of the usual trappings that almost all first seasons do but its biggest strength is that it knows what the series is about at its core and it focuses on that.

This show knows what themes are at its heart. Amphibia is about friendship, change, growth, and becoming your best self and that’s what the first season is just on a smaller scale than the second and third.

It allows for a gradual build up to the huge scale of the third season. The first season keeps the focus on Anne’s growth and how she learns self-love through her relationship with the Plantars. And it slowly opens the world to us by introducing one of the toad towers in Prison break, halfway through the season, then Reunion opens up how much the events of the season have effected the rest of the valley. 

All these actions that felt like they were occurring in a vacuum have wide reaching consequences. This is bigger than we initially thought. And that final shot in season one before the “End Part I” showed up on the screen where we see Anne and the Plantars overlooking the valley while hugging perfectly encapsulates how the world has now opened up to them. That the scope we saw in the first season will be widened exponentially.

The show needed this gradual build up. Suddenly making the show about all of Amphibia during this season wouldn’t have worked and expanding the view beyond Anne’s growth would have made it so that moments later in the series wouldn’t have felt as earned. 

I believe this was a good choice for the show but also a big reason why Amphibia was so underrated for so long. A lot of people looked at the more episodic problem of the week formula that the first season followed and didn’t think twice about it until the finale came along and shattered the status quo. It wasn’t noticeably serialized right out of the gate.

This is an unfortunate issue because it is based on first impressions. Something like the Owl House is an obviously serialized show from episode 1. Everything flows into one another and that draws in an older crowd easier than the seemingly episodic formula that Amphibia had out of the gate. 

There were hints of serialization in “Anne of Beast?” and “Best Fronds” but as early as “Cane Crazy” the show started with the problem of the week formula, which I want to emphasize once again was a good choice for the show because it really emphasized its themes of change and growth, but that also caused some people to not give the show a fair shot.

The choice to have the season air over the course of a single month also stunted Amphibia’s ability to garner a following. There wasn’t time for people to talk or speculate about the show episode to episode because a new one was coming out every day. 

Episodes that likely would have gotten fans talking and speculating about the finale like Prison Break, Bizarre Bazaar, and Anne of the Year weren’t given any time to breathe so this could happen.

It was just an unfortunate choice that caused Amphibia to be underrated going into its second season (which is phenomenal).

There are some genuine drawbacks from the episodic formula that Amphibia used in its first season though. Some episodes become formulaic because they use a similar structure with a basic life lesson being learned in almost every one. The interesting and unique world and how it was used could save some of these episodes from falling into tedium but not all of them.

It also takes a while for anything about the lore, Sasha and Marcy, or plot to really come into play which can become frustrating, especially for people that have never seen it before but were drawn in by what they’ve heard about it online. 

It can be a bit slow with divulging information with Sasha not being formally introduced until the episode Prison Break which was 10 episodes in and nothing about the Calamity Box explored until Bizarre Bazaar which was episode 15. 

There are long stretches that don’t expand on these very important and interesting plot points. This can exacerbate the flaws in certain episodes and make the pacing feel off or slow at times which is something the show greatly improves upon when season 2 comes around. This structure and slow build up isn’t for everyone.

This was what initially kept me from watching it when this season first aired (I regret this choice). Interestingly the thing that sold me on watching the show the first time around was the opening. Specifically this shot: 

This moment in the opening never failed to intrigue me. It was a hint of the themes this show would grapple with and how all the events seen are because of this broken friendship. There is genuine care between the people in the photo which can be seen by their closeness and the writing around the edges but it is literally out on a limb in the middle of a storm. It’s struggling to hold on and brings an air of tragedy to their current situation.

The lightning strike provides an even more ominous tone to the moment. The rain alone could have just made it seem tragic, friends torn apart by circumstance, but the lightning strike is what tells you there was something off/toxic about the friendship even before Amphibia. 

It never failed to make me wonder what exactly that was and it kept me watching to see what the reality behind it would be. This comes around in a big way with Sasha.

In Sasha’s introduction she is shown to be cunning and manipulative. There is genuine care for her friends but it is overshadowed at this point by her flaws.

