This Is Like The Opening Of An OTP Sports!AU Prompt. Mostly I Am Curious About The Gap Between The Second

This is like the opening of an OTP Sports!AU prompt.  Mostly I am curious about the gap between the second in third gifs.  Because I could swear that Blue is reaching for Yellow's breast in second gif and they are both smiling and helping each other up in the third.  What happened in between?  And why are they so happy?

OKAY OKAY OKAY I KNOW THERE ARE SO MANY FANDOMS STARTING NOW, LIKE THE SINK FANDOM AND THE TREEHOUSE FANDOM AND THE BLANKET FORT FANDOM, BUT YOU ARE ALL MISSING ONE. 

SECRET 

FREAKIN’

ROOMS

LIKE

PEOPLE

BUILD ROOMS

WITHIN ROOMS

BUT THEY AREN’T LIMITED TO INSIDE THE HOME

THAT’S RIGHT

THERE ARE SECRET ROOMS FOR CARS

HONESTLY THOUGH

YOU EITHER LIKE SECRET ROOMS

OR YOU’RE WRONG

My mom does this all the time.  She has learned to either pause the movie or wait patiently until the end.  I have learned that well we both have the same information (because we have seen and heard the same movie to the same point in time) I often make connections between character motivations and plot emphasis that she does not.  Not that all my connections are correct.  This is not because of we spent the last twenty minutes learning the same information, this is because we spent the last twenty years experiencing different events.

So well it may annoy me to have her ask fifteen minutes into the movie "what are they doing?" I have annoyed her a few times by replying "they are going to so and so's room where Person A is going to discover Plot Device A which will, in about an hour, prove that Person B really did Bad Thing 1.  Then Person B is going to 'force' Person A to kill them.  But pay attention to the dog, that shit's going to be hilarious." (which inevitably leads to accusations of me having watched 'this' before and me explaining "no, I saw the trailer.  Did you not see the trailer?")

I hate when people ask questions during movies like do you not understand that the movie purposly doesn’t tell you things in order to build suspense

I think the Joker has a point, one that is particularly relevant to the status quo of OUAT.

The Way Things Are in FTL follows a certain narrative. It goes like this: a special person gets pulled into extraordinary circumstances where they face and overcome obstacles then get rewarded with their happy ending. In the context of that narrative, any kind of horror is acceptable provided that it reinforces how special the designated hero is and/or the story results in a happy ending.

You may have noticed that I don’t mention good and evil. That’s deliberate. Because this story is not about good and evil, not at its core. If it was, a lot more attention would have been paid to people like King George, the Blind Witch, and all those dark souls whose hair went into casting the Dark Curse. If Regina put up wanted posters demanding the heart of some bandit, or if the kingdom started drafting 14-year-olds for the Ogre Wars, Part Two, nobody would say or do much about it. But try to kill one little princess, and your name gets replaced with a moniker like the Evil Queen. Even in the case of Rumpelstiltskin, nobody gave a fuck what he was doing until his deals put Cinderella’s child at risk, and only then after she became royalty via marriage.

But the Evil Queen does not passively accept her defeat and slink back into the shadows, perhaps becoming a scary story told to children to keep them in line. Oh, no. She resists the role the dominant narrative tries to force on her and demands to be seen and heard as a person in her own right and not just as a character in somebody else’s story. 

And THAT is why she had to be dealt with.

Fake Movie: Something More [staring Kristen Stewart and Natalie Dormer]. Kate [Kristen Stewart] comes home from Iraq with no where to come home too as her ex girlfriend broke up with her when she was overseas. Lucy [Natalie Dormer] is Kate’s sister’s friend who offers her a place to call home, and pay rent. The two are instantly attracted but afraid to act on their feelings. Once they do, both are scared and propose friends with benefits. But they didn’t plan on falling in love.

Someone needs to lock Bastille in the studio until they’ve succesfully covered every song in the Western Pop Canon.