Vintage Disney - Tumblr Posts
I asked myself for a moment why they didn’t have belly buttons, then I remembered that f I s h a r e n ‘ t m a m m l e s
Peter Pan (1953)
Alice in Wonderland (1951) Alice and Dinah concept paintings by Mary Blair
Alice in Wonderland (1951) Alice and Dinah concept paintings by Mary Blair
THE SHAGGY D.A. (Dir: Robert Stevenson, 1976).
This kooky canine comedy from Walt Disney Productions was the belated sequel to hit The Shaggy Dog (Charles Barton, 1959).
Following on from the events of the original movie, now adult Wilby Daniels is now a successful lawyer, his dog morphing days behind him. However, the ancient cursed ring which turned him into a Bratislavian Sheepdog has been stolen from a local museum by some crooks in the pay of unscrupulous politician 'Honest' John Slade. With incredibly unfortunate timing, this occurs just as Daniels is about to run against Slade in a local election for the position of District Attorney. Daniels must run his campaign and try to get the ring back from Slade, whilst proving him corrupt. All the time running the risk of inadvertently turning into a sheepdog!
Replacing Tommy Kirk in role of Wilby Daniels from the original movie is Disney regular Dean Jones. Jones is appealing as ever, displaying his considerable talent for quirky comedy. Reunited with Jones in their 3rd film together is the equally appealing Suzanne Pleshette. With less to do than Jones, she still makes a good impression as the understanding Mrs Daniels.
Don Tait's screenplay, suggested by the Felix Salten novel The Hound of Florence, is his 5th screenplay for the studio and adheres rigidly to the cookie cutter approach adopted by Disney in this era. True to form, we have some broad slapstick humour, the inevitable car chase and the expected police car pile up. All achieved by some unconvincing back projection. Director Robert Stevenson had a 20 year association with the studio and this was to be his last feature before retiring. Responsible for classics such as Old Yeller (1957) and Mary Poppins (1964), The Shaggy D.A. must be regarded as one of his lesser works.
Still, I enjoyed this film as a child and get a nostalgic kick out of it as an adult. It doesn't quite live up to the weird and wonderful original but is certainly worth a watch if you like this sort of thing. Not quite Best in Show then, but a likeable mutt of a movie nonetheless.
Visit my blog JINGLE BONES MOVIE TIME for a longer, more in-depth review of The Shaggy D.A. Link below.
THE PARENT TRAP (Dir: David Swift, 1961).
Hayley Mills' second movie for Walt Disney is also arguably her best for the studio. Indeed, nearly 60 years after release it remains one of the studio’s most popular and well regarded live action features.
Based upon Erich Kästner’s German language novel 'Das Doppelte Lottchen' (Lisa and Lottie) The Parent Trap tells the story of identical twin sisters Susan and Sharon (both played by Mills) who are separated at birth by their divorced parents. Thirteen years later they meet at summer camp and decided to switch places on their folks, knowing that they would have to meet up again in order to switch them back and hopefully reconcile their romance. So Susan heads to Boston to meet mom (Maureen O'Hara), while Sharon jets off to stay with dad (Brian Keith) at his sprawling California ranch. With unfortunate timing dad is just about to wed gold digging platinum blonde Vicky (Joanna Barnes), with whom he is besotted, forcing the twins to plot ever more elaborate schemes to 'submarine' Vicky and save their parents marriage.
While its plot is far fetched to say the least, the movie is executed with such skill and warmth that disbelief happily takes a vacation.
Maureen O’Hara was never lovelier than she is here and Brian Keith was never more lovably oafish. Of course the real star is Mills in her duel role as the twins. Her deft performance displays genuine charisma and expert comedy timing in what is only her third screen appearance.
Save for the odd bit of obvious back project, the pre-digital effects are excellent; the movie would be far less effective if they were not. The trick photography that allows two Hayleys to appear on screen together is astonishing and completely believable.
Perhaps The Parent Trap’s greatest achievement is that it works as a sophisticated romcom for adult audiences just as well as it does a slapstick comedy for kids. If you have never seen The Parent Trap or haven’t seen in a while, I highly recommend giving it a watch. It is a comedy gem whose warmth and charm is hard to resist!
Check out my blog JINGLE BONES MOVIE TIME for a longer, more in-depth review of The Parent Trap! Link below.
Background art for Lady and the Tramp (1955) by Claude Coats
Concept art for Peter Pan (1953) by Mary Blair
Background art for Lady and the Tramp (1955) by Claude Coats
Actors Helene Stanley and Jeffrey Stone’s live-action reference footage for Cinderella (1950)
Cinderella and Prince Charming dancing in the clouds in these early explorations of the song sequence "So This Is Love" by Mary Blair