It starts to paint a picture about what Anne’s friendships were like at home. This portrayal of toxic friendship and outgrowing connections is one of the things I think the first season does best in retrospect.

The first season makes it so that Sasha's (and Marcy’s) influence can be felt on Anne long before she even speaks through things Anne says and does. 

This makes it so that even though Sasha’s screen time is limited and she and Anne don’t interact until the very end of Anne of the Year the audience can understand why their clash in Reunion is so important for Anne’s character.

This is a great but subtle build-up to the finale.

Reunion is a fantastic and very interesting episode. It is in many ways the most formative episode of the series. It creates the mold that Amphibia’s finales follow moving forward.

For example, it makes the decision to bring the audience back to the day Anne, Sasha, and Marcy get whisked away to Amphibia and provide context for what led Anne and Sasha to that point. This is an important part of True Colors, All In, and The Beginning of the End as well.

It also starts the trend of what I’m going to call Amphibia’s “wham” moments with Sasha letting go of Anne’s hand. This is continued in the other season finales with Marcy getting stabbed and Anne’s death.

Lastly is how the episode addresses change and the ways people fight against it. The series as a whole tackles change but the finales are where the trio and their issues with accepting change come to a head.

Leading up to Reunion Sasha has had her negative traits encouraged by amphibia- they allowed her to flourish at toad tower- and as a result she hasn’t grown and changed in the same way Anne has. Anne landed in Wartwood with the Plantars and has had her old mindset challenged constantly which led to her growth. This growth allows her to stand up to and best Sasha.

This is repeated in True Colors, where Sasha and Marcy’s bids to fight against change cause things to come crumbling down for them, and in The Hardest Thing where the core (a being that can’t let go of the past) is taken down by Anne because of the calamity trio’s growth and acceptance of change.

These similarities make it so that all the finales feel like they build on one another. This creates a cohesive through line in the series.

Overall I think this season built a solid foundation. There are instances of the show struggling to find its footing and it does become repetitive in some areas, but it’s really fun and has a strong heart.

Extra Thoughts

This is more of a deleted scenes/excerpts of analysis that didn’t fit in my review.

Reunion also plays into Amphibia’s overarching themes of change. The way it interweaves present day with flashbacks to what led Anne and Sasha to opening the music box really showcases this. Sasha is practically unchanged. She landed in toad tower where her negative traits are encouraged and cause her to flourish. Whereas Anne has grown so much because she landed with the Plantars in Wartwood and has had her mindset challenged constantly by those around her. The clash between Sasha and Anne can be seen as a clash between accepting change and staying stagnant with accepting change (Anne) coming out on top.

There’s an interesting parallel between Toad Tax/Prison Break and Reunion. Toad Tax has Anne stand up for what’s right instead of taking the easy path and submitting to “bullies” to gain the Wartwood citizens’ respect. Prison Break introduces Sasha’s toxic traits and shows how they help her get free and flourish at toad tower. This is exactly what their conflict is about in Reunion.

I love how Anne’s heritage is explored this season in Lily Pad Thai. The exploration of Anne’s culture is one of my favorite things about the series.

The use of someone to lean on in the finale is really interesting because on the one hand it stands out in a jarring way because the show doesn’t use non-diegetic licensed music at any other point in the series but on the other hand it fits really well thematically and provides insight into Sasha and Anne’s mindsets during this moment. 

The music in this season is the weakest of the 3 but that doesn’t mean it’s bad by any stretch. It is more washed out because of the sound mixing and not given the chance to shine until the finale. Reunion has a very good score with my favorite part being after toad tower falls and Anne makes eye contact with Grime. It’s tragic and foreboding and it’s the first time this season that the score is allowed to be the loudest part of a scene. This decision makes it so that this scene is given a different feel to all the ones that came before. It’s a transition in the music just as much as it is in the series. The music paired with the look clearly indicate that the conflict is far from over. This is just the beginning.

The only other episode where the music is allowed to shine is Prison Break. TJ Hill goes all out giving toad tower a completely different feel from Wartwood and I believe the music/title card (”far, far away from Wartwood”) is in part a Star Wars reference/homage (I could be wrong).

