#wylans Lil Goggles Appreciation Post

#wylan’s lil goggles appreciation post

JACK WOLFE as WYLAN HENDRIKS in SHADOW AND BONE (2021—)

"I promise, Matthias. I'll take you home."

"Nina," he said, pressing her hand to his heart. "I am already home."

Your name has echoed through my mind

And I just think you should, think you should know

That nothing safe is worth the drive

And I will follow you, follow you home

I'll follow you, follow you home

( kanej healing ❤️‍🩹 nation rise up !!!!! )

THIS!!! So many people fail to recognise that the way we interact with media significantly influences the way we interact with the real world. Fiction exposes us to experiences we may not have experienced ourselves or ever will experience to build empathy, and ridiculing characters who have certain behaviours or conditions can be so patronising and damaging to those in real life who experience those same things. People can just be so immature and insensitive sometimes, and I think that stems from them being unwilling to acknowledge that fiction parallels and influences real-life encounters.

when somebody defends a character it is because that character has behaviors or conditions that real people have and when you make fun of that behavior or condition you are failing to acknowledge that. “it’s not that deep!” Maybe not to you, but somebody else has been bullied or put down for that same trait you’re joking about. “It’s fictional!” Fiction parallels real life. Be mindful about the way you interact with media <3

Jack Wolfe as Gabe Goodman

So I've had a few "Tell me everything!" responses to my recent post about the Donmar Warehouse's stunning new production of Next to Normal. Knowing the audience here, I'll narrow my focus to writing about what I know my fellow 'Six of Crows' fans will most want to hear - Jack's role as Gabe. I won't be recapping the show itself, as I assume most folks reading this will have listened to the soundtrack, read the script, or watched a Broadway bootleg. Or at least I hope so, because below you will find MAJOR SPOILERS for Next to Normal and specifically the Donmar's staging of it.

Gabe is introduced to us as the Goodman's teenage son, who seemingly has a close affectionate relationship with his mother, Diana, but frosty relationships with his father Dan and sister Natalie, neither of whom acknowledge his presence. About thirty minutes in we are shown exactly why. Diana brings out an 18th birthday cake when the family have Nat's boyfriend Henry over for dinner and it is revealed that today would have been Gabe's birthday...if he'd been alive. But Gabe died when he was a baby and Diana has only been imagining him growing up all these years.

Up until this point, Jack has been playing Gabe as a cheeky rebellious teenager, but when he slinks back on stage to blow out the candles on his cake, he becomes a much more ethereal and impish presence. In I Am The One, his expression transforms from sweet and devoted when singing to his mom, to menacing and malevolent when singing to his dad. Gabe manifests as different personas for each member of his family and it's thrilling to watch as Jack shifts between them all. When Natalie comes downstairs to sing Superboy and the Invisible Girl we see Gabe as the cocky conceited older sibling, who seems to revel in being their mother's favorite.

In her next therapy session, Diana is asked to speak about her son and this is when we get Gabe's showstopping I'm Alive solo. This number really did raise the roof. I'll admit when I saw videos of Jack singing it at Tom Kitt's concert, I was worried he wasn't giving the song the necessary attack. But on stage he goes absolutely full-throttle with it. He starts at the top of the stairs with a mic stand, looking like the frontman of a rock band, then he brings the mic down, roaming all over the floor. At one point in the song, Natalie and Dan have an argument and Gabe comes to stand between them, looking amused as he passes the mic between them. However Gabe starts to lose some of his swagger as Diana's doctor suggests that - as 18 is the age that children typically leave home - maybe Diana should think about her son this way and finally let him go.

In the next scene, Diana is in the kitchen, clearing out Gabe's things. She holds up a baby-grow and then starts playing a music box she used to use to help Gabe to sleep. Gabe comes down the stairs with a rucksack and duffle bag, like he's a kid being kicked out of the house by his parents. Diana can't seem to go through with it as she pulls him into a dance and they end up hugging with Gabe's head tucked under his mother's chin, like a needy child. This leads into There's a World, a hauntingly beautiful song with a very sinister undertone as we learn this is Gabe leading Diana towards a suicide attempt. This song and Catch Me I'm Falling are an excellent display of Jack's high range (he'd make a wonderful Orpheus in Hadestown - the UK production is coming next year, so...please??)

Following the suicide attempt, Diana is given shock therapy and consequently loses her memories of the last eighteen years. In the early part of Act 2 and for the song Aftershocks, Gabe is up in one of the upstairs rooms, like he's been locked in a cell - not gone, but no longer able to get to Diana. When Diana finds and plays Gabe's music box, there's this very chilling sight of Gabe's silhouette, his hands pressing to the screen, as he sings along to the melody. The lighting here is eerily reminiscent of a sonogram. When Diana regains her memory of her lost son, Gabe breaks free of the room, comes down the stairs to sing his I'm Alive (Reprise) from on top of the kitchen counter. After his wife's relapse, Dan crumbles to the floor, his back pressed to the kitchen counter. Gabe disappears behind the other side of the counter, and (I'm told, I couldn't see from my angle) he sits in the same position as Dan. They both stay like this for about 15mins while scenes with Diana, Nat and Henry take place.

As Diana leaves, Dan finally rises from the floor and begins singing his I am the One (Reprise). In other videos of this song that I have seen, Gabe is played quite aggressively, stalking around Dan, goading his father into acknowledging him. Jack does this scene very differently and effectively. He stays behind the counter, his eyes downcast, his manner meek as if quietly pleading for his father's attention. When Dan yells out "Why didn't you go with her?!" Gabe leaps up onto the counter and throws his arms around Dan, desperately clinging to him. When they get to the chorus, Dan turns round to face Gabe, gripping his arms. Then at the end, Dan staggers back and tearfully says his son's name for the first time. When Gabe responds with his "Hi Dad", Jack's face his full of shocked awe. He plays it like a child realizing the father he thought hated him, loved him all along. It's a devastating moment that had everyone in tears.

After the song, Dan reaches out a hand towards Gabe, but he stops as Natalie comes downstairs. Dan tells Nat her mother has left and Nat asks him - "So it's just me and you for now?" and there's a hesitation where Dan glances at Gabe, who is still sitting on the counter. When Dan finally answers yes, it's just the two of them, Gabe's expression is accepting, not resentful like earlier in the show. As he leaves to go upstairs, Gabe gently touches Nat's hand, almost like an apology. Natalie gives the slightest reaction, as if she is sensing something. It's a beautiful resolve to Gabe's role, and when he appears for the last time for his verse in Light, he no longer feels like a malevolent spirit, but more like this serene angel watching over his family as they all try to heal and go on with lives.

This is honestly a star-making performance from Jack as a young musical theatre actor. And as much as I want Jack and the other Crows actors to be off filming their spinoff show once the strikes are resolved, I also feel strongly that Jack belongs on the stage. Between his acting, his presence and his vocals, he's sure to be a performer in demand in the West End. Here's hoping there's award nominations to come. He's deserving of them.