Talk That Talk.

Talk That Talk.

Dan Heng x GN Reader.

Synopsis: Dan Heng has no idea how you can talk so much.

Word Count: 500.

*~*~*~*

You two are at it yet again.

Dan Heng does not know how to feel about you chatting it up for the fourth time this evening with March. He was not annoyed by it, no. But he is not entirely thrilled either. Dan Heng has never been one to have much intrapersonal intelligence when it comes to his emotions, so at this prospect, he is not surprised. He expected it. It is what he does best, after all, predicting what is to come and never getting too off course.

Mr. Yang stands up from his armchair, grasping his cane as he takes a few steps forward towards him, slowly, calmly, the little creaking sounds of the Astral Express’s floors somehow being comforting to Dan Heng. “Something wrong? They won’t bite your head off if you join their conversation, you know.”

The voice is whispered but still fills Dan Heng’s mind with something akin to deja vu. He can hear someone saying similar reassuring prospects to him along with a clattering noise of wine glasses touching each other as there is cheering from both others and himself.

He doesn’t remember the moment exactly, though, as much as he tries, despite closing his eyes and attempting to see forgotten memories of the past that were cast into shadow long ago. Eventually, he gives up, opening them once more to see you and March still conversing, but something is different, he notes. A small box is in your hands, covered in teal wrapping paper and knotted with white and black ribbon. When did that happen?

He has been trapped in his thoughts for far, far too long, he thinks.

Mr. Yang even went back to reading his book in his armchair, his cane looking like it had been leaning against the table for at least five minutes. Himeko is pouring freshly ground coffee beans into her French press, the press in question being emptied by you and March a few moments earlier. Dan Heng stops himself from sighing. At least he knows where all of your energy comes from.

He takes the words of Mr. Yang and that unknown person to heart. “I believe in you.”

He has to remind himself that both of them are genuine. They do believe in him, so much more than he believes in himself. It isn’t a hard thing to do, but regardless, it is still something significant. 

So, finally gathering the courage to do so, he walks towards you two. To his surprise and March’s giggling, you bow your head as you present him with the wrapped box, looking down to the floor with your cheeks a light pink.

“Took you long enough, silly! They’ve been waiting forever for you to show! I was getting tired of playing Miss Notice Me…”

He does not know what to say, so he starts stuttering. So do you.

“S-Stop it, March!” You both exclaim.

…This entire time, you were trying to give a gift to him?

From different corners, all eyeing the situation, Welt, Himeko, and Pom-Pom all grin.

The End.

Yan Kafka x F Reader.

Synopsis: Kafka always sits in the front row, despite being part of the show herself.

Warnings: Yandere themes, stalking, thoughts of violence, manipulation, and unhealthy relationships.

Word Count: 1k.

Ten Songs Like This Piece:

Breezeblocks by alt-J

Waltz No. 2 by Dmitri Shostakovich (feat. The Dixie String Quartet)

Swan Lake by HAUSER

Claus by Los Tres

Doin’ Time by Lana Del Ray

Lie by BTS

She’s My Collar by Gorillaz (feat. Kali Uchis)

Cha Cha by Freddie Dredd

Michelle by Sir Chloe

MONTERO (Call Me By Your Name) - SATAN’S EXTENDED VERSION by Lil Nas X

*~*~*~*

The roses are wilting.

It was destiny, fate. Such pretty things never last forever, after all, even if the entire universe wished otherwise. One way or another, they are meant to fall, like how the sun drops below where anyone can see it, being replaced with the moon, and vice versa. They fall deep, deeper than hell itself, and no one can pick them back up, unless one would be inclined to make a pact with the devil himself, doing horrendous things in his name. But Kafka has already committed such sins, so why deny doing so any longer? It is who she is. It is who you are, to be entangled in her lies and be forced to dance and to sing and to act.

With two gloved hands, she picks up the vase, spilling out the moldy water and the dying roses, the roses she got for you after you sang so well at the opera house, looking so beautiful, into the trash can underneath your makeup vanity, where little clumps of hair and emptied products always meet their end.

She’ll get you a new bouquet later. A new vase too. Perhaps instead of white roses you would like red ones instead? Kafka knows that this vase is cheap too, from one of your fellow divas, whose high notes are not as high as yours and her costumes not as elaborate or as elegant as yours.

“I honestly don’t see why you even try to befriend any of them, darling. They are all envious harpies. They can’t hold a candle to anything you do.”