The dark humor of this show is amazing. Hop Pop is the one primarily used for this type of humor this season and gets the best jokes because of it.

Sasha doesn’t embrace or even really have to accept the changes that living in Amphibia naturally brings unlike Anne. After she is released from prison she gets herself plumbing and makes the toads make human cuisine. She forces things to be like they are back on earth (the parts she likes anyways). 

I know Reunion isn’t the first episode to use flashbacks in the series, Best Fronds is actually the episode that has that honor, but the way Reunion uses the flashbacks is what is brought back in True Colors, The Beginning of the End, and All In. 

I really like going back to the beginning of a series like this to see how all the characters changed as the show went on. Watching Anne in this season right after watching season 3 kind of smacks you in the face with just how much she changed (in the best way. It reminds you of just how far she’s come). It’s a lot easier to remember in a fair amount of detail just how much someone like Sasha or Grime has changed because of their limited screen time and massive character growth in that limited time. But Anne is the main character so her change is more gradual and can blend together because of this. I just like this aspect of re-watching a series.

Thanks to Them Thoughts

The first special of The Owl House’s third season recently dropped and I can say with full certainty that it hasn’t lost what made the second season so special.

I don’t think I’m in the minority when I say I was disappointed that the third season got shortened to three specials but I wanted to come in hopeful for what these specials could bring. The Owl House proved to me in its second season just how phenomenal it could be within a limited time frame with episodes like Eda’s Requiem, Knock Knock Knockin’ on Hooty’s Door, and Hollow Mind. I know that the situation is different but it’s proof just how much this show knows how to tap into the emotional core of its characters, stories, and relationships in 22 minutes.

This episode does the same thing by digging into the core of Camila, Luz, and Hunter. 

Camila is a character that had the fandom split and in my opinion received way too much hate. She was a single mother doing her best with a specific set of struggles due to the point she was in her life and the circumstances surrounding the start of the series. This episode understands that Camila loves her daughter and wants to do right by her but parenting rarely has a perfect answer. 

Camila’s choices are given more context and shown in a different light. I was already in the camp that believed Camila was a loving parent that made some mistakes because she’s only human, but this episode solidified it.

The nightmare Camila has about halfway through the episode is a poignant way to explore the concept of generational trauma and trying to break that cycle.

Luz found a community that will accept her the way she is and a place where her strengths can flourish. Once Camila has had time to grapple with the reality that Luz went to the demon realm by her own choice and she gets to see just how good this place has been for her she embraces it.

She even wants to go to the demon realm with Luz so she can be a part of that aspect of Luz’s life as well (and look out for her daughter in a very dangerous situation). It’s just a really touching portrayal of motherhood.

That’s actually the part I’m the most upset we missed out on due to the shortened season. Seeing Camila be a supportive mother to Luz and give Amity and Hunter their first real experience with a caring parent is something I would have loved to see considering how much their abusive/complicated home lives we’ve gotten to explore over the show. (I specify Amity and Hunter because we know that Gus and Willow have loving home lives. I would still love to see Camila be a parental figure to them too)

We still have some more time. I’m hoping we’ll get to see more of surrogate mother Camila over the next two specials.

Hunter especially needs that care because he cannot catch a break.

Season 2 and now season 3 has been one long trauma conga line for Hunter with so much of that trauma being born from his twisted relationship with Belos. 

Hunter being possessed by Belos is a very fascinating turn of events that foreshadows so many possibilities with Belos but there is one area I think could have been handled better. 

I want to touch on the scene where Hunter stood up to Belos first. This has been a long time coming. Hunter has submitted to Belos’ ideas for his future for most of his life and even after leaving the emperor’s coven he didn’t get the chance to have a confrontation with Belos where he was given the time to address this area of growth.

Hunter finally has the chance to choose his destiny which is something he stated he was jealous Luz could do back in Hunting Palismen. Due to his journey in the human realm he has the self worth and the security to stand up to Belos for the first time in his life and it was a powerful scene because of the build up.

Hunter has gained so much that he has lacked all his life due to his time away from Belos and in the human realm. It makes this moment and his sacrifice hit all the harder because of how far this episode shows he’s come.

