Margaret Atwood - Tumblr Posts - Page 2
I do give value. Like preachers, I sell vision, like perfume ads, desire or its facsimile. Like jokes or war, it's all in the timing. I sell men back their worse suspicions: that everything's for sale, and piecemeal.
"Helen of Troy Does Countertop Dancing" by Margaret Atwood
Margaret Atwood: femininity is a performance art course you will never graduate from and man is your audience
me: holy shit
the small but growing Mitski on my shoulder: femininity might be a performance art we will never be free of, but because you are aware of this, sometimes you will seek to perform only for yourself and no one else, and by that, we are starting to break free
me, sobbing: thank you, Mitski of my consciousness
Corpse Song, Margaret Atwood
[ID: I exist in two places, / here and where you are.]
Margaret Atwood, from a poem titled "Tricks With Mirrors," featured in You Are Happy
Margaret Atwood, from a poem titled "Tricks With Mirrors," featured in You Are Happy
Books similar to The Handmaid's Tale by Margaret Atwood:
The Grace Year by Kim Liggett and Extasia by Claire Legrand are both distopyas dense of religious fanatism and women's segregation, in which sexism and sexual prejudice are associated with various aspects of religion (e.g. belief, faith, and fundamentalism). This novel shows also how higher religious fundamentalism is associated with internalized misogyny and passive acceptance of traditional gender roles, and both hostile and benevolent sexism.
In The Grace Year the stereotype of a women as source of sin was laid down by the dominant religious authorities before the inception of widespread violence led by women against women, but after all the violence and blood, women learn the importance of sorority, female friendship and start to support and help each others.
The main source of conflicts are ribbons, which, in The Grace Year, are the sign of a women lifestage and the bride's ribbon is a valued price among most of the girls of the age of Tierney, the protagonist. The bride ribbons create a competition between girls to get bachelor’s attention, self-objectification, and humiliation toward each others. Although the competition eventually destroys most of them, this characteristic offers pleasure to those who survived their Grace Year. Tierney learns to survive on her own, learns that the religious values she was thought were wrong and learns also to appreciate her peer's friendship.
Extasia adds witchcraft and supernatural elements, but the main character (Amity) believes deeply in social conservatism—Amity has a preference for stability, conformity and the status quo— which is often a key trait of the religious experience, but also betrays deep feeling of self-hate.
In Extasia, the very patriarchal structures that decry witchcraft – the Puritan church in which the characters lives in and escapes from, the male headship to which the community so desperately cling, the insistence, in the face of repeated violence, on the sin of her mother – are the same structures that inevitably foreclose the options of the lead character, Amity.
To this two, I will mention also The Year Of The Witching by Alexis Henderson. In this novel, Immanuelle, a young woman living in a rigid, puritanical society, discovers dark powers within herself. This book is very similar to Extasia, but not such as good: Amity character is way more believable than Immanuelle and shows way more comprehension of the injustices committed in the name of the religion. The cult in Extasia contains more original elements and believing than the one in The Year Of The Witching, which seems more a copy-paste of mormon radical close-communities, including the elements of racial prejudice. Both Immanuelle and Amity live in the disdain of their own community because of the sins committed by their mother, which were both punished for their love affairs, but when Amity is a girl-of-action and actively search for mercy and witchcraft, Immanuelle is cursed - literally - by passivity and events occurs without her active consents, including the defection of the evil antagonist. Also, female friendship doesn't take place among the main themes and the book suffer a lot of the male love-interest help.
The Grace Year by Kim Liggett
No one speaks of the grace year. It’s forbidden.
In Garner County, girls are told they have the power to lure grown men from their beds, to drive women mad with jealousy. They believe their very skin emits a powerful aphrodisiac, the potent essence of youth, of a girl on the edge of womanhood. That’s why they’re banished for their sixteenth year, to release their magic into the wild so they can return purified and ready for marriage. But not all of them will make it home alive.
Sixteen-year-old Tierney James dreams of a better life—a society that doesn’t pit friend against friend or woman against woman, but as her own grace year draws near, she quickly realizes that it’s not just the brutal elements they must fear. It’s not even the poachers in the woods, men who are waiting for a chance to grab one of the girls in order to make a fortune on the black market. Their greatest threat may very well be each other.
With sharp prose and gritty realism, The Grace Year examines the complex and sometimes twisted relationships between girls, the women they eventually become, and the difficult decisions they make in-between.
Extasia by Claire Legrand
Her name is unimportant.
All you must know is that today she will become one of the four saints of Haven. The elders will mark her and place the red hood on her head. With her sisters, she will stand against the evil power that lives beneath the black mountain--an evil which has already killed nine of her village's men.
She will tell no one of the white-eyed beasts that follow her. Or the faceless gray women tall as houses. Or the girls she saw kissing in the elm grove.
Today she will be a saint of Haven. She will rid her family of her mother's shame at last and save her people from destruction. She is not afraid. Are you?
The Year Of The Witching by Alexis Henderson
In the lands of Bethel, where the Prophet’s word is law, Immanuelle Moore’s very existence is blasphemy. Her mother’s union with an outsider of a different race cast her once-proud family into disgrace, so Immanuelle does her best to worship the Father, follow Holy Protocol, and lead a life of submission, devotion, and absolute conformity, like all the other women in the settlement. But a mishap lures her into the forbidden Darkwood surrounding Bethel, where the first prophet once chased and killed four powerful witches. Their spirits are still lurking there, and they bestow a gift on Immanuelle: the journal of her dead mother, who Immanuelle is shocked to learn once sought sanctuary in the wood. Fascinated by the secrets in the diary, Immanuelle finds herself struggling to understand how her mother could have consorted with the witches. But when she begins to learn grim truths about the Church and its history, she realizes the true threat to Bethel is its own darkness. And she starts to understand that if Bethel is to change, it must begin with her.
― Margaret Atwood, You are Happy
Famous writers and the books they can't live without
All these answers are taken from BBC's Podcast "Desert Island Discs", where famous artists share the one book they would take with them to a deserted island.
Neil Gaiman - The Book of the New Sun by Gene Wolfe
Margaret Atwood - Stories from 1001 Arabian Nights
Maggie O'Farrell - Selected Stories by Alice Munro
Colm Toibin - The portrait of a Lady by Henry James
Stephen Fry - Four Quartets by T.S.Eliot
Tennessee Williams - Poetry by Hart Crane
Roald Dahl - The New Oxford Book of English Verse by Helen Gardner
Helen Fielding - Pride and Prejudice by Jane Austen
Patricia Highsmith - Moby Dick by Herman Melville
Zadie Smith - Remembrence of Things past by Marcel Proust
glass, irony and good, anne carson // margaret atwood // enough, suzanne buffam // linnea paskow // in conversation: kathleen turner, david marchese // haunted womanhood, heather havrilesky // where to begin, sue zhao // the stream of life, clarice lisepector