You are not here, but Kafka’s mouth always has a mind of its own, so it spins lies even when your delicate, lovely ears are not in the general vicinity. Not that she minds it. But yours is what she is quite more so than trifles with, because yours is carefully controlled by her and her alone, and you, as always, don’t get a say. It’s a sort of hypocrisy, Kafka thinks, but she doesn't mind that either.

If she has to, she’ll even sew your mouth shut, your ears shut, your eyes shut, if that is what it takes for you to stay with her. She doubts it would ever come to that, though, because you are always too fragile and too trusting to tell the difference between an Iago and a Desdemona. But the latter role would much better suit you, her little flower, her princess.

You are so precious, but also a treasure prying eyes will always want to touch and see and hear. Kafka would, in all honesty, love to cut their hands and tongues off, if it did not ruin the carefully crafted image she made just for you. Maybe later, though, when all the stage lights are off.

“Lady Macbeth, hmm?” She murmurs.

She disagrees with the role you were given entirely. But, you were not one to stand up for yourself, so Kafka let it go. 

“You really ought to leave this business soon, dearest.” Kafka looks around, her arms crossed, not impressed with the room you were given in the slightest. “You can always just come with me.” She meant it. “Imagine all the sights you would see. All the food you would eat. All the gifts I would be so happy to give you. All the hugs and kisses you would receive from me. Everything… just think about it.”

She could imagine it herself. It is not hard, really, for the mind to reject all sense of logic and bow down to the whim of what is known as human emotions, mortal joys, woes, desires, wants, and needs. She could imagine sitting you on her lap as the ship jumps to the next world she will have to visit, telling you stories of the past, present, and future, as you look on with amazement. You don’t do that anymore, now. She would do anything to see it come back. She would steal a crown and place it on your head, though you having the genuine article does not make you any stronger. If anything, perhaps it would make you weaker to her whims.

“Imagine that…” She sighs, closing her eyes as she smiles. “We can go to Penacony. Your dreams would come true there if I cannot make them true myself. You can sleep on beds worth more than this entire opera house. If only you would let me. I know it would make you happy. I know it would make me happy. So why wouldn’t it make you?”

She would listen to your ultimate pains, and your ultimate wishes, and act accordingly. She loved you. You will too, again. It is only a matter of time, isn’t it? Yes, Kafka thinks, it is fate. 

…

Kafka always sits in the front row of the theater.

It does not matter whether or not she purchased the tickets for it, the seat, or the show soon to come to fruition. No one dares talk back to her, even security. She finds comfort in that. No one gets in the way of her having the chance to see you. Better yet, no one else sits in the front row when she is present.

So, she watches, one of her legs crossed over the other, her eyes never blinking. During interludes she likes to adjust her makeup accordingly, painting on another shade of crimson to her lips. Art comes in many forms, after all.

Kafka told you that once. As always, you listened dutifully as she taught you to be.

She taught you many things, not just that. She taught you how to read constellations. She helped you learn her vocabulary in the books she gave you, often long fairytales or poems. She preferred it that way when you used to be so eager to have someone be friendly to you and not want to simply use you for their own amusement, not wanting to throw you out of the opera house altogether.

The opera house may rot after it goes up in flames, in the future, if things go her way as it always does, but she’ll stay to watch it all, to take you in as you cry and as she shushes you. She’ll be happy. Maybe you will be too, for her. It matters how good your performance is, if you even want to act anymore, after all.

The lights dim, and she shows her pearl-white teeth as she grins.

Heyy!! I don’t know if you still do Chrollo fics , but if you’re doing recommendations/commissions , can you make something like where the readers like “do you think you’ll kill for me one day?” and he’s like “yes. of course I will my darling” ?? It’s based off a sound I heard somewhere .. I think the song is called “I want it all” by Lana del ray. Thank you!! 🫶

damn he really would say that huh?

Bad Habit.

Yan Chrollo x F Reader.

Synopsis: “Where there is carnage, there is beauty.”

Warnings: Yandere themes, unhealthy relationships, general anxiety and uneasiness, references to disturbing works of art (Saturn Devouring His Son, The Nightmare, Ivan the Terrible and His Son Ivan), manipulation, and talks of violence.

Word Count: 900.

*~*~*~*

There are as many things people can see as beautiful as there are shades of light shining through a prism.

Spectrums are quite common along with comparison and placement. It varies greatly from person to person, their preferences and their life experiences and their joys, and their fears.