He has a family

He likes who he sees in the mirror 

He has friends who value him for who he is and not what he can do

He can take part in his hobbies and indulge his interests 

He no longer needs Belos like Belos tried to make him believe. He can finally be the person he was always meant to be. 

Hunter is brave, caring, and kind. No matter what Belos did or said to him he never lost those qualities. He is willing to stand up to Belos and possibly sacrifice himself to protect everything he has come to love. He has people that will extend that same care and compassion towards him.

This brings us to one of the saddest moments in the episode: Flapjack’s sacrifice.

Hunter has gone through so much and Flapjack’s sacrifice hits especially hard because Flapjack was one of the first people Hunter could rely on and probably even call a friend. 

Flapjack was important for Hunter’s development in more ways than one. He provided him with a confidant when he didn’t have anyone else and it helped him question and re-evaluate Belos’ actions in regards to palismen and wild magic. He also met him because of his first real encounter with Luz.

It all comes full circle. He initially protected Flapjack from Belos because he knew Belos would use him as fuel/a life source but now Flapjack is willingly being exactly that for Hunter. He is now a part of Hunter. It’s a very bittersweet ending to their relationship that shows the growth and care that they each had for each other.

That moment where Hunter stops in front of the portal and holds his hand over his heart was a short but very effective moment at conveying his grief. 

This sacrifice was very well executed in my opinion.

All of this works emotionally within Hunter’s character arc. 

However, the battle didn’t quite reach its full potential. It had incredibly fluid animation and was amazing to watch, but it wasn’t as emotional on Amity, Gus, and Willow’s end as it could have been in certain ways. 

You could feel the conflict and pain from Luz’s end. It was made clear that she was purposefully not trying because she didn’t want to hurt Hunter and even hugged him to try and get through to him. She doesn’t want to hurt him because of how much she has come to care for him and this turmoil could be seen in every action Luz took and could be felt in her voice acting performance. 

She’s the only one you could understand the full grasp of her conflict over the fight with Hunter though. There wasn’t any of that same hesitation or desperation on anyone else’s end. You know that all of them are close to Hunter and care about him but you don’t feel the full depth until after the fight.

These connections are really important to Hunter’s character because of how Belos isolated him prior to season 2 and I loved all the moments that showcased how important Hunter is to the group and vice versa. That’s why I decided to point out the lack of hesitation on everyone else’s part. It doesn’t break the episode (in fact the episode is great) but I thought it could have been executed a bit differently.

Hunter is one of the strongest characters in the show and the way this episode handled him was great.

This brings me to Luz.

King’s Tide had real consequences for Luz. She feels like she couldn’t protect Eda or King and she couldn’t stop Belos or the Collector. She doesn’t know the fate of the family she left behind and she believes that everything that happened is her fault.

She’s understandably not handling it well.

Luz this episode and in a few episodes last season is used to explore grief and loss. This is explored in more ways than one through the loss of her father and her newfound family in the Boiling Isles.

Luz’s father was noticeably absent in her life at the start of the series but what happened to him wasn’t revealed until “Reaching Out” (In a fantastic scene by the way). We get even more expansion on it through Luz’s video diary entries. 

Luz was much more aware of what was happening with her family and father than she let on to her mother despite their best efforts to shield her. The way you can see the decline in her emotional state through her entries as her father’s health declines makes the process feel real. This wasn’t a quick but a slow process/struggle for the family over time until he unfortunately passed. It’s something that Camila and Luz are still struggling with. 

The process of healing isn’t linear for any of the characters. 

It also reveals that Manny introduced Luz to the Good Witch Azura. This is really bittersweet and touches on something that this episode emphasized and that is how media and stories can help us process, heal, and feel seen in aspects of life that people struggle with.

Hunter finds connection and healing through the Cosmic Frontier character O’Bailey. Luz finds that same connection and escape through Azura. It helped her during a really hard time in her life by helping her find a connection to her father after he was gone.

It makes everything in regards to her Good Witch Azura book and hyperfixation very bittersweet and puts so much in a new light. It’s a brief but powerful moment in the episode.

The exploration of Luz’s grief in the present day is handled just as well as that short segment. It shows the repercussions on her mental health and how it trickles out in unexpected ways like her rant in class. 

But most importantly it shows how her support system understands that she’s struggling and they are there for her no matter what. They might not all know how to best handle what she is dealing with but they all give it their best and make sure they let her know that they don’t think of her as a burden.

One of my favorite moments showcasing this in the episode is when Amity lets Luz know that Belos meeting the collector because of her help isn’t a failing on her part. It doesn't make her a mistake or the harbinger of doom she believes she is. She assures Luz it’s a testament to her good heart instead.

Luz’s support system doesn’t automatically make her better either. The Owl House understands there is no quick fix to depression and other mental health issues. There is no list of requirements to check off to “cure” it. It’s something that is dealt with on a daily basis.

Dealing with mental health isn’t linear just like dealing with grief isn’t linear.

I am really intrigued to see how they handle Luz’s struggles moving forward and believe that they were handled with a lot of tact in this premiere.

This show has really come into its own. Season one was fun and had a great world and characters that drew you in but lacked a strong vision of where it wanted to go with wonky power scaling, an inconsistent level of control and influence from Belos that changed to suit the episode, and parts of the story that clashed with its core themes. I loved the season but thought there was missed potential. 

Season two came around and reached the heights I thought it was capable of and it seems like season 3 plans to do the exact same. I can’t wait for the final two episodes. If this is any indication of their quality I bet they will be amazing.

Extra thoughts

I love when Camila lets Luz sleep with her after she’s awoken from her nightmare. It’s just a really sweet mother-daughter moment.

I really liked Hunter’s cosplay and how his attachment to the character of O’Bailey speaks to the importance of representation and how it can help you heal and feel seen.

Gus definitely knows that Hunter is a Grimwalker. He purposefully introduced Hunter to a character that he could connect to and even tried to imply that he knew before Hunter covered his ears to avoid spoilers. I really appreciate their dynamic in the smaller moments of this episode.

I said it in my Hollow Mind thoughts but I’m going to say it again here: I think that Evelyn was a Calwthorne. There’s just too many clues in the show for her not to be and the Owl House has a pretty good track record of paying off obvious hints.

The best thing about this episode is how it carries over the consequences of King’s Tide. There are a few times where the tension the characters should feel to get back to the Boiling Isles gets a bit lost. The most notable example was how solving the clue they found to get them back to the isles was framed more as a way to cheer Luz up than a way to return to their families and know if they are okay. 

Yeah, the characters are sad to be away from their families but there isn’t the desperation to know about their fates that would be expected considering what happened with the day of unity and the collector. I like how this plot point was used in regards to Hunter and Luz but thought it was a bit lacking in execution and development when it comes to Amity, Willow, and Gus.

Amity, Willow, and Gus are unfortunately the ones that suffer from this section of the season being shortened. They are fun and engaging supporting characters but they noticeably don’t get the emotional focus or development that Luz, Hunter, and Camila get. I don’t dislike the choice, in fact, I think it was a smart choice to narrow the scope of the episode because it would likely become bloated and lack the strong focus and emotional core that it has.

It’s just unfortunate because Willow and Gus are not as well explored as Amity, Luz, and Hunter. Gus at least has “Labyrinth Runners” as an episode focused on him and a few episode B plots but Willow doesn’t really have her own spotlight episode. Both of her episodes “Understanding Willow” and “Any Sport in a Storm” are actually Amity and Hunter episodes respectively.

I would just like to see a bit more of Willow explored.

This is the first time Hunter has really cried in the show. He’s teared up before but never allowed himself to fully cry. It’s telling that the moment that gets to him the most, that makes him drop those walls and breaks the dam, is when Luz calls him family. It’s not traumatic or violent. It’s quiet and tender. He’s never had a family (something he mentions in Hunting Palismen) and now he does. Earth really did allow Hunter to come into his own and gain so much that he lacked all his life. 

I absolutely adore all the end credits art. Most of it is just so wholesome with my favorites being Luz teaching Camila glyphs (Camila is really committed to learning from Luz) and Flapjack tucking in Hunter (this is just so bittersweet).

Cyberpunk: Edgerunners - What We Leave Behind

“You don't make a name as a cyberpunk by how you live. You're remembered by how you die.”

And yet after David’s death when Lucy is on the moon she remembers him for his life. She remembers who he was when she first met him and why she was drawn to him in the first place. She remembers how happy and passionate he was when she showed him her dream. It was that part of him that pushed her forward and made her fall in love.

She remembers David Martinez, not the edgerunner, but the human.

So much of Cyberpunk Edgerunners focuses on just how little we really leave behind once we’re gone. Many of the characters die suddenly without warning and there is nothing tangible to remember them by. The only characters that leave something physical behind are Maine and Gloria. Their keepsakes are carried on David and are later destroyed during David’s final mission.

Even David’s death has nothing tangible to show for it. He didn’t get the chance to leave a keepsake or a physical part of himself. Even how he died is covered up by the Arasaka corporation so it isn’t replayed on those chips we saw at the beginning.

But people aren’t just measured by what they physically leave behind but by how they impact the people around them and how their memory is carried forward. That’s what that final scene is about. 

The show ultimately places the emphasis on the connections you make when alive and the impact you had on the people around you. 

Lucy’s dream was to go to the moon but after his promise to take her there it shifted to going to the moon with David. He can’t be there in the physical sense but she carries him with her on the moon through her memories.

The final few shots even mirror episode 2 when Lucy showed David her simulation of the moon and Lucy even takes David’s place in a few of the shot recreations to emphasize the point.

This show is tragic with so many layers but this was what hit me the hardest when watching the finale. 

Best of Animation 2021 - The Last Lullaby (Centaurworld)

Centaurworld is a deceptively deep show*. From the marketing it received the show felt jarring and disjointed almost as if two incompatible worlds had been thrown together haphazardly but the moment you boot it up and start watching it is obvious this is far from the case. 

Centaurworld is about grief, loss, depression, and learning to heal. It uses its vastly different tones and visual styles to elevate these aspects of the story. 

It’s a fantastic and fun ride and I believe its finale “The Last Lullaby” is the best example of how it uses all these seemingly contradictory parts to get all these themes across, especially with the music.

Centaurworld is a musical that has a lot of songs that I have fun with but I would say it is usually “all bops and no bangers” (credit where credit is due. I heard this from Sarcastic Chorus). 

The one place I really love their music and think it makes itself stand out is in its reprises. The way it brings songs from earlier on back and completely changes the meaning through the context of the scene. 

This episode does the same thing with Rider’s Lullaby and The Nowhere King’s lullaby. These songs are closely associated with the protagonist and antagonist of the show respectively and the way they are brought back in this finale really brings their arcs full circle. 

I especially love how the Nowhere King’s lullaby is brought back because it really accentuates the tragedy of his character and his relationship with the purple haired woman. I wish this relationship was explored in greater depth throughout this season but what we did see of these two characters was hauntingly beautiful in a way that you wouldn’t expect from what is essentially a single episode exploring their relationship. 

The Nowhere King’s death didn’t feel triumphant or glorious like you would have expected after his introduction in the two part finale of season 1. It’s quiet and personal. He returns to his original form one final time before the woman he loves ends his life once and for all.

The purple haired woman hesitated to go through with this before this point but she’s resigned herself to the fact that she must be the one to bring this nightmare to an end. Despite the love between the two their story doesn’t have a happy ending. It’s very tragic and the last lullaby the purple haired woman sings gets across the emotions of the scene between the two characters accentuates this.

The backstory of the elktaur chronicles the slow self-destruction and mutilation of someone who feels trapped on the outside looking in due to his internalized self-hatred. It becomes a tragedy about someone who felt undeserving of love to the point where their internal war with themselves became external. 

“They’re the same being locked in this everlasting fight with himself.”

This is an interesting exploration of morality that accepts that people are steeped in shades of gray. It’s like what the Nowhere King says to horse “we all have good and bad”. 

This episode shines brightest when it takes a microscope to all these characters and forces us to look at them for all they are. 

The Nowhere King is a horrible monster that has caused so much suffering but he is also a victim. 

The general is a monster wearing the mask of a hero that perpetuates a conflict he will never end because he ultimately holds his own self interest and preservation of utmost importance. 

The purple haired woman was blinded by her love and awe of the elktaur and centaurworld and it is ultimately her love that prevented her from ending this conflict when she had the chance. (She isn’t evil. I’m not blaming her. She understandably struggled to end the life of someone she loved.)

That being said I do have a few issues.

My issues with this episode don’t stem from the content within the episode itself but rather the lack of screen time and build up to certain important aspects of this finale. 

I think there should have been more of the general before this moment because the twist that he’s part of the nowhere king is meant to completely flip the kindly, righteous leader visage on his head but since we didn’t spend enough time with him it doesn’t hit as hard as it could have. The general’s betrayal of Rider would have been even more of an emotional gut punch if we trusted him like Rider did, which could only be built up if there was more time allotted to him. 

I think the purple haired woman should have had more screen time because it’s the tragedy of her life and love of the nowhere king that is a driving factor in the entire story. In fact it’s her ending with the nowhere king that is what I would argue to be the emotional climax of the episode and by extension the series so I wish more time was given to them.

Everything that happened in the episode was great and it hit all the beats it was aiming for but like I said above I feel like some of them could have been strengthened if the series had given the characters involved more focus.

For example Rider being stabbed by the general is comparable to Marcy being stabbed by Andrias and yet I would argue that Marcy being stabbed is much more of a gut punch due to the amount of time their relationship was afforded within the show. We see how much Marcy trusts Andrias and we know why. Even if we knew he was up to no good we got to see how well Marcy and Andrias clicked and how much they had in common. 

Marcy is also given more screen time herself which allows us to grow attached to her in a way we couldn’t with Rider. So when the moment of truth happens and Andrias makes the decision to stab Marcy in the back it is a complete gut punch. We care about Marcy, we know how this relationship made her feel seen, we understand the full depth of the betrayal. 

I’m not saying this to hold one show up on a pedestal above the other, I’m using it as an example to explain why I think this certain plot point would have benefitted from extra attention earlier in the series.

That being said, I believe the way the general’s betrayal played out was very effective coming from Rider’s perspective (just not as much when it comes to the general and their relationship). The show has done a good job up to this point portraying Rider’s unwavering belief in the general. She is a child soldier that has dedicated her life to this cause that the general leads and yet he never meant to actually end the war or his people’s suffering. 

It also leads into a very touching reprise of Rider’s Lullaby. 

This was the first song we heard in the series and it was the defining song of Rider and Horse’s relationship. Having the song come back around with Horse being the one to sing it to comfort Rider in an inverse from the pilot would have been a fantastic bookend to their relationship.

This is why I’m mixed on how they chose to have this scene play out.

I’ve never been a big fan of fake out deaths and this one still has me conflicted. This is purely a personal preference thing. I’ve just never been big on these types of scenes. 

This leads me to the episode’s ending.

Centaurworld is a story of two wildly different worlds and tones that come together to elevate each other rather than detract. On the one hand the show can cover the bleak reality or war, loneliness, and loss and on the other it triumphs family, love, and connections. This episode is a nice blend of the two with the finale showing the clash of the tragedy of the past (the elktaur and the purple haired woman’s story) and the hope of the future (the ending with horse and her herd).

This decision holds true to the series to this point.

This episode was a fantastic ride from start to finish. There were some aspects of the episode I was mixed on but I ultimately love the end result and find myself revisiting the tale in my thoughts and on rewatch. 

I am interested to see what Megan Nicole Dong does next!

*The marketing for this show wasn’t great. I know many people that were turned off from the show because of the trailers they had seen which is disappointing. But I’ve seen a lot of fairly big youtubers cover the show and help give it the attention it deserves.

Extra Thoughts

I thought almost all of the comedy hit, especially all the gags with Stabby. “I have unquantifiable corpses on my conscience.” is one of the funniest lines in the entire show. I really wasn’t a fan of the fart joke with horse in the elktaur’s mind and thought it really fell flat.