Beauty is in the eye of the beholder, yes, but the eye of the beholder is also the window to their soul, to their psychological responses and traumas and memories of a past that would rather either be forgotten or worshiped. Every soul is different, and there is beauty in that. So, why do you find the heart and soul of Chrollo Lucilfer, whom many would call beautiful if they never knew him for what he truly is, so, so simply lovely? It does not have to do with his mannerisms or his confidence or his knowledge of virtually everything in this world, you concluded one day, after receiving yet another call from him, with him, as always, asking general questions like if you miss him and such. It is because he is the only thing I can cling to that will stay here, with me.

You cling onto him like a lost puppy, yearning for any sort of affection they can get no matter the cost. You did that when he first transported you from one place to another with hardly regarding any words from you on the matter. You do that now, in this art museum, full of unfamiliar faces and unfamiliar artwork and unfamiliar architecture. You missed home, back then. You still do now, and Chrollo still does not care one bit.

His hand is like a cuff, his arm like a chain, as he walks with you from one room to the next. But, still, it is the only thing that keeps you from falling apart.

So, like a sort of dance, you two move in sync. It is up to Chrollo as to if or when you will stop. It is never up to you, after all.

Does Chrollo enhance the horrific allure of these paintings, or does he once again bring all the attention to himself?

*~*~*~*

“Mythology often comes from our own woes.” He says, pointing upward, slowly, to Cronos’s eyes, which are bloodshot and large and dark. “A popular theory was that Goya was representing an oppressive government through Kronos, and the son that was prophesized to kill him as an adult represented the people who had started to revolt. But others don’t see it that way, oddly enough.”

You don’t respond, you simply look at the beheaded infant, which looks so soft and so rotten at the same time, with blood and deskinned chewed flesh running down his neck. He fits into his father’s hands perfectly, like he was made to be eaten.

*~*~*~*

“While most incubi are written and drawn as physically attractive creatures, this one in particular looks more akin to a gargoyle than that of a man.” He hums, and you can feel his hand wrap more tightly around yours. Not so much in a strangling, hurtful way, but rather just in a sort of reminderful way. “Maybe Fuseli was trying to make sure that the point of what the incubus really is is sent across to the viewers?”

With not a single word coming out of your mouth, a sure sign that you are zoning out his words, he squeezes a bit tighter to get your attention back where he wants it to be.

“What do you think, beloved?”

Once again, instead of answering, you choose to remain silent and focus your attention on other things. So, you look around. To the floor. To your high heels. Everything else, anything else. Only silence remains for a few more moments, but when the silence is not enjoyed any longer with another increase in his grip, you decide to answer before you get yourself into trouble.

“...I… I think that maybe it deals with sleep paralysis.”

Chrollo widens his eyes and smirks, and from those actions alone you know you have created a believable lie and concept that is sure to be amusing to him.

You’re forgiven.

*~*~*~*

“Historians say that the son’s death was the point of no return for Ivan.” A cradling of the arms and a Cat’s Cradle are the same; they both trap those within them.

Eyes are still eyes, whether they are real or not. Ivan the Terrible’s show a thousand tragedies and a thousand other faces his destiny could have worn, if he pushed the other one aside, if he had the strength to.

“Just like how Ivan was his son’s undoing, his son was also his.”

*~*~*~*

“...Would you ever kill for me?”

Violence is often not the only path Chrollo can choose to take. His words can be another, albeit that road will be much longer, and less smooth.

Who knows what he will choose when the hour of the heist comes to fruition when the art can finally be grasped and never let go of?

Which path do you prefer?

Which path does he prefer?

Do you prefer to be threatened with sweet honey that sticks to your skin or is so hot that it burns it?

“Of course, my dear.”

What you find grotesque, like the way the topic of violence is spoken so naturally from you and him, Chrollo always seems to find beautiful, like the way your moving lips are so lush.

…

Paintings are often just a reflection of how the world is, after all.

Hayloft.

Yan Mahito x GN Reader.

Synopsis: Mahito wants to farm.

Warnings: Yandere themes, kidnapping, Mahito as his own warning, implied minor character death, and implications of violence/forced cannibalism.

Word Count: 800.

*~*~*~*

“Sounds fun! Looks so too!”

Mahito’s fingers tap and tap on the glass, unsurprisingly never leaving any fingerprints or smudges. He is a curse, after all. It makes sense. Not that you have to be reminded of such, with how little he knows of human culture, the world at large, or with how much he shapeshifts into a disembodied head at night to scare half-awake you. 

You are both sitting on a giant bean bag in the shape of a green slime of all things that Mahito brought in an hour or so earlier. Mahito, as expected, takes up most of it with a malformed arm wrapped around your shoulders and back. 

In your hands is a Nintendo Switch, the sticker case on the joycons, and the screen itself somewhat peeling off, but still the pink bunny and strawberry drawing designs stay intact.

The YouTube app is on, showing a playthrough of Stardew Valley. This part of the sewers had two bars of wifi from the little ramen place above it, something you are grateful for in some aspect. Because of it, you have one more piece of entertainment that is now Mahito bringing you back stale snacks and stuffed animals (that you pray to whatever higher power that they were not alive before Mahito got his hands on them) and nearly smothering you with hugs. 

This is calming. When you just read the dialogue of the characters and listen to the music and pay attention to the satisfying sight of the farmer planting pumpkin seeds and apple tree saplings, it is calming, you are calm, Mahito is, at least partially, calm.

Mahito wanted something to watch today and brought the Nintendo Switch for you to play with as he simply observes. It could be worse, you reminded yourself before you attempted to protest, stopping yourself. It could be much worse. He could turn you into the Nintendo Switch, or much, much worse.

It can be so much worse. He can be so much worse. Your life as a captive can be so much worse. Everything can be so much worse. That is a line you never want to cross because everything can be so, so much worse than it already is.

Mahito raises his free hand, and you pause the video, just as you were taught to. He then points again at the field of two-dimensional, square-like crops all in multiple rows of hoed soil. 

It’s springtime in the game, you think, from how the cherry trees have pink blossoms and petals falling onto nearby ground all around it.

Mahito counts with his fingertip, jumping from one plant to the next and then from one row to the next.

He whistles, and it makes you flinch because that is the same noise he makes whenever you scream, a reaction to when he brings a body part of someone you loved here, throwing it down beside the small dog bed you were given for good behavior, the blood staining the fabric as it falls with a grotesque, sort of plopping sound.

If Mahito wants to grow vegetables and fruit in the few places this sewer has sunlight, he can be your guest.

“Potato, cauliflower, garlic… green beans, kale, parsnips, rhubarb, strawberries…” He says each word like he has never heard of them before. Considering he has never really set foot in a grocery or convenience store for anything other than chips, it is not all that surprising. With another wave of his hand, you rewind it to the moment where the farmer character starts watering the seeds when they are freshly planted. He waits. So do you. “Sounds good! We can make some cheese cauliflower, parsnip soup, pizza, hashbrowns… just imagine it! Yum… I can just picture it now.”

With yet another wave of his hand, you stand up and so does he. Relief goes through you, like a ghost, both horrifying you and making you feel the smallest bit of hope that for once Mahito can act normal.

…

“M-Mahito, vegetables don’t grow that fast.” You say, looking down at the plate of baked fish with what smells like kale and garlic underneath, along with lemon and salt. “H-How-”

“It’s simply the power of love!” Mahito exclaims, inhaling loudly to smell the dish in front of you two. He sighs softly. “A pure demonstration of my love, all I do for you, and all I will do for you in the future.”

You could have sworn that there was the smallest voice from the fish if Mahito’s bragging of how much work went into making you a dish from Stardew Valley was not so loud.

Help me.

“Dig in, cutie!”

You would do anything for Mahito’s grin to not turn into a frown, so you pick up your fork with trembling, scarred hands.

You can only reblog this today.

Hello!!

I just wanted to say that I very recently stumbled across your Chrollo yandere analysis and completely fell in love. I’ve binge read all of your writings for him and just want to say thank you!!

The way that you write him is so haunting, unsettling and wildly attractive! I can’t wait to keep reading ♡

gasp!!!!!! (happy noises)

mr chrollo sure is a character… he is like a seastorm and you never know when the tides will swoop in, much the less what lurks underneath the seawater. could be jewels, relics of the past, an existential crisis… you never know what’s going to happen. that’s the thrill of it, i think. darling never knows what he is going to do next, how much he knows, and that adds to the lucilferhorror™️ experience. even he doesn’t know what he is going to do, deep down, as he has no sense of identity himself.

psychological horror is a huge love of mine, so hopefully i’ll be able to do it justice in later works with chrollo and other characters! there is just this fear of the unknown that is so tempting to write for…

especially when it comes to hier encore darling, i feel that her relationship with chrollo definitely has some psychological horror potential. she’s definitely going to be returning soon and that’s one of the many reasons she is! just a conniving protagonist combined with a just as conniving antagonist… my pride and joy of a trope. my favorite wine, literal ambrosia from the yandere gods themselves… nom nom. gulp gulp.

she’s gonna be in for hell when she does return